Alexey Bavykin has designed a building that continues and takes to a new level the sculptural themes of the house in Brusov side-street. The main sculptural theme here is the one that has been around for centuries: vertical versus horizontal. The latter cuts off, the former crops up…
Written by: Julia Tarabarina Translated by: Anton Mizonov
14 March 2011
The Elektrichesky (yes, “Electrical” – translator’s note) branches off from Gruzinsky Val Street in the direction of Tishinka Street some 15 minutes’ walk away from the Byelorussky Railway Station. This side-street has kept its building front of XIX century tenement buildings almost intact – only on its left side there is a small gap with a single-storey house inside of it. And it is this spot on which Alexey Bavykin “commercial apartment building” is going to be built. The site is a tiny one, and the house occupies the whole of it with its façade bordering exactly on the red line of the street. The house is going to be a little bit taller than its neighbors (seven floors versus three on the right and four on the left) but the architect uses the classic Moscow solution – he pushes the upper penthouse floors away from the red line of the street which makes them virtually invisible to the street observer. The five lower floors are lined up along the building front; on top of them, a forest of verticals springs up. These verticals that puncture the openwork marquee are decorated with various sculptural elements executed in the vein of the famous Bavykin dog that has been the main part of his corporate logo for quite a while now. This asymmetric and irregular “crown” that hides the jagged zigzag of the penthouses is the most noticeable part of the façade: it looks like a fully-fledged sculpture exhibition, so rare in Moscow, especially nowadays, and especially on the facades of the houses. The sources and the origins of the image of this house are quite easy to trace. What we have here is the “younger brother” of the already-famous house in Brusov side-street with a façade of tree trunks clad in the stone coat. What is so recognizable?First of all, it is the tree trunks. There is no stone here, everything will be brick-faced, and there are no branching trunks either. However, the “sprouts” of different heights in the upper part definitely serve as their circumlocution – but circumlocution that’s been geometrized and is now an integral part of the façade, not some kind of a decorative wall. Yet another noticeable quotation from Brusov is the wrought-iron sprigs. Back on the “old house”, the wrought-iron springs were on the fences inside the atrium where they served as the miniature versions of the trees of the façade. Here, this theme got a life of its own, characteristic of openwork ornamental fabric. It was used to make the marquee that casts its openwork shadow; bands of this fabric are also used in the stanzas and the five small “lonely smoker’s balconies”. The house in Brusov side-street is the closest yet not the only relation of our hero from the Elektrichesky side-street. In the recent years, Bavykin has been exploring his idea of “crown-above-the-building”: the vertical forests turn the end of any volume from a definite and defined horizontal into an indefinite and boundless multitude of crops. In the case of Gdańsk War Museum, it is a true gothic crown with crosses; in the case of office high-rise on Avtozavodskaya metro station in Moscow, the verticals in the upper part look a lot like the strips of bark. This solution is ultimately the antithesis of the cornice. The cornice rounds up the facade and is accordingly called “crowning”. The sticking branches, tree-trunks, or even naked pillars are something that’s indefinite, open-ended and fraught with continuation. In this case, however, the two opposites met:the pillars crop though the ethereal cornice, and it goes out of shaped, outraged. Making the opposites clash, incidentally, is one of Bavykin’s favorite stylistic devices. Anyway, this architect does have a genius forturning any paradigmatic problem, a “commercial residential building” into a “Picture at an Exhibition”.
14 March 2011
A High-Rise Erector Set
In this article, we are examining one of the projects submitted for a closed-door competition for a housing complex to be built in the north of Moscow. The KPLN architects proposed a simple volumetric pair of 100 meter high towers, united by a common sculptural design based on laconic contrast, yet dramatic at the same time. Another interesting thing is an oval yard that is “carved out” in the stylobate roof.
The Leisure Culture
In the new extra building of the Klyazma resort center, whose project was developed by KPLN, the aesthetics of Soviet modernist architecture is combined with modern ideas of how leisure activities should be organized.
The White Grove
This project by “Ginzburg Architects” scored first place in the international competition for a draft project of a Cathedral Mosque in Kazan, dedicated to the 1100th anniversary of the adoption of Islam in Volga Bulgaria. The concept of a “white garden”, which the architects presented in modern shapes, interprets the rules and notions of Islam and refers to historical figures. Below, we are examining the project in detail.
The eccentric shape of this thin slab that expands upwards is not a formal gesture but the UNK architects’ response to the site’s requirements and the technical and economic performance specifications. The solutions are modernist, cost-effective, and functional. The building is terraced, the side ends are accentuated with a “slab” shift, and the wide facades are composed of triangular bay windows.
The Shelter of a Digital Wanderer
The apartment hotel that GAFA designed for the central district of Moscow offers its guests living the habitual routine through a new spatial experience, and claims the status of a new landmark as well.
The Takeoff of a Multifunctional Approach
ASADOV architects presented a concept of developing the old airport in Rostov-on-Don. A four kilometer long boulevard stretching in the stead of the former runway and the block housing, multiplied by a wide range of business and public functions, possibly including the governmental one, will allow this area to claim the role of a new attraction point with a high level of self-sufficiency.
A Ringlet Bridge
The project of a pedestrian bridge, proposed by the architectural company ATRIUM, headed by Vera Butko and Anton Nadtochiy, for the city of Almaty, Kazakhstan, became the winner of the A+A Awards organized by the Architizer portal in the “Unbuilt Transportation” nomination. The bridge is indeed a stunner: a “hanging garden” in concrete tubs of columns, suspended over a city highway, is fitted with ringlets of wooden ramps, which in the bridge’s key point form an element of national ornament.
Consistency of the Method
Marking its 35th anniversary, Reserve Union (officially named OOO TPO Reserve in Russia) used the venue of the Arch Moscow convention to showcase its hitherto unannounced projects. We asked Vladimir Plotkin a few questions, and we are showing a few pictures – without any captions yet.
Julia Tryaskina: “Modern public interiors are about the super-goal, not about unnecessary...
The new IPI Award for design of public interiors considers the projects from the point of view of today’s trends of the modern world, and even broader – from the point of view of a super-goal set by the client and achieved by the architect. In this article, we are speaking to the initiator of the award: about the specifics of rating the projects, about the priorities, fears, and hopes.
Vladimir Plotkin: “Our profession is complex, vulnerable, and sometimes defenseless against...
As part of the editorial project devoted to the high-rise and high-density construction that Moscow is seeing in recent years, we spoke to the leading architect of CU Reserve Vladimir Plotkin, the author of many grand-scale – and high-profile – buildings of this city. We spoke about an architect’s role and his tasks in the mega-construction process, about the drive of the megalopolis, about the strong sides of mixed and multifunctional construction, and about the methods of organizing big forms.
Alexander Kolontai: “The competition revealed the potential of Moscow as a global city”
An interview with the deputy director of the Genplan Institute of Moscow about the international competition for the concept of development of the nation’s capital and the territories that it annexed in 2012. The competition took place 10 years ago, and this year we are seeing its anniversary, just as the anniversary of changing the boundaries of the capital city.
The Book Sanctuary
Reconstructed and renovated by Studio 44, the building of Vladimir Mayakovsky Public Library received modern technical content, at the same time becoming closer to its authentic image from the times when it was part of the compound of the Trinity-Sergius Lavra.
In Tune with Mendelsohn
The “Kersten House” standing next to the “Krasnoye Znamya” (“Red Banner”) factory fits in with the tactful course adopted by Anatoly Stolyarchuk studio: it allows of no historical stylization, yet at the same time is quite respectful of the surrounding context.
Foothills and Peaks
Developed by OSA, the concept of revitalization of the territory of Stankoagregat plant combines two scales: extreme-high towers and relatively “human-friendly” urban villas. In the conditions of ultra-dense construction, this solution makes it possible to vacate territories for public spaces and trees, as well as adapt the project for the conditions of the changing market.
City in the Stream
The books by Genplan Institute of Moscow, published for the Institute’s 70th anniversary and for the coinciding exhibition, are the most amazing three-volume edition that I ever saw: the books are totally different, yet packed in one box. This, on the other hand, is justified by the specifics of each of the volumes, the diversity of approaches to processing information used in them, and the complexity of the material as such: town planning is a multifaceted science, bordering on art.
Stop the [special operetion]!
The collective letter Russian architects was published here the 26.02.2022. Now, 04.03.2022, it's text is edited according the new law of the Russian Federation. All the signatures, more than 6800, are deleted, as well as weblinks. But we coserved the edited text for the history.
Shape of the Winery
In this article, we are telling you more about the development of the shape and the implementation of the “Skalisty Bereg” (“Rocky Shore”) winery, designed by Alexander Balabin and his company “Severin-Project” in the Krasnodar Territory, and one of the finalists of WAF 2021.
An Architectural Reality Show
Roman Leonidov, the well-known architect of luxury countryside residences, about which Archi.ru repeatedly wrote, launched a new online project called “Build YOUR House” on his YouTube channel.
Buyan and the Court Quarter
The news about cancellation of the Tuchkov Buyan park has been stirring the minds of people of St. Petersburg for a week already. In the absence of any verified specific information, we discussed the situation with the architects of the park and the Court Quarter: Nikita Yavein and Evgeny Gerasimov.
The Possibility of Flight
The project of the airport, which ASADOV Architects developed for the city of Tobolsk, and which won in the architectural competition, was not implemented. However, it is interesting as an example of designing an airport building of a very small scale, where the main challenge is the optimal organization of space and infrastructure without compromising the imagery component.
Built in the town of Pushkino in the Moscow area, the “Turgeneva 13” housing complex, while fitting in with the surrounding context, differs from it with the rhythmic austerity of its dual composition, a slight wave of the façade, and the color design, in which one can see two images, winter and summer, both “growing” from the specifics of the place.
A Shell by the Sea
Designing the Sports Palace that will determine the development of the entire northern part of Derbent, ASADOV Architects turned to the architectural legacy of Dagestan, local lore, and ancient layers of history.
Karen Saprichyan is wishing everyone a merry Christmas, presenting a series of letter-shaped skyscrapers. The architect has long since been working on this theme, and has calendars of various years in stock. His latest development is a group of towers designed for the city of NEOM, which will be built in Saudi Arabia.
The three brick blocks of the “River Park” housing complex gaze at the water with their terraces. Each block forms a backdrop and two wings, while the residents-only yards turn into “stages” perceived from the river. The landscaped embankment, accessible to all the city people, complements the hierarchy of private, semi-private and public city life that is formed here.