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​Consistency of the Method

Marking its 35th anniversary, Reserve Union (officially named OOO TPO Reserve in Russia) used the venue of the Arch Moscow convention to showcase its hitherto unannounced projects. We asked Vladimir Plotkin a few questions, and we are showing a few pictures – without any captions yet.

07 June 2022
Interview
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“They will always remain on paper or in the digits. We forgot about them” – the press release says. 

The booth showcases a few dozen unimplemented projects, which had not been published up until this point, so it must broaden our idea of the works by Reserve Union, many of which – particularly the ones that got implemented  –  are quite well-known, not to say have become modern classics. Now, however, the visitors of Arch Moscow were shown things that hitherto have only been known to the small inner circle.

2018. One of the projects prepared for the “Unknown” exhibition marking the company′s 35th anniversary. Arch Moscow, 2022
Copyright: © Reserve Union


Thus, the exhibition appears to be not just an addition to the history of the company but to the post-Soviet architecture as a whole because Reserve Union is this country’s oldest privately owned architectural company, created back in 1987, much earlier than all the others. We asked a few questions to the company’s all-time architect Vladimir Plotkin, and asked him to show a few pictures that would be showcased at the Arch Moscow convention. All the projects are shown nameless, we just provide the year of origin.

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Archi.ru:
Is Reserve Union really Russia’s oldest privately owned architectural company? Where is the starting point for “oldest”? And, by the way, where does your name come from?

Vladimir Plotkin: 
In 1987, the architectural cooperative “Reserve” was created under the roof of GlavAPU (Сhief Architectural-and-Planning Administration), which at that time performed the functions of Moskomarkhitektura, Moscow’s main architectural agency. Well, not exactly under the roof of GlavAPU – we were an independent organization from the very beginning. And the name meant that we, the young architects, were sort of like a reserve to the older generation. Somehow, the name stuck, and changing it was too much of a hassle. Everyone got used to it, me included.

And where does the TPO acronym come from? (TPO literally translates as “Creative/Production Union – translator’s note)

In the late 1980’s / early 1990’s we had to re-register our company, this time under the auspices of the Architects Union, and, in order to obtain the right licenses, or just to go through some bureaucratic procedures quicker – I don’t remember the subtleties, I was busy with other things – they included the “creative / production union” into the company’s name, even though we did not “produce” anything – production is when you produce bricks, for example. This was a purely formal bureaucratic move. Possibly, we could have done without it. But it also stuck, and when we were re-registering again in the mid-1990’s, we kept this prefix, and it turned out to be OOO TPO Reserve. 

And then the name slipped into common use, and other TPO’s began to appear. How many projects are there in your exposition? Are they really all totally unknown?

Well, almost all of them because I was mistaken about a few ones, and it turned out that they did pop up at one point or another. But on the whole, yes, there are. Our working principle was to show what we had forgotten. When in March I suddenly discovered that it was time to make an anniversary exposition, I went through our entire archive within a few days, and it’s a huge number of projects. I selected a few dozen. For some early projects, I could not find decent materials – digital graphics were nonexistent back then, there were no drafts, and I could only find poor-quality photographs. I even wanted to restore these projects and draw them over again, but then I decided that this would not be quite honest. There was a rather curious proposal on restoring the Sovremennik theater- maybe I was wrong to opt out of restoring it.

The very first project, Contract #1 of the Reserve cooperative was the reconstruction of two floors and the basement of the house on the Vorovskogo Street (now Povarskaya), for the Anatoly Vasilyev drama school – still before it received its own theater on the Sretenka. I was the one who did this project but I did not keep it on track, and there was no architecture in it as such – we remade a few apartments into a little stage and dressing rooms. We do not showcase it.

As far as the later period is concerned, we have quite a lot of forgotten projects, especially from the 2010-2012, when we participated in a crazy number of competitions. Here I had to do a selection, but trying to achieve a one-year-one-project ratio would also make little sense because we really did a lot, but published 3 or 4 competitions. We selected what was the most interesting and the most characteristic of us.

1998. One of the projects prepared for the “Unknown” exhibition marking the company′s 35th anniversary. Arch Moscow, 2022
Copyright: © Reserve Union


2014. One of the projects prepared for the “Unknown” exhibition marking the company′s 35th anniversary. Arch Moscow, 2022
Copyright: © Reserve Union


At first, we wanted to distribute our projects evenly by the year, but until 1995 we did not do any serious work; I did 3 or 4 projects, but as an extracurricular activity. Here I added a few projects that I did in Mosproject, specifically, the project of reconstructing the plaza of the Kievsky Railway Station. This was my only “cheat”, and I did it in order to show the evolution path. Even though there was no evolution worth speaking about.  

Now I am clear on how you explore the theme of Arch Moscow – by the consistency of your creative principles.

Interesting wording! I should have included that in my annotation… I have repeatedly said that I try to avoid trendy topics. Of course, there was some kind of evolution, and we adjusted our course depending upon some trends and preferences, but we tried as much as we could not to become totally dependent upon them.

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    2005. One of the projects prepared for the “Unknown” exhibition marking the company′s 35th anniversary. Arch Moscow, 2022
    Copyright: © Reserve Union
  • zooming
    2018. One of the projects prepared for the “Unknown” exhibition marking the company′s 35th anniversary. Arch Moscow, 2022
    Copyright: © Reserve Union


***

The company’s booth was a group of “steles” three meters tall, with identical proportions of their bases – the Archi.ru editorial team at once recalled a certain group of towers currently built in Moscow. If we are to speak about evolution, then we may probably think that the entire exhibition will tell us about the process, while the booth presents the result that we have achieved by this time.

The booth plan
Copyright: © Reserve Union


The Arch Moscow show took place in Moscow June 8-11. The PDF file with its program is available here.

07 June 2022

Headlines now
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.
The Color of the City, or Reflections on the Slope of an Urban Settlement
In 2022, Ostozhenka Architects won a competition, and in 2023, they developed and received all the necessary approvals for a master plan for the development of Chernigovskaya Street for the developer GloraX. The project takes into account a 10-year history of previous developments; it was done in collaboration with architects from Nizhny Novgorod, and it continues to evolve now. We carefully examined it, talked to everyone, and learned a lot of interesting things.
A Single-Industry Town
Kola MMC and Nornickel are building a residential neighborhood in Monchegorsk for their future employees. It is based on a project by an international team that won the 2021 competition. The project offers a number of solutions meant to combat the main “demons” of any northern city: wind, grayness and boredom.