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In Rhythm with City, in Balance with Nature

The business center designed by Andrew Romanov and Ekaterina Kuznetsova continues the "green" line of ADM Bureau projects that implement the ideas of interaction and mutual respect between architecture and nature.

11 March 2013
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The construction site is located in the western part of Moscow region, not far from Sheremetevo 2 international airport, in the woodland that is so far situated far away from any houses or infrastructure but, thanks to its vicinity to the federal highway, is sure to start developing pretty soon. Last year, there was a tender for the concept of its housing development. Among other competitors, on the list dominated by foreugn companies, there was ADM Bureau that ultimately came out as a winner.

 

The commissioner gave the architects a challenging but at the same time interesting urban ask - to create literally from scratch and on a vacant plot of land a grand-scale and fully functioning business center with up-to-date European-standard offices, meant supposedly for international companies, a hotel, and a spacious parking garage. All of this was to be positioned at a land site of a rather sophisticated configuration, whose layout vaguely resembles a giraffe or maybe a dinosaur with its neck pointed northeast. The long and narrow "neck", due to its peculiar dimensions, was the most challenging part of the territory because any building that would have been built here would have looked cut off from the other buildings.

 

This is why ADM architects proposed to divide the construction site into two areas. In one of them they concentrated all the significant objects of the complex; in the other, they placed a multi-level parking garage. Considering the requirement to keep intact as many trees that were there on the construction site as possible, it was decided that the parking garage will be of the above-ground type. As a result the six-level garage safely occupied the "problem" part of the territory, providing the number of parking stalls necessary for the business center of such magnitude.

 

As far as the main southwest area is concerned, Andrew Romanov and Ekaterina Kuznetsova proposed, instead of a standard business center, a concept of a small but cozy and self-sufficient town, carefully and harmoniously inscribed into the woodland. The utter absence of civilization around it made it necessary to create a developed space inside of it. And this is how the idea of a wide pedestrian boulevard suggested itself. It starts off from the public transportation stop, directly behind which the reception area is situated - it is a transparent, wall-to-ceiling glass oval-shaped building (this technique, the entrance area with transparent walls, and hence friendly, the architects mastered a few years ago, while designing a building in the Nastavnichesky Alley). Getting through the reception, the visitor finds himself under a tall and picturesquely winding awning that covers the entire space of the boulevard from beginning to end.

 

Glass reception. View of the complex from the road.

The paved road, very much like a river, flowing gracefully amidst the slender pine trees, covers the office tower sites in intricate waves, reaches out like a river branch to the parking garage, touches, like a wave with the edge of its crest, the square site of the hotel, and finally just as gracefully and smoothly returns to its starting point, completing the circle. Inside the circle, a plot of pine forest is left intact.

 

Masterplan



The topside of the awning above the promenade is covered with grass, and at some places rocks are strewn around, the legacy of the Zen garden. Thus the offices above will command a view of the wide green strip of land, pierced with the trunks of pine trees - nothing short of the dream of a science fiction romantic - a green, multi-level city. Meanwhile, there is a world going on under the "green blanket". Here and there the boulevard is livened up by street cafes, small shops, recreation places - in a word, this IS a real city street, a place where people meet and communicate. The promenade serve not only the practical communication purpose but also, green and improved, filled with public spaces, street furniture and lamps, forms the human scale of the perception of this complex. The streets unites and connects all the buildings making them live and work in a single rhythm - in the rhythm of the city. And, nevertheless, inspire of the bustling activity on the boulevard, and even in spite of the fact that now and then VIP's cars will drive through it, it look a lot more like a park or a forest - natural, picturesque, with plenty of trees. The architects preserve the trees that grow in the middle of the carriage way, carefully "leading" their trunks up through the round openings in the green awning. The pillars that support the roof at different angles, in turn, echo the tree trunks as if insisting on them being a part of the surrounding pine forest too.

 

Street under the wavy awning

The centerpiece of the complex actually consists of seven glass towers of a rectangular layout that lets to make the most of the land site. Their rooftops are strikingly "cut off" in a diagonal line, the tallest tower being 75 meter high. On the facades the glass asymmetrically alternates with the rectangles of the wooden panels: this makes the towers look a little more diverse and at the same time "warmer". Six high-rises are occupied by offices and are placed in pairs opposite to one another along the ring of the Main Street. The seventh, placed at some distance, in the northeast protrusion of the site and facing the highway, is meant to be an international-class hotel.

 

The wall-to-ceiling windows on the facades will let the office workers enjoy the scenery. This, however, was not enough for the authors of the project. According to Andrew Romanov, they wanted to literally integrate the glass high-rises into the forest, in spite of the fact that they tower incomparably higher that the tallest trees. Trying to enhance the participation effect, the architects supplied the austere volumes of the towers with cantilevers that overhang above the trees from the side of the promenade. The cantilevers are occupied by meeting rooms with wall-to-ceiling windows. It will sure take one's breath away to be inside such a space because of the feeling of flight: the meeting room literally hovers above the forest. Its interior will be, on the one hand, open to the natural surroundings and to the sky; on the other hand, one can clearly feel the theme of overcoming the nature, and, above all, the power of gravity; it is a mixed motif of admiring the landscape and the technical power of man that has risen above the treetops in his "space capsule".

 

Meeting rooms inside the cantilevers

Cantilevers. Hanging in space.


Thus the architects of ADM grow a forest of skyscrapers amidst the pine trees. Particularly impressive is the combination of unabashed "office" technical architecture of the glass towers with their cantilevers suspended in space, and the architects' attention to detail, to the grass and the trees, and to the quality of the public space, open to people and nature, high-tech and naturally calm at the same time. ADM architects have been exploring these themes for the past few years: right now the bureau is finishing the construction of a few office complexes, each of which combines lightweight up-to-date architecture, careful treatment of each and every tree or bush that happens to be there on the construction site, and - and this is particularly important - quite unusual, by Moscow standards, quality of designing the improvement items (street furniture, footbridges, street lights, and various types of grass), in other words, a serious and professional approach to organizing the environment of the business parks being created. Fed with the nourishment of a large-scale countryside project, these positive qualities grew to the fullest. No wonder this project won an international contest.

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11 March 2013

Headlines now
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
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The “Snake” Mountain
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Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.
The Color of the City, or Reflections on the Slope of an Urban Settlement
In 2022, Ostozhenka Architects won a competition, and in 2023, they developed and received all the necessary approvals for a master plan for the development of Chernigovskaya Street for the developer GloraX. The project takes into account a 10-year history of previous developments; it was done in collaboration with architects from Nizhny Novgorod, and it continues to evolve now. We carefully examined it, talked to everyone, and learned a lot of interesting things.
A Single-Industry Town
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A New Age Portico
At the beginning of the year, Novosibirsk Tolmachevo Airport opened Terminal C. The large-scale and transparent entrance hall with luminous columns inside successfully combines laconism with a bright and photogenic WOW-effect. The terminal is both the new façade of the whole complex and the starting point of the planned reconstruction, upon completion of which Tolmachevo will become the largest regional airport in Russia. In this article, we are examining the building in the context of modernist prototypes of both Novosibirsk and Leningrad: like puzzle pieces, they come together to form their individual history, not devoid of curious nuances and details.
A New Starting Point
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Molding Perspectives
Stepan Liphart introduces “schematic Art Deco” on the outskirts of Kazan – his houses are executed in green color, with a glassy “iced” finish on the facades. The main merits of the project lie in his meticulous arrangement of viewing angles – the architect is striving to create in a challenging environment the embryo of a city not only in terms of pedestrian accessibility but also in a sculptural sense. He works with silhouettes, proposing intriguing triangular terraces. The entire project is structured like a crystal, following two grids, orthogonal and diagonal. In this article, we are examining what worked, and what eventually didn’t.