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Creative Experiments

In this issue, we feature five projects by ARENA project institute prepared for international competitions: from an opera house and library to a heritage site and artificial island.

09 February 2022
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In Russia, ARENA project institute does mostly large-scale projects: its portfolio includes dozens of sport facilities, corporate headquarters, and grand-scale complexes of various functions – from shopping malls to museums. Nevertheless, the institute regularly takes part in international competitions, including concept and “paper” ones. According to the company leaders, this experience “activates and mobilizes creativity”, which, of course, makes a positive difference for all operation processes.

The five projects featured in this article are a selection of the most interesting works from the company’s point of view. Not all of them became prize-winners, but all of them are interesting for the authors in terms of new ideas and approaches: the hope for the possibility of high-quality execution allowed them to be freer and bolder.
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Castle-Resort

where:Italy, Roccamandolfi
date — 2021 /
function:Landscape /
studio:
Arena
http://piarena.ru/
Italy’s Roссamondolfi is a picturesque little town standing on a mountain slope with sweeping views and ruins of a medieval castle. The competition for the project of a hotel complex was organized with a view to attract more tourists in this area.

The organizers wanted the contestants not just to propose their versions of housing that would fit in with the surroundings but also provided ample opportunities for studying the history of this area and its nature- the town is surrounded by pastures, pine forests, rocks and waterfalls, through which numerous trails pass. The height of the new buildings was not to exceed 5 meters; cutting down trees was not allowed.

In its concept, ARENA project institute turns the ascent to the fortress into navigating a flower labyrinth. Its walls are formed by local perennial plants that will change the color of the slope depending on the season. The structure of the labyrinth reminds of a medieval town, in which you can also easily get lost. At the edges of the garden, the architects propose to install laconic wooden “cabins” with panoramic windows commanding the mountain and valley views, and sunbathing roofs. Also, according to the concept, Roссamondolfi will get a platform for various events – historical reconstruction or scientific conferences, a cafe, and an expo pavilion.
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Nodeul Dream Island

where:South Korea, Seoul
date — 2021 /
function:Culture / Concert hall
studio:
Arena
http://piarena.ru/
architect:Aleksey OrlovDina Sattarova
Nodeul is an artificial island on the Hangang River in the central part of Seoul. At one point, this place hosted tennis courts, then there were plans for building an opera house here, but eventually it was decided to turn this island into a more democratic venue for summer open air festivals complemented by a park.

The ARENA architects proposed a multilevel structure, in which intertwined spaces smoothly merge into one another: the ramps from the bridge lead to hanging promenades, wavy bicycle and pedestrian trails descend to the waterfront and observation decks, and the amphitheater of a parametric shape is inseparable from the river and park views. The entire island is perceived as one large art object, each fragment of which offers new impressions to the visitors. Even utilitarian elements – the road tarmac, for example – looks like a dance floor; on the “backside” of the bridge, there is a lighting installation; its concrete supports are covered by a pattern from a book of optical illusions. The layers are read not only in structure but in meanings as well: the renders demonstrate both the “vibe” of a Soviet square with a monument in its center, the Utopia Island, and a K-Pop stage.
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The visitor center of the Kemeri national park

where:Latvia, Jurmala
date — 2018 /
function:Landscape / Park Pavilion
studio:
Arena
http://piarena.ru/
 
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Plaza de la Villa Library

where:Spain, Madrid
date — 12.2020 /
function:Education / Library
studio:
Arena
http://piarena.ru/
architect:Aleksey Orlov
The land site in the center of Madrid, proposed for the competition, upon which a library would be built, is located at the Plaza de la Villa, between the Royal Palace and Plaza Mayor. This place was constructed in the 16-17th centuries, when Spain was under the rule of the Habsburg Dynasty. The library was to become a new landmark and a “bridge” between the old and the new Madrid, and its halls with catalogs and exhibitions a part of the public space accessible to tourists and city people.

The main volume of the library is situated on the underground level; it surfaces in a wave-shaped roof that enshrouds the entire plaza, without obscuring the views of the historical construction and offering new ways to spend time. Access to the monument to Alvaro de Bazan, installed on the square, is preserved, and in addition, the admiral is returned to his native element – the statue becomes the center of a depression on the relief of the roof, which allows you to create a small pond around it. The roof “levitates” at the level of one meter above the square without touching it, which allows passers-by to see everything that is going on inside, at the same time providing natural lighting. Where the “canvas” of the roof rises higher, there are entrances to the library.

The ground floor space is occupied by a newsroom, which can be adapted for various events, a book depository, administrative offices, and recreation rooms. The newsroom is connected to the entrance level by a staircase with an amphitheater, under which the technological premises of the cafe and toilets are located. There is an elevator for people with limited mobility. Light wood and stone in the decoration help to diffuse natural light.

The project took third place in the competition.
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The building of the “Opera by the Sea” in Tallinn

where:Estonia, Tallinn
date11.2020 — /
function:Culture / Concert hall
studio:
Arena
http://piarena.ru/
architect:Aleksey Orlov
This competition was a paper one. The land site is located between the cruise port and the culture-and-sports complex Gorholl, which recently became famous all over the world, appearing in Christopher Nolan’s film “Argument” as the Kiev opera. The cape is a large underdeveloped territory overgrown with bushes – it is surprising that it hasn’t been yet turned into a park at least.

An Opera House is a typology that still allows for designing an iconic building. The ARENA architects proposed a sophisticated parametric shell that creates different images when viewed from different sides. When viewed from the shore the building looks like a giant tent, the shape of which echoes the silhouette of the fortress towers in the historical part of Tallinn. From the sea side, the “curtain” of the roof opens hospitably, and those arriving on ferries see a complex interior space formed by spiral staircases and the bowl of the amphitheater located on the middle level of the building. From the side of the port and the Gorholl, the opera looks like a sculpture consisting of undulating volumes and dynamic lines. Smooth bionic shapes contrast with the rigid mesh and brutalist volumes of the Gorholl.

The entire first floor, where the shops, restaurants, and cafes are located, open on the inside with the help of stained glass windows, becoming the continuation of the landscaped embankment. An observation deck and an amphitheater with a stage are arranged on the operated roof. The theater includes a foyer, an auditorium, a stage box, a small hall, artistic and rehearsal rooms. 

The project received an honorable mention. The list of people’s sympathies is also interesting – you can see it on the page of the competition.
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09 February 2022

Headlines now
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.
Domus Aurea
In this issue, we examine the “Tessinsky-1” house, designed by Sergey Skuratov and completed in 2023. Located in the middle of the Serebryanicheskaya Embankment district, at the intersection of its main streets, this house assumes a sort of “nodal” role: it not only responds to everything around it and preserves many memories of the former EMA factory within itself, but it weaves all this into a newly directed pattern, reconciling bright “gold” and dark-colored brick, largely with the help of the new, modern-yet-archaic Columba brick, which, come to think about it, is the most precious element here.
The Chimney of Nikola-Lenivets
In this issue, we are examining the “Obelisk House” designed by KATARSIS and built for the Arkhstoyanie 2023 festival. However, it was only finished later on, and this is why we are examining it now. It seems to us that after the “Obelisk House” appeared in Nikola-Lenivets, a dialogue and a few inner connections appeared between the temporary structures built here. These houses no longer look like “accidental neighbors”, more of which below.
​Periscope by the Bay
The jury awarded the second place in the competition for a public and cultural center in Petropavlovsk-Kamchatsky to the companies GORA (“Mountain”) and M4. In the consortium’s proposal, the building resembles a sperm whale with a calf swimming next to it or a periscope, whose lenses capture the most spectacular views from the surrounding landscape.
From Arcs to Dolmens
While working on the competition project for Petropavlovsk-Kamchatsky, ASADOV Architects prioritized the value of the natural and urban environment, aiming to preserve the balance of the location while minimizing the resemblance of the volume that they designed to a “traditional building”. The task was challenging, and the architects created three versions, one of which having been developed after the competition, where their main proposal took third place. However, the point of interest here is not the competition result but the continuity of creative thinking.
Hide and Seek
The ID Moskovskiy house, designed by Stepan Liphart in St. Petersburg, in the courtyards near Moskovskiy Avenue beyond the Obvodny Canal and recently completed, is notable for several reasons. Firstly, it has been realized with considerable accuracy, which is particularly significant as this is the first building where the architect was responsible not only for the facades but also for the layouts, allowing for better integration between the two. On the other hand, this building is interesting as an example of the “germination” of new architecture in the city: it draws on the best examples from the neighborhood and becomes an improved and developed sum of ideas found by the architect in the surrounding context.
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Frozen Magma
A competition for the creation of a public and cultural center was held in Petropavlovsk-Kamchatsky. Three architectural companies made it to the final, and we consider it important to share about the work of each. Let’s start with the winner – the consortium led by Wowhaus.