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Alexandra Kuzmina: “Working is easy when the rules are the same for everyone”

The subject matter of Moscow Region’s booth and presentations at Zodchestvo Festival was the concept of “Integrated Land Development”, and for a good reason: this task is very challenging, very relevant, and Moscow Region has already accumulated quite a formidable experience in this regard. In this article, we are speaking to the main architect of the region: about master plans and who makes them, about where you obtain resources for creating a comfortable environment, about her favorite projects, about why there are so few good architects, and what we should do with the bad ones.

27 November 2023
Interview
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Archi.ru
What are the mechanisms that the Moscow Region uses for managing Integrated Land Development projects?

Alexandra Kuzmina, Chief Architect of the Moscow Region. Mosoblarchitecture at Zodchestvo 2023
Copyright: Photo: provided by the Union of Architects of Russia


Alexandra Kuzmina,
Chief Architect of the Moscow Region: 

At the end of 2020, Federal Law No. 494-FZ on amendments to the Urban Planning Code of the Russian Federation was adopted. The law introduced the concept of Integrated Land Development into the Code, as well as a new mechanism for the implementation of investment projects, which, among other things, involves the resettlement of people living in dilapidated and hazardous buildings. In this regard, we have made appropriate changes to the regional standards of urban planning design and developed a number of normative legal acts, including the law of the Moscow Region No. 2/2021-OZ “On some issues of Integrated Land Development of municipalities of the Moscow Region ...” and the Decree of the Government of the Moscow Region No. 29/3 “On approval of the Regulations on the procedure for Integrated Land Development of in the Moscow Region regions”, which further defines the procedure for the implementation of the Integrated Land Development. The decision on implementing the Integrated Land Development in the Moscow Region is assigned to local governments, and the regional government remains the controlling body. Quality standards for housing construction have also been developed, as well as a set of rules guaranteeing a high level of design and construction of housing in the region.

In 2021, the Fund for Assistance to the Integrated Land Development of the Moscow region was also established, in 2022 – the Integrated Land Development project office, which employs a whole group of experts from different governmental agencies, which allows for an integrated approach to project development.

Alexandra Kuzmina, Chief Architect of the Moscow Region, with the golden sign of Architecture 2023, received by Mosoblarchitecture for the project presented at the festival
Copyright: Photo: provided by the Union of Architects of Russia


In how many districts of the Moscow Region has the Integrated Land Development program been implemented?

At the moment, 85 projects are at various stages; 11 contracts have already been concluded. Almost a third are located in previously uninhabited, empty and former industrial territories, and the regional Fund for the Promotion of Integrated Land Development is specifically engaged in them.
 
At the same time, we allot only abandoned and vacant territories for complex residential development.

Round table “Renovation and Gentrification”, Zodchestvo 2023
Copyright: Photo: provided by the Union of Architects of Russia


Mosoblarchitecture at Zodchestvo 2023
Copyright: Photo: provided by the Union of Architects of Russia


Where are the Integrated Land Development projects more numerous – closer to the Moscow Ring Road or closer to the borders of the region? 

Of course, the first belt near the Moscow Ring Road is more attractive for investors. This is where the region’s first Integrated Land Development project is situated, which was awarded the first prize at the architectural competition “Best Moscow Region Project” in the nomination “Best Multistory Housing Property”, and which was awarded the Silver Sign at Zodchestvo 2022 – this is the housing complex “Dolina Yauzy” (“Yauza Valley”). The situation is more difficult, of course, with the second and third belts – the return on investment is obviously lower, and it’s harder to start an auction.

There is a rare lucky case of Naro-Fominsk. People spent years working on returning the historical memory to the place; and they implemented the concept of redeveloping the historical part of the former silk factory and gracefully integrating the historical buildings into the modern public space with a multifunctional environment and a pedestrian area. The architectural company DNK ag developed an interesting housing project that became the continuation of the red-brick factory ensemble. The place changed for the better so much that we and the architects texted each other: hey, maybe we all should move to Naro-Fominsk? And they go: yeah, probably, a good idea! This small town has everything that Moscow has to offer, save for the University. If it did have a branch of the University, then it would really have it all: the young people could study there, and then the elderly could teach. You are very lucky when conscious people, real professionals, and I am talking about both the developer and the architects, start working together on the same territory.

Mosoblarchitecture at Zodchestvo 2023
Copyright: Photo: provided by the Union of Architects of Russia


“City on an island”, the authors of the concept – DNA ag, the layout was the main exhibit of the stand of the Moscow region at Zodchestvo 2023. Mosoblarchitecture at Zodchestvo 2023
Copyright: Photo: provided by the Union of Architects of Russia


How do you achieve diversity of development, and, at the same time, its homogeneous character? Where do you take the resources for development?

We don’t work with a land site – we always work with a territory. In resolution 29/3, which I mentioned above, we stipulated the requirements for a comfortable environment. These are additional encumbrances beyond the regional town planning regulations. If they did not exist, each site would yield more output of “useful” areas that actually sell.

So, do I get it right that this comes at the developer’s expense?

The requirements depend on the size of the territory. A small site, let’s say, under 5 hectares, will lose no more than 2% – mainly this will be bicycle trails running along its perimeter. For the larger territories, like 10 hectares and more, you need to provide a whole complex of arrangements aimed at creating a comfortable environment – up to 20% of the area may be occupied by parks, boulevards, minor architectural forms, retail, and entertainment. And these requirements, they are not just an encumbrance – they are also factors that increase the property’s attractiveness – a forward-looking developer always understands that. 

We try to reserve possibilities for developing a comfortable environment at the very start of putting together the master plan. Of course, there are territories situated next to the forest or water, where you are lucky to have an opportunity for making a park or a riverside boulevard outside the boundaries that you have, and we use this as well, thus creating new improved spaces, but this is rather an exception than a rule – such land sites are few and far between.

We also strive for public spaces to be thematic and connected to the history of the area, so that the memory does not fade away with new development: unlike Moscow, the renovation of the Moscow region is funded by extra-budgetary sources, and the population growth in the locations is quite significant.

If I were to ask you how the renovation of the Moscow region differs from renovation in other regions and in Moscow, how would you formulate it?

We differ in that our project goes through several stages of urban planning analysis and development before construction begins. First, we do not follow the path of dense point development, even if space is limited. An example is Microdistrict 20 in Mytishchi: you see a small plot, seemingly filled with residential buildings – but in fact, this is not the case. Beyond the territory, we find opportunities for expanding social infrastructure, making additions to schools, and so on.

The second point is that in the Moscow region, we introduced the concept of a master plan. This document represents a meticulously developed architectural and urban planning concept that, at the stage before signing the agreement on Integrated Land Development, establishes all the key parameters of future development, from technical and economic indicators to the plan for the future use of the territory.

Most regions operate through land-use planning documentation, but this is already the next stage after the master plan, which we develop at the start. We have made master plans mandatory at the legislative level, and some regions have already followed our example.

The master plan, which forms the basis for the project, on the one hand, guarantees the quality of life for residents during the implementation of new comprehensive development, and on the other hand, minimizes the risks for developers and the region because it allows for cost assessment at an early stage.

Mosoblarchitecture at Zodchestvo 2023
Copyright: Photo: provided by the Union of Architects of Russia


Mosoblarchitecture at Zodchestvo 2023
Copyright: Photo: provided by the Union of Architects of Russia


Just for my information, is the master plan in the Moscow region legislatively established? How, where, and by whom is its development managed?

It is enshrined in the law “On the General Plan for the Development of the Moscow Region”. We have outlined an implementation mechanism, such as comprehensive territorial development, based on federal estimates, assessing it as a specific percentage of the layout and demarcation project. We assigned the authority for overseeing its development to the Committee on Architecture and Urban Planning of the Moscow Region.

We have excellent subordinate institutions: Mosoblgazotrest, responsible for data collection, and the Institute of Urban Planning of the Moscow Region. True professionals work there, and thanks to their expertise, we can jointly provide an initial assessment of the territory – typically, they are the ones working on the master plans. However, if the municipality decides to involve another designer, we will support their work in the same way. Working is easy when the rules are the same for everyone.

A pressing question for our audience – how do architects become part of the Integrated Land Development program? Who selects the authors: your department, the client, or does the client consult with you?

A pretty strange question!

When we talk about the decision made by the client regarding the architect they will work with, I must admit that I have no mechanism of influence. The market is the market. From an ethical standpoint, I do not have the right to recommend anyone – not only by law but also morally, as it would be unfair competition. Unfortunately, sometimes, not architects but designers win some competitions, and then a lot of work is needed to bring their projects up to our standards through recommendations from experts in our Working Group of the Architectural Commission and the staff of the Committee on Architecture and Urban Planning. We try to help everyone and never make exceptions for anyone, whether they are a good or a less experienced architect.

Unfortunately, there are now many poor architects out there. I state this with regret, and I believe the problem lies deep, perhaps linked to the disappearance of specialization and the shift to academic mobility, which gives us excellent “technician” architects. However, upon graduation from the master’s program, many are, for the most part, undereducated. Fortunately, there are good design firms with strong traditions, where the elevation of qualifications occurs through mutual exchange, essentially through mentorship. Much, of course, depends on the individual.

Our standards are written the way they are due to the fact that the average quality of design here is very low. The slogan of our standards is “better is allowed, worse is not”. We have described, through text, the minimum set of quality requirements.

Certainly, the process is inert. We plan now, and we will be able to evaluate the results, as the Zodchestvo slogan goes, “tomorrow”. Or even the day after tomorrow. Currently, we hypothesize that our measures and standards will be sufficient to achieve the necessary quality of development, regardless of the quality of the designer.

27 November 2023

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.