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The Birth of a Crystal

As one takes his first glance at the two residential and office towers of the new complex designed by "Asadov Architectural Bureau" next to the Timiryazevsky park, a flood of associations comes steaming in, one of them being that of primeval earth material, the other - of the crystal that it gave birth to.

09 February 2016
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To do the project justice, one must mention straight away that the park of the Timiryazevskaya Agricultural Academy is only within an arm's reach on the master plan: in actuality, the park and the designed complex are separated by a bunch of railroad tracks. From its opposite side, the hectare-strong land site is propped by a driveway and the residential buildings of the Akademika Ilyushina street, and squeezing into it the required 50 000 square meters of usable space turned out to be quite a tough call. Out of these, 20 thousand square meters fall on the hotel and office function each, the remaining ten occupied by a shopping mall.

Multifunctional complex and shopping mall at the Akademika Ilyushina Street © Asadov Architectural Bureau
Multifunctional complex and shopping mall at the Akademika Ilyushina Street. Location plan © Asadov Architectural Bureau


"As a result, we got a very peculiar kind of "shoulder-yoke", a "dumbbell" building with two weights on its ends - the residential and the office towers - and the connecting bar of the stylobate that hosts a shopping mall" - Andrew Asadov comments on his concept. Probably, yes, the two volumes of equal height (75 meters maximally allowed here, to be precise) could indeed offset each other like buckets of water or barbell weights. 

Not in the case of the Asadovs, though: the spirals, the intertwining bands, the snakes, the scallops, and the stars - this company's projects are almost always about large-scale voluminous figures that are prone to change beyond recognition when seen from different viewing angles. The narrow (in the literal sense of the word) constraints of the construction blueprint made the architects look for alternative ways of expressing their signature "breathtaking" dynamics - and that resulted in this meticulous (and at places even painstaking) work with the plastic of the façades. The close proximity of "Airbus" - the gigantic residential building designed by Vladimir Plotkin against the background of which the new residential complex stops looking all that massive - also left its mark on the Asadovs' project. "What we wanted to do was building, next to "Airbus", something that would be, on the one hand, proportionately large, and, on the other hand, more agile and dramatic in its material" - Andrew Asadov says. If we are to use stone (Flemish ceramics in this particular case) - then we use the rugged untreated type with cavities and concave spots, whose relief character is picked up by the line of the façades. If it's glass - then it's all about facets glittering in the sun". So the towers turned out to be far from identical: they are a family but not of the blood type - rather like husband and wife. As for the stylobate, from the standpoint of the facade materials, it has kept its "link" status: coated with the same Flemish ceramics, it also gets accents of large glass inserts.

Multifunctional complex and shopping mall at the Akademika Ilyushina Street © Asadov Architectural Bureau


Multifunctional complex and shopping mall at the Akademika Ilyushina Street © Asadov Architectural Bureau


Multifunctional complex and shopping mall at the Akademika Ilyushina Street © Asadov Architectural Bureau


Multifunctional complex and shopping mall at the Akademika Ilyushina Street © Asadov Architectural Bureau


So it turns out that the "living" earth material gives birth to a crystal of fine faceting - the architects planted it exactly at the junction of 8th of March and Akademika Ilyushina streets, at the spot where the glass 18-story volumes gets perfectly viewable from distant vantage points. The difference between the facade designs also highlighted the versatility of the complex: the residential tower is a stone "fortress", while the office one is more open and more transparent. Such prominent form of the crystal, by the way - and, as a consequence, the differences in the size and configuration of the floors - became possible thanks to the absence of necessity to zone the office premises all too strictly. Around the functional nucleus that is shifted a bit off-center, the offices are organized in accordance with the free planning principle.

Multifunctional complex and shopping mall at the Akademika Ilyushina Street © Asadov Architectural Bureau


Multifunctional complex and shopping mall at the Akademika Ilyushina Street. Details of the facade © Asadov Architectural Bureau


In the "stone" tower 21 stories high (the number of floors is different because of the difference of the thickness of the intermediate floors), the planning solutions are, on the contrary, strictly regulated. On the bottom floors, there will be a hotel with rooms from 35 to 90 square meters, while on the top floors - apartments (45-250 square meters), these apartments being not the kind that is often marketed as residential stock while in fact it is not but true long-stay apartments. 

And, finally, the retail stores occupy the second, the third, and part of the fourth floor of the stylobate. As for the first floor, it is almost fully occupied by the parking garage. If we are to take a look at the section view, we will be sure to see just what a challenge it was for the architects to squeeze the required number of car stalls here. In spite of the fact that the garage stretched beneath all the units, two of its levels designed as having two sub-floors each, the three underground levels turned out not to be enough to allocate the required number. Ultimately, the architects had to engage some of the first floor for the parking garage needs as well (plus thirty places to the four hundred seventy). 

Multifunctional complex and shopping mall at the Akademika Ilyushina Street. Plans of the first and second floors © Asadov Architectural Bureau


Multifunctional complex and shopping mall at the Akademika Ilyushina Street. Plans of the second and third floors © Asadov Architectural Bureau


Considering just how little was left of the land site after the complex was built upon it, the architects designed for all the vacant street territories some or other landscaping solution. At some places, this is just asphalt or concrete pavement. Along the northeast border of the building, however, from the side of the designed driveway and the other complex entrances, the architects designed a green parkway, rows of benches, and streetlights. And, next to the hotel building, on the mini-"piazza" formed by the corner cutaway, there is a curvilinear cotoneaster hedgerow. 

The main "oasis", however, is situated not on the ground but on the green roof on the fourth floor of the shopping center. In the conditions of the densely packed buildings and the investors' understandable desire to extract profits from each square meter of this expensive ground, such green roofs become all but the cure-all solution. In our case, the office workers and the hotel guests get a fully-fledged green territory. And the district overbuilt with predominantly rank-and-file typical buildings gets a new interesting architectural centerpiece. 
Multifunctional complex and shopping mall at the Akademika Ilyushina Street. General layout © Asadov Architectural Bureau
Multifunctional complex and shopping mall at the Akademika Ilyushina Street. Master plan © Asadov Architectural Bureau
Multifunctional complex and shopping mall at the Akademika Ilyushina Street. Plans of 4-9 floors © Asadov Architectural Bureau
Multifunctional complex and shopping mall at the Akademika Ilyushina Street. Section view © Asadov Architectural Bureau
Multifunctional complex and shopping mall at the Akademika Ilyushina Street. Facades © Asadov Architectural Bureau


09 February 2016

Headlines now
Health Factory
While working on a wellness and tourist complex on the banks of the Yenisei River, the architects at Vissarionov Studio set out to create healing spaces that would amplify the benefits of nature and medical treatments for both body and soul. The spatial solutions are designed to encourage interaction between the guests and the landscape, as well as each other.
Grace and Unity
Villa “Grace”, designed by Roman Leonidov’s studio and built in the Moscow suburbs, strikes a balance between elegant minimalism and the expansive gestures of the Russian soul. The main house is conceived as a sequence of four self-contained volumes – each could exist independently, yet it chooses to be part of a whole. Unity is achieved through color and a system of shared spaces, while the rich plasticity of the forms – refined throughout the construction process – compensates for the near-total absence of decorative elements.
Daring Brilliance
In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of Garden Quarters, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.
A Twist of the Core
A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.
The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.
Water and Wind Whet the Stone
The Arisha Terraces residential complex, designed by Asadov Architects, will be built in a district of Dubai dedicated to film and television production. To create shaded spaces and an intriguing silhouette, the architects opted for a funnel-shaped composition and nature-inspired forms of erosion and weathering. The roofs, podium, and underground spaces extend leisure opportunities within the boundaries of a man-made “oasis”.
Elevation 5642
The Genplan Institute of Moscow has developed a comprehensive development project for three ski resorts in the Caucasus, which have been designated as special economic zones of the tourism and recreation type. The first of these zones is Elbrus. The project includes the construction of new ski runs, cable cars, and hotels, as well as the modernization of stations and improvements to the Azau tourist meadow. To expand the audience and enhance year-round appeal, a network of eco-trails is also being developed. In this article, we provide a detailed breakdown of each stage.
The IT Town
Taking the example of the first completed phase of the “U” district, we examine how the new neighborhood in Innopolis will be organized. T+T Architects and HADAA formed a well-balanced and ingenious master plan with different types of housing, a green artery, a system of squares, and a park in the town’s central part.
The Heart Lies Within
The second-phase building of the Evgeny Primakov School already won multiple awards while still in the design stage. Now that it’s completed, some unfinished nuances remain – most notably, the exposed ceiling structures, which ideally should have been concealed. However, given the priority placed on the building’s volumetric composition, this does not seem critical. What matters more is the “Wow!” effect created by the space itself.
Magnetic Forces
“Krylatskaya 33” is the first large-scale residential complex to appear amidst the 1980s “micro-districts” that harmoniously coexist with the forests, the river, the slopes, and the sports infrastructure. Despite its imposing scale, the architects of Ostozhenka managed to turn the complex into something that can be best described as a “graceful dominant”. First, they designed the complex with consideration for the style and height of the surrounding micro-districts. Second, by introducing a pause in its tallest section, they created compositional tension – right along the urban planning axis of the area.
Orion’s Belt
The Stone Khodynka 2 office complex, designed by Kleinewelt Architekten for the company Stone, is built with an ergonomic layout following “healthy building” principles: natural light, ventilation, and all the necessary features for an efficient office environment. On the outside, it resembles – like many contemporary buildings – an iPhone: sleek, glowing, glass-and-metal, edges elegantly rounded. Yet, it responds sensitively to the Khodynka context, where the main theme is the contrast between vertical and horizontal lines. The key intrigue lies in the design of the “stylobate” as a suspended passage, leaving the space beneath it open for free pedestrian movement.
Grigory Revzin: “It Was a Bold Statement Made on the Sly. Something Won”
In this article, we discuss the debates surrounding the circus competition and the demolition of the CMEA building with the most renowned architectural critic of our time. A paradox emerges in the process: while nostalgia for the Brezhnev era seems to be in vogue in Russia, a landmark building – the “axis” of the Warsaw Pact – has been sentenced to demolition. Isn’t that strange? We also find out that wow-architecture has made a comeback as a post-COVID trend. However, to make a truly powerful statement, professionals still remain indispensable.
Exposed Concrete
One of the stages of improving a small square in the town of Lermontov was the construction of a skatepark. Entrusting this part of the project to the XSA team, the city gained a 250-meter trick track whose features resemble those of land art objects – unparalleled in Russia in both scale and design. Here’s a look at how the experimental snake run in the foothills of the Caucasus was built.
One Step Closer To the Dream
The challenges of getting all the mandatory approvals, an insufficient budget, and construction site difficulties did not prevent ASADOV Bureau from achieving its main goal in the realization of the school project in the town of Troitsk – taking another step away from outdated notions of educational spaces toward creating a fundamentally new academic environment.
Chalet on the Rock
An Accor hotel in Arkhyz, designed by A.Len, will be situated at the gateway to the resort’s main tourist hubs. The architects reinterpreted the widely popular chalet style while adding an unexpected twist – an unfinished structure preserved on the site. The design team transformed this remnant into an exciting space featuring an open-air pool and a restaurant with panoramic views of the region’s highest mountain ridges.
Sergey Skuratov: “By and large, the project has been realized in line with the original ideas”
In this issue, we talk to the chief architect of Garden Quarters, looking back at the history and key moments of a project that took 18 years to develop and has now finally been completed. What interests us most are the transformations that the project underwent during construction, and the way the “necessary void” of public space was formed, which turned this remarkable complex into a fragment of a whole new type of urban fabric – not just at the horizontal “street” level but in its vertical structure as well.
A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.