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Midway upon the Journey of Our Life

Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.

26 April 2024
Review
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Looking back one’s professional journey, acknowledging one’s achievements, and celebrating one’s success is absolutely necessary from time to time – at least to maintain one’s motivation and continue one’s work, as well as for the sake of healthy reflection. A good way to do this in the context of an architect’s career is to publish a book: contemplating its structure and selecting projects for it, you inevitably survey a large chunk of your life. And to make this book a celebration ritual, you can involve colleagues and friends in its creation, as well as turn to a publishing house that knows how to present architecture. Tatlin is precisely such a publishing house.

The book by Sergey Oreshkin became both a gift and a milestone in his professional life. By architectural standards, and by the architect’s own definition, he is at the “peak of maturity”. Three years ago, his architectural company “A.Len” celebrated its 30th anniversary.

Two self-portraits by Sergey Oreshkin several decades apart
Copyright: © Image courtesy by A.Len


From the introductory words from his colleagues, the readers learn about Sergey Oreshkin’s dedication to Leningrad modernism. The architect himself considers himself a follower of the traditions of Lazar Khidekel and his son Mark, with whom he had the opportunity to work in his youth. And the name chosen once for his studio has not changed: “A.Len” stands for “Architectural Leningrad”.

The design of the book emphasizes that this connection with the past is not only preserved but also retains value. The cloth-bound cover with embossing is reminiscent of volumes published during the Soviet era in the so-called “Library of World Literature” series. The deep matte finish of the cover initially seems excessively gloomy, but as you become acquainted with the book, the association changes: black fabric, white edges, charcoal endpapers, and white lines – all these combinations ultimately fall in line with the idea of black-and-white photographs. And monochrome seems to best convey the lines of modernism. The “Puaré” font used for the cover and headings also has a hint of “retro” – online, it is described as “geometric grotesque with notes of Art Deco and constructivism”.

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Each section of the book corresponds to its own background color of the pages. The book starts off with a small “black block”: a quote from Sergey Oreshkin about the architect’s peak of maturity and his photo in a contemplative pose, a short biography, and feedback from his colleagues – the leading figures of architectural St. Petersburg.

The book “Architect Sergey Oreshkin. Selected Projects”
Copyright: Photograph © Archi.ru


The book “Architect Sergey Oreshkin. Selected Projects”
Copyright: Photograph © Archi.ru


The first white spread evokes the same sense of relief as any conclusion of an official part. The white color becomes a “background” for the selected 43 projects – all of them being implemented ones. The list includes both large urban public buildings and private residences, and the geography, besides St. Petersburg, includes Voronezh, Yekaterinburg, Saransk, Samara, Vologda, Novosibirsk, and the Moscow region. Several projects were done in collaboration with Western companies – KCAP, Orange, Semrén & Månsson, and Grimshaw Architects.

Copyright: Photograph © Archi.ru


The book “Architect Sergey Oreshkin. Selected Projects”
Copyright: Photograph © Archi.ru


The buildings are not presented in chronological order and are not systematized by function, material, or any other principle. Hence, just as in literary texts, the first sentence is the most important, and the section begins with the sports complex of the SKA hockey club “Hockey City”. This may indicate the architect’s love for sports in general and hockey in particular, as well as an interest in the sport facilities typology.

The book “Architect Sergey Oreshkin. Selected Projects”
Copyright: Photograph © Archi.ru


Each project is allocated two to three spreads depending on its scale. The majority are filled with excellent photographs by Ivan Smelov and Andrey Belimov-Gushchin. Different angles – bird’s-eye views, distant perspectives and fragments, as well as location plans and drawings, help to better understand the building. It’s interesting to examine the initial sketches, from which the concepts were developed. Short texts, quite sufficient for presentation purposes, are duplicated with English translations.

The book “Architect Sergey Oreshkin. Selected Projects”
Copyright: Photograph © Archi.ru


The book “Architect Sergey Oreshkin. Selected Projects”
Copyright: © Image courtesy by A.Len


Some buildings – private residences, housing complexes, and car showrooms (among which there is a quite surprising one, reminiscent of the postmodernist Michael Graves) – are presented in a scatter of six to seven projects per spread.

The book “Architect Sergey Oreshkin. Selected Projects”
Copyright: Photograph © Archi.ru


In the last section of the book, the glossy white pages give way to “craft” gray ones. These are Sergey Oreshkin’s drawings, which include not only sketches of various buildings but also artistic studies. This section seems to be a very valuable addition to the previous list of buildings, as it to some extent reveals the architect’s personality and transforms him from an abstract figure into a real person.

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    A drawing by Sergey Oreshkin
    Copyright: © Image courtesy by A.Len
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    A drawing by Sergey Oreshkin
    Copyright: © Image courtesy by A.Len
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    A drawing by Sergey Oreshkin
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    A drawing by Sergey Oreshkin
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    A drawing by Sergey Oreshkin
    Copyright: © Image courtesy by A.Len




This substantial book, which does not even include all of the architect’s executed constructions, is a significant marker of success. During his creative journey, which began with designing private residences, car showrooms, and interiors, Sergey Oreshkin gradually came to master planning of enormous territories. Now, seeing his experience, reputation, and recognition, expressed in commercial success as well, I am really curious as to what may come next.

26 April 2024

Headlines now
The Copper Mirror
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“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
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​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
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The Silver Skates
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On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
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Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.