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Being in the Center of Things

An apartment complex in the center of a business park with tapering facades and “terrazzo” coating.

28 April 2021
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The apartment complex “Novodanilovskaya 8” is being built in the heart of a new business park on a bank of the Moskva River, which still 15 years ago was nothing but a derelict industrial zone, where the architects, who first came to survey the location had to fight off half-wild dogs. One of the first buildings that launched the process of reforming this place was Sergey Skuratov’s “Danilovsky Fort” – a red-brick building, massive and dramatic. The next thing that was brought back to life was Danilovskaya Manufaktura: the 12 buildings belonging to the textile factory built in the XIX century were renovated and turned into a loft business center for 6,500 workplaces. Then appeared the Danilov Plaza business center, designed by SPEECH; designed by the same company, DM Tower is being finished on the opposite side of the fort. And on the opposite bank of the river, there is yet another territory that is changing rapidly these days – ZILART housing complex. 

As for the land lying immediately beyond Danilovsky Fort, the city has long since been making numerous attempts to involve it this bustling flow of events: competitions were organized, architects changed, and height parameters were adjusted – until the land was bought out by SAMOLET GROUP, who invited ADM to design the project. Incidentally, this company is already quite familiar with the territory because its leaders, Andrey Romanov and Ekaterina Kuznetsova took an active part in creating Danilovsky Fort in 2005-2006, when they still worked for Sergey Skuratov.

The apartment complex “Novodanilovskaya 8”
Copyright: © ADM


The land site of Novodanilovskaya 8 is an elongated one with jagged edges; on one side, the jagged line of its edge is formed, skirting the already-complete buildings of the business centers, and on the other it is formed by the natural outline of a rather tall hill. The architects are placing the complex in the widest part of the site that exactly coincides with the axis of the Danilovsky Fort, the rest of the territory being landscaped.

The apartment complex “Novodanilovskaya 8”
Copyright: © ADM


Three towers of equal height stand in a compact fashion to form a semblance of a square, and support the vertical rhythm set by the DM Tower business center. When viewed from some angles, this composition could create an illusion that the towers “grow” from the Fort like the teeth of a crown, but the contrastive color of the coating and the simple grid of the facade create an effect of an “air perspective”, which makes it possible to separate these two volumes and articulate the second line of construction.

The apartment complex “Novodanilovskaya 8”
Copyright: © ADM


Shape-wise, the towers are simple parallelepipeds with a regular grid, but the two flanking ones have an embellishment to them: the side ends, overlooking the river, are vertically designed as steps; in addition, the length of the building increases slightly with each next floor, which creates micro-cantilevers, and, when viewed from a more distant range, a slight “twisting” effect. This technique is a trademark one with this architectural company: to some degree, it is present, for example, in such housing complexes as Discovery, Hide, or AFI Park Vorontsovsky. In this particular location, the “fan-like” facades echo both the architecture of DM Tower business center (whose plan looks like an elm leaf with small “teeth” at the edges) and with the optical illusions of Danilov Plaza.

The apartment complex “Novodanilovskaya 8”
Copyright: © ADM


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    A secyion view. The apartment complex “Novodanilovskaya 8”
    Copyright: © ADM
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    A fragment of the facade. The apartment complex “Novodanilovskaya 8”
    Copyright: © ADM


The coating of the towers also connects them to the context. Since the red brick could create an impression of “excessiveness”, as well as be misleading about the function of the building, the architects opted for white clinker tiles with colored inserts and bronze dusting, reminiscent of the now popular terrazzo material, or even a porcelain palette, on which the colors of neighboring buildings have been applied but not yet mixed. The coating tiles were custom-designed and produced specifically for ADM Architects. Besides the color and the steps, the facade is also formed by openwork cases of the air conditioning units. The large windows, the perforated metal, and the “lace” feel created by the multicolored tiles, make the 90-meter towers look textured and cozy – a nuance that lets you tell the facades of the residential buildings from office ones on the subconscious level.

The apartment complex “Novodanilovskaya 8”
Copyright: © ADM


Considering the specifics of the place – the proximity to the embankment and the abundance of business centers – the architects tried to make the territory of the complex as transparent as possible. The yards, strung on the common axis west-east, are naturally divided into three parts: the public park is situated east of the towers, the private yard on the roof of the stylobate is in the center between them, and the playgrounds are situated in western part, closer to DM Tower. 

The pedestrian path, which leads from the embankment into the depth of the block, starting off with an “arch” in the stylobate of Danilovsky Fort, continues eastward, alongside the stylobate. It forms an inner street, where the front of the stylobate is reserved for commercial leasing: there will be stores on this street. The inside volume of the stylobate is occupied by a car park.

The masterplan. The apartment complex “Novodanilovskaya 8”
Copyright: © ADM


The east park – narrow and elongated – serves as the exit to Danilovskaya Manufaktura. About a quarter of its length is occupied broad stairs with traversal benches / flower beds with lush cereal vegetation; this is not quite a “step-ramp” and not quite an amphitheater, but this is clearly more than just a staircase – rather, it is some hybrid space designed not just to get up the stylobate’s roof and get down from it, but also for people’s socialization and meditation. The little park – both the stairs and its upper part – will be open to all city people, but, first of all, for the office workers from the nearest offices.

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    The public park, east part. The apartment complex “Novodanilovskaya 8”
    Copyright: © ADM
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    The public park, eastern part. The apartment complex “Novodanilovskaya 8”
    Copyright: © ADM
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    The public park, eastern part. The apartment complex “Novodanilovskaya 8”
    Copyright: © ADM


The “children’s” part of the yard in its western part, just like the little park, is an elongated trapeze on the roof of the stylobate between the office tower and the slope of the hill. This place is accessed by a narrow staircase, and the space feels quiet and secure.

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    The yard with playgrounds in the west part. The apartment complex “Novodanilovskaya 8”
    Copyright: © ADM
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    The yard with playgrounds in the west part. The apartment complex “Novodanilovskaya 8”
    Copyright: © ADM
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    The yard with playgrounds in the west part. The apartment complex “Novodanilovskaya 8”
    Copyright: © ADM
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    The yard with playgrounds in the west part. The apartment complex “Novodanilovskaya 8”
    Copyright: © ADM


The privacy of the central yard is further ensured by its very location on the stylobate’s roof between the houses. All the three yards are carefully zoned and divided into a multitude of small zones with flowerbeds, benches, and lawn patches. The whole picture looks a little bit reminiscent of cafe tables, designed for multiple guests, because it forms not just a string of impressions, but also cozy corners for various companies of people, making the space diverse and even visually “pushing” its borders. Another thing that is important is the top view: the fine fracturing of the spaces forms a semblance of decorative mosaic, whose visual effect is akin to the effect created by the palace parterre of the French classicism, where the geometric pattern of the plan and the regular alternation of paths, areas, flowers and bushes were also popular. 

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    The central yard. The apartment complex “Novodanilovskaya 8”
    Copyright: © ADM
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    The central yard. The apartment complex “Novodanilovskaya 8”
    Copyright: © ADM
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    The central yard. The apartment complex “Novodanilovskaya 8”
    Copyright: © ADM
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    The central yard. The apartment complex “Novodanilovskaya 8”
    Copyright: © ADM
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    The central yard. The apartment complex “Novodanilovskaya 8”
    Copyright: © ADM


The towers are designed in the classic skyscraper fashion: the staircase-and-elevator core is situated in the center, which ensures a lot of good layout and a lot of great views from the windows. The complex includes apartments ranging from 24 to 108 square meters with high ceilings and panoramic windows, penthouses, spacious lobbies of the entrance groups designed by HAAST, places for strollers, as well as storage rooms.

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    Plan of the level of the 1st floor. The apartment complex “Novodanilovskaya 8”
    Copyright: © ADM
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    Plan of the 10th floor. The apartment complex “Novodanilovskaya 8”
    Copyright: © ADM
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    Plan of the 26th floor. The apartment complex “Novodanilovskaya 8”
    Copyright: © ADM


The apartment complex on the Novodanilovskaya Embankment creates a curious precedent for building residential towers directly downtown, which is quite appropriate both for Moscow with its business energy, and for the modern generation in general, flexible and mobile. For many years, the city has been talking about ways to overcome pendulum migrations and create multifunctional districts, but as a rule, it is necessary either to introduce housing into offices, or, especially in the last 10 years, on the contrary, to endow housing with office inclusions. In this case, however, multifunctional development seems to be naturally arising on the territory of the former industrial estate – high-rise, energetic, and diverse. Of course, nobody can guarantee that people living in the new apartment complex will necessarily land jobs in the nearby business centers, but you cannot entirely rule out such a possibility.

As for the architecture of its residential towers – ostentatiously reserved, regular, and with a tiny hint at the agility of the form – appears to be a reaction to much bolder statements from three totally different neighbors: a sculptural, a plastique, and a relief-and-graphic one. The towers look like a company of well-mannered basketball players who found themselves on a subway during the rush hour – they carefully turn around, trying not to step on anybody’s toes, but they cannot vanish out of sight altogether. They will be seen from afar as the tallest buildings amidst dense surroundings, and interesting to examine from a close range. When viewed from a midrange, however, these houses are quite content with a “background” part, limiting themselves to a reserved grid – and one must say that this alternation of perception levels reveals some extra value of the architects’ effort, which is sometimes an absolute must for large-scale construction in a busy context, whose energy is on a par with that of New York.

28 April 2021

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.