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​An Architectural Reality Show

Roman Leonidov, the well-known architect of luxury countryside residences, about which Archi.ru repeatedly wrote, launched a new online project called “Build YOUR House” on his YouTube channel.

14 February 2022
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Against the background of the unprecedented boom of private residence construction caused by the pandemic, “Build YOUR House” immediately became very popular. Hitherto, on Roman Leonidov’s YouTube channel we could only see videos about his projects and buildings with the author’s comments. The new program is about letting the viewers follow the process of designing and building a specific house, which a young architect will perform in collaboration with a specific client under Roman Leonidov’s guidance almost real-time: each week, they will upload a video with the process of designing (and later on construction), and its results. The show is devised pretty much like a TV series: the first season is the construction of the first house, the second season is the second house, and so on. Watch the video with the announcement of the project

Previous to that, a competition of land site owners was announced, as well as a competition of young architects. The entrance conditions for the owners were the attractive views that the site commands, but, more importantly, the owner’s consent to public exposure of the design process. As for the young architects, to assess the level of their competence, they were offered a test project. Out of the pool of applications submitted by land owners, Roman Leonidov selected three finalists: from Kiev, from the Urals, and from an old dacha settlement near Moscow. Out of young architects, three architects reached the final: Pavel and Veronica from Moscow and Alexander from Ekaterinburg.

During an exciting live streaming session, the final round of the competition took place, the winner being chosen by the audience. Roman Leonidov introduced the contestants and shared about the land sites, while the young architects made a three-minute motivational speech. There was also a curious challenge for the young architects that Roman Leonidov came up with. He asked them questions as if coming from the client, and the applicants had to give quick answers because silence or hesitation on the part of the architect in such a dialogue spells losing the client – the maestro warned. Most of the audience’s votes went to the architect Alexander Chechulin who broadcast empathy and a positive attitude. The less eloquent contestants scored second and third places respectively. The competition of land owners was won by the Urals resident. Later on, however, it turned out that he was not ready for extensive public exposure, and the game was joined by Andrey, the land owner from Kiev, who scored second place.

The stream. Selecting the participants of the project



By the moment of our interview with Roman Leonidov the work on the house near Kiev already began, and two videos were posted demonstrating meetings with the client and work on the project. Here you can watch the first meeting with the architect.

These videos are very interesting because the viewers not only see the faces and read the comments but at the same time see the drafts by the young architect, which Roman Leonidov corrects in front of our eyes with magic markers, explaining his corrections.

Meeting with the architect #2



As for me, I learned a whole lot of useful information about designing a country residence from these two videos alone. Strictly speaking, this format even seemed overly generous to me. I am not sure whether it will lead to more frequent invitations for the architects to design a country residence but it will surely raise the levels of architects’ competence, land owners’ culture, and the aesthetic value of a country residence in Russia.

Roman Leonidov about his “Build YOUR House” project

Roman Leonidov
Copyright: © provided by Roman Leonidov


You are an established architect, and you have achieved a lot. One could think that you could rest on your laurels. Why this new format? 
The main goal is educational. After I conduct one or two such projects on my YouTube channel, I will be able to refer young architects, who come to work for my company, to these videos instead of having to explain the same things to them over and over again. The second goal is responding to the challenge of the audience of my YouTube channel, who say that “big” architects do not work with simple people. Yes, we do. And the third goal is – this is how I find new employees for my company. 

You anticipated my next question. During the last stream, the online audience was to choose one architect out of three finalists. And what will happen to those who don’t get picked?
Out of those who reached the finals, not everyone becomes a winner, but, since moving towards the finals, they already passed rigorous screening, they come to work for my company. This way, I kill two birds with one stone. It’s understood that I spend a whole lot of time on this: this is a real project with a real client and a young architect, whom you also have to educate. Every week, we conduct meetings, do real work, and then, based on the results, shoot a video a post it to our YouTube channel.

Does the client pay for the project?
No, for the client this is free of charge. This is why I try to raise some funds on the channel and look for information support.

Why did you choose this particular format of critical analysis of the work of the young architect?
To a certain extent, just to please the public. I noticed that once you throw in some kind of scandalous thing, for example, pan someone’s project, the number of views just spikes. However, if you analyze some award-winning projects in a positive way, nobody watches it. This is why I came up with a form where a could unite some “negativity” (in this case, at the expense of the young architect, whose project is mercilessly panned, but the architect knows in advance what he’s signing up for, and he is eager to learn) and positive vibes – because ultimately it will be yet another masterpiece that my company will create.

Where did you get your coaching skills? Do you have a natural talent?
No, I developed them with practice. If you take on at least one assistant, you automatically turn into a teacher. I deliberately avoid getting ready for my streams, but improvise, responding to the immediate circumstances.

You started your project from a stream where you introduced the contestants, chose the architect and the land owner, and the questions from the audience. Was it hard to be the anchor of the stream?
Actually, no! It was a lot easier than shooting a video and then editing it. When I lead a stream, I always control the situation, but when there are three of us in a conference, this is a lot harder. But there won’t be long streams anymore. I will just film our conferences and then upload a video that is the essence of working on the project.

This format seems to be pretty time and labor consuming!
Yes, but I get a theme for my work for years ahead. Currently, for the Kiev land site, we are doing a set of sketches, then there will be a working project, and then construction will begin. And when the construction is complete, we will get a documentary. My daughter is a talented documentary director, she sure will piece something together. 

Aren’t you afraid of disclosing your personal secrets? Because you share with the whole world the process of designing your house!
No, not at all. The human brain is so wired that it cannot copy what I’m doing.

But still, this probably means a lot of work: design, education of a young colleague, communication with the client, and thinking about the audience on top of all that. There is a common saying that actors lose up to 5 kilos a night.

Precisely! Holding the attention of your audience and designing things is incredibly hard. But I enjoy it immensely. The audience is growing. I also keep on making videos from the author supervision of my projects that are in construction, which are also available on my channel.

The playlist of the “Build YOUR House” project

14 February 2022

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.