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Creative Experiments

In this issue, we feature five projects by ARENA project institute prepared for international competitions: from an opera house and library to a heritage site and artificial island.

09 February 2022
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In Russia, ARENA project institute does mostly large-scale projects: its portfolio includes dozens of sport facilities, corporate headquarters, and grand-scale complexes of various functions – from shopping malls to museums. Nevertheless, the institute regularly takes part in international competitions, including concept and “paper” ones. According to the company leaders, this experience “activates and mobilizes creativity”, which, of course, makes a positive difference for all operation processes.

The five projects featured in this article are a selection of the most interesting works from the company’s point of view. Not all of them became prize-winners, but all of them are interesting for the authors in terms of new ideas and approaches: the hope for the possibility of high-quality execution allowed them to be freer and bolder.
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Castle-Resort

where:Italy, Roccamandolfi
date — 2021 /
function:Landscape /
studio:
Arena
http://piarena.ru/
Italy’s Roссamondolfi is a picturesque little town standing on a mountain slope with sweeping views and ruins of a medieval castle. The competition for the project of a hotel complex was organized with a view to attract more tourists in this area.

The organizers wanted the contestants not just to propose their versions of housing that would fit in with the surroundings but also provided ample opportunities for studying the history of this area and its nature- the town is surrounded by pastures, pine forests, rocks and waterfalls, through which numerous trails pass. The height of the new buildings was not to exceed 5 meters; cutting down trees was not allowed.

In its concept, ARENA project institute turns the ascent to the fortress into navigating a flower labyrinth. Its walls are formed by local perennial plants that will change the color of the slope depending on the season. The structure of the labyrinth reminds of a medieval town, in which you can also easily get lost. At the edges of the garden, the architects propose to install laconic wooden “cabins” with panoramic windows commanding the mountain and valley views, and sunbathing roofs. Also, according to the concept, Roссamondolfi will get a platform for various events – historical reconstruction or scientific conferences, a cafe, and an expo pavilion.
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Nodeul Dream Island

where:South Korea, Seoul
date — 2021 /
function:Culture / Concert hall
studio:
Arena
http://piarena.ru/
architect:Aleksey OrlovDina Sattarova
Nodeul is an artificial island on the Hangang River in the central part of Seoul. At one point, this place hosted tennis courts, then there were plans for building an opera house here, but eventually it was decided to turn this island into a more democratic venue for summer open air festivals complemented by a park.

The ARENA architects proposed a multilevel structure, in which intertwined spaces smoothly merge into one another: the ramps from the bridge lead to hanging promenades, wavy bicycle and pedestrian trails descend to the waterfront and observation decks, and the amphitheater of a parametric shape is inseparable from the river and park views. The entire island is perceived as one large art object, each fragment of which offers new impressions to the visitors. Even utilitarian elements – the road tarmac, for example – looks like a dance floor; on the “backside” of the bridge, there is a lighting installation; its concrete supports are covered by a pattern from a book of optical illusions. The layers are read not only in structure but in meanings as well: the renders demonstrate both the “vibe” of a Soviet square with a monument in its center, the Utopia Island, and a K-Pop stage.
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The visitor center of the Kemeri national park

where:Latvia, Jurmala
date — 2018 /
function:Landscape / Park Pavilion
studio:
Arena
http://piarena.ru/
 
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Plaza de la Villa Library

where:Spain, Madrid
date — 12.2020 /
function:Education / Library
studio:
Arena
http://piarena.ru/
architect:Aleksey Orlov
The land site in the center of Madrid, proposed for the competition, upon which a library would be built, is located at the Plaza de la Villa, between the Royal Palace and Plaza Mayor. This place was constructed in the 16-17th centuries, when Spain was under the rule of the Habsburg Dynasty. The library was to become a new landmark and a “bridge” between the old and the new Madrid, and its halls with catalogs and exhibitions a part of the public space accessible to tourists and city people.

The main volume of the library is situated on the underground level; it surfaces in a wave-shaped roof that enshrouds the entire plaza, without obscuring the views of the historical construction and offering new ways to spend time. Access to the monument to Alvaro de Bazan, installed on the square, is preserved, and in addition, the admiral is returned to his native element – the statue becomes the center of a depression on the relief of the roof, which allows you to create a small pond around it. The roof “levitates” at the level of one meter above the square without touching it, which allows passers-by to see everything that is going on inside, at the same time providing natural lighting. Where the “canvas” of the roof rises higher, there are entrances to the library.

The ground floor space is occupied by a newsroom, which can be adapted for various events, a book depository, administrative offices, and recreation rooms. The newsroom is connected to the entrance level by a staircase with an amphitheater, under which the technological premises of the cafe and toilets are located. There is an elevator for people with limited mobility. Light wood and stone in the decoration help to diffuse natural light.

The project took third place in the competition.
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The building of the “Opera by the Sea” in Tallinn

where:Estonia, Tallinn
date11.2020 — /
function:Culture / Concert hall
studio:
Arena
http://piarena.ru/
architect:Aleksey Orlov
This competition was a paper one. The land site is located between the cruise port and the culture-and-sports complex Gorholl, which recently became famous all over the world, appearing in Christopher Nolan’s film “Argument” as the Kiev opera. The cape is a large underdeveloped territory overgrown with bushes – it is surprising that it hasn’t been yet turned into a park at least.

An Opera House is a typology that still allows for designing an iconic building. The ARENA architects proposed a sophisticated parametric shell that creates different images when viewed from different sides. When viewed from the shore the building looks like a giant tent, the shape of which echoes the silhouette of the fortress towers in the historical part of Tallinn. From the sea side, the “curtain” of the roof opens hospitably, and those arriving on ferries see a complex interior space formed by spiral staircases and the bowl of the amphitheater located on the middle level of the building. From the side of the port and the Gorholl, the opera looks like a sculpture consisting of undulating volumes and dynamic lines. Smooth bionic shapes contrast with the rigid mesh and brutalist volumes of the Gorholl.

The entire first floor, where the shops, restaurants, and cafes are located, open on the inside with the help of stained glass windows, becoming the continuation of the landscaped embankment. An observation deck and an amphitheater with a stage are arranged on the operated roof. The theater includes a foyer, an auditorium, a stage box, a small hall, artistic and rehearsal rooms. 

The project received an honorable mention. The list of people’s sympathies is also interesting – you can see it on the page of the competition.
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09 February 2022

Headlines now
Office on Trubnaya
We continue publishing projects by Valery Kanyashin. A building once described, a quarter century ago, as an example of “quiet modernism” has remained just that in some people’s memory. According to Anatoly Belov, its main quality is its unobtrusiveness. The architects from Ostozhenka say the leading role here is played by context and landscape – the change in elevation. Yet is it really so inconspicuous?
In Memory of Valery Kanyashin
On Friday, February 27, architect Valery Kanyashin passed away – co-founder of Ostozhenka Architects and the author of many significant buildings in Moscow. We publish a text by Anatoly Belov in memory of Valery Kanyashin.
Hypertext in Space
As part of the exhibition “What We Have We (Do Not) Keep”, Sergey Tchoban, the Museum of Architecture, and the CHART studio experiment with an eco-conscious approach to exhibition design, with thematic cross-references and even with publicistic reflections on the necessity of preserving modernism, the roots of contemporary architecture, and the birth of ideas. All of this makes the exhibition, with its light and transparent design, look quite innovative. The elements – both “material” and conceptual – are familiar, yet their combination is far from conventional.
The Outline of “Foundation”
In their competition proposal for the Fili transport hub, the consortium led by Alexey Ilyin proposed an “inhabited arch” – a form that is simple yet complex. The architects emphasize that even at the competition stage, the project’s feasibility was fully calculated, taking into account the minimal nighttime closures of Bagration Avenue. How was this achieved? With what functions? Let us take a closer look. In our view, the building would have suited the heroes of Isaac Asimov’s Foundation novels perfectly.
The Flying Horizontal
“A house in the spirit of Wright”, as architect Roman Leonidov describes it, pointing to his source of inspiration, was built on a challenging wedge-shaped site. To achieve a sense of intimacy and secure good views from the windows, the entire volume had to be shifted toward the far boundary, turning the house “back” to the neighboring mansions. The main façade demonstrates time-tested techniques often employed by the company: articulated horizontals, a weightless roofline, and a triad of materials – light plaster, dark slate, and warm wood.
Needles of Horizon Contemplation
The “House of Horizons”, designed by Kleinewelt Architekten in Krylatskoye, is carefully thought out at the stereometric level – from the logic of how the volumes interlock (and, conversely, how gaps are articulated between them) to the triangular balconies that give the building its striking, slightly bristling silhouette.
The Red Thread
A linear park project prepared by Alexey Ilyin studio for the improvement of a riverbank in one of the residential districts seeks to reconnect people with nature. Two levels of the embankment invite visitors to contemplate the landscape while at the same time protecting the riverbank from excessive human impact. The “aerial street” links functional zones and the opposite banks, creating new points of attraction along the way: balconies, bridges, and even a “grotto”.
Spindle and Thread
The concept of the Waver residential complex in Yekaterinburg draws inspiration from the past of the Parkovy district. In order to preserve the memory of the late-19th-century flax spinning mill once located here, the architectural company KPLN turns to the theme of textiles and weaving. The project’s main expressive device is a system of ribbons made of perforated weathering steel – a material that, in such volumes, has arguably not yet been used in Russian residential projects.
Woven Into Sokolniki
Over the past few years, high-rise residential construction in former industrial zones has become the main theme of Moscow architecture. Towers are springing up here and there – but the question is what kind of towers they are. The residential complex CODE Sokolniki, designed by Ostozhenka Architects, is a project where every detail has been taken care of. The authors are attentive to the history of the site, the continuity of the urban fabric, the skyline, and visual corridors. They also proposed a motif with the lyrical name “scarf”. We take a closer look at the volumetric composition and the large-scale décor “woven”, in this case, out of terraces and balconies.
Stepan Liphart and Yuri Gerth: “Our Program Is Aesthetic”
The studio of Stepan Liphart, an architect known for his distinctive signature style and one-off projects, now has a partner. Yuri Khitrov, a specialist with a broad range of competencies, will take on the part of the work that distracts one from creativity but drives the business forward. One of the aims of this partnership is to improve the urban environment through dialogue with clients and officials. We spoke with both sides about their ambitions, the firm’s development strategy, shared values, and the need for pragmatism. And why the studio is called “Liphart & Gerth” only became clear at the very end of the interview.
The Copper Mirror
The varied-toned sheen of “unsealed” copper, painterly streaks and fingerprints, exposed concrete, and the unusual proportions – when you study the ZILART Museum building by Sergei Tchoban and SPEECH architects, there is plenty to talk about. However, it seems to us that the most interesting thing is how the museum’s composition responds to the realities of the district itself. The residential district has been realized as an open-air exhibition of façade statements by contemporary architects – but without public access to the inner courtyards of the blocks. This building – that is, the museum – is exactly the opposite: on the outside, it is deliberately restrained, while inside it shines spectacularly, creating its own sunbeams in any weather.
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.