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​The Wavelength

Built in the town of Pushkino in the Moscow area, the “Turgeneva 13” housing complex, while fitting in with the surrounding context, differs from it with the rhythmic austerity of its dual composition, a slight wave of the façade, and the color design, in which one can see two images, winter and summer, both “growing” from the specifics of the place.

13 January 2022
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The “Turgeneva 13” housing complex is not the first new project designed for Moscow area’s Pushkino by KPLN, but the first completed one. The two towers with business-class apartments, sold at rather moderate prices (2-room apartments starting at 6M rubles) stand on the embankment on the Serebryanka River. Their location is remarkable in its duality: this is almost the center of the city, next to two squares (one has a Pushkin monument standing on it, the other a memorial to the Great Patriotic War), and to the local park; at the same time, on the opposite side of the Serebryanka, there is an arboretum park, and it seems that the town stops short here: there just has been a scatter of residential towers, and – bang! – the city ends. While the embankment on this side is sturdy and made of concrete, the opposite side is total wilderness; in winter fishermen sit on the ice of the pond, and some panoramas turn out to be unexpectedly suburban and pastoral.

“Na Turgeneva” housing complex
Copyright: Photo courtesy by KPLN


“Na Turgeneva” housing complex
Copyright: Photo courtesy by KPLN


At the same time, if you look from the Yaroslavl highway, from where the housing complex is pretty viewable, it obviously looks like it belongs in the league of the Moscow-area high-rise development, which has already spread a kilometer to the north. However, what makes “Turgeneva 13” different from the rank-and-file high-rise housing projects is its compact and collected appearance and neatly drawn architecture, and even some noble character amidst the buildings, some of which are too standard, some plain ugly, and some garish-looking – the usual Moscow-area panorama that we are accustomed to.

“Na Turgeneva” housing complex
Copyright: Photo courtesy by KPLN


“Na Turgeneva” housing complex
Copyright: Photo courtesy by KPLN


The two towers, square on the plan, are connected by an elongated stylobate: the underground car parks are placed on the inside, while on the roof there is a yard with a playground and a two-tiered wooden amphitheater that bypasses the playground at an acute angle. Sitting on its stairs, you can both watch your children play and admire the pond.

“Na Turgeneva” housing complex
Copyright: Photo courtesy by KPLN


“Na Turgeneva” housing complex
Copyright: Photo courtesy by KPLN


The stylobate is not exactly wide – about 40 meters wide – but it is raised high enough, about 5 or 6 meters above the ground, which ensures sufficient privacy. The towers stand at side ends – the bottom tier is “stretched” between them – and are turned at a 45-degree angle both to the line of the embankment and the stylobate’s axis, so that both from the water area and from the yard we see the houses at an angle, which allows us to appreciate the diversity of the facades.

Plan on the elevation of the 2nd floor. “Na Turgeneva” housing complex
Copyright: © KPLN


This difference is something that the entire plastique intrigue is based upon. North and south are faced by the white facades – they are a little bit longer, and, in addition, are extended by ledges that merge with the upper cornice link – this is how peculiar U-shaped “casings” appear that wrap around the volumes of the towers. forming a kind of a volumetric “frame”. The external surface of the white facades is slightly wavy, and they look particularly interesting in a slanted light that enhances the sculptural character of the curve. 

“Na Turgeneva” housing complex
Copyright: Photograph: Archi.ru


“Na Turgeneva” housing complex
Copyright: Photograph: Archi.ru


At the same time, if we look at them en face in a soft light, the white façade with a fine pattern of windows of different height and black boxes of the air conditioners take on a graphically laconic character of the pure design solution, advantageous against the multicolored context, but livened up by the different heights of the windows, which seem suspended from the upper line, like a fringe, and echo the wavy surface of the facade. 

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    “Na Turgeneva” housing complex
    Copyright: Photo courtesy by KPLN
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The west and the east facades are dark-colored; the horizontal panels of porcelain stoneware with an effect of brown wood form a differently toned surface. The wall recedes backwards from the white frame and sinks in one more time in the center, forming a broad vertical ledge, framed by two “risalits”. The volumetric wave of the white facades is echoed by the decorative wave of the light-beige lattices that cover some of the windows of the recessed balconies, slightly softening the straight character of the vertical lamellas. 

“Na Turgeneva” housing complex
Copyright: Photo courtesy by KPLN


Thus, the two identical towers seem to be elements cut from some kind of a blank: a light wavy “crust”, and a dark soft “middle” – on the whole, this is a well-known modern technique, but in this case it helps to build a complex solely volumetrically, based on the intrigue of comparing two types of “plastique matter”.

“Na Turgeneva” housing complex
Copyright: Photo courtesy by KPLN


“Na Turgeneva” housing complex
Copyright: Photo courtesy by KPLN


In the southern part, from the side of the 1st Nekrasovsky Drive (which serves here as the main road from the city) the lower tier is joined by a two-story volume of retail. Its facades, like the facades of the stylobate, are designed in a dark “wooden” key; the corners are rounded, the windows are combined in vertical pairs and alternate with the recesses of the entrances. A few stores are already open here, and the side-end part looks quite spectacular and seems to be a viable basis for urban life on the lake shore. 

“Na Turgeneva” housing complex
Copyright: Photo courtesy by KPLN


“Na Turgeneva” housing complex
Copyright: Photo courtesy by KPLN


Yet another peculiar feature of the stylobate are the entrances of the residential buildings. Located in the corners between the stylobate and the bases of the towers, they are asymmetrical, shady and cozy in their own way. In front of them, there are little green knolls of geoplastics, which give the entrances an unexpected likeness to caves.

The facade from the embankment side. “Na Turgeneva” housing complex
Copyright: © KPLN


The canopies over the entrances are a separate story: they flow, bend, and stretch lintels to one another through the air, supported by round black columns. 

In a word, everything here, in the part of the complex, to which the end users – its residents – are exposed most of all, austerity gives way to some “sculptural-ness”, specifically, deconstruction. In any case, the solution, proposed by the architects, is far from “standard”: not a portal, not a portico, not a recession, but a little bit of everything rolled into one. Maybe it is this building that gives a start, like a boat sailing the lake, to the “wave” of white surfaces on the towers? This is a version just as good as any other – like some sort of the building’s reaction to the river. 

“Na Turgeneva” housing complex
Copyright: Photovraph: Archi.ru


Today, in January, you can strongly feel not just the response to the vicinity of the pond on the Serebryanka river, but also the complex’s emotional kinship to winter – not the “postcard” kind with Santa Clause, but to the real winter, the way that we see every day on the city streets. The two main tonalities: a wavy white “crust” and a loose multi-tone “base” echo each other, one with the surfaces of untouched snowdrifts and snowfields, and the other with roads traveled among them. What it ends up being is a recognizable white-ochre-brown scale, sung by the painting of the XX century; because of it, houses seem to grow “right out of the ground”, flesh and blood of the surrounding landscape, and seem firmly rooted in it. This is an unconventional approach to the context: instead of adapting to the surrounding buildings, the new complex quietly resists them, offering its own view of the image of the place.
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The scheme of the architectural solution. “Na Turgeneva” housing complex
Copyright: Photo courtesy by KPLN


13 January 2022

Headlines now
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.