По-русски

​Parade Order

The three brick blocks of the “River Park” housing complex gaze at the water with their terraces. Each block forms a backdrop and two wings, while the residents-only yards turn into “stages” perceived from the river. The landscaped embankment, accessible to all the city people, complements the hierarchy of private, semi-private and public city life that is formed here.

07 December 2021
Object
mainImg
The “River Park” housing complex is built by the AEON and Ferrostroi companies in the south of Moscow – its territory stretches along the western bank of Nagatinsky backwater. The first six southern blocks of “River Park”, situated in its south part on the city side, were designed by Ostozhenka Architects and built in 2013-2018. The next five blocks, built in a line more to the north in the backwater’s bank, were commissioned by the developer to ADM architects headed by Andrey Romanov and Ekaterina Kuznetsova. The two blocks closest to the river are now in the process of implementation. The other three, occupying the central part of the complex, have been completed and commissioned; they consist of 9 buildings ranging in height from 16 to 18 floors. We will examine them in this article. 

The overall structure of “River Park” appears to be exceptionally lucky – these are three blocks with an open contour. This means that each block consists of three individual houses, there is a passage between them, yet they are perceived as a single city block.

  • zooming
    1 / 5
    “River Park” housing complex: blocks 1-3
    Copyright: Provided by ADM
  • zooming
    2 / 5
    “River Park” housing complex: blocks 1-3
    Copyright: Provided by ADM
  • zooming
    3 / 5
    “River Park” housing complex: blocks 1-3
    Copyright: Provided by ADM
  • zooming
    4 / 5
    “River Park” housing complex: blocks 1-3
    Copyright: Provided by ADM
  • zooming
    5 / 5
    “River Park” housing complex: blocks 1-3. A cross-section view
    Copyright: Provided by ADM


Interestingly, a “theater” principle is used here. The block has three walls – the backdrop and two wings – and no front wall, and the “spectators”, sailing the riverboats or walking down the lower embankment, pass by three “theater stages” because the yards are raised on stylobates, which, of course, host underground parking garages. From the side of the stylobates, however, you can go down two staircases, left and right of the yard, i.e. like from the stage to the orchestra stalls, that is, to a very cozy waterfront. The part of this waterfront adjacent to the housing complex was also designed by ADM.

  • zooming
    1 / 4
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM
  • zooming
    2 / 4
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM
  • zooming
    3 / 4
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM
  • zooming
    4 / 4
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM


The blocks are separated by driveways that also serve as public boulevards, open, just as the waterfront, to the city people: they lead from the western part of the complex and from the “old district” to the bank of the backwater. There are pedestrian bridges thrown above the driveways that connect the blocks on the upper levels of private yards that are accessible only to the residents and their guests.

These pedestrian bridges are the architects’ pride. They start in the square arches of the beige buildings and connect them to the passage between the houses of the next block. This way, the residents of “River Park” and their children will be able to freely move around the three blocks on the second tier without having to get down to the carriageway and without interacting with the city space.

  • zooming
    1 / 3
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM
  • zooming
    2 / 3
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM
  • zooming
    3 / 3
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM


The yards, just like the blocks on the whole, are organized in a very theatrical manner. You exit to the yards on podiums from high lobbies. There are pine trees in the yards (the architects specially provided depth of the soil sufficient for the roots of the trees); there are also playgrounds, and, closer to the waterfront, there are barbecue spots with all the related equipment. The most imposing-looking elements of the yards are sundecks – glass bridges with boardwalks set above the waterfront, with sun loungers to bask in the sun and sunbathe. These are not bridges in a literal sense of the word, they do not lead anywhere, but make a loop, like in the Zaryadye Park. You can walk on these bridges in a circle, in a triangle, or in a square – each yard has a sundeck of its own unique shape. And their meaning, according to Andrew Romanov, is to make you feel closer to the water. This transgression of the residents’ semi-private space is essentially akin to coming up on stage.

  • zooming
    1 / 7
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM
  • zooming
    2 / 7
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM
  • zooming
    3 / 7
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM
  • zooming
    4 / 7
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM
  • zooming
    5 / 7
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM
  • zooming
    6 / 7
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM
  • zooming
    7 / 7
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM


The interpenetration of courtyards and embankments, semi-private areas and public space is an interesting approach. On the one hand, visual contact between the residents and the city people appears. On the other hand, outside people cannot get into the yard from the waterfront, but you can easily do it the other way around (through the transparent fence, the owners of the “River Park” apartments have access with a card). There are also private spaces of glass terraces, which are 100% private spaces. The hierarchy of private, semi-private, and public spaces is well thought out here.

  • zooming
    1 / 3
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM
  • zooming
    2 / 3
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM
  • zooming
    3 / 3
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM


If we are to continue the theatrical associations, then the waterfront plays the part of the orchestra stalls. In any case, the design solution of a multilevel city in such a location is Andrew Romanov’s indisputable success. Even if the houses did not possess this individual carefully designed plastique, the structure of the complex alone would have been enough for its successful organization. But the houses are indeed different and interesting in their own ways.

We have used three types of houses in River Park. The first type is the red tower. Its facade is constructed like this: the building starts from a simple grid and then goes to a folded texture. The bay windows at the top are volumetric, and at the bottom they seem to dissolve into the plane of the wall. We have three such towers, and they protrude to the embankment. The second type is a beige terraced house, on which, at the request of the client, we made a cascade of terraces facing the water. There are also three such houses. The third type consists of buildings with recessed bay windows. The same principle of gradual increase in the volume of bay windows to the upper floors is used here, but unlike the towers, this happens asymmetrically, making the facade look more dynamic.


This is how a clearly structured rhythm of the volumes appeared: the vertical red buildings, opening upwards in a flower-like fashion, and the light-colored horizontal buildings, whose side ends are clearly shaved off with terraces, are like two poles or two diametric opposites. The further building ties them together like a background – partially absorbing all the techniques, it becomes the transition link that reconciles the two poles. Meanwhile, if you look from the opposite bank of the backwater, the alternation is read very clearly, like a parade order. 

“River Park” housing complex: blocks 1-3
Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM


“River Park” housing complex: blocks 1-3
Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM


The plastique of the red buildings is especially interesting. In the lower floors, the triangular contour of the windows is sunken in, and the blades stand out at an angle – the facade receives a zigzag outline. In the middle, the surfaces of the piers and the windows get even, and higher up the angle of the windows becomes more and more prominent with each next floor. Thus, looking from the bottom up, we observe a progressive inversion of volumes.

  • zooming
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM
  • zooming
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM


This design solution is supported by a slight change in the apartments’ layouts from floor to floor – which, one must recognize, is one of the favorite techniques of ADM architects. This technique, however, is somehow akin to a fortress tower, some kind of a dungeon that “safeguards” the city blocks on every “outside” corner, which is the southern one, turned to the city. 

  • zooming
    1 / 6
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM
  • zooming
    2 / 6
    “River Park” housing complex
    Copyright: Provided by ADM
  • zooming
    3 / 6
    “River Park” housing complex
    Copyright: Provided by ADM
  • zooming
    4 / 6
    “River Park” housing complex: blocks 1-3
    Copyright: Provided by ADM
  • zooming
    5 / 6
    “River Park” housing complex
    Copyright: Provided by ADM
  • zooming
    6 / 6
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM


The arrangement of the red brick buildings is tied to a strict grid, and the corners are “fastened” with brick blades. In the light-colored buildings, the windows are grouped in twos horizontally by a darkened recessed pier with a “wooden” texture. However, the windows do not form any characteristic “bands” – rather, what we are seeing is a large zig-zag pattern, particularly prominent at the corners, where glass alternates with brick contour. It seems that the zigzags echo the terraces at the ends of the buildings: the houses seem to “open up” to the river before our very eyes, giving way, and minimizing the materiality of their silhouette.

  • zooming
    1 / 4
    “River Park” housing complex
    Copyright: Provided by © ADM
  • zooming
    2 / 4
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM
  • zooming
    3 / 4
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM
  • zooming
    4 / 4
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM


The terraces located on five floors, from the eleventh to the sixteenth, are definitely a successful solution. They are spacious enough to offer a view of the water and the city skyline.

“River Park” housing complex: blocks 1-3
Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM


The side ends of the light-colored buildings are divided in two parts, so that one cannot see the other, which means that the space is becoming even more private, like the kind that we would expect from a dacha or a vacation rental, which, of course, reminds of the Mediterranean. The fences are made of glass, they are impost-less, and they tactfully provide security without intruding on the panorama. The terraces turned out to be a hit, and the apartments with them were sold very fast.

  • zooming
    1 / 3
    “River Park” housing complex
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM
  • zooming
    2 / 3
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM
  • zooming
    3 / 3
    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM


ADM have a great experience in designing “tactile” facades for high-end residential complexes in the center of Moscow, and here they used it to full extent in this mass-housing project, although still closer to high end. All of the facades are clad in Hagemeister brick. The red towers alternate with beige ones, both facades are not monochromic but present mixes of exquisite colors. The buildings situated in the depth, grow lighter from the bottom upwards from brown to a sandy color.

Many of the apartments have windows reaching to the floor with metallic railings. Wherever the windows are of the regular kind, all the openwork metallic lattices, masking the air conditioning units, are custom-designed. Some of the piers imitate wooden panels. All this together creates a well-detailed surface, interesting to look at, while the use of natural and durable Klinker brick, together with a clearly articulated structure and other authors’ ideas promises a long life for the architecture of River Park.



07 December 2021

Headlines now
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.