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​Copper Mountains

The neighborhood of mid-rise residential houses in the suburbs of Yekaterinburg looks like as an "urbanized" embodiment of the Ural landscape.

06 November 2014
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Проект района среднеэтажной жилой застройки в окрестностях Екатеринбурга © «Архитектуриум», 2014
Project of a mid-rise neighborhood in the vicinity of Yekaterinburg © "Architecturium", 2014 открыть большое изображение

The land plot allotted for the construction of a new residential block is located thirty kilometers southeast of Yekaterinburg, between a forest range and the region's first golf course. With a total area of eleven hectares, it borders directly on the course, framing one of its areas from the west and from the north and taking on a shape of a smooth curve on the plan. 

"The extremely picturesque field, the "screen" of the forest range, and the mountains in the background left us devoid of any doubts that it is the landscape that plays the main part here - Vladimir Bindeman shares - Besides, we could not wait to use in our project the famous local stone and somehow reflect in it the unique local tradition of cutting, in the rock, roads and even dwellings, and this is why we came up with the image of the future neighborhood almost instantaneously. The houses that would be built here were to become the integral part of the natural terrain, a natural element that would tie the field, the forest, and the mountains into a single whole". At first, the authors were planning to express this metaphor for its face value and proposed to build "terrace" houses with green roofs bending the latter down to the ground: what they got was "hills of houses" that visually did produce the impression of a smooth transition from flat to rocky terrain. However, the first calculations were quick to show that the implementation of such a project wound be beyond the customer's means. This is why the "natural" theme is ultimately there in the project but to a lot more conditional extent - in the form of numerous terraces framed with green copper, and in the form of the thought-out coating of the facades. First things first, though.

The land plot is conditionally divided into three zones, or, rather, considering its configuration, three "belts": the farthest away from the golf field are the entrance group and the infrastructure, the central belt includes the residential properties and the pedestrian yards, while the field itself borders on the landscape and recreation area. This solution makes perfect sense: on the one side, the architects wanted to safeguard the residential premises from the unwanted vehicles and people, and on the other side - they just could not build along the brink of the golf course: golf is not the safest game for a casual passer-by to be around, so some buffer zone is mandatory. Treating the latter as a compound promenade, the authors tried to make it (along with the golf course, of course) as viewable from the residential houses as possible. 

Проект района среднеэтажной жилой застройки в окрестностях Екатеринбурга © «Архитектуриум», 2014
Project of a mid-rise neighborhood in the vicinity of Yekaterinburg © "Architecturium", 2014 открыть большое изображение

Проект района среднеэтажной жилой застройки в окрестностях Екатеринбурга © «Архитектуриум», 2014
Project of a mid-rise neighborhood in the vicinity of Yekaterinburg © "Architecturium", 2014 открыть большое изображение

Totally, the complex consists of seven residential buildings, five of which are in fact multi-sectional houses, arranged "in brackets" and opened up in the direction of the golf course. The central section has a break in it, though: the two long terraced wings run almost parallel to one another, while one corner part is a little smaller than the others - the differences dictated by the peculiarities of the of the land plot with its boomerang-like outline let the architects give a fair portion of individuality to each of the sections and their yard territories. 

Проект района среднеэтажной жилой застройки в окрестностях Екатеринбурга © «Архитектуриум», 2014
Project of a mid-rise neighborhood in the vicinity of Yekaterinburg © "Architecturium", 2014 открыть большое изображение

Each house is raised upon a stylobate with a green roof, while the yards got a rather active relief - in fact, this is a whole system of green terraces and trails, totally vehicle-free. "In the stylobate, we placed the parking garages which, on the one hand, would allow us to make the yards completely pedestrian, and, on the other hand, would help solve the problem of having to delve too deep into the rock - Vladimir Bindeman explains - the "green wedges" are also there in between the houses: thanks to them, the people will get extra walking routes, while the houses will avoid looking together like a bastion that separated the golf course from the forest range". But then again, the architects gave some "natural" features to each of the buildings. 

Проект района среднеэтажной жилой застройки в окрестностях Екатеринбурга © «Архитектуриум», 2014
Project of a mid-rise neighborhood in the vicinity of Yekaterinburg © "Architecturium", 2014 открыть большое изображение

All the sectional buildings are of varying height, from two to six floors, descend in the direction of the golf course in broad "stair steps". Coated with natural stone and the already mentioned copper panels, they look like the fissure of bare rock. Only one third of the terraces is planned to become residential properties - it is planned that this latter will be sheathed with wood, and the remaining part will be decorated with backfill. In finishing the facades, "Architecturium" also proposes to use the locally manufactured natural stone, serpentine marble, and sandstone. The backyard facades, though, are reigned by glazing; glass verticals of the stairwells and hallways also help to visually "split" the volumes, thus naming the yard lighter and more permeable. 

Проект района среднеэтажной жилой застройки в окрестностях Екатеринбурга © «Архитектуриум», 2014
Project of a mid-rise neighborhood in the vicinity of Yekaterinburg © "Architecturium", 2014 открыть большое изображение

In the triangular segments, formed by the wings of the three central houses, the architects placed two elliptic eight-story towers. Against the complex geometry of the other volumes, they look quite a surprise: the authors of the project explain thus choice by their desire to provide optimum insolation and provide the apartments with better views. Meanwhile, the oval houses not only offer to their future inhabitants an interesting alternative in terms of apartments but also serve as kind of landmarks of the quarter's center, softening - and thus bringing it more up to date - its "rocky" image. But then again, one can also see something "man-made" in these towers, particularly in their profile - at the expense of the increase of their thickness from the lower floors to the upper ones and the liberal glazing around the rounded "nose" the look like giant ice blocks - who knows, maybe these are ice mountains that survived from the ice age into the present and that are now being adjusted to become human homes. 

As Vladimir Bindeman shares, this complex was initially designed as some sort of a health resort. And, since the part of the sea is played here by the golf-course surrounded by rather stern nature, it got the matching appearance. The charming and even "brutalist" buildings, yards likened to moss-covered hills and the highly developed underground part protected from bad weather (it is down there that the public infrastructure is located) create the perfect conditions for the comfortable life in the Urals.
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06 November 2014

Headlines now
The Copper Mirror
The varied-toned sheen of “unsealed” copper, painterly streaks and fingerprints, exposed concrete, and the unusual proportions – when you study the ZILART Museum building by Sergei Tchoban and SPEECH architects, there is plenty to talk about. However, it seems to us that the most interesting thing is how the museum’s composition responds to the realities of the district itself. The residential district has been realized as an open-air exhibition of façade statements by contemporary architects – but without public access to the inner courtyards of the blocks. This building – that is, the museum – is exactly the opposite: on the outside, it is deliberately restrained, while inside it shines spectacularly, creating its own sunbeams in any weather.
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.