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​Shape of the Winery

In this article, we are telling you more about the development of the shape and the implementation of the “Skalisty Bereg” (“Rocky Shore”) winery, designed by Alexander Balabin and his company “Severin-Project” in the Krasnodar Territory, and one of the finalists of WAF 2021.

16 February 2022
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The “Skalisty Bereg” winery, designed and built by Alexander Balabin in the village of Varvarovka not far away from Anapa – a sculptural building with the top floor executed in the shape of a sea pebble – is situated amidst gorgeous hills covered with grapevine, an area occupying 32 hectares. The name of “Skalisty Bereg” (“Rocky Shore”) has a French analogue of Cote Rocheuse – because this place produces chiefly French wines: Merlot, Pinot Noir, Cabernet Sauvignon, and Chardonnay.

"Skalisty Bereg« (»Rocky Shore") winery
Copyright: Photograph © Daniil Anneknov / Provided by Severin Project


In 2021, the winery building got an award at the “Golden Section” architectural show and was shortlisted at one of the largest architectural competitions, WAF.

As for WAF, we didn’t even hope to get that far. Global design companies with such well-known projects as, for example, an incinerator with a ski slope starting on its roof in Denmark, competed with us in the nomination “Production, energy, processing”. I consider our getting into the WAF finals, and even in the nomination where implemented projects compete, for that matter, to be a serious achievement by any standards.


“Skalisty Bereg” is a gravity-flow winery; grape juice and wort move here under the influence of gravity, the mechanical impact on them is minimized, which allows you to preserve the features of the terroir as much as possible – the sum of these features is what determines the specifics of the wine, and upon this set of features the whole value of the ”protected geographical origin” is based. The location of the building on the 32-hectare land site was proposed to the client by Alexander Balabin; the 10-meter height difference of the construction site made it possible to make a gravity-flow winery; the operated roof commands sweeping sea views between the hills. 

The building contains the entire technological chain: production, storing wine in casks and bottling it, as well as a restaurant, a tasting room and an observation deck. The winery building provides a lot of space for exhibitions and wine conventions.

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    "Skalisty Bereg« (»Rocky Shore") winery
    Copyright: © Severin Project
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery. Location plan
    Copyright © Severin Project
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    "Skalisty Bereg« (»Rocky Shore") winery. Plan of the third floor
    Copyright © Severin Project
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    "Skalisty Bereg« (»Rocky Shore") winery. Plan of the first floor
    Copyright © Severin Project
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    "Skalisty Bereg« (»Rocky Shore") winery. Plan of the second floor
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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Alexander Balabin made a clear flowchart showing the entire cycle of wine production and storage with the functions distributed over the floors.

The flowchart of the gravity-flow winemaking
Copyright: © Alexander Balabin


In the movie “A Good Year”, Uncle Henry Skinner, the vineyard owner, says the famous quote: “I enjoy making wine, because this sublime nectar is quite simply incapable of lying. Picked too early, picked too late, it matters not – the wine will always whisper into your mouth with complete, unabashed honesty every time you take a sip.” These properties of wine generated the idea of the “Skalisty Bereg” winery.

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    “Rocky ShorCopyright: Photograph © Daniel Annenkov / provided by Severin Projecte” winery
    Copyright: Photograph © Daniel Annenkov / provided by Severin Project
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    “Rocky Shore” wineryCopyright: Photograph © Daniel Annenkov / provided by Severin Project
    Copyright: Photograph © Daniel Annenkov / provided by Severin Project
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    "Skalisty Bereg« (»Rocky Shore") winery
    Copyright: Photograph © Daniil Anneknov / Provided by Severin Project


Looking at the building created by Alexander Balabin, one can clearly see two parts in it: an orthogonal brutal three-story production building from glass and exposed concrete, partially buried in the hill, and the top elliptical-shaped volume of the tasting room that looks like a giant sea pebble. “Wine is an absolutely natural product, which only gets better with age, and exposed concrete is quite a match for it because this is an honest and natural material” the architect says. The art of winemaking is hard manual work that is done 365 days a year, and it is reflected in the main orthogonal building that includes production facilities, wine storage, and the offices. Wine tasting is a sensual enjoyment, and for this the architect designed a tasting room contained in a smooth white ellipse commanding the sea view. From the room, one can exit to the roof of the main building.

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    "Skalisty Bereg« (»Rocky Shore") winery
    Copyright: © Severin Project
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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The backstory of the project goes like this. In 2017, the client approached Alexander Balabin with a pragmatic task: he needed a simple technological facility built from quick-mount structures. However, in the process of the work the building changed, and it became clear that architecture was needed. Alexander came up with several options.

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    "Skalisty Bereg« (»Rocky Shore") winery
    Copyright: © Severin Project
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    “Skalisty Bereg” winery
    Copyright: © Severin Project


The first one was called “Tuscan” and was designed in a generalized style of architecture of early Renaissance; the second one was called “Bauhaus”, the third “Carlo Scarpa”, in the spirit of the famous Italian master of the 20th century, and the fourth looked more technology-based, like a Swiss factory. And there was also a fifth variant, the most expressive one, which Alexander Balabin drew just for his own intellectual enjoyment. As is usually the case, this was the one that got picked.

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    “Rocky Shore” winery
    Copyright © Severin Project
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    "Skalisty Bereg« (»Rocky Shore") winery
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    “Skalisty Bereg” winery. A sketch by Alexander Balabin
    Copyright: Provided by Severin Project


The resulting building keeps up the straightforwardness and lightness of an artist’s casual stroke, inspired by the sea, the sky, and the breathing of the landscape as the artist tried to capture genius loci. The “pebble” looks as if it somewhat sloppily lies on the roof of the building, overhanging a bit like a cantilever. The main three bottom tiers are executed in concrete, but the second and third floors, where people sit, have glass facades. Thus, it looks as if the “pebble” rests on a glass volume that reflects the sky, i.e. is sandwiched between the “sky” and real sky, at the same time maintaining visual contact with the sea.

“Rocky Shore” winery
Copyright: Photograph © Daniel Annenkov / provided by Severin Project


On the whole, the tectonics of the building is rather sharp. Not only the “pebble” hovers above the ground, visually resting just on the lightweight glass tier, but also the platform with a cantilevered ledge between the first and second floor lies on a ribbon window, i.e. again almost on nothing. The entrances to the building, slightly sunken in, almost merge with the glass facade, without violating the composition of vivid horizontals. To the left of the winery, there is a main staircase spanning several floors.

Unlike the glass office part, the production part of the third tier, where the grapes are loaded, is executed in concrete with dramatic openings in the shape of pebbles of larger and smaller sizes. Thus the main theme of the sea pebble is developed in individual motifs as well. Through these windows and through the glass facades, the winery is connected with the surroundings, and there are also technical windows inside, so, when walking along the corridor, a person can look into the technology-based production facilities and admire the scenery at the same time.

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    "Skalisty Bereg« (»Rocky Shore") winery
    Copyright: Photograph © Daniel Annenkov / provided by Severin Project
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    “Rocky Shore” winery
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    "Skalisty Bereg« (»Rocky Shore") winery
    Copyright: Photograph © Daniel Annenkov / provided by Severin Project


In order to make all this a reality, Alexander Balabin and his partners had to cope with formidable technological challenges. The technology of applying fiberglass concrete to an elliptical metal structure is quite new for Russia. The coverage of the “pebble” was designed by Andrey Poletaev and the “Arkhitektura Blagopoluchiya” (“Architecture of Well-being”) group in cooperation with OOO MRG Stroy/Soldisgroup, which did the curvilinear pavilions in the Zaryadye Park, as well as the Zaha Hadid office building on the Sharikopodshipnikovaya Street.

Working with exposed concrete was just as challenging but the result was well worth it. Many architects love exposed concrete for its honesty, masculinity, and longevity. From the side of Alexander Balabin, this was also homage to Tadao Ando. The walls of the winery have three plies in them. The inner ply (200mm) and the outer ply (100mn) are exposed concrete without any decor, with a 100mm of heat retaining material sandwiched between them. The only decor on the concrete wall is holes, traces of formwork fastening, and seams.

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    “Rocky Shore” winery
    Copyright: Photograph © Daniel Annenkov / provided by Severin Project
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    “Rocky Shore” winery
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    "Skalisty Bereg« (»Rocky Shore") winery
    Copyright: Photograph © Daniil Anneknov / Provided by Severin Project


“The building of the winery was built of monolithic reinforced concrete due to seismic activity of up to 9 points – Alexander Balabin shares – I invested a lot of time in creating formwork casings. I made sure that these formwork casings had a certain size, and the fastenings were in certain places, so that it would correlate with the impost pattern, and with the horizontals. When you remove the casing, the concrete must remain as it is, without any adjustments needed. Whenever the builders did not succeed at the first attempt, I made them cut off the concrete and start all over again. For window openings in the form of pebbles, so-called shells were made in the carpentry industry. Then matching aluminum frames were made, which then fitted in the openings without any plaster. I think that the builders have coped with the implementation of the project by 90-95 percent.

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    “Rocky Shore” winery
    Copyright © Severin Project
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    "Skalisty Bereg« (»Rocky Shore") winery
    Copyright: © Severin Project


As for the ellipse coverage, we struggled with it for a whole year. We seriously pioneered this technology of glass fiber concrete with a polymer coating in this region, and in Russia, for that matter. You can only find something distantly similar to it in Zaha Hadid’s Geidar Aliev Center in Baku. Because of the heat, it was difficult to achieve homogenization of the outer layer. The team of Andrey Poletaev, the authors of the Zaryadye Park, first intended to make a coating from lamellas and even manufactured them, but then abandoned this idea because of the unwanted seams. We decided to apply the coating using layer-by-layer spraying. But if you do not do this continuously (people also need to have lunch and sleep), the liquid solution remains in the hoses, which needs to be washed away with white spirit, and then because of this, the coating hardens poorly, with bubbles and all sorts of other issues. This problem was also solved. In other words, a lot of difficulties were overcome in the process of work, but, in the end, everything worked out.”

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    "Skalisty Bereg« (»Rocky Shore") winery
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    “Rocky Shore” winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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The interiors of the winery continue the themes set by the outside design solution. The brutal-looking production rooms with concrete walls and metal equipment, at the same time filled with light streaming from the windows, look (or you could even say “sound”) as powerful as a rock-n-roll band.

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    “Rocky Shore&#Copyright: Photograph © Daniel Annenkov / provided by Severin Project148; winery
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    “Skalisty Bereg” winery, the interior
    Copyright: Photograph: Provided by Severin Project
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    “Skalisty Bereg” winery, the interior
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The concrete staircases connect the spaces of the floors, where, expectedly, works of modern art will be exhibited. Just as dramatic and austere are the outside staircases.

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    “Rocky Shore” winery, the interior
    Copyright: provided by Severin Project
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    "Skalisty Bereg« (»Rocky Shore") winery, the interior
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    "Skalisty Bereg« (»Rocky Shore") winery, the interior
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    “Skalisty Bereg” winery, the interior


The interiors in the show and tasting area are quite different. These are expressive white supports matching the outside parametric shape of the “pebble”.

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    "Skalisty Bereg« (»Rocky Shore") winery, the interior
    Copyright: Photograph: Provided by Severin Project
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    “Rocky Shore” winery, the interior
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    "Skalisty Bereg« (»Rocky Shore") winery, the interior
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    "Skalisty Bereg« (»Rocky Shore") winery, the interior
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    “Skalisty Bereg” winery, the interior
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    "Skalisty Bereg« (»Rocky Shore") winery, the interior
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The design of the wooden demonstration “column” in the reception area was also done by Alexander Balabin.

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    "Skalisty Bereg« (»Rocky Shore") winery, the interior
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    "Skalisty Bereg« (»Rocky Shore") winery, the interior
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    "Skalisty Bereg« (»Rocky Shore") winery
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    “Rocky Shore” winery, the interior
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“I already said in another interview how lucky we were with this Cote Rocheuse winery – Nobody ordered a monument of architecture from us. However, I wanted to design something as honest and as durable as good wine. Hence the exposed concrete both outside and inside. Concrete is a natural and durable material, just as wine is a natural product. Modern architecture with all these hang-on facades is meant to last 50 years max. The ventilated brick facades in actuality are 2cm thick; behind them, there are metallic mounting subsystems and heat retainer. Our winery with the main foundation made of three-ply concrete will stand for five hundred years or more.”

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    "Skalisty Bereg« (»Rocky Shore") winery, the interior
    Copyright: Photograph © Daniel Annenkov / provided by Severin Project
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    "Skalisty Bereg« (»Rocky Shore") winery
    Copyright: Photograph © Daniil Anneknov / Provided by Severin Project
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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The architecture of wineries today is a genre as popular as the architecture of museums of modern art. Such a commission is something that many architects dream to land. The clients regard the architecture of wineries as part of the show in the sophisticated art of winemaking. Over the recent 20 years, all the international stars of architecture have been spotted in having a go at this genre. The first one was Herzog and de Meron, who, having piled up a winery of gabions in the Californian valley of Napa, at once received a Pritzker Prize in 2001. Just as spectacular were projects by Richard Rogers, Zaha Hadid, Kalatrava, Norman Foster, and others.

Finally, these trends came to Russia. Despite the prohibition proclaimed by Gorbachev in 1986 and the cutting-down of vineyards (Alexander Balabin mentioned this fact in an online presentation of his project for WAF), domestic winemaking is still developing, although this process is far from fast. For example, the vineyards of “Skalisty Bereg” began to grow in 2011. The owners, of course, want to add symbolic capital to the wine, which is surely provided by a memorable architecture. For the same purpose, wineries are combined with galleries of modern art. In recent years, a number of works in this typology have appeared. The “Skalisty Bereg” wine gallery has already aroused a lot of interest among the wine tour operators, and a special excitement is associated with architecture. As for the residents of the Krasnodar region, they already consider the “Skalisty Bereg” winery to be one of the biggest local attractions.

16 February 2022

Headlines now
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.
Champions’ Cup
At first glance, the Bell skyscraper on 1st Yamskogo Polya Street, 12, appears strict and laconic – though by no means modest. Its economical stereometry is built on a form close to an oval, one of UNK architects’ favorite themes. The streamlined surface of the main volume, clad in metal louvers, is sliced twice with glass incisions that graphically reveal the essence of the original shape: both its simplicity and its complexity. At the same time, dozens of highly complex engineering puzzles have been solved here.
Semi-Digital Environment
In the town of Innopolis, a satellite of Kazan, the first 4-star hotel designed by MAD Architects has opened. The interiors of the hotel combine elegance with irony, and technology with comfort, evoking the atmosphere of a computer game or maybe a sci-fi movie about the near future.
History never ends
The old railway station in Kapan, a city in southern Armenia, has been given new life by the Paris-based design firm Normal Studio. Today, it serves as a TUMO center.
A Deep, Crystal Shine
A new luxury residential development by ADM architects is set to rise in the Patriarch’s Ponds district, not far from Novopushkinsky Square. It will replace three buildings erected in the early 1990s. The project authors, Andrey Romanov and Ekaterina Kuznetsova, have placed their bets on the variety among the three volumes, modern design solutions, and attention to detail: one of the buildings will feature smoothly curved balconies with a ceramic sheen on their undersides, while another will be accented by glass “sculpture” columns.
Grigory Revzin: “What we should do with the architecture of the seventies”
Soviet modernism came in two flavors: the good, author-driven kind, and the bad, standardized kind. The good kind was “on the periphery”, while the bad kind was in the center – geographically, in terms of attention, scale, and everything else. Can we demolish it? “That would be destroying public consensus out of thin air”. So what should we do? Preserve it, but creatively: “Bring architecture into places where it hasn’t yet appeared”. Treat these buildings not as monuments, but as urban landscape. Read our interview with Grigory Revzin on the pressing topic of saving modernism – where he proposes a controversial, yet really intriguing, way of preserving 1970s buildings.
A Roadside Picnic of Urban Planning Theorists
Marina Egorova, head of Empate Architectural Bureau, brought together urban planning theorists – the successors of Alexey Gutnov and Vyacheslav Glazychev – to revive the substance and depth of professional discourse. At the first meeting, much ground was covered: the participants revisited the theoretical foundations, aligned their values, examined a cutting-edge case of the Kazan agglomeration, and concluded with the unfathomable intricacies of Russian land demarcation. Below, we present key takeaways from all the presentations.
Perspective View
CNTR Architects has designed a business center for a new district in Yekaterinburg, aiming to reduce the need for commuting and make the residential environment more diverse. The architectural solutions are equally focused on creating spatial flexibility, comfortable working conditions, and a memorable image that could allow the building to become a spatial landmark of the district.
Malevich and Bathhouses, Nature and High-Tech
The Malevich Bathhouse complex is scheduled to open in the fall of 2025 on the Rublyovo-Uspenskoye Highway. The project, designed by DBA-GROUP under the leadership of Vladislav Andreev, is an example of an unconventional approach to the image of a spa in general and of a bathhouse in particular. Deliberately avoiding any kind of allusion, the architects opted for streamlined forms with characteristic rounded corners, a combination of wood with bent glass, and restrained contemporary shapes – both inside and out. Let’s take a closer look at the project.
Rather, a Tablecloth and a Glass!
After many years, the long-abandoned Horse Guards Department building in St. Petersburg has finally received the attention it deserves: according to a design by Studio 44, the first restoration and adaptation works are scheduled to begin this year. Both the intended function and the general scope of works imply minimal alteration to the complex, which has preserved traces of its three-century history. All solutions are reversible and aimed, above all, at opening the monument to the city and immersing it in a lively social scene – hence the choice of a cultural center scenario with a strong gastronomic component.
​Materialization of Airflows
The Nikolai Kamov International Airport in Tomsk opened at the end of August last year. We have already written about the project – now we are taking a look at the completed building. Its functionality is reinforced by symbolic undertones: the architects at ASADOV sought to reflect local identity in the architecture as fully as possible.
The City as a Narrative
Sergey Skuratov’s approach to large urban plots could best be described as a “total design code”. The architect pays equal attention to the overall composition and the smallest of details, striving to ensure that every aspect is thoroughly thought out and subordinated to the original vision. It’s a Renaissance-like approach, really – a titanic effort demanding remarkable willpower and perseverance. The results are likewise grand – architecture that makes a statement. This article looks at the revived concept for the central section of the Seventh Heaven residential district in Kazan, a composition so thoroughly considered that even the “gradient of visual emphasis” (sic!) across the facades has been carefully worked out. It also touches on the narrative idea behind the project – and even the architect’s own doubts about it.
A Garden of Hope for Freedom
In October, at the Spaso-Evfimiev Monastery in Suzdal, the Prison Yard Garden opened on the site that had served as a prison from the 18th century until the Khrushchev Thaw. The architectural concept was developed by NOῨD Short Film, and the landscape design by the MOX landscape bureau. In fact, there are two gardens here – very different ones. We try to understand whether they evoke the right emotions in visitors, while also showing the beauty of June’s ruderal plants in bloom.
A Laconic Image of Time
The Time Square residential complex, built on the northern edge of St. Petersburg, appears more concise and efficient than its neighbor and predecessor, the New Time complex. Nevertheless, the architect’s hand is clearly felt: themes of “black and white”, “inside and outside”, and most notably, the “lamellar” quality of the facades that seems to visibly “eat away” at the buildings’ mass – everything is played out like a well-written score. One is reminded of both classical modernism and the so-called “post-constructivism”.