The project of "Gorky 2" has been in the process of development by "Arteza" since 2005. It was in that particular year that the owner of the house (at that point being built upon the project of the art group "Kamen" ("Stone")) turned to the landscape architects with a proposal to create on the 11-hectare land site a large and really diverse garden.
The land site that was allotted for organizing the garden is 1.2 kilometers long, and has a natural brook running all along its length. The L-shaped three-story house was built on the section with a considerable relief drop (around 15 meters), and this peculiarity of the land site played the key part both in the composition of the house itself and in the organization of the surrounding garden. Turned south with its main facade, the house cascades down the slope, thanks to which its every floor gets a street exit of its own. Besides the residential building, by the moment the architects started designing the garden there was a large garage complex built closer to the central entrance of the grange, and the slope had a tennis court and an open-air swimming pool cut into it.
It was the unconventional architecture of the house together with the expressiveness of the natural surroundings that became the starting points for forming the garden's design concept, the authors of which from the very start did not want to confine themselves within the boundaries of this or that particular style, and placed their bet of the diversity of the techniques and genres of their landscape architecture. The land site of such impressive dimensions was at once treated by "Arteza" as a congregation of several small-sized "theme" gardens and minilandscapes "built into" the structure of the large garden. The authors themselves call this technique "garden within a garden". The result of this painstaking work is the multidimensional man-made landscape with an ever-changing "exposition": wandering over the territory, one can constantly observe the change of colors, shapes, and ecosystems - from a thick wood to a swampland.
The land site is divided into several major zones, each of which got a name of its own. Thus, the territory around the garage complex and the main house entrance is occupied by the "Upper Garden", so called because of being located at the topmost point of the site. The territory behind the house, including the swimming pool, the barbecue, the children's playground, the tennis court, and the rocky slope between the top and the bottom level, is called "Lower Garden" by the authors of the project. Right behind it, there is a picturesque territory spreading around the two man-made reservoirs. A separate section is occupied by the "Japanese Garden" that us located near the auxiliary entrance of the grange. This is not all there us to it, though: most of the territory is occupied by the conditional "connecting tissue that the architects endowed with a maximally natural character, keeping intact the areas of the pine forest, the brook that winds among the hills, and the green meadows.
The "Upper Garden" is the one that supports the architecture of the house and the garage complex more actively. Even its materials were selected to match the color of the buildings' finish. The layout of the garden, and especially some of its elements, also rhyme with the edifices. Thus, for example, the "sail" of the garage grows from the round "pillow" of the bushes that are shaped up by the topiary cutting.
Inside of the "Upper Garden", not far away from the house entrance, there are two thematic mini-gardens: "Jasper" and "Frontal" - both develop the theme of the Southeast Asia. "Jasper Garden" looks a lot like a seashore, only on a diminished scale, and here the space is dominated by the jasper boulders that are meant to symbolize a rocky shore. The dimply water expanse is simulated by the marble pebbles, while the "shore" - by the thicket of the scrubby cotoneaster and meadowsweet. As the authors share, for this territory even bolder solutions were proposed - for example, instead of the light-colored pebbles it was planned to use blue broken glass - but the customer opted for a more conventional solution.
The "Frontal Garden" occupies the plot around the corner of the building, along one of its side walls. This place used to be used by the estate owners as a small makeshift passage running along the erosion pavement of the building. With time, it became clear that it would make sense to organize here something like a "junction" or "roundabout" of the most frequently used routes. So it stood to reason that the customer wanted to somehow organize and accentuate this area. As a result, the pavement got covered by a blanket of small pebbles, the place got the beautifully eroded rocks in the Chinese style, and along the edge low-growing spreading shrub was added.
The "Lower Garden" is probably the most saturated place here that represents a truly diverse assortment of landscape techniques. Particularly interesting is the rocky slope: the authors turned it into a veritable rock that looks as if the very house was cut out of it. To implement this giant-scale idea, tons and tons of rocks were used, the weight of some of them reaching up to ten tons. Down the slope, leading to the terrace of the second level, there runs a picturesque "mountain trail". Around it, there are pine and fir trees, barberries, meadowsweet, and the ground is covered with cover-ground perennial plants. The special "gem" of the slope is the rose house in which the flowers bloom from May till late October.
At the ascent from the "Lower" to the "Upper" garden, the architects of "Arteza" organized a labyrinth of quaintly trimmed plants that are echoed by the round caps of the bushes and the standard lime trees shaped as parallelepipeds. The lime trees are also to be seen near the swimming pool and the tennis court; they visually separate this territory from the house. At the same time, their austere shape rhymes with the geometry of the house and is also supported by the street furniture, plaited and glass cache-pots, and even cubic lights.
Getting down, one can find himself in the so called "Zone of ponds and a creek". The central place here is occupied by two large reservoirs separated by a small land bridge. One of these reservoirs is used for swimming, and the other - for breeding fish. For their creation, the architects had to make a rather large mound 3.5 meters high, thanks to which the relief drop between the house and the ponds grew smaller, and as for the brook running through this place, the architects were able to route it under the reservoirs. The bed of the brook that winds down the steep slope was to be turned into a semblance of a mountain river. The territory around the ponds got numerous plants, day lilies, irises, miscanthus, spherical and weeping willows, and into the green banks the architects installed stone slabs that form the access to the water. On the banks of the pond, there are decks for fishing and making picnics, while over the pebbled land bridge the architects stretch a "sail" tent under which the reclining chairs are stowed away.
Below the ponds, there is a small garden of rhododendrons, crossed by neat planked footways. This looks like some sort of border between the garden and the woodland. Beyond this flourishing garden, both eastward and westward, swampy a forest spreads, that looks nothing like a man-made one, yet one can only guess how much money and effort was invested into its every square meter by the architects and the builders. The green blanket of the grass and the frolicking brook are concealing the sophisticated engineering systems that provide the constant watering, the necessary humidity and the temperature of the soil - but the only thing that reminds of man's intervention on the above-the-ground level is the wooden footways and the straight architectural stairways alternating with the natural ones.
The turf swamp that occupies the whole western side of the land site almost down to the point where it meets the Moskva River, is to be kept intact as a sample of a unique eco system. The swamp turned out to be shallow and not seriously dangerous, so the architects threw over it a wooden bridge upon piles - the bridge supports both pedestrian and automobile traffic. The brook also looks untouched all along its length, even though for its organizing and the strengthening of its banks the architects used some 80 tons of rocks and a plague of various plants. At some places, the brook is crossed by little bridges, and along it runs a bicycle road.
Yet another bright element of this "compound" man-made landscape is the "Japanese Garden". Its very appearance was dictated by this place where the brook makes an unbelievably picturesque bend with the scenery of smoothly rising hills covered with fern under the masts of the pine trees. The architects also decided to make the brook wider and deeper turning it into a small creek surrounded by a pile of rocks. Its bank got a meadow a small gazebo and bonsais. Situated in the lowland, the "Japanese Garden" is perfectly viewable from the road leading up to the entrance to the manor.
It should be specifically mentioned that the main task of the landscape architects was preserving as much as possible the vegetation of their land site. All the gardens were formed around the already-existing natural framework. Today, the garden lives a life of its own, grows, and gains height and color - all this under rigorous supervision of the "Arteza" specialists that have been tending the garden for a whole year now. What is interesting is the fact that in winter the garden leads a life just as active as ever: specifically for the New Year's Day the architects are developing a fairy-tale winter decorations - the ponds turn into a giant skating rink, and the slopes become good for skiing and sleighing.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.
Domus Aurea
In this issue, we examine the “Tessinsky-1” house, designed by Sergey Skuratov and completed in 2023. Located in the middle of the Serebryanicheskaya Embankment district, at the intersection of its main streets, this house assumes a sort of “nodal” role: it not only responds to everything around it and preserves many memories of the former EMA factory within itself, but it weaves all this into a newly directed pattern, reconciling bright “gold” and dark-colored brick, largely with the help of the new, modern-yet-archaic Columba brick, which, come to think about it, is the most precious element here.
The Chimney of Nikola-Lenivets
In this issue, we are examining the “Obelisk House” designed by KATARSIS and built for the Arkhstoyanie 2023 festival. However, it was only finished later on, and this is why we are examining it now. It seems to us that after the “Obelisk House” appeared in Nikola-Lenivets, a dialogue and a few inner connections appeared between the temporary structures built here. These houses no longer look like “accidental neighbors”, more of which below.
Periscope by the Bay
The jury awarded the second place in the competition for a public and cultural center in Petropavlovsk-Kamchatsky to the companies GORA (“Mountain”) and M4. In the consortium’s proposal, the building resembles a sperm whale with a calf swimming next to it or a periscope, whose lenses capture the most spectacular views from the surrounding landscape.
From Arcs to Dolmens
While working on the competition project for Petropavlovsk-Kamchatsky, ASADOV Architects prioritized the value of the natural and urban environment, aiming to preserve the balance of the location while minimizing the resemblance of the volume that they designed to a “traditional building”. The task was challenging, and the architects created three versions, one of which having been developed after the competition, where their main proposal took third place. However, the point of interest here is not the competition result but the continuity of creative thinking.
Hide and Seek
The ID Moskovskiy house, designed by Stepan Liphart in St. Petersburg, in the courtyards near Moskovskiy Avenue beyond the Obvodny Canal and recently completed, is notable for several reasons. Firstly, it has been realized with considerable accuracy, which is particularly significant as this is the first building where the architect was responsible not only for the facades but also for the layouts, allowing for better integration between the two. On the other hand, this building is interesting as an example of the “germination” of new architecture in the city: it draws on the best examples from the neighborhood and becomes an improved and developed sum of ideas found by the architect in the surrounding context.
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.