По-русски

At the Junction of Geometry and Landscape

The "main stage" of the new residential area designed by Aleksey Ivanov at a suburb of the city of Kirov will be presented by a natural park that will also serve as a multifunctional entertainment center.

22 January 2016
Object
mainImg

Russian regions have seen "Archstroydesign" do a lot of successful work. The city of Kirov is hosting one of the most interesting programs; several projects are being developed, the settlement of ILand getting the Russian Business Class award in 2014. When his trusted partner - the same company that built ILand - invited Aleksey Ivanov to take part in the closed tender for the best architectural proposal for yet another land site, the architect, though somewhat surprised, took the proposition with all due seriousness. And won the contest.

With an area of 43 hectares, the territory to be developed is located in the west of Kirov, next to the village of Perestorontsy (but still within the city limits). The terrain here gradually lowers towards southeast where a small forest and a swamped pond are situated. Yet another landscape "given" is a road that has already been designed and that partially runs through the planned territory. In each of his projects, Aleksey Ivanov, as one of his main tasks, sets making the most the already-existing conditions - in other words, what he does is not transform the reality but make the reality work for him. For one, the transient highway for him is not only the inevitable "evil" (meaning, noise, ecology issues, and deteriorating of viewing value) but also a "blessing" because the automotive accessibility is always a great plus for a new residential area. And as far as the limitations are concerned, they can be minimized if we separate the residential buildings from the road by a green zone with culture and sports objects, this green zone taking on the honorary function of the center of the district's social activity. Some extra attractiveness will be given to the park by a cascade of creeks that the swamped reservoir and the nearby brook can be turned into. 

The architectural and planning concept of the residential projectin Kirov. Master plan. Project, 2015 © Archstroydesign
The architectural and planning concept of the residential projectin Kirov. Location plan. Project, 2015 © Archstroydesign


The architectural and planning concept of the residential projectin Kirov. Analysis of the land site's strong and weak points. Project, 2015 © Archstroydesign


The architectural and planning concept of the residential projectin Kirov. Conceptual proposal on the territory development. Project, 2015 © Archstroydesign


The architectural and planning concept of the residential projectin Kirov. Layout of the public territories. Project, 2015 © Archstroydesign


The architectural and planning concept of the residential projectin Kirov. Zoning layout for the landscaping and basic routes. Project, 2015 © Archstroydesign


Having decided on the social "nucleus", the architects came up with a planning layout based on green rays running away from the center, combining this geometry with the natural lines of the landscape. Separated by boulevards and parks, the blocks have lined up to become a clear-cut composition whose plan looks a bit like an antique amphitheater. It was in fact the pilot name that the future district got.

The architectural and planning concept of the residential projectin Kirov. Panorama. Project, 2015 © Archstroydesign


The development of "Amphitheater" will be multifunctional: it will consist of multi-apartment 3-4-5-story buildings and blocked double-sided townhouses; a land site for custom-designed houses is also provided for. According to Aleksey Ivanov's plan, the multi-apartment buildings will be placed in the northeast part of the territory so as to offset to a certain degree one of the site's limitations consisting in the chaotic surroundings that include a whole range of the suburban housing, from the old "birdhouse" buildings to the typical 17-story high-rises. The latter are just being built to the northeast of "Amphitheater". As for the custom-designed houses, they are "tucked away" in the western segment. Still, though, their construction is only scheduled for the last stage of the land site development, and the experienced architect cannot be quite sure if by that time the construction will not undergo some considerable changes. "Over the long term of construction, the customer demand goes through ebb and flow, there are approvals and extra approvals to be obtained, and the custom-designed houses can easily give way to townhouses or even high-rises, and if you do not predict and provide for this system of possible changes, this could easily kill your project" - Aleksey Ivanov explains. In order to avoid this extremely undesirable scenario, the architect divided the process of developing this territory into phases, each of which can develop more or less independently from all the others, i.e. on each of the planning stages the character of the development can be modified or changed altogether - with no harm to the general picture. Even the construction camp is designed in such a way that the development and the construction could meet each other halfway, and the construction machinery would not go through the already populated quarters. 

The architectural and planning concept of the residential projectin Kirov. Sketches. Project, 2015 © Archstroydesign


The architectural and planning concept of the residential projectin Kirov. Functional layout. Project, 2015 © Archstroydesign


The architectural and planning concept of the residential projectin Kirov. An example of development in the style of historicism. Project, 2015 © Archstroydesign


The architectural and planning concept of the residential projectin Kirov. An example of development in the style of modernism. Project, 2015 © Archstroydesign


The architects also ensured that the first people to live in "Amphitheater" would not get the heavy financial burden of servicing the park with all of its sports, children's, and social/recreation facilities: the organization of the public zones is planned in such a way that they will be launched into operation in accordance with the number of people moving in to live in the residential buildings. By the way, the functional spaces are important for Aleksey Ivanov not only in terms of their social function: he treats them as some sort of "development backbone", especially at night when the lights go out, the parks and boulevards will illustrate the architect's idea with their punctured lines of lights.

The architectural and planning concept of the residential projectin Kirov. Visualization. Project, 2015 © Archstroydesign


The architectural and planning concept of the residential projectin Kirov. Visualization. Project, 2015 © Archstroydesign


The architectural and planning concept of the residential projectin Kirov. Panorama. Project, 2015 © Archstroydesign


When the project was all but completed, it turned out that the land site that cuts in like a wedge into the development territory from the east side, now also belonged to the customer - which meant that now the architects had an opportunity to include it into the plan of the micro district. Aleksey Ivanov proposes to build on this land site a curious quarter under a pilot name of "Bastion": a dense one, oriented inside itself, 6 to 8 stories high, so, the transition to the nearby 17-floor buildings turned out all the more smoother. Interesting is the fact that from the ideological standpoint this peripheral and, actually, modestly sized plot of land can indeed become the new "gravity center" of the whole district: the architect likens it to the Kremlin, while the buildings that stretch away from it (and gradually lowering their number of floors) he likens to the settlements that used to be built beyond the fortress walls. 

The architectural and planning concept of the residential projectin Kirov. Belvedere. Visualization. Project, 2015 © Archstroydesign


The architectural and planning concept of the residential projectin Kirov. Map of socially active centers. Project, 2015 © Archstroydesign


The appearance of the new center falls in perfectly with one of the main working principles of "Archstroydesign" - the multi-central organization of development - that Aleksey Ivanov seems to be consistently sticking to in all of his planning solutions. This project also provides for a number of gravity points at the crossings of pedestrian and vehicle routes, these points being functionally diverse, from bakeries to recreation centers. Furthermore, building these connections, the architects did not limit themselves with "their own" territory - they decided it was worth their while to trace the pedestrian routes from the designed district to the city's cultural centers: the Monastery of the Holy Dormition, the hippodrome, and the central movie theater. It turned out that all of these were located within but an hour's walk from here that, with some territory improvements, could become both interesting and educational. Aleksey Ivanov considers this work to be of extreme importance: due to it, this basically suburban area gets included into the city fabric in a fully-fledged way, while the city, with minimal financial investment, gets a new humanitarian dimension. 
The architectural and planning concept of the residential projectin Kirov. Diagram of the pedestrian routes. Project, 2015 © Archstroydesign
The architectural and planning concept of the residential projectin Kirov. Traffic diagram. Project, 2015 © Archstroydesign
zooming
The architectural and planning concept of the residential projectin Kirov. Traffic diagram. Section 1-1, boulevard. Project, 2015 © Archstroydesign
The architectural and planning concept of the residential projectin Kirov. Traffic diagram. Section 2-2, residential street. Project, 2015 © Archstroydesign
The architectural and planning concept of the residential projectin Kirov. Traffic diagram. Section 3-3, one-way street in the residential area. Project, 2015 © Archstroydesign
The architectural and planning concept of the residential projectin Kirov. An example of development in the style of historicism. Project, 2015 © Archstroydesign
The architectural and planning concept of the residential projectin Kirov. An example of development in the style of historicism. Project, 2015 © Archstroydesign
The architectural and planning concept of the residential projectin Kirov. An example of development in the style of historicism. Project, 2015 © Archstroydesign
The architectural and planning concept of the residential projectin Kirov. An example of development in the style of modernism. Project, 2015 © Archstroydesign


22 January 2016

Headlines now
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.
Champions’ Cup
At first glance, the Bell skyscraper on 1st Yamskogo Polya Street, 12, appears strict and laconic – though by no means modest. Its economical stereometry is built on a form close to an oval, one of UNK architects’ favorite themes. The streamlined surface of the main volume, clad in metal louvers, is sliced twice with glass incisions that graphically reveal the essence of the original shape: both its simplicity and its complexity. At the same time, dozens of highly complex engineering puzzles have been solved here.
Semi-Digital Environment
In the town of Innopolis, a satellite of Kazan, the first 4-star hotel designed by MAD Architects has opened. The interiors of the hotel combine elegance with irony, and technology with comfort, evoking the atmosphere of a computer game or maybe a sci-fi movie about the near future.
History never ends
The old railway station in Kapan, a city in southern Armenia, has been given new life by the Paris-based design firm Normal Studio. Today, it serves as a TUMO center.
A Deep, Crystal Shine
A new luxury residential development by ADM architects is set to rise in the Patriarch’s Ponds district, not far from Novopushkinsky Square. It will replace three buildings erected in the early 1990s. The project authors, Andrey Romanov and Ekaterina Kuznetsova, have placed their bets on the variety among the three volumes, modern design solutions, and attention to detail: one of the buildings will feature smoothly curved balconies with a ceramic sheen on their undersides, while another will be accented by glass “sculpture” columns.
Grigory Revzin: “What we should do with the architecture of the seventies”
Soviet modernism came in two flavors: the good, author-driven kind, and the bad, standardized kind. The good kind was “on the periphery”, while the bad kind was in the center – geographically, in terms of attention, scale, and everything else. Can we demolish it? “That would be destroying public consensus out of thin air”. So what should we do? Preserve it, but creatively: “Bring architecture into places where it hasn’t yet appeared”. Treat these buildings not as monuments, but as urban landscape. Read our interview with Grigory Revzin on the pressing topic of saving modernism – where he proposes a controversial, yet really intriguing, way of preserving 1970s buildings.
A Roadside Picnic of Urban Planning Theorists
Marina Egorova, head of Empate Architectural Bureau, brought together urban planning theorists – the successors of Alexey Gutnov and Vyacheslav Glazychev – to revive the substance and depth of professional discourse. At the first meeting, much ground was covered: the participants revisited the theoretical foundations, aligned their values, examined a cutting-edge case of the Kazan agglomeration, and concluded with the unfathomable intricacies of Russian land demarcation. Below, we present key takeaways from all the presentations.
Perspective View
CNTR Architects has designed a business center for a new district in Yekaterinburg, aiming to reduce the need for commuting and make the residential environment more diverse. The architectural solutions are equally focused on creating spatial flexibility, comfortable working conditions, and a memorable image that could allow the building to become a spatial landmark of the district.
Malevich and Bathhouses, Nature and High-Tech
The Malevich Bathhouse complex is scheduled to open in the fall of 2025 on the Rublyovo-Uspenskoye Highway. The project, designed by DBA-GROUP under the leadership of Vladislav Andreev, is an example of an unconventional approach to the image of a spa in general and of a bathhouse in particular. Deliberately avoiding any kind of allusion, the architects opted for streamlined forms with characteristic rounded corners, a combination of wood with bent glass, and restrained contemporary shapes – both inside and out. Let’s take a closer look at the project.
Rather, a Tablecloth and a Glass!
After many years, the long-abandoned Horse Guards Department building in St. Petersburg has finally received the attention it deserves: according to a design by Studio 44, the first restoration and adaptation works are scheduled to begin this year. Both the intended function and the general scope of works imply minimal alteration to the complex, which has preserved traces of its three-century history. All solutions are reversible and aimed, above all, at opening the monument to the city and immersing it in a lively social scene – hence the choice of a cultural center scenario with a strong gastronomic component.
​Materialization of Airflows
The Nikolai Kamov International Airport in Tomsk opened at the end of August last year. We have already written about the project – now we are taking a look at the completed building. Its functionality is reinforced by symbolic undertones: the architects at ASADOV sought to reflect local identity in the architecture as fully as possible.
The City as a Narrative
Sergey Skuratov’s approach to large urban plots could best be described as a “total design code”. The architect pays equal attention to the overall composition and the smallest of details, striving to ensure that every aspect is thoroughly thought out and subordinated to the original vision. It’s a Renaissance-like approach, really – a titanic effort demanding remarkable willpower and perseverance. The results are likewise grand – architecture that makes a statement. This article looks at the revived concept for the central section of the Seventh Heaven residential district in Kazan, a composition so thoroughly considered that even the “gradient of visual emphasis” (sic!) across the facades has been carefully worked out. It also touches on the narrative idea behind the project – and even the architect’s own doubts about it.
A Garden of Hope for Freedom
In October, at the Spaso-Evfimiev Monastery in Suzdal, the Prison Yard Garden opened on the site that had served as a prison from the 18th century until the Khrushchev Thaw. The architectural concept was developed by NOῨD Short Film, and the landscape design by the MOX landscape bureau. In fact, there are two gardens here – very different ones. We try to understand whether they evoke the right emotions in visitors, while also showing the beauty of June’s ruderal plants in bloom.
A Laconic Image of Time
The Time Square residential complex, built on the northern edge of St. Petersburg, appears more concise and efficient than its neighbor and predecessor, the New Time complex. Nevertheless, the architect’s hand is clearly felt: themes of “black and white”, “inside and outside”, and most notably, the “lamellar” quality of the facades that seems to visibly “eat away” at the buildings’ mass – everything is played out like a well-written score. One is reminded of both classical modernism and the so-called “post-constructivism”.
The Flower of the Lake
The prototype for the building of the Kamal Theater in Kazan is an ice flower: a rare and fragile natural phenomenon of Lake Kaban “froze” in the large, soaring outlines of the glass screens enclosing the main volume, shaping its silhouette and shielding the stained-glass windows from the sun. The project, led by the Wowhaus consortium and including global architecture “star” Kengo Kuma, won the 2021/2022 competition and was realized close to the original concept in a short – very short – period of time. The theater opened in early 2025. It was Kengo Kuma who proposed the image of an ice flower and the contraposition of cold on the outside and warmth on the inside. Between 2022 and 2024, Wowhaus did everything possible to bring this vision to life, practically living on-site. Now we are taking a closer look at this landmark building and its captivating story.
Peaceful Integration on Mira Avenue
The MIRA residential complex (the word mir means “peace” in Russian), perched above the steep banks of the Yauza River and Mira Avenue, lives up to its name not only technically, but also visually and conceptually. Sleek, high-rise, and glass-clad, it responds both to Zholtovsky’s classicism and to the modernism of the nearby “House on Stilts”. Drawing on features from its neighbors, it reconciles them within a shared architectural language rooted in contemporary façade design. Let’s take a closer look at how this is done.
An Interior for a New Format of Education
The design of the new building for Tyumen State University (TyumSU) was initially developed before the pandemic but later revised to meet new educational requirements. The university has adopted a “2+2+2” system, which eliminates traditional divisions into groups and academic streams in favor of individualized study programs. These changes were implemented swiftly – right at the start of construction. Now that the building is complete, we are taking a closer look.
Penthouses and Kokoshniks
A new residential complex designed by ASADOV Architects for the Krasnaya Roza business district responds to its proximity to 17th-century landmarks – the chambers of the Hamovny Dvor and St. Nicholas Church – as well as to the need to preserve valuable façades of a historic rental house built in the Russian Revival style. The architects proposed a set of buildings of varying heights, whose façades reference ecclesiastical architecture. But we were also able to detect other associations.
Centipede Town
The new school campus designed by ATRIUM Architects, located on the shores of a protected lake in the Imeretian Lowland Ornithological Reserve, represents an important and ambitious undertaking for the team: this is not just a school, but a Presidential Lyceum for the comprehensive development of gifted children – 2,500 students from age 3 through high school. At the same time, it is also envisioned as a new civic hub for the entire Sirius territory. In this article, we unpack the structure and architecture of this “lyceum town”.