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Rule of a garden

Project of the residential complex for 20 thousand people “Gardens of cultures” has the three components: urban conveniences, nature and allusions to architecture of various European countries. That is not easy. But it appears to be achievable and even possible to create a balanced image which smartly applies classic methods within modernism.

14 January 2009
Object
mainImg
Firm:
SPEECH
Object:
Master plan of residential complex “Gardens of cultures” on Pyatnitskoe highway
Russia, Pyatnitskoe highway

Project Team:
S.Tchoban, S.Kuznetsov, Stefan Sholtz, A. Dryabina, P.Karpeeva

2.2008 — 11.2008

For the past 5-6 years elite settlements have become rather popular, they have stylized design of a particular epoch or a country – Italian style settlements, or, say, English. Along the monoculture ones there appeared a concept of multicultural settlements – such would be a “City of millionaires” somewhere in Pyatnitskogo area: an elite district each block of which would picture a country or an epoch. They had been discussed the idea for a year and then rejected it. But ideas do not give up easily – this summer “SPeeCH” studio has offered their own solution for the alike concept, for the territory nearby and along Pyatnitskaya highway. In the project with the speaking name “Culture of Gardens”. Must notice, it is very much alive now, though its scale seems enormous after the autumn shake – in fact it makes a town, 20 thousand people will be accommodated on 67ha.

So, the speaking name. We will start with the second word “cultures”. The town is divided into blocks, according to the idea of the authors each reminds of a country, which are: Germany, Spain, Holland and France. This is a multicultural complex. One buys a place in the austere German block, and in the evenings strolls along emotional Spain, and vise versa. A small, limited in its ha Europe. That is the idea of developers known in private for about 5 or more years.

What is peculiar about the project by “SPeeCH”? Probably, that is a high degree of generalization. The goal – is to show differences between architectural images of various countries – first, is achieved not intensively, or so to say with “wide strokes”, and second, obviously, there is used characteristic motifs, familiar to anyone. What is more important – there is no cheating on the audience or no intentional copying. The authors are not indented to create an illusion of presence in England or in Holland, they find an image of each land.

Spanish block includes 12- and 6storey towers with stripes of balconies and insertions of colored panels. Clear horizontal lines of solid deepened balconies makes many associations. Take for instance the area between Calle de Costa Rica Street and Alberto Alcocer Avenue, or Campo Volantin in Bilbao with colored of the hotel in front of the Guggenheim Museum.
In the Dutch block the architects placed simple 7storey volumes faced with brick of a warm brown-red (true color of the brick) shade. This makes it similar to all small towns together and different from any of them. The German area got a characteristic combine of glass and polished pale-yellow stone.

Allow me to observe, everything is done within modernist model, by texture, colour and shape. Bauhaus guru would probably be pleased to see “authenticity without copying" in a room.

The word "gardens” in the name of the residential complex is not accidental and might be more important. It is responsible for both the general and the particular, for difference and integrity of the small town. Through all the details the complex on Pyatnitskoe highway is a garden. First, the architects have turned it into a really green town: on one of the two main axes there will be a park with a waterfall in the end where boating will be available in summer, and skiing in winter. Besides, each block will be planted with particular type of tree. There even might appear small private gardens on the ground floors. This is how the architects have developed the popular today idea of dwelling in the nature with regular urban conveniences. In this way the separate town-garden is a less expensive variant of a private house in an elite settlement.

Also the complex is integral due to common planning principles. It is more or less strict. The two main axes cross under a right angle: the mentioned earlier "park" one, with a pond and free layout. There is a school, a nursery school and a sports facility. The second axes suggests a parade town promenade, a small garden framed with shop and offices. Its architecture could be figuratively named “Moscow-wise” because there are gathered most recognizable features of projects by “SPeeCH” in the capital - stripes stone boards-jalousie, very much art-deco vertical lines…”Byzantine house” and “Marine”, office building on Leninsky avenue come to mind. This part of the project took all the strictness and respectability of the residential complex.

“National” blocks stretch along the parade “town centre”, perpendicularly to the garden part. Houses are sited differently, but most of them fence off yards. The plan is more like “Stalin period” blocks in Moscow, so that is rather a classical approach to town planning than a modernist. The logic is clear – sited along the perimeter, buildings make comfortable space of inner yards, and outside form a kind of frontage line and neat streets.

In addition to the axial, stone and parade main street, there is another part of the development which hasn't gain any “national feature”. It is an island. The block is sited on a round island in the middle of the pond and includes small (3-4storey) colored houses placed closely along the outer round. Within there are rings of the small garden which are like a park labyrinth (French parks had such, mostly round, of flowers or bushes). But here one can’t get lost there, the height is small. In the “labyrinth” there will be planted trees of pyramid shape reminding of the South. To complete the scene there will be a round pond with a fountain in the centre – the axes of the joyful block. Venice? But there are no direct analogies, and role of the island is different – it serves as a filter or a catalyst element. Images of various countries pressed together inevitably create much of garishness, much of diversity. The island takes all the extravagance and intensifies it – after its colorful whirl the rest might seem colder. At the same time the island is the major enjoyable spot of the park complex – it is a pole opposite to strictness of the main street.

Noteworthy, Sergey Tchoban again appeals to international theme and idea of combining various architecture within a single place. In summer of 2008 at the architectural biennale in Moscow there was showcased a project of residential district Kudrovo nearby Saint Petersburg, designed by the studio together with “Evgeny Gerasimov and partners” architectural studio. The architects suggested the project of a town where blocks would remind arrangement of European cities, for example, Paris, Berlin, London.

Comparing the two projects, must notice, Kudrovo district is closer to the historical image of European capitals and “pictures” them precisely. And the complex on Pyatnitskaya highway is more generalized and modern. It is functional to the utmost, but its area is open and friendly, adapted for socializing. Distance from a block to block makes 30 meters, so one may reach by foot any community centre. Due to development of yards and squares, closeness of public zones, it doesn't have isolation that large residential volumes of high-rise housing have. The environment is not strange anymore, not only apartment area makes home but the yard, street and the entire town.

Many times architects tried to “peace” a man, town and nature. In Great Britain, around a century ago, the idea of there a garden-town started up – an alternative to cramped and stone town of early capitalism. A garden-town aimed to combine idyll of a countryside living and urban conveniences and comfort, the idea is still urgent nowadays and has a history. In the “Garden of cultures” there is a third element – culture. During the 20th century it became obvious - a man can't survive without it. The task is tougher now. Checks and balances are needed here. There has shaped a town vaguely resembling a palace park of the 17th century – in those times people knew that for balance living nature, house and something for mind were needed. They were building pavilions in different styles, Moresque, Gothic or rural. So the idea of “Gardens of cultures” is not new, but is a well forgotten thing, came from the history. And that is alright.



Firm:
SPEECH
Object:
Master plan of residential complex “Gardens of cultures” on Pyatnitskoe highway
Russia, Pyatnitskoe highway

Project Team:
S.Tchoban, S.Kuznetsov, Stefan Sholtz, A. Dryabina, P.Karpeeva

2.2008 — 11.2008

14 January 2009

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
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The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
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​Generational Connection
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Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.