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​Living Next to Lyceum

This housing project, boasting a water channel, a landscaped park of its own, and the proximity to the renovated “Imperial Steam Engine Shed”, is one of the three finalists of the competition organized by the client.

02 November 2016
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In the city of Pushkin (Saint-Petersburg area), near the Tsarskoye Selo museum, a new housing project was supposed to be built. A closed competition for the best proposal was organized with twelve architectural companies participating in it, the whole thing happening within a really short timeframe of a month and a half. The concept developed by Arkhstroydesign headed by Aleksey Ivanov was among the three finalists.

Residential area in Pushkin. Birds-eye view. Project, 2016 © Arkhstroydesign ASD
Residential area in Pushkin. Birds-eye view. Project, 2016 © Arkhstroydesign ASD


The land site of an irregular elongated shape that looks like a lady’s shoe turned upside down is situated next to the Aleksandrovsky Park with the Ekaterininsky Palace and the Tsarskoye Selo complex. At the south end, the site borders on the Kuzminskoe Highway. A little distance away from its northern border, the Kuzminka River flows. The territory, upon which the new housing project will be built, still has on it the surviving buildings of the old railway station. Still in the late XIX century, this place got the first Imperial Pavilion that hosted the trains arriving to the Tsarskoye Selo. After the fire, in 1911, the place where the burned-down pavilion once stood got a new building designed by Vladimir Pokrovsky. By degrees, it got surrounded by the maintenance facilities that were used for repairing and servicing the imperial locomotives. During the soviet time, the railway station was renamed to become the “Uritsky Pavilion”, and since 1930 it housed the Pushkin Railway Repair and Engineering Works.

Residential area in Pushkin. Location plan. Project, 2016 © Arkhstroydesign ASD


Residential area in Pushkin. Master plan. Project, 2016 © Arkhstroydesign ASD


Residential area in Pushkin. Marks of the master plan. Project, 2016 © Arkhstroydesign ASD


Residential area in Pushkin. Morphology of the master plan. Project, 2016 © Arkhstroydesign ASD


Residential area in Pushkin. Integration diagram . Project, 2016 © Arkhstroydesign ASD


Residential area in Pushkin. Stages of developing the master plan. Tsarskoye Selo - Pushkin . Project, 2016 © Arkhstroydesign ASD


In accordance with the competition brief, most of the surviving factory buildings are to be torn down. Some of them will be renovated to fit the new function. In Aleksey Ivanov’s project, the existing buildings that occupy the entire south end of the site are included into the housing complex being adapted to function as administrative or office centers, while the grand “Imperial Steam Engine Shed” becomes the local community center.

Residential area in Pushkin. Key plan. Project, 2016 © Arkhstroydesign ASD


Residential area in Pushkin. Traffic pattern . Project, 2016 © Arkhstroydesign ASD


Residential area in Pushkin. Layout. Project, 2016 © Arkhstroydesign ASD


Residential area in Pushkin. Birds-eye view. Project, 2016 © Arkhstroydesign ASD


Most of the territory is occupied by the residential blocks that form semi-closed-type little green yards turned in the direction of the central park that crosses the entire land site from north to south. The residential environment is completely vehicle-free, the automobile road tracing the perimeter of the site. The author of the project Aleksey Ivanov likens this ring road to the earth ramp that used to serve as the protector for medieval cities. The parking places also got a peripheral location. This way, the inside environment of the complex gets a maximum of safety and convenience. Aleksey Ivanov admits that the fashionable but used-all-too-often idea of residential blocks still proved to be the best choice for this project and its historical surroundings. “All the master plans developed at different times for Tsarskoye Selo were based on the gridiron plan, sometimes referred to as “Hippodamus grid pattern”, thus keeping up the historical structure – Aleksey Ivanov explains – we took the same path but what makes us different is the fact that we entered the environment at a slightly different angle, which was dictated by the borders of the plot, and the street pattern. The difference was no more than 18 degrees which exactly coincides with the Saint Petersburg grid. So, what we ultimately got was something like the capital merging with the provinces”.

Residential area in Pushkin. Fragment of landscaping. Project, 2016 © Arkhstroydesign ASD


Residential area in Pushkin. The channel as a trace of the railway lines. Project, 2016 © Arkhstroydesign ASD


Special attention was paid to the orientation of the project and its interaction with the surrounding context. For one, the main “park” axis of the residential area coincides with the direction of the Moscow - Saint Petersburg highway and opens up to the Alexandrovsky Park and the Imperial Railway Station on its one end, and to the Kuzminka riverbed on the other, where later on a recreational area can be organized.

Residential area in Pushkin. Functional diagram. Project, 2016 © Arkhstroydesign ASD


The neat rows of the residential houses, whose height lowers towards the center from six to four floors, are cut in two by a water channel. The channel with landscaped banks, arched pedestrian bridges, strings of streetlights, and elegant benches, very much in the spirit of Saint Petersburg, begins at the walls of the renovated “Steam Engine Shed” and ends almost at the north border of the site. Such solution was proposed by the authors as an alternative to the regular pedestrian promenade. Currently, the territory where the designed channel will run is occupied by dead-end and long-since-abandoned railway lines. According to the plan, these lines will be taken apart, the soil will be re-cultivated, and the channel, that follows their straight line of direction will become the landscape monument to the history of this place. For the same purpose, the architects plan to restore a section of railway line, put it up above the water, and place upon it a repair track machine that was assembled at the Pushkin Railway Repair and Engineering Works during the soviet times.

Residential area in Pushkin. amenities and landscaping diagram. Project, 2016 © Arkhstroydesign ASD


Residential area in Pushkin. The version of the park with a pedestrian promenade. Project, 2016 © Arkhstroydesign ASD


Residential area in Pushkin. Hiking trail diagram. Project, 2016 © Arkhstroydesign ASD


The concrete bed of the channel is surrounded on both sides with a green park that is divided into several thematic elements: the children’s zone with playgrounds, the sports zone, the exotic, and the regular park. The pedestrian waterfronts lead to the central semicircular square located closer to the north of the site in its wider part. On the square that is enclosed in the semicircle of trees and shrubs, there are fair tents, a children’s center, and recreation areas. Still further on in the northwest, beyond the border of the residential construction zone, there is an area for the school and a kindergarten. These two have a restricted-access territory and a sports complex of their own. The school functions as a buffer zone of sorts between the residential houses and the adjacent warehouse territory. At the same time, these school sports and playgrounds face the river and the forest providing the students with a great view.

Residential area in Pushkin. Layout. Project, 2016 © Arkhstroydesign ASD


Residential area in Pushkin. View of the Cathedral Square. Project, 2016 © Arkhstroydesign ASD


Residential area in Pushkin. View of the Cathedral Square. Project, 2016 © Arkhstroydesign ASD


The main public territory is organized on the side of the Kuzminskoye Highway next to the walls of the “Steam Engine Shed”. In addition to the renovated historical buildings, it is planned that the broad Cathedral Square will include a small chapel in the pseudo-Russian style, characteristic of the early XX century. Behind it, there is a plot where residential lofts will be built. This fragment of contemporary construction responds to the existing industrial context and enters into a dialogue with it. However, employing its scale and form, instead of the traditional brown brick, the designers proposed to use a more neutral gray-green brick, hand-formed. 

Residential area in Pushkin. View of the lofts from the park. Project, 2016 © Arkhstroydesign ASD


Residential area in Pushkin. View of the residential area from the channel. Project, 2016 © Arkhstroydesign ASD


Residential area in Pushkin. View of the residential area from the skating rink. Project, 2016 © Arkhstroydesign ASD


Residential area in Pushkin. View of the residential blocks from the Cathedral Square. Project, 2016 © Arkhstroydesign ASD


Quite a different matter is the residential blocks inside of the land site. They are nothing like the place’s industrial past. At the same time, the modern motifs get along quite well with the so-called historicism. The competition brief required that the new housing area stylistically correspond to the historical architecture of Saint Petersburg which generally did not contradict the block master plan developed by Aleksey Ivanov. However, “historicism” only manifests itself here along the perimeter of the land site. Here, on the street façades of the houses one can see the characteristic classical segmentation, horizontal cornices, pitched roofs, and the three-color palette. The dry historical façades are offset by the modern ones on the yard side – with large window apertures, floor-to-ceiling glazing, deep stanzas, long balcony railings, and the shifted pillars and lintels of the top floors. Each of the blocks has an individual design with little yet quite noticeable accents.

Residential area in Pushkin. View of the residential area. Project, 2016 © Arkhstroydesign ASD


Residential area in Pushkin. View of the park and the channel. Project, 2016 © Arkhstroydesign ASD


This combination of seemingly incompatible styles forms a diverse environment based on type-design practice. According to the author, the rationality of the approach, the construction schedule (four stages are proposed), and the type-design are the benefits that make this project quite implementable. Nevertheless, Aleksey Ivanov confesses that he is not really counting on implementation. The project has died down. As is often the case, things didn't go any further than the competition stage.
Residential area in Pushkin. Сombined plan of utility networks. Project, 2016 © Arkhstroydesign ASD
Residential area in Pushkin. Plan of the first floor (a separately standing residential section). Project, 2016 © Arkhstroydesign ASD
Residential area in Pushkin. Plan of the typical floor (a separately standing residential section). Project, 2016 © Arkhstroydesign ASD
Residential area in Pushkin. Plan of the first floor (a corner residential section). Project, 2016 © Arkhstroydesign ASD


02 November 2016

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.