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​Cité for Naro-Fominsk

The new neighborhood on an island in the center of Naro-Fominsk continues the ideas of developing the territory of the silk-weaving factory, around which the city actually formed. The authors skillfully mix different formats of mid-rise development and make the most of the island location, offering a variety of formats of interaction with water, available to all citizens. No wonder that the project is considered exemplary and worthy of duplication in the region. It is also an example of rare synergy between the client and the architects.

03 October 2023
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Naro-Fominsk is a district center located in the southwest of Moscow region. Today, the town is predominantly a “dacha” one, although a fair share of its population commutes to Moscow for work. In addition, this town is a city of a large urban area, which begins from Aprelevka and the Central Ring Road and stretches way past Mozhaisk. This means that, being the center of a considerable territory of the Moscow region, this city will only grow and develop.
 
Moreover, in its central part, a project of integrated territory development is now unfolding. Both the clients – Ostrov Group – and the authors – DNK ag architects – are justly proud of it.
 
The process began back in 2018, when there was no concept of “integrated territory development” yet, but many people were already working on master plans for urban development, and the terms “comfortable living environment” and “transformation of industrial zones” already meant something. Then the Ostrov Group started redeveloping the silk-weaving factory, around which, in fact, Naro-Fominsk, the union of two working villages, had been formed at the end of the XIX century. The factory was abandoned, and the project of its revitalization, now largely completed, was entrusted to the Dutch bureau Mei architects and planners.

Igor Shapovalov, leader of Ostrov Group

We have been working in Naro-Fominsk for a long time, striving to handle this city, especially its center, carefully and attentively. In 2012, we accepted the proposal of the city’s mayor and, together with architect Ilya Zalivukhin, developed a master plan for the development of Naro-Fominsk. We engaged in sociology and big data. I must say that I was already very passionate about modern urban trends back then – concepts like the 15-minute city and a comfortable urban environment.
The territory of the factory and the island is crucial for the city; it is located right in the center but it had long divided it. We started working with the abandoned industrial zone and gradually returned it to the city. For several years now, we have been systematically restoring and preserving historical buildings, “uncovering” them; they are interesting and beautiful, they are the history of the place, what makes the city unique.
One of our goals is for the factory not to divide but to unite the city. We have already opened public spaces on the right bank of the river, but there is still much to do, including a new thoroughfare. Another task is to make the city multifunctional and comfortable, convenient, diverse both in height and character of spaces. The third important thing is to reveal the river to the city. None of the townspeople had seen the river. We literally removed tons of garbage, worked to remove some discharges, including unauthorized ones, and restored the river’s ecology. A boating station is already in operation, and plans include docks, light watercraft, and the opportunity for city residents to fully utilize the river. So, I would say we are pioneers in many aspects in the Moscow region; we are being held up as an example. I’m pleased that the Chief Architect of the Moscow Region, Alexandra Kuzmina, actively supports our initiatives, and we discuss all projects with her.


City on an Island. Urban planning analysis of the territory
Copyright: © DNK ag


  • zooming
    Realized improvement of the left bank of the Nara River from the factory side
    Copyright: Provided by Ostrov Group
  • zooming
    Revitalization of silk weaving factory buildings in Naro-Fominsk
    Copyright: Provided by Ostrov Group

 
Continuation of development
 
A logical continuation and the next step of Ostrov Group working with the factory and the city’s historical center will be a residential area on the Nara’s left bank – the so-called “island”, with an area of 19.27 hectares, situated between the factory and the city park. Throughout the 20th century, this territory lay undeveloped – it hosted a few warehouses, but essentially it was a wasteland. It received an “island” status because the extremely winding Nara River makes here another bend, and the land on its left bank was largely swamped – in order to drain it, they dug a channel that separated the “warehouse” wasteland from the forest, and the brook, which had separated it from the city park, had always existed.
 
Accordingly, the architects had to fulfill the following tasks: first, to develop ideas related to the revitalization of the factory, from the public spaces to the diversity of morphology and the interpretation of the district’s “central” location – and second, to maximize all the advantages offered by the water and natural environment.

Panorama of the island and the factory, view from the northeast side
Copyright: Photograph © DNK ag

 
DNK ag architects were invited to work on the concept of a new district in the center of Naro-Fominsk – it turned out to be that rare case when there was complete synergy between the client and the authors of the project.

The client’s wishes were formulated approximately as follows: canals, a strong emphasis on water, modern architecture, public spaces on the ground floors, a rich and diverse urban environment accessible to everyone – a human-scale environment, in short.
A professional challenge for us was the task of creating an environment that is atmospherically comparable to the historic part and includes the natural surroundings.
We had long wanted to do something like this. I’ll be straightforward; we dreamed of such a project. When we heard about it, we realized that it was the dream project, where the client wants to see everything that we consider right. From our perspective, this is the best type of development: medium-rise buildings with good, not overly wide proportions of all spaces. We were “on the same page” with the client – this is a great stroke of luck and rarity.

 
Connections, angles, and perspectives
 
One of the principles of historical development, as well as of modern urbanism, is that any district must be connected to its neighbors and must be accessed from different directions. This is why islands – think of Paris’s Île de la Cité – are usually strung along at least one urban artery. This is the way it happened here: the scale, of course, is smaller, but the principle is similar – a city street will pass through the island, and it will connect the city center and its main axial street with the highway leading to Kubinka and towards Minsk highway. The bridge over Nara, in place of the former factory bridge, is already under construction. The benefits are abundant, chief of them being development of the transportation framework, which Naro-Fominsk, as I know from my experience, badly needs – and this overcoming the “island” isolation. The automobile bridge will be supplemented by two pedestrian bridges for access to other parts of the city.

City on an Island. Scheme of landscaping and planting
Copyright: © DNK ag


City on an Island. The master plan
Copyright: © DNK ag

 
The city and water
 
Meanwhile, the island location is as much of an advantage as it is a challenge: there is plenty of space for recreation, there are beautiful river views, and you can breathe in the moist air, go boating, go swimming and fishing.
 
We all know that the exposure of a modern (i.e. postindustrial) city to the water, and removal of obstacles, created earlier by industrial parks, is one of the favorite, not to say cornerstone, themes of modern town planning. And, again, what we are seeing is a textbook example. The architects of DNK ag quote a Christopher Alexander book “A Pattern Language”: 
 
“Our life grows weak if we cannot establish a full-fledged and steady contact with water. In most of the large cities, we are unable to do that”. 
 
Grows weak? Well, maybe it does. But it should be emphasized that here we are seeing not just an embankment, but water on all sides, thin channels that need to be widened, a river that has already been cleaned, and a low-lying cape on which a Swamp Park with canopy walkways on supports is planned. Water-level boardwalks and amphitheaters, marinas, a beach and a “wild” natural shoreline for walking lie next to the tallest, 14-story houses in the northern part.

View of the city embankment from the side of the factory. City on the island
Copyright: © DNK ag


City waterfront. City on the island
Copyright: © DNK ag


Beach Recreation Area. City on an Island
Copyright: © DNK ag

 
Diversity

An important feature of the project is that it harmoniously combines both development and landscapes with different morphology: five or six types of urban construction within the framework of a reasonable number of floors ranging from 5 to 14. 
 
This is also a sign of today’s urban planning: at some point, everybody grew seriously tired of endless repetition, and one’s eyes were eager for diversity. However, diversity (yes, pun intended) can also be extremely diverse – in this case what makes it different is the fact that it is carefully motivated by the specifics of the surroundings, the riverbank, and the landscape in general.

The riverside landscape of the Island is diverse, and in our project, we made an effort to capture and enhance this diversity. Both the embankments and the city blocks respond to it, reflecting the character of both the architecture and the landscape. Consequently, as you move through the area, the impressions formed by its environment will constantly change. We emphasized and intensified this by creating different scenarios and directions of movement. Streets were curved to increase the number of perspectives.
One of the “actors” in the development of the area, in our view, is Time: long-term development of the project is envisaged, and the planning structure laid out in it has the potential for further evolution. This aligns well with our proposed version of the urban environment, combining different morph-types of construction and street space.


City on an Island. Axonometry
Copyright: © DNK ag

 
So, the development of the island that DNK ag is not just mid-rise and varied; it not only follows the rules of public floors and private courtyards, it’s more than that – the specifics of each fragment are built based on its location.
 
The school and kindergarten in the center form a large green spot, and the school stadium is adjacent to the beach. Closer to the factory quay, spaces with “urban” features are grouped together, forming a small square with short “urban villas” around it. Here is also a place for piers, a couple of bays, a boat station – since this is the side of the river, the other sides are still streams and canals, the river is larger. The river also provides panoramas, quite picturesque as it curves – so houses with the largest numbers of terraces on stepped roofs are clustered on this side.

Inner plaza and urban villas. City on an Island.
Copyright: © DNK ag


City on an Island.
Copyright: © DNK ag


City on an Island.
Copyright: © DNK ag


City on an Island.
Copyright: © DNK ag

 
In the northern and northeastern part, on the side of the forest and park, the height of the towers increases – up to 14 floors, and so does the “natural” character of the surroundings. It is easy to guess what this is done for: more residents will be “immersed” in nature.

City on an Island.
Copyright: © DNK ag


City on an Island.
Copyright: © DNK ag


City on an Island.
Copyright: © DNK ag

 
Now the sketch concept has been agreed upon and DNK ag are finalizing the first part of the detailed concept of the project. The client, both according to the architects and my personal impression, is serious about implementing the project and is proud of its position as an exemplary example of small town center transformation – one in which the words “integrated development” are taken seriously and literally.
 

03 October 2023

Headlines now
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.
Champions’ Cup
At first glance, the Bell skyscraper on 1st Yamskogo Polya Street, 12, appears strict and laconic – though by no means modest. Its economical stereometry is built on a form close to an oval, one of UNK architects’ favorite themes. The streamlined surface of the main volume, clad in metal louvers, is sliced twice with glass incisions that graphically reveal the essence of the original shape: both its simplicity and its complexity. At the same time, dozens of highly complex engineering puzzles have been solved here.
Semi-Digital Environment
In the town of Innopolis, a satellite of Kazan, the first 4-star hotel designed by MAD Architects has opened. The interiors of the hotel combine elegance with irony, and technology with comfort, evoking the atmosphere of a computer game or maybe a sci-fi movie about the near future.
History never ends
The old railway station in Kapan, a city in southern Armenia, has been given new life by the Paris-based design firm Normal Studio. Today, it serves as a TUMO center.
A Deep, Crystal Shine
A new luxury residential development by ADM architects is set to rise in the Patriarch’s Ponds district, not far from Novopushkinsky Square. It will replace three buildings erected in the early 1990s. The project authors, Andrey Romanov and Ekaterina Kuznetsova, have placed their bets on the variety among the three volumes, modern design solutions, and attention to detail: one of the buildings will feature smoothly curved balconies with a ceramic sheen on their undersides, while another will be accented by glass “sculpture” columns.
Grigory Revzin: “What we should do with the architecture of the seventies”
Soviet modernism came in two flavors: the good, author-driven kind, and the bad, standardized kind. The good kind was “on the periphery”, while the bad kind was in the center – geographically, in terms of attention, scale, and everything else. Can we demolish it? “That would be destroying public consensus out of thin air”. So what should we do? Preserve it, but creatively: “Bring architecture into places where it hasn’t yet appeared”. Treat these buildings not as monuments, but as urban landscape. Read our interview with Grigory Revzin on the pressing topic of saving modernism – where he proposes a controversial, yet really intriguing, way of preserving 1970s buildings.
A Roadside Picnic of Urban Planning Theorists
Marina Egorova, head of Empate Architectural Bureau, brought together urban planning theorists – the successors of Alexey Gutnov and Vyacheslav Glazychev – to revive the substance and depth of professional discourse. At the first meeting, much ground was covered: the participants revisited the theoretical foundations, aligned their values, examined a cutting-edge case of the Kazan agglomeration, and concluded with the unfathomable intricacies of Russian land demarcation. Below, we present key takeaways from all the presentations.
Perspective View
CNTR Architects has designed a business center for a new district in Yekaterinburg, aiming to reduce the need for commuting and make the residential environment more diverse. The architectural solutions are equally focused on creating spatial flexibility, comfortable working conditions, and a memorable image that could allow the building to become a spatial landmark of the district.
Malevich and Bathhouses, Nature and High-Tech
The Malevich Bathhouse complex is scheduled to open in the fall of 2025 on the Rublyovo-Uspenskoye Highway. The project, designed by DBA-GROUP under the leadership of Vladislav Andreev, is an example of an unconventional approach to the image of a spa in general and of a bathhouse in particular. Deliberately avoiding any kind of allusion, the architects opted for streamlined forms with characteristic rounded corners, a combination of wood with bent glass, and restrained contemporary shapes – both inside and out. Let’s take a closer look at the project.
Rather, a Tablecloth and a Glass!
After many years, the long-abandoned Horse Guards Department building in St. Petersburg has finally received the attention it deserves: according to a design by Studio 44, the first restoration and adaptation works are scheduled to begin this year. Both the intended function and the general scope of works imply minimal alteration to the complex, which has preserved traces of its three-century history. All solutions are reversible and aimed, above all, at opening the monument to the city and immersing it in a lively social scene – hence the choice of a cultural center scenario with a strong gastronomic component.
​Materialization of Airflows
The Nikolai Kamov International Airport in Tomsk opened at the end of August last year. We have already written about the project – now we are taking a look at the completed building. Its functionality is reinforced by symbolic undertones: the architects at ASADOV sought to reflect local identity in the architecture as fully as possible.
The City as a Narrative
Sergey Skuratov’s approach to large urban plots could best be described as a “total design code”. The architect pays equal attention to the overall composition and the smallest of details, striving to ensure that every aspect is thoroughly thought out and subordinated to the original vision. It’s a Renaissance-like approach, really – a titanic effort demanding remarkable willpower and perseverance. The results are likewise grand – architecture that makes a statement. This article looks at the revived concept for the central section of the Seventh Heaven residential district in Kazan, a composition so thoroughly considered that even the “gradient of visual emphasis” (sic!) across the facades has been carefully worked out. It also touches on the narrative idea behind the project – and even the architect’s own doubts about it.
A Garden of Hope for Freedom
In October, at the Spaso-Evfimiev Monastery in Suzdal, the Prison Yard Garden opened on the site that had served as a prison from the 18th century until the Khrushchev Thaw. The architectural concept was developed by NOῨD Short Film, and the landscape design by the MOX landscape bureau. In fact, there are two gardens here – very different ones. We try to understand whether they evoke the right emotions in visitors, while also showing the beauty of June’s ruderal plants in bloom.
A Laconic Image of Time
The Time Square residential complex, built on the northern edge of St. Petersburg, appears more concise and efficient than its neighbor and predecessor, the New Time complex. Nevertheless, the architect’s hand is clearly felt: themes of “black and white”, “inside and outside”, and most notably, the “lamellar” quality of the facades that seems to visibly “eat away” at the buildings’ mass – everything is played out like a well-written score. One is reminded of both classical modernism and the so-called “post-constructivism”.
The Flower of the Lake
The prototype for the building of the Kamal Theater in Kazan is an ice flower: a rare and fragile natural phenomenon of Lake Kaban “froze” in the large, soaring outlines of the glass screens enclosing the main volume, shaping its silhouette and shielding the stained-glass windows from the sun. The project, led by the Wowhaus consortium and including global architecture “star” Kengo Kuma, won the 2021/2022 competition and was realized close to the original concept in a short – very short – period of time. The theater opened in early 2025. It was Kengo Kuma who proposed the image of an ice flower and the contraposition of cold on the outside and warmth on the inside. Between 2022 and 2024, Wowhaus did everything possible to bring this vision to life, practically living on-site. Now we are taking a closer look at this landmark building and its captivating story.
Peaceful Integration on Mira Avenue
The MIRA residential complex (the word mir means “peace” in Russian), perched above the steep banks of the Yauza River and Mira Avenue, lives up to its name not only technically, but also visually and conceptually. Sleek, high-rise, and glass-clad, it responds both to Zholtovsky’s classicism and to the modernism of the nearby “House on Stilts”. Drawing on features from its neighbors, it reconciles them within a shared architectural language rooted in contemporary façade design. Let’s take a closer look at how this is done.
An Interior for a New Format of Education
The design of the new building for Tyumen State University (TyumSU) was initially developed before the pandemic but later revised to meet new educational requirements. The university has adopted a “2+2+2” system, which eliminates traditional divisions into groups and academic streams in favor of individualized study programs. These changes were implemented swiftly – right at the start of construction. Now that the building is complete, we are taking a closer look.