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The Crystal of the City Block

The typology and plastique of large housing complexes move with the times, and you can sometimes find new subtleties in the scope of seemingly familiar solutions. The Sky Garden complex combines two well-known themes, forming a giant residential area consisting of tall slender towers, placed at the perimeter of a large yard, in which a crossroads of two pedestrian promenades is “dissolved”.

27 January 2023
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The Sky Garden housing complex, which is being built by FSK in Moscow’s Tushino, is one of the grand-scale projects, characteristic for today’s Moscow, where numerous industrial parks give way to modern housing complexes. This circumstance turns the search for the right format of a high-density housing complex into a relevant task. The list of popular solutions includes towers, from three to five, standing on a common podium; yet another option is large-scale city blocks with private yards and “dominant” buildings at the corners.
 
The solution, proposed by Aleksey Ginzburg Architects, is essentially a hybrid of the two.
 
The first feature that sets it apart is that the volumes are not governed by a rigid orthogonal grid. The sections form long “daisy chains” running along the perimeter of the territory, yet all the volumes are slightly shifted in respect to their neighbors. The contour is lively and free, and the self-contained character of each of the towers – from 40 to 150 meters high – is deliberately emphasized. This is not so much a “front wall” of the city block, as a group of towers, standing in a row.

Sky Garden housing complex. The master plan
Copyright: Ginzburg Architects


Sky Garden housing complex
Copyright: Ginzburg Architects

 
The architects say that their solution is context-based. The land site is an irregular L, but it is spacious. It is a former industrial park, the territory of the former Tushino Reinforced Concrete Plant. Next to it, further north, there are many other industrial parks, but southeast of it, two large companies are already developing the territory of the former Tushino airfield. 
 
The immediate surroundings, however, consist of residential houses, both of the low-rise postwar kind and prefabricated nine-story ones, as well as two schools and a clinic. South of the area, there are a few bus stops. The entire complex is surrounded by the semicircle of the Skhodnya River, which in the northern part comes really close to the complex boundary: there are two pedestrian and one automotive bridges thrown across the river.

Sky Garden housing complex
Copyright: Ginzburg Architects

 
Thus, the architects “tear” the contour of the building in four directions: to the river and the pedestrian bridge, to nine-story buildings and schools, to the postwar houses, and to the bus stops. Pedestrian flows are distributed – approximately – by the cardinal points and intersect in the spacious courtyard.

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    Sky Garden housing complex
    Copyright: Ginzburg Architects
  • zooming
    Sky Garden housing complex
    Copyright: Ginzburg Architects

 
One should think that if the architects had followed the “classical” quarterly layout, they would have placed here at least four closed circuits with private yards and a cross of public boulevards between them. But in this case, the density of the construction and the height is such that a freer composition turned out to be a better choice – the authors immersed the boulevards into the courtyard space, although they did not completely dissolved them in it, but rather embedded in an asymmetric parametric grid. When viewed from above, the “fifth facade” will look like a bionic network: either streaks on a leaf, or a maybe a mycelium.

Sky Garden housing complex
Copyright: Ginzburg Architects

 
The four yards came together to form a space that is half private and half public – a park that relates to all the buildings of the housing complex. Of course, in the eyes of a “spoiled” Muscovite, a “park” is something that’s really big, like Losinka or Sokolniki, but here it does feel like a “park”. The yard righteously echoes the river banks.
 
We will remind you that the “glued” towers vary in their height – this allows you to avoid the monotonous effect of a “Great Wall of China”, and it also allows to implement the principle of recognizable blocks of flats.
 
Meanwhile, the height does not change arbitrarily, but depends on the location of the tower: the buildings grow lower closer to the gaps, and they grow higher closer to the corners – not symmetrically, but according to a pattern that takes into account a number of factors. For example, the highest buildings are situated at the corner near the automobile bridge, at the city highway. This is one of the “facades” of the complex.

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    Sky Garden housing complex
    Copyright: Ginzburg Architects
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    Sky Garden housing complex
    Copyright: Ginzburg Architects
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    Sky Garden housing complex
    Copyright: Ginzburg Architects

 
The facades combine vertical lines and squares, while the materials vary from white and dark-gray to metal or natural tones – gold, silver and copper. However, you will not see terracotta or stone here – the image is eventually “metallic” and glittering.

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    Sky Garden housing complex. The yard and the yard facade
    Copyright: Ginzburg Architects
  • zooming
    Sky Garden housing complex. The yard and the yard facade
    Copyright: Ginzburg Architects

 
In many cases, vertical volumes are intersected by wide horizontal belts of the same shade, but with a different pattern: somewhere there is one insert, somewhere there are two, somewhere there are none at all (in the courtyards there are none at all), and they are located at different heights, which knocks down the scale and enlivens the composition at a level slightly higher than the human line of vision.

Sky Garden housing complex
Copyright: Ginzburg Architects


Sky Garden housing complex
Copyright: Ginzburg Architects

 
There are 19 types of apartments in the complex, ranging from 24 to 120 square meters. The peculiarity is that each apartment has a recessed balcony with a place for the air conditioning unit, and, in addition, all the apartments with an area of more than 54 square meters, that is, having two or more rooms, have a two-way orientation for through ventilation and various lighting during the day. The decision is modernist and humane; it is now accepted to refute the need for through ventilation and the value of enhanced insolation for hygiene; which may be true. However, it is difficult to deny that both are pleasant for life. In addition, the two-sided orientation and moderate, not very deep proportions of the rooms made the proportions of the towers slender and elegant. There are no stair and elevator cores in the center of the volume: they are all adjacent to the courtyard facades, so, again, the buildings remain slender.

Sky Garden housing complex. The plan
Copyright: Ginzburg Architects

 
The architectural solution of a residential complex of such high density and scale is always quite a difficult task. You need to fit in everything you need and overcome the pressure of scale, as well as the two main temptations of monotony and diversity. But the hybrid typology – a form “on the verge” of two well–known approaches – allowed the architects to find a reasonable balance between pragmatics and recognizability of the architectural solution. 
 
Currently, the construction of the first stage and the design of the second is underway.
Sky Garden housing complex
Copyright: Ginzburg Architects


27 January 2023

Headlines now
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.