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​Streamline for City Canyons

Stepan Liphart has designed two houses for two small land sites situated in the area surrounding the Varshavsky Railway Station, which is being intensively developed now. The sites are situated close but not next to each other, and they are different, yet similar: the theme is the same but it is interpreted in different ways. In this issue, we are examining and comparing both projects.

10 March 2023
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Over the last ten years, the territory behind the Bypass Channel between the Moskovsky Avenue and the Mitrofanyevskoe Highway has been transforming with such unbelievable intensity that it even looks as though it decided to “start all over from scratch”: it vigorously “turned the page of the industrial past”, and the construction of large residential areas started.

Developers paid attention to this part of the “gray belt” in the early 2010s: back then, they started to clear the territory belonging to the former Petmol plant, as well as the “fan” of the Varshavsky Railway Station – a complex of access roads and maintenance buildings. As for the railway station itself, it was shut down still in the beginning of the 21 century, then it served as a shopping center for a long time, and was recently rebranded to become a grand-scale food mall with a railway theme. Now you can see what the charm of this place was all about, and what exactly the city preservation activists struggled for: laconic basilica-like buildings of large heavy bricks with brands, rotary mechanisms overgrown with grass and moss, and wooden doors. Eventually, they did manage to defend some of these things, and now the blatantly dilapidated depots and water towers are standing waiting to be fitted into the context of new houses, new industrial parks, and nearly completed residential complexes.

But then again, the intensive construction will end one day, but the location will remain – a very convenient one, situated within a walking distance from the city center, the Bypass Channel, and the main city thoroughfares. This is the reason why even small lacunae that remained from the former industrial “fields” still arouse a lot of interest, which is quite in the spirit of St. Petersburg: you don’t leave any “unmotivated” empty spaces.

Two such sites, relatively small, elongated, and situated not exactly next to one another but still in some proximity, became the ones that Stepan Liphart worked with, designing houses that are different, yet echoing one another.

Intergalactic Spaces

The first house is situated next to the postal warehouse, which has an elongated shape, very much like a quay. The shape of the site, given all the historical circumstances, is quaint, and looks very much like a saw: a relatively wide “handle” is situated on the side of the Albuminnaya Street, while the “blade” goes past the warehouse. The name of the street, by the way – Albuminnaya – is a reminder of the albumin factory that used to be here along with the cattle yard and the slaughterhouse in the late 19 century.

The Parfenovskaya 1 housing complex. The master plan
Copyright: © Liphart Architects


Along the length of the warehouse, the architects place parking spaces, while the two-section house is inscribed into the overall composition of the “Galactica” complex, turning it into a link of a single chain. East of the building, on the side of the Izmailovo Boulevard, the slab of Galactica is situated, behind which two gems of the neighborhood are hidden: the circular car repair depot, and a business center designed by Artem Nikiforov. The western facade overlooks the future linear park and yet another building of “Galactica”, which it mirrors to some extent.

The Parfenovskaya 1 housing complex. View from the northwest
Copyright: © Liphart Architects


The other site is situated further south, at the crossing of Parfenovskaya and Malaya Mitrofanyevskaya streets. Its shape is a little simpler, but it is still palpably multi-angle; in addition, a large portion of the territory is “eaten up” by the playgrounds of an inserted kindergarten, and some of the territory is reserved for the future street (you cannot build upon it), so the site is smaller than it looks. Across the road, there is the same Galactica, with a school and the carriage repair depot, which is to become a shopping mall; on the north, there is the Art-Kvartal housing complex. Due to the vicinity of the tramway depot, the windows of even the lower floors will command good views of the red-brick factory buildings, the office building of the Yurgenson bakery, but more importantly, of the Novodevichiy Monastery, situated just behind the Moskovskiy Avenue.

Given the current surroundings, the house has an “island” position, which, however, does not stop it from following the logic of forming the front of the Parfenovskaya Street. This house is also a two-section one, but the other section is placed in an orthogonal way, forming an L-shaped plan. The two bottom floors are occupied by an inbuilt kindergarten.

The Mitrofanyevskaya housing complex. The master plan
Copyright: © Liphart Architects


The Mitrofanyevskaya housing complex. View from the southwest
Copyright: © Liphart Architects


The ledge and the cutaway

The main technique that Stepan Liphart is for both houses – the alternation of ledges and cutaways – was proposed by Gottlieb Eliel Saarinen in 1922, and then picked up and developed by Art Deco architects.

In this case, the basis is constituted by a 40-meter volume – “the chunk” – and out of this chunk the architect “cuts off all spare”, making the volume lighter from the lower floors to the upper ones. The “body” of the house is at the same time preserved because it is only the “top layers” that are removed, as a result of which it periodically looks like a canyon, whose rock has been for years honed by water and wind. This “telescopic” character is further enhanced by materials that are contrastive in color and texture. The geometrical shapes are accompanied by detailing: textured tiles and bricks, rounded corners, grilles of the French balconies, pylons raised to the entire height of the building, and fluted little belts.

The ledges and cutaways do not appear spontaneously, but only where a great view is expected to appear – that of the city center, water, the Varshavsky Station or the Novodevichiy Monastery. All this gives the house a character of a circular sculpture – the cascades of the ledges make the facades different on all sides, the angles change the perception of the house, and a silhouette appears that is unconventional for this typology. The portals of the entrance groups are also designed in a “liberal” way, in the spirit of Stepan Liphart’s Art Deco, represented by double-height recessed balconies, with glass its entire height, and with jambs: sometimes chamfered and faceted, and sometimes rounded along the pair of compasses in such a way that a ledge on one side is echoed by a cutaway on the other, as if the Sim-Sim wall parted in front of us; interestingly, the cascades of the cutaways pick up the same theme on some imperceptible level, maybe like part of a rock or part of the oriental fairy tale. One way or another, the entrances are not overloaded but they look really grand thanks to their proportions, and they echo the cutaways above them.

But then again, the houses turned out to be not just similar – rhymed in a number of techniques – but also quite different in mood, first of all because of decoration materials.

The Parfenovskaya 1 housing complex. View from the southwest
Copyright: © Liphart Architects


The Mitrofanyevskaya housing complex. The overall view from the northwest (from the direction of the Parfenovskaya Street)
Copyright: © Liphart Architects


The tile tiers

The coating of the house on the Parfenovskaya Street uses light-colored stucco, while the cutaways feature volumetric ceramic tiles of emerald color that brings the fireplace tiles to mind. It seems that a similar technique is used in the Lesnaya metro station.

The cutaways are only to be seen on two facades. At the end facing the postal warehouse, a white negative on an emerald background shows the silhouette of a stepped tower. It has a vertical axis, in respect to which one of the halves is turned at a 90-degree angle. Such a technique makes the wall more solid and brings some sort of intrigue into the relationship between the blind and glazed parts, creating more architectural events.

The Parfenovskaya 1 housing complex. View from the northeast
Copyright: © Liphart Architects


The second “speckled” facade looks towards the “Depot #1” business center and the tracks of the Baltiyskaya Railway Station, but in fact – still at the equal height of the Galaxy building. The elaboration of this particular side is explained by the fact that it will be seen by those walking in the Linear Park. Here, the ledges are forming four “towers” that are separated by pylons raised the entire height of the building: there is something of downpipes in them, even the grooves resemble the joints of gutters. The tiers of the towers are accentuated by fluted friezes. The rigid and clear grid of the facade is filled with windows and French balconies, whose vaults are complemented by curbs of volumetric tiles. The corners of the cutaways and the ribs of the “towers” are rounded, or should we say “streamlined”, which further separates them from the body of the house. A multi-apartment house, long and tall? Yes. But has St. Petersburg ever seen a comfort-class house with such a degree of detailing and presence of architecture? The reverse side of the house, by the way, is less busy, but it pleases the eye with relaxed proportions and clear rhythm.

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    The Parfenovskaya 1 housing complex. Panorama view from the southwest
    Copyright: © Liphart Architects
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    The Parfenovskaya 1 housing complex. Fragment of the east facade
    Copyright: © Liphart Architects
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    The Parfenovskaya 1 housing complex. Photographic montage. View from the southeast
    Copyright: © Liphart Architects
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    The Parfenovskaya 1 housing complex. Photographic montage. View from the northwest
    Copyright: © Liphart Architects


Special attention should be paid to the entrance groups and the level of the first floors, where you can see all of the textures, materials, and stylistic devices that the architect employs in this project. The entrance portal is recessed, yet at the same time is raised to the level of the second floor, while the “wave”, created by the bulge and the recession, “pulls” you in. Here we are exposed to a rich sensory experience: the opaqueness of the stucco, the high-gloss of the glazed tiles, the play of light on its relief, the metallic coldness of the “bristling” balcony grilles, and the alternation of smooth lines and sharp angles. The house invites you to touch it – and such tactile attractiveness, as we know, is a good sign.

The Parfenovskaya 1 housing complex. The entrance group
Copyright: © Liphart Architects


Steampunk-Petersburg 

While the materials and coloristic solutions of the first house rather follow the Galaxy project, the second one is fully on the side of the brick past of this territory. This is evidenced by its relative independence from the solutions of the site plan, as well as by the visual proximity to the carriage repair depot and the Petrograd baking factory facilities.

The Mitrofanyevskaya housing complex. View from the southeast (from the yard side)
Copyright: © Liphart Architects


On the sidewalls, a stronger accent is placed on the cutaways rather than the ledges: whole “tectonic breaks” have formed here, and the general movement is the opposite – from a breakthrough to a collapse. But then again, this may be an optical illusion: you see what you are inclined to see, like on the famous Necker Cube. What I am personally inclined to see here is the fact that Stepan Liphart turned to the aesthetics of the ruins of the Varshavsky Station, and the gray tiles are meant to represent the traces of steam engine soot. The house seems to be settling: it does not have a wide base, and the number of stories increases by the tier. One of the ends of the house is a classic firewall, the outline of which resembles a factory tower.

The Mitrofanyevskaya housing complex. View from the northeast
Copyright: © Liphart Architects


This house is more “whetted”: instead of rounded corners, it gets extra facets, and the friezes are accentuated by volumetric masonry with protruding brick corners. A curious detail at the first floor level: relief brick stripes falling down with a thin triangular fringe, reminiscent either of a free interpretation of a favorite Secession technique, or a variant of the decor of the Alter residential complex on Magnitogorskaya Street.

The Mitrofanyevskaya housing complex. The entrance group
Copyright: © Liphart Architects


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    The Mitrofanyevskaya housing complex. A panoramic view from the southwest
    Copyright: © Liphart Architects
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    The Mitrofanyevskaya housing complex. Photographic montage. View from the southwest
    Copyright: © Liphart Architects
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    The Mitrofanyevskaya housing complex. Photographic montage. View from the northwest
    Copyright: © Liphart Architects
***

Currently, it is already known that the houses will not be built, but the two projects create an interesting precedent. Considering the context, the limitations, and the type of housing, Stepan Liphart, instead of resorting to his favorite 1930’e style, opted for a slightly different version of Art Deco, more reserved in terms of details, but working on the level of subtleties: it looks as if it “slices” the simple volume, yet not in a single straight cut but as if with some sophisticated instrument, maybe from a sculptor’s toolbar or maybe designed for linoleum engraving, sometimes rounded and sometimes jagged. The moderately colored tiles that show up at the cut show us that in fact that on the inside the house is made of a different material, much more valuable. It’s like when you walk down the beach, pick up a pebble, and break it up to find a streak of amethyst in it – a small thing, really, but heart-warming.
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    The Parfenovskaya 1 housing complex. Plan of the basement floor at the -4.100 elevation
    Copyright: © Liphart Architects
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    The Parfenovskaya 1 housing complex. Plan of the 1st floor
    Copyright: © Liphart Architects
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    The Parfenovskaya 1 housing complex. Section A. Plan of the 12th floor
    Copyright: © Liphart Architects
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    The Parfenovskaya 1 housing complex. Section A. Plan of the standard floor
    Copyright: © Liphart Architects
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    The Parfenovskaya 1 housing complex. Section B. Plan of the standard floor
    Copyright: © Liphart Architects
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    The Parfenovskaya 1 housing complex. Section B. Plan of the 12th floor
    Copyright: © Liphart Architects
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    The Parfenovskaya 1 housing complex. A cross-section view
    Copyright: © Liphart Architects
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    The Mitrofanyevskaya housing complex. A simplified plan of the basement with a parking garage at the -4.100 elevation
    Copyright: © Liphart Architects
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    The Mitrofanyevskaya housing complex. Plan of the 1st floor
    Copyright: © Liphart Architects
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    The Mitrofanyevskaya housing complex. Section A. Plan of the standard floor
    Copyright: © Liphart Architects
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    The Mitrofanyevskaya housing complex. Plan of the 8th floor
    Copyright: © Liphart Architects
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    The Mitrofanyevskaya housing complex. Plan of the standard floor
    Copyright: © Liphart Architects
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    The Mitrofanyevskaya housing complex. Section B. Plan of the 8th floor
    Copyright: © Liphart Architects
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    The Mitrofanyevskaya housing complex. A cross-section view
    Copyright: © Liphart Architects


10 March 2023

Headlines now
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.