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Zigzag of health

Vera Butko and Anton Nadtochi gracefully fit the project of a health clinic combined with spa-resort into Moscow area hills saving its straight line architecture integrity. A harmonious scenery.

07 December 2009
Object
mainImg
Firm:
ATRIUM
Object:
Health clinic
Russia, Aleksandrovsky district, Lisunovsky country district, nearby Voskresenskoe village

Project Team:
architects: Anton Nadtochi, Vera Butko, Andrei Sizuk, Alexander Malygin, Dmitri Hudenkih; constructors: Alexey Kalashnikov, Kostas Laios; engineering: "DPM-engineering"

2007

OOO "Jim"
The soon-to-be client and the architect met at the award ceremony “Zolotoe Sechenie” of 2007. Whether they made a special visit to meet the architects or they liked Vera Butko and Anton Nadtochi’s projects which were among the award nominees. By the way, the “Atrium” received the three diplomas for the ready-built constructions from the jury of “Sechenie”. It is a rare chance when the event of professional recognition at the same moment brings clients. Well, the “Atrium” was asked to take part in the invited tendering, and the project was given the preference over the project of the other Russian and foreign agencies.
The clients have large businesses, not in medicine sphere as you might think. Construction of the health clinic is not only a money investment. The investors are planning to run the clinic, and probably gain their own health there. And most probably there will be tested the new typology: health clinic plus a spa-resort. It is unique for Russia, though it might be compared to “sanatorium”. But an elite one.
The “five-star clinic” (as the architects call it in joke) will be fully equipped: medical consultation service, laboratory examination, therapeutic courses, if necessary – surgery and rehabilitation under professional supervision. Therefore, the technical enquiry included a requirement that everything must satisfy the general concept of health care and body health treatment. There will not be night clubs, bars, internet-cafes, conference halls, even children playgrounds and game rooms. The owners of the clinic believe their guests will need privacy and possibility to focus on their health, without being distracted by friends, short visits to offices.
To achieve the privacy and distance from the city activities, they chose quite a remote territory – it is 7 and a half ha of former summer camp in a picturesque forest on the border of Moscow and Vladimir regions. Today there are no buildings of the Soviet period, but beautiful gully, birchwood and a stream flowing out of the small lake. Scenery is absolutely idyllic and serene.
The lake has almost dried up, but it will be revived, cleaned up and become a compositional centre of the health clinic with all its constructions around the lake. In detail: from one side there will be 3-storey construction with doctors’ offices, surgery, laboratories, as well as hotel rooms and a public zone. On the other side there are six isolated cottages for those clients who prefer staying incognito or want to meet their neighbors more rarely; for high-ranking officials and famous people. Also, there will be a restaurant and even a small greenhouse. Not only specialist will grow fruits and vegetables there but the gusts. Really, what is more healthy than a work within due limits?
The broad zigzag of the main 3-storey building of the clinic is perpendicularly cut into the slope surface (difference in relief is considerable here,15 m, so the play with heights is reasonable). Massive plates of the concrete floors – a favorite Butko and Nadtochi’s technique, tested on countryside villages – roll down along the floors, break at different angles, go down to the ground by long rampants. They seem to have a geological nature, look like layers of some unknown chalky rocks, winded among hills and woods of common Russian landscape. Well, it will be obvious the stone zigzag is artificial: lines are quite straight, only they run somewhere all the time, stepping aside and leaning upon thin round “legs”, or pushing forward its terraces bravely hanging over the ground or over each other. Inside, there form a three lighted space of an atrium of complex construction due to the shift of floors, and general function areas group around there.
Terraces will be planted, and the authors designed there pastoral paths, stitch-paths which appear in summertime. This detail – not significant, but illustrative part of the project graphics – is fascinating and ads some faint beauty to the idea of green architecture, in its classical variant, already quite annoying for critics. Due to the paths the layers of terraces unfolded like a fan becoming a part of the field – like the Moscow region nature was handed on a platter to the guests of the wonder clinic and put by their doors.
Each of the six cottages on the other side includes the two 1-storey and 2-storey “blocked” halves”. Their spaces are almost equal, but they have different configurations and layouts. It gave the architect a nontrivial solution for the practical task: if a client rents the entire cottage they get a building with a mirrored layout, a common house with a public zone in the middle, a small living room and a few bed-rooms. Also this solution avoids a dull image of “blocked housing” – each building has two parts, but outside it is not obvious.
Anton Nadtochi said the prototype of each “half” was a standard house with two-sloped roof out of which were “taken out” (cut, in some places) separated volumes and so the traditional form became unrecognizable. Slopes of the roofs almost vertically grow into the ground or are almost flat, or join with long roof overhangs which are like heavy concrete hoods. The walls are thin and light, glass alternates with wood panels, brutal and textured stone pipes grow through the ephemeral transparent surfaces. It is like the houses are hatched and got frozen having no idea what was better for them – a Russian countryside plough share (on the roof), wooden balconies of a Swiss cottage or the classics of transparent modernism.
The clients wanted modern architecture, but not urban. That is natural – bucolic. The modern architecture likes natural shapes, sometimes it curves and bends too much, trying to imitate naturalness and uncreated. The project by Butko and Nadtochi is different. Remarkably, its naturalness is not gained by curving. But right angles can hardly be found there – there are plenty of bevels and slopes. It seems, natural (rather, geological) forms were cut. Narrowed to pieces, to simplify (and reduce the costs, important as well) or to demonstrate its artificial nature. It’s a kind of agreement between the “archi” and “tectonics”, human and ecological; architecture is on the edge between both. Most probably, the “golden mean” will work for the clients of this small health resort. The construction process is started and in a couple of years there will be first results. The cottages are already built, the finishing works will be started the next summer. Construction of the main building will probably be stated the next year as well.
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Firm:
ATRIUM
Object:
Health clinic
Russia, Aleksandrovsky district, Lisunovsky country district, nearby Voskresenskoe village

Project Team:
architects: Anton Nadtochi, Vera Butko, Andrei Sizuk, Alexander Malygin, Dmitri Hudenkih; constructors: Alexey Kalashnikov, Kostas Laios; engineering: "DPM-engineering"

2007

OOO "Jim"

07 December 2009

Headlines now
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Arch, Pearl, Wing, Wind
In the social media of the governor of the Omsk region, voting was conducted for the best project for the city’s new airport. We asked the finalists to send over their projects and are now showcasing them. The projects are quite interesting: the client requested that the building be visually permeable throughout, and the images that the architects are working with include arches, wings, gusts of wind, and even the “Pearl” painting by Vrubel, who was actually born in Omsk.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.