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​Lifestyle for Rent

Roman Leonidov architectural bureau has designed a villa community of Daryino-Uspenskoe, whose architectural solutions all but destroy popular stereotypes about life on the Rublevskoe Highway.

21 August 2017
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The settlement of Daryino-Uspenskoe is situated in the Odintsovo District, three kilometers away from the Rublevo-Uspenskoe Highway. The 55-hectare land site is situated in the center of the territory that is generally considered to be the most respectable place of Moscow suburban area, between the settlements of Nikolino and Lapino. On its east, it neighbors on the “academic dachas” of Novodaryino, on its north – on a settlement named “Diplomat”, on its west – on Novo-Nikolino, and its south border is marked by a creek behind which stands the new Saint Nicholas Temple. About two thirds of Daryino-Uspenskoe once used to be a farm field, to the north of which mixed woodland begins.

Initially, the developers were planning to build a large and dense cluster on the southeast part of the future settlement. For this, Roman Leonidov came up with a master plan in which the houses were grouped in the pattern of clover leaves. Then the client asked to carry the first stage over to the north part, closer to the woodland; the number of buildings was significantly curtailed, and they were arranged in a different way. Today, the territories of (1) the first stage that has already been put into operation and (2) the second stage that has been designed – are divided by a wedge-shaped land site that was divided into plots and put on sale without any houses on them.

The Forest House. Rent-out settlement "Daryino-Uspenskoe" © Roman Leonidov architectural bureau
The master plan. Rent-out settlement "Daryino-Uspenskoe" © Roman Leonidov architectural bureau


What makes Daryino-Uspenskoe different is the fact that this is a rent-out type of settlement; this housing was designed to be rented out, not sold. Roman Leonidov architectural bureau had a task of designing two types of projects different in their square footage. As far as the materials and technologies were concerned, the client was less specific and preferred to make to make choses in the process of construction, estimating the construction costs by trial and error. This way, the settlement got one log house, one half-timber, and the others – of a stick-frame type, because in the long run the client settled for this particular type. The settlement is dominated by linked townhouses two-stories high with a residential section floor space 240 square meters – there are ten of them. Three other houses are three-story villas 500 square meters each, and these are called in the project in the most literal way – “The Big Ones”. The “Forest House”, the only building of its kind – stands separately in the thicket.

Linked House #3. Rent-out settlement "Daryino-Uspenskoe" © Roman Leonidov architectural bureau


Ultimately, the whole first stage of the settlement is hidden in the forest – which to a large extent defines its architectural image. Unlike most of the Rublevskoe Highway area, the houses of Daryino-Uspenskoe look very open. Neither the villas nor the townhouses have fences or individual land plots of their own. What’s more, Roman Leonidov insisted that the houses should have no perimeter walks – instead of them, there are plants growing along their perimeters. The settlement looks very “European”, this impression being strengthened by the glass entrance doors and the absence of the base floor.

Linked House. Rent-out settlement "Daryino-Uspenskoe" © Roman Leonidov architectural bureau


It is planned that asphalt will only be laid on the access driveways; the other paths and trails will be lime trees boardwalks. The pile foundations, devoid of perimeter walks and habitual paving were also determined by the architects’ desire to preserve the landscape: they do not create a closed contour in the soil, and do not violate the established circulation of water, i.e. do not harm the old trees, some of which would otherwise perish.

The Forest House. Rent-out settlement "Daryino-Uspenskoe" © Roman Leonidov architectural bureau


In the space-organizing solution, one can easily discern the signature style of Roman Leonidov: rectangular geometry of the façades, absence of any excessive details, and single-pitch roofs. In spite of the fact that the houses were built in accordance with a standardized project, the village looks anything but monotonous. First of all, the houses are placed in an irregular fashion: only five of them are neatly arrayed along the highway, the others being scattered among the trees. Second, the façade materials: some of the townhouses are decorated with wooden boards, and some – with fiber cement panels imitating brickwork, which makes the houses look different, even though in actuality there are no significant differences between them.

Linked House #2. Rent-out settlement "Daryino-Uspenskoe" © Roman Leonidov architectural bureau


The linked townhouses have no common walls; their sections are terminally open to the surrounding space but still existing individually. They are united not so much constructively as visually. The role of a link is played by the garage awnings. There no garages as such, neither in-built, nor separately standing: “As practice of using townhouses in the Moscow area shows, the garages are virtually never used to their direct purpose. Most of the time, the car is still parked somewhere just outside the house, and the garage is turned either into a gym or something like that” – Roman Leonidov explains.

Linked House #1. Rent-out settlement "Daryino-Uspenskoe" © Roman Leonidov architectural bureau


From the side of the front façade, the first floor is almost completely glazed, an open-air terrace running along its entire length. Above it, there is a large balcony with a wide-spaced metallic railing. From the terrace, the door leads to the kitchen / dining room and the living room zone. From the opposite side, there is yet another entrance to the house – through the anteroom. On one side of it, there is a closet and a washing room, on the other side – there is an isolated room. The role of the “buffer” territory between the guest zone (which is open to the terrace) and the private / maintenance zone is played by the bathroom and a staircase leading to the second floor.

Linked House. Plan of the 1st floor. Rent-out settlement "Daryino-Uspenskoe" © Roman Leonidov architectural bureau


According to the project, the side ends in the upper part of the second floor were supposed to be glass in order to create an impression that the roof is hovering in the air, and the windows must be of the “down-to-the-floor” type. However, the client had to give up on the stained glass idea for economic reasons, and on the idea of the large windows as well – out of fear that the tenants would be disconcerted by the absence of traditional wall-mounted radiators. As a result, the townhouses lost a little in expressiveness but functionally they did not suffer much: the roof descends over the bathroom, the staircase, and the children’s room, while the other two rooms of the second floor have windows on the front façade, and, in addition to these large-sized windows, there is also a balcony there.

Linked House. Plan of the 2nd floor. Rent-out settlement "Daryino-Uspenskoe" © Roman Leonidov architectural bureau


The “big houses” consist of three rectangular volumes of different height. The decoration of their façades uses three colors – dark-brown, beige, and white. In the he central block – the darkest and the tallest one – the windows are stretched vertically, while in the other ones they are stretched horizontally. The borders of colors here ignore geometric ones, thanks to which the houses look light and compact, in spite of their size.

The Big House. Rent-out settlement "Daryino-Uspenskoe" © Roman Leonidov architectural bureau


The spacious balcony also serves as a garage awning capable of housing two cars. Beneath it, there is also the entrance to the boiler room. Two entrances to the house are situated in the “guest” horizontal sector: from one side, a person can enter through the anteroom/hall, and from the other side – through the dining room, which in this type of houses is separated from the kitchen. The other part of the building includes a guest bedroom and a bathroom. The second traversal “compartment” includes a staircase hall and a closet, the third – a large living room and a study.

Big House. Plan of the 1st floor. Rent-out settlement "Daryino-Uspenskoe" © Roman Leonidov architectural bureau


The second floor includes the master’s bedroom and two children’s room, separated by the nanny’s room. One of the two children’s rooms is very large, with a bathroom of its own, and, in addition, it is double-height, with a loft. From the side of the opposite front façade, on the third level, there is also a room equipped for cooking, with a spacious balcony, fit for family breakfasts and dinners in the open air.

Big House. Plan of the 2nd floor. Rent-out settlement "Daryino-Uspenskoe" © Roman Leonidov architectural bureau


Linked House. Plan of the 1st floor. Rent-out settlement "Daryino-Uspenskoe" © Roman Leonidov architectural bureau


The arrangement of houses in Daryino-Uspenskoe does not follow any specific geometrical pattern: they look as if they were scattered around the landscaped site with its trimmed shrubs, lawns, and pieces of modern sculpture from the private stock of the owners of the settlement. At their disposal, the tenants will also have a children’s playground with a trampoline, a picnic zone, and a large public tent. The open character of the architecture of Daryino-Uspenskoe is to a large extent conductive of this territory becoming a single public space. “By renting the housing here, a person also is renting a lifestyle” – says the authors of the project Roman Leonidov.
The Forest House. Plan of the 2nd floor. Rent-out settlement "Daryino-Uspenskoe" © Roman Leonidov architectural bureau
The Forest House. Plan of the 1st floor. Rent-out settlement "Daryino-Uspenskoe" © Roman Leonidov architectural bureau


21 August 2017

Headlines now
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.
The Color of the City, or Reflections on the Slope of an Urban Settlement
In 2022, Ostozhenka Architects won a competition, and in 2023, they developed and received all the necessary approvals for a master plan for the development of Chernigovskaya Street for the developer GloraX. The project takes into account a 10-year history of previous developments; it was done in collaboration with architects from Nizhny Novgorod, and it continues to evolve now. We carefully examined it, talked to everyone, and learned a lot of interesting things.