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Overcoming the Context

A detailed story of a housing project on the Rublevskoye Highway, with which "Sergey Skuratov ARCHITECTS" won a closed architectural tender.

27 January 2014
Object
mainImg
Architect:
Sergey Skuratov
Object:
Concept of the residential complex on the Rublevskoe Highway (Sergey Skuratov architects)
Russia, Moscow, 101 and 105, Rublevskoe Highway, Moscow, Russia

Project Team:
Sergey Skuratov (leader of the author team), A.Panev, V.Obvintsev, E.Korolev, A.Terntyev, with the participation of: S.Subbotin, S.Bezverkhy, A.Alendeev, A.Churadaev

2013
Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"


The contest for the best project of a residential complex that is planned to be built in Moscow at the crossing of the Rublevskoye Highway and the Yartsevskaya Street was organized by "PIK" Group and Moskomarkhitektura in the fall of last year. Announced on the threshold of the winter holidays, its results were already covered by Archi.ru. In this issue we will share in more detail about Sergey Skuratov project whose solution was unanimously voted to be the best by the judging panel. 

Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"

As the author reminisces, the project included two ultimate priorities: highlighting the town-planning importance of the land site and creating a new centerpiece of this area. The thing is that the crossing of the Rublevskoye Highway and the Yartsevskaya street is a very high point (this is the crest of the Krylatsky Hill) and it is perfectly viewable from the capital's even most remote places - but the developers that already tried their hand at this place, least of all concerned themselves with their town-planning responsibility. In spite of the proverbial expensiveness of the newly-built houses on the Rublevskoye Highway, their appearance leaves one at best unimpressed, if not scared by their height and thickness. Actually, this was the reason why Moskomarkhitektura launched this architectural contest: the land site that faces the crossroads is virtually the last vacant spot here that, thanks to its front position, can still be capable of "rearranging" the haphazardly-forming urban environment. 

Concept of the residential complex at the Rublevskoye Highway. Compositional options © "Sergey Skuratov ARCHITECTS"

Concept of the residential complex at the Rublevskoye Highway. Compositional options © "Sergey Skuratov ARCHITECTS"

Concept of the residential complex at the Rublevskoye Highway. Compositional options © "Sergey Skuratov ARCHITECTS"

Totally, "Sergey Skuratov ARCHITECTS" developed over a dozen options of the town-planning solutions of the future complex, consequently filling the almost rectangular site sometimes with "slab" houses, sometimes with a "megastructure" screen-house, and sometimes with various towers. The idea that it was towers that would best suit this place, came to the architects' minds, strictly speaking, at an early stage: the exceptional observability of this site dictated the transparent and silhouette-based solutions – but their quantity and positions were the subject of a long discussion. The numerous models show that the high-rises would many times change their shape and move around the site. The studio even came up with an option when the towers were connected at the bottom by a Y-shaped stylobate with its "bird" facing the Rublevskoye Highway. From the remote points, however, they would overlap with one another, and the contest was won by a composition of four volumes of different height, spaced out along the perimeter of the conditional rectangle, and positioned closer to the midpoints of each of its sides. 

Concept of the residential complex at the Rublevskoye Highway. The final composition of the volumes © "Sergey Skuratov ARCHITECTS"

Concept of the residential complex at the Rublevskoye Highway. © "Sergey Skuratov ARCHITECTS"

The tallest tower (40 floors) is the one that faces the Yartsevskaya Street. On the other side of the street, there is already a high-rise in the shape of a stepped arched ridge. The Skuratov residential complex picks up the "red line" set by this building - but its pristine thin verticals offset the latter's excessive weight, setting a new frame of reference in the panorama of this neighborhood. The tower that borders on the Rublevskoye Highway relief road, and its vis-a-vis located within the site, are of equal height (30 floors), and, in turn, pick up the pattern set by more distant high-rises that close up the perspective of the Yartsevskaya Street on the other side of the highway. And finally, the most northern tower, the farthest from the tunnel, has only 24 floors in it - it serves as a transition element of sorts, one that fixes the relief drop that starts behind the construction site. What is interesting here is the fact that, by opting for the different-height composition, Skuratov virtually violated the specifications that provided for the detailed distribution of useful area over the sections of the complex. "Yes, we deliberately decided to disregard this clause by placing our bet on the dramatic compositional solution that "catches" the chaotic vertical rhythms and empty spaces of the old and new houses, bringing into this town-planning chaos a note of balance and tranquility" - explains the architect. As we already know, the judging board agreed with this reasoning. 

Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"

The architectural solution of the towers is simple and dramatic at the same time. Each of the volumes has two "material" and two "penetrable" facades. The former are ceramic surfaces with the "punch-cards" of windows; the latter have on them, above the all-surface glazing, light and clear-cut grid of lamellae that hide the stanza balconies with the outdoor blocks of split-systems. The color palette of the complex consists of but two colors - white and terra-cotta; they alternate from facade to facade in such a way that each house is different from its neighbors. At first glance, the whole idea looks pretty simple: white "punch-card" here, red "punch-card" there (side wall this time) - but is this particular way of alternating the colors that enables the authors to maximally enrich the visual feel of the complex from dirrerent sides. 

Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"

Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"

The silhouette is rendered still more dramatic by the caps of the towers - slender as they are, the high-rises grow thinner as they go up becoming more penetrable. Skuratov does not place the living floors under the very roof but, conversely, builds here public terraces framed by a pergola. The most important public area, though, is the three-level stylobate that takes up almost the whole site and comprising all the maintenance and service facilities of the complex. Its outer perimeter houses the area of the shops, offices, banks, and other services, and is marked with the genre-classic "arcade", while in the intersection points of this horizontal with the verticals of the towers the "stone fabric" if the facade gets elegantly bent out marking the entrance lobbies of the living floors. 

Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"

Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"

Generally, turn-ups and bends become the most important finishing touch that completes the architectural image of the complex. And it seems like this technique was prompted by the same immediate context - at this very point, the Yartsevskaya Street plunged down into a tunnel, and its elongated funnel is turned directly to the future complex. A similar deformation takes place not only on the bottom level but on the topmost one as well: the roofs over the public terraces of the towers are visibly sunk inside. On the layouts, the architects even draw tell-tale lifting weight, and Sergey Skuratov adds to it a poetic explanation that once a helicopter landed here and left this huge dent. Because of this, one of the supports of the pergola came out slanted - not really the most eye-catching detail against the background of the entire complex but sure a fair bit of intrigue for a keen observer. 

Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"

Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"

While the stylobate itself is accessible for the general public, its roof is only meant for the people that live in the complex. Upon it, Sergey Skuratov proposed to make a park of a complex terrain and with a whole system of ramps, bridges, and overpasses. Along its perimeter runs a jogging track, from which green slopes come down in a giant amphitheater to the central area with a sports and a playground. What is interesting is the fact that above these venues the architects propose to install awnings and connect them with each house with covered passages which will provide the tenants with an opportunity to go outside in any weather. Of course, the softscape with a natural terrain effect is a costly luxury but it will not pump up the budget of the project: the architects propose to cut the costs at the expense of the original layout of placing the car parks and the maintenance facilities (one underground one above-ground, skillfully hidden under the slopes, instead of the usual expensive construction pits). 

Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"

Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"

Incidentally, just as rationally the authors of the project approached the task of designing the apartment part of the complex. For example, the wetcore areas of all the apartments are placed along the inside perimeter of the floor, next to the communication nuclei, which will provide the tenants with an opportunity to plan out their apartments to their own liking. The use of "Zerringer" facade system will allow for mounting the facades from the inside to the side edges of the intermediate floors, i.e. without building the trestle and parallel to the construction of the monolith framework, which will also help to cut the time and the cost of the construction. The economic benefits of the project were appraised by the judging panel as highly as the architectural and planning solution of the complex. One can only hope that the future apartment buyers will value these benefits just as highly - namely, the comparative accessibility of these apartments and their stylish up-to-date feel. 

Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"
Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"
Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"
Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"

Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"

Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"

Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"
Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"
Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"
Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"
Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"
Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"
Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"
Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"
Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"
Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"
Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"
Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"
Concept of the residential complex at the Rublevskoye Highway © "Sergey Skuratov ARCHITECTS"
Concept of the residential complex at the Rublevskoye Highway. Building 3, plan of the typical floor © "Sergey Skuratov ARCHITECTS"

Concept of the residential complex at the Rublevskoye Highway. Building 2, plan of the typical floor © "Sergey Skuratov ARCHITECTS"
Concept of the residential complex at the Rublevskoye Highway. Building 1, plan of the typical floor © "Sergey Skuratov ARCHITECTS"
Concept of the residential complex at the Rublevskoye Highway. Sergey Skuratov's sketches © "Sergey Skuratov ARCHITECTS"

Concept of the residential complex at the Rublevskoye Highway. Sergey Skuratov's sketches © "Sergey Skuratov ARCHITECTS"
Concept of the residential complex at the Rublevskoye Highway. Sergey Skuratov's sketches © "Sergey Skuratov ARCHITECTS"

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Architect:
Sergey Skuratov
Object:
Concept of the residential complex on the Rublevskoe Highway (Sergey Skuratov architects)
Russia, Moscow, 101 and 105, Rublevskoe Highway, Moscow, Russia

Project Team:
Sergey Skuratov (leader of the author team), A.Panev, V.Obvintsev, E.Korolev, A.Terntyev, with the participation of: S.Subbotin, S.Bezverkhy, A.Alendeev, A.Churadaev

2013

27 January 2014

Headlines now
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.
Champions’ Cup
At first glance, the Bell skyscraper on 1st Yamskogo Polya Street, 12, appears strict and laconic – though by no means modest. Its economical stereometry is built on a form close to an oval, one of UNK architects’ favorite themes. The streamlined surface of the main volume, clad in metal louvers, is sliced twice with glass incisions that graphically reveal the essence of the original shape: both its simplicity and its complexity. At the same time, dozens of highly complex engineering puzzles have been solved here.
Semi-Digital Environment
In the town of Innopolis, a satellite of Kazan, the first 4-star hotel designed by MAD Architects has opened. The interiors of the hotel combine elegance with irony, and technology with comfort, evoking the atmosphere of a computer game or maybe a sci-fi movie about the near future.
History never ends
The old railway station in Kapan, a city in southern Armenia, has been given new life by the Paris-based design firm Normal Studio. Today, it serves as a TUMO center.
A Deep, Crystal Shine
A new luxury residential development by ADM architects is set to rise in the Patriarch’s Ponds district, not far from Novopushkinsky Square. It will replace three buildings erected in the early 1990s. The project authors, Andrey Romanov and Ekaterina Kuznetsova, have placed their bets on the variety among the three volumes, modern design solutions, and attention to detail: one of the buildings will feature smoothly curved balconies with a ceramic sheen on their undersides, while another will be accented by glass “sculpture” columns.
Grigory Revzin: “What we should do with the architecture of the seventies”
Soviet modernism came in two flavors: the good, author-driven kind, and the bad, standardized kind. The good kind was “on the periphery”, while the bad kind was in the center – geographically, in terms of attention, scale, and everything else. Can we demolish it? “That would be destroying public consensus out of thin air”. So what should we do? Preserve it, but creatively: “Bring architecture into places where it hasn’t yet appeared”. Treat these buildings not as monuments, but as urban landscape. Read our interview with Grigory Revzin on the pressing topic of saving modernism – where he proposes a controversial, yet really intriguing, way of preserving 1970s buildings.
A Roadside Picnic of Urban Planning Theorists
Marina Egorova, head of Empate Architectural Bureau, brought together urban planning theorists – the successors of Alexey Gutnov and Vyacheslav Glazychev – to revive the substance and depth of professional discourse. At the first meeting, much ground was covered: the participants revisited the theoretical foundations, aligned their values, examined a cutting-edge case of the Kazan agglomeration, and concluded with the unfathomable intricacies of Russian land demarcation. Below, we present key takeaways from all the presentations.
Perspective View
CNTR Architects has designed a business center for a new district in Yekaterinburg, aiming to reduce the need for commuting and make the residential environment more diverse. The architectural solutions are equally focused on creating spatial flexibility, comfortable working conditions, and a memorable image that could allow the building to become a spatial landmark of the district.
Malevich and Bathhouses, Nature and High-Tech
The Malevich Bathhouse complex is scheduled to open in the fall of 2025 on the Rublyovo-Uspenskoye Highway. The project, designed by DBA-GROUP under the leadership of Vladislav Andreev, is an example of an unconventional approach to the image of a spa in general and of a bathhouse in particular. Deliberately avoiding any kind of allusion, the architects opted for streamlined forms with characteristic rounded corners, a combination of wood with bent glass, and restrained contemporary shapes – both inside and out. Let’s take a closer look at the project.
Rather, a Tablecloth and a Glass!
After many years, the long-abandoned Horse Guards Department building in St. Petersburg has finally received the attention it deserves: according to a design by Studio 44, the first restoration and adaptation works are scheduled to begin this year. Both the intended function and the general scope of works imply minimal alteration to the complex, which has preserved traces of its three-century history. All solutions are reversible and aimed, above all, at opening the monument to the city and immersing it in a lively social scene – hence the choice of a cultural center scenario with a strong gastronomic component.
​Materialization of Airflows
The Nikolai Kamov International Airport in Tomsk opened at the end of August last year. We have already written about the project – now we are taking a look at the completed building. Its functionality is reinforced by symbolic undertones: the architects at ASADOV sought to reflect local identity in the architecture as fully as possible.
The City as a Narrative
Sergey Skuratov’s approach to large urban plots could best be described as a “total design code”. The architect pays equal attention to the overall composition and the smallest of details, striving to ensure that every aspect is thoroughly thought out and subordinated to the original vision. It’s a Renaissance-like approach, really – a titanic effort demanding remarkable willpower and perseverance. The results are likewise grand – architecture that makes a statement. This article looks at the revived concept for the central section of the Seventh Heaven residential district in Kazan, a composition so thoroughly considered that even the “gradient of visual emphasis” (sic!) across the facades has been carefully worked out. It also touches on the narrative idea behind the project – and even the architect’s own doubts about it.
A Garden of Hope for Freedom
In October, at the Spaso-Evfimiev Monastery in Suzdal, the Prison Yard Garden opened on the site that had served as a prison from the 18th century until the Khrushchev Thaw. The architectural concept was developed by NOῨD Short Film, and the landscape design by the MOX landscape bureau. In fact, there are two gardens here – very different ones. We try to understand whether they evoke the right emotions in visitors, while also showing the beauty of June’s ruderal plants in bloom.
A Laconic Image of Time
The Time Square residential complex, built on the northern edge of St. Petersburg, appears more concise and efficient than its neighbor and predecessor, the New Time complex. Nevertheless, the architect’s hand is clearly felt: themes of “black and white”, “inside and outside”, and most notably, the “lamellar” quality of the facades that seems to visibly “eat away” at the buildings’ mass – everything is played out like a well-written score. One is reminded of both classical modernism and the so-called “post-constructivism”.
The Flower of the Lake
The prototype for the building of the Kamal Theater in Kazan is an ice flower: a rare and fragile natural phenomenon of Lake Kaban “froze” in the large, soaring outlines of the glass screens enclosing the main volume, shaping its silhouette and shielding the stained-glass windows from the sun. The project, led by the Wowhaus consortium and including global architecture “star” Kengo Kuma, won the 2021/2022 competition and was realized close to the original concept in a short – very short – period of time. The theater opened in early 2025. It was Kengo Kuma who proposed the image of an ice flower and the contraposition of cold on the outside and warmth on the inside. Between 2022 and 2024, Wowhaus did everything possible to bring this vision to life, practically living on-site. Now we are taking a closer look at this landmark building and its captivating story.
Peaceful Integration on Mira Avenue
The MIRA residential complex (the word mir means “peace” in Russian), perched above the steep banks of the Yauza River and Mira Avenue, lives up to its name not only technically, but also visually and conceptually. Sleek, high-rise, and glass-clad, it responds both to Zholtovsky’s classicism and to the modernism of the nearby “House on Stilts”. Drawing on features from its neighbors, it reconciles them within a shared architectural language rooted in contemporary façade design. Let’s take a closer look at how this is done.
An Interior for a New Format of Education
The design of the new building for Tyumen State University (TyumSU) was initially developed before the pandemic but later revised to meet new educational requirements. The university has adopted a “2+2+2” system, which eliminates traditional divisions into groups and academic streams in favor of individualized study programs. These changes were implemented swiftly – right at the start of construction. Now that the building is complete, we are taking a closer look.