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​The Pleated House

Designed by Aleksey Medvedev, the apartment complex on the Franko Street takes on the role of an urban planning highlight without going beyond the limits of a reserved minimalist form. One of its peculiar features is a staircase with a zigzagged ramp, still a rare sight in Moscow.

11 April 2019
Object
mainImg
Architect:
Alexey Medvedev
Igor Shvartsman
Object:
Residential complex MainStreet
Russia, Moscow

2018 — 2019 / 2019

The apartment complex is situated a five minutes’ walk away from the Kuntsevo metro station, in the triangle between the old and the new Rublevo highways. To the east of it lies the industrial park of “Tekhnomash” research and development institute specializing in the field of radio electronics; to the west, really close to the border of the land site, stands the 20-story-high “Kutuzoff Tower” business center. To the south, literally two steps away, runs the Belarus-bound railroad line with the Kuntsevo railroad station, which is currently being expanded; there are plans for building a flyover of the north relief road of the Kutuzovsky Avenue – of course, with mandatory noise screens. Still other neighbors of the future complex are pink-brick houses, chiefly of the “elite” Brezhnev-age typology, with an odd inclusion of houses built later on in the nineties. As a matter of fact, the land site, which had been occupied by textile production facilities, stood derelict for quite a while. At the same time, this area of Moscow is quite prestigious, considering the proximity of the Kutuzovsky Avenue, the metro station, the highways, and the fact that within a 15 minutes’ walk starts a string of parks lying along the length of the Moskva River, from Fili to Krylatskoe.

Multifunctional complex with places of temporary residence on the Franko Street
Copyright: © Sergey Kisselev & Partners
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    Multifunctional complex with places of temporary residence on the Franko Street
    Copyright: © Sergey Kisselev & Partners
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    Multifunctional complex with places of temporary residence on the Franko Street. Location plan
    Copyright: © Sergey Kisselev & Partners


The first and probably the most noticeable peculiarity of the project consists in its comparatively tall surroundings, particularly the 20-story high business center. The architects came to a conclusion that they had to design a highlight that would represent the entire complex against the city background and would react to the neighboring building. This role was given to the 29-story-high “slab” tower of Building 1 that stands next to the business center, not parallel to it but at an angle: instead of forming a “crevice”, the tower and its “office” neighbor formed a wedge-shaped space, opening to the south. However, the contour of the slab is jagged. Therefore, each apartment of the western wall gets a corner with a bay window that catches the light and helps to some extent to redirect the residents’ gazes diagonally, avoiding the undesirable window-to-window tie-in effect with the building standing across the street.

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    Multifunctional complex with places of temporary residence on the Franko Street. Photo montage
    Copyright: © Sergey Kisselev & Partners
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    Multifunctional complex with places of temporary residence on the Franko Street
    Copyright: © Sergey Kisselev & Partners
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    Multifunctional complex with places of temporary residence on the Franko Street. Photo montage
    Copyright: © Sergey Kisselev & Partners
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    Multifunctional complex with places of temporary residence on the Franko Street. Photo montage
    Copyright: © Sergey Kisselev & Partners
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    Multifunctional complex with places of temporary residence on the Franko Street
    Copyright: © Sergey Kisselev & Partners
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    Multifunctional complex with places of temporary residence on the Franko Street. Photo montage
    Copyright: © Sergey Kisselev & Partners


The entire building looks like drapery, and the corridor inside of it is also zigzagged. For the apartments, the insolation standards are not as strict but still the architects did everything to let them catch as much sunlight as possible – a graceful solution for reduced circumstances, which are pretty much the only circumstances that you get to deal with in Moscow, at least architecture-wise.

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    Multifunctional complex with places of temporary residence on the Franko Street
    Copyright: © Sergey Kisselev & Partners
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    Multifunctional complex with places of temporary residence on the Franko Street
    Copyright: © Sergey Kisselev & Partners
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    Multifunctional complex with places of temporary residence on the Franko Street
    Copyright: © Sergey Kisselev & Partners
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    Multifunctional complex with places of temporary residence on the Franko Street
    Copyright: © Sergey Kisselev & Partners
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    Multifunctional complex with places of temporary residence on the Franko Street
    Copyright: © Sergey Kisselev & Partners


We will note that the 29 floors of the Building 1 tower is precisely NOT the case when the architects stretch the building up in order to get the required output of square meters but a though-out highlight. The architects conducted a thorough visual/landscaping survey – probably, this project can claim to have the all-time maximum of 3D geographic location insets from every conceivable vantage point: from the Kutuzovsky and Rublev highways, from the Kuntsevo railroad station (which, by the way, was built in the late XIX century, and from the “Kvadro” shopping center, built on the Rublevo Highway by Vladimir Plotkin in 2003. From some vantage points, Building 1 looks like a theater backdrop of the rounded “Kutuzoff Tower”, standing out from behind its back like the back of a gothic armchair; from others – thanks to its relatively small thickness – it stretches up like a string and looks slender and elegant, especially by contrast with the wife building of the business center. In other words, the slab and the business center form a contrastive pair, the interrelation between the two volumes – the old and the new one, still in design yet, being different when viewed from different angles.

Multifunctional complex with places of temporary residence on the Franko Street
Copyright: © Sergey Kisselev & Partners


The north building that stretches along the Franko Street and stands the closest of all to the flyover of the relief road, is lower in height than the rest – it is only nine stories high. The composition is completed by the eastern 15-story building – three slabs are arranged in a city block fashion like a U, whose “lower stroke” is turned south. Yet another building three stories high stands in the northeast corner of the complex on a separate land site.

Still another peculiarity of this territory consists in the fact that its relief drops significantly in the direction of the railroad line, the height difference being about 4.5 meters. This is why the underground parking garage is part double and part single level. The private “vehicle-free” (i.e. only fire trucks are allowed here) makes the most of the landscape: about two thirds of it are elevated to the level of the upper mark and are leveled out like a terrace with a prop-up wall. And the northern part gets a staircase, capacious, gently sloping, and widening towards the top, which allows the architects to play around with the perspective, enhanced when “gazing down” and softened when “gazing up”. The staircase becomes something like the yard’s amusement ride: its stairs are crossed by a zigzagged ramp, as if sliced by a giant knife – together with the benches standing on the broad steps, it takes on the character of a city boulevard with an unusual look.

Multifunctional complex with places of temporary residence on the Franko Street
Copyright: © Sergey Kisselev & Partners


“Such solutions are pretty common in the modern European and American landscape design; you could say that this has become a trend, and we don’t claim to be pioneers here – the chief architect of the project Aleksey Medvedev explains – But this solution not only allowed us to save a lot of space but also liven up the yard adding a cherry on top”. The broad staircase descends to Building 4 that stands in the northeast part of the site. And still another staircase, this time small and narrow, in the opposite corner of the site, allows to shorten the walk to the metro station cutting it down to five minutes.

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    Multifunctional complex with places of temporary residence on the Franko Street
    Copyright: © Sergey Kisselev & Partners
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    Multifunctional complex with places of temporary residence on the Franko Street
    Copyright: © Sergey Kisselev & Partners
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    Multifunctional complex with places of temporary residence on the Franko Street
    Copyright: © Sergey Kisselev & Partners
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    Multifunctional complex with places of temporary residence on the Franko Street
    Copyright: © Sergey Kisselev & Partners


All the public functions of the ground floors – a café, a grocery store, a beauty salon, and a recreation center – are situated on the outside contour of the complex. Some of the apartments from the yard side are also situated on the first floor. All of the hallways can be accessed from the yard and from the street alike.

Multifunctional complex with places of temporary residence on the Franko Street
Copyright: © Sergey Kisselev & Partners


One of the important constituent parts of this project is the brick façades of various shades of color that come together to form a naturally diverse picture. The brick was chosen first of all because of the context because most of the houses around are also brick ones. The main Building 1 got an exquisite brown color, the others getting laconic but just as exquisite gray, dark and light. The façade structure enhances the fact that the buildings in the complex have a different number of floors in them: wherever a building exceeds the limit of 9 floors, the piers become noticeably thinner and the windows become larger – this solution was motivated by reasons not so much creative but purely pragmatic. Standing at a height, one gets a much better view of the surrounding scenery, and, by making the windows larger, the architects hoped to provide the future residents with better views.

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    Multifunctional complex with places of temporary residence on the Franko Street
    Copyright: © Sergey Kisselev & Partners
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    Multifunctional complex with places of temporary residence on the Franko Street
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    Multifunctional complex with places of temporary residence on the Franko Street
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    Multifunctional complex with places of temporary residence on the Franko Street
    Copyright: © Sergey Kisselev & Partners


All of the façades are united with dark-gray metallic frames around the windows and inclusions of strips of the same colors at the bottom of the apertures. At some places, the windows are visually widened by white insets. One the light-colored façades, the windows rhythmically, next nearest, change their height, but they never go over the upper edge marked by a horizontal stripe of a row of bricks standing out – a barely noticeable detail in the pattern of the very reserved, or, as the architects put it, “very regular” façades. Still another nuance is milky backlighting of the marquees and laconic decor of the close pattern of slender strips, common for both metal and travertine. In the situation of declarative reserve, any detail becomes noticeable. However, there is yet another thing that is also true – the complex requires high-quality decoration materials, stone, and, above all, brick. And it will look expensive only if the architects are able to implement their ideas to the fullest.
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    Multifunctional complex with places of temporary residence on the Franko Street
    Copyright: © Sergey Kisselev & Partners
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    Multifunctional complex with places of temporary residence on the Franko Street
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    Multifunctional complex with places of temporary residence on the Franko Street. Section views
    Copyright: © Sergey Kisselev & Partners
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    Multifunctional complex with places of temporary residence on the Franko Street. Section views
    Copyright: © Sergey Kisselev & Partners


Architect:
Alexey Medvedev
Igor Shvartsman
Object:
Residential complex MainStreet
Russia, Moscow

2018 — 2019 / 2019

11 April 2019

Headlines now
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.