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Man and the City

Designing this large-scale housing complex, GAFA architects accentuated two types of public spaces: bustling streets with shops and cafes – and a totally natural yard, visually separated as much as possible from the city. Making the most out of the contrast, both work together to make the life of the residents of EVER housing complex eventful and diverse.

08 April 2021
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The large-scale housing complex EVER, designed by GAFA Architects, is built by TEKTA Group not far away from the crossing of Profsoyuznaya and Obrucheva streets, on the territory of an industrial estate that is being actively renovated. So far, it still includes garages of commercial fleets, surrounded by Soviet research institute buildings, but the place has huge potential: in addition to the fact that we are speaking about Moscow’s southeast, the most attractive area of the nation’s capital by default, the nearby projects include School 1514, one of the nation’s best, two parks – Vorontsovsky and the Southeast, and the Kaluzhskaya metro station, situated a 5-7 minutes’ walk away from here. Thus, it comes as no surprise that several residential complexes have appeared around here, with several more being built right now, EVER being one of them.

The complex, stretching from southwest to southeast along the Vlasova Street, consists of six “tower” buildings of an elongated configuration, each 120m high. Four houses stand on the border of the street, with two others standing perpendicular to them in the depth of the site – the composition turns out to be quite regular, based on two T-shaped groups, yet with some adjustments to the curve of the street and narrowing of the contours of the site towards the north. On the whole, according to the architects, it was defined by the insolation factor, the optimal configuration of the 3-level underground parking garage, and views from the windows.

EVER residential complex
Copyright: © GAFA


The construction process was divided into two phases, and the stylobates were divided accordingly: each carries three buildings, the gap between them becoming a “gorge” of sorts – an inner street, which, when the housing complex is complete, must become a full-fledged city space with cafes and shops. There are plans for throwing a pedestrian bridge over this street, which will connect the yards on top of the stylobates of the first and second phases. This way, the city space is also T-shaped, with an elongated link along the Vlasova street and a “leg” between the two groups of the houses.

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    EVER residential complex
    Copyright: © GAFA
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    The master plan. EVER residential complex
    Copyright: © GAFA


Currently, the first phase has been fully designed and is being built: the three houses on a stylobate in the south part of the grounds; the design of the second phase has already begun.

Due to the fact that the complex is a high-density one – 34 floors on a 2.7-hectare land site – the architects, as they share, paid maximum attention to creating a comfortable living environment: visual, tactile, and functional diversity at the pedestrian level. Some of this diversity is ensured by the front of cafes/shops and a new street running between the two podiums.

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    EVER residential complex
    Copyright: © GAFA
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    EVER residential complex
    Copyright: © GAFA


Another important part is the yard on top of the stylobate. By contrast, it is designed as a natural one, even sporting some “naturally non-man-made” elements.

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    EVER residential complex
    Copyright: © GAFA
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    The master plan of Phase 1. EVER residential complex
    Copyright: © GAFA
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    EVER residential complex. The landscaping project.
    Copyright: © GAFA
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    EVER residential complex. The landscaping project.
    Copyright: © GAFA
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    EVER residential complex. The landscaping project.
    Copyright: © GAFA
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    EVER residential complex. The landscaping project.
    Copyright: © GAFA
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    EVER residential complex. The landscaping project.
    Copyright: © GAFA


The two-story “lintels” of the city front of the stores between the residential buildings surround the stylobate almost from three sides, their height in the facade part being 6 meters from the pavement level. Meanwhile, the middle part of the yard is situated lower, and it looks like a “saucer” with edges elevated 2-3 meters from the middle. This means that being inside, a person will be alternately surrounded by houses or slopes, which are interpreted by the authors of the project as park ones, combining greenery and other natural forms with amphitheaters, allowing you, on the one hand, to go up and down, and, on the other hand, just sit down on the stairs. The elevated outlines, like green bulwarks, will protect the yard partially from the street noise and partially from the visual one: they create a feeling of security, and channel one’s senses towards contemplating this, however small, but still a private park. This way, the city, which will be bustling all around and literally beneath the walls, will be separated from the inner “oasis” of the yard by volumetric and spatial means.

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    EVER residential complex. The landscaping project. The natural amphitheater: the slate mountain and the pergola
    Copyright: © GAFA
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    EVER residential complex. The landscaping project. Pergola
    Copyright: © GAFA
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    EVER residential complex The landscaping project. The natural amphitheater
    Copyright: © GAFA
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    EVER residential complex The landscaping project. The natural amphitheater
    Copyright: © GAFA


Visually isolating the yard, the architects did everything possible to interpret this space as a park: they filled it with trees, for which tubs were provided, as well as other natural elements. The main pride of the architects is a slate hill in the eastern part of the grounds: a fragment of a “forest on a mountain” should appear here, a landscape not entirely Moscow, and perhaps – judging by the abundance of flowers among fragments of stone – even Alpine by character. Its ascent is decorated by curved lines; there is a playground lying next to it, from where the children will be able to climb this mountain. Still higher up, there is a streamlined pergola with a sightseeing platform on its roof – the yard’s biggest attraction, it also allowed the architects, like the slopes at the edges, to play with the levels of space perception. The pergola will be built by a detour around the trees, and a roller coaster will probably descend from the center: if all this is eventually implemented, it should become an attractor for both children and adults.

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    EVER residential complex
    Copyright: © GAFA
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    EVER residential complex. The landscaping project.
    Copyright: © GAFA
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    EVER residential complex. The landscaping project.
    Copyright: © GAFA
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    EVER residential complex. The landscaping project, the natural playground. A section view
    Copyright: © GAFA


A large part of the yard is stitched with a children’s game route.

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    EVER residential complex. The Zen garden
    Copyright: © GAFA
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    EVER residential complex. The Zen garden
    Copyright: © GAFA
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    EVER residential complex. The Zen garden
    Copyright: © GAFA


The yard is also zoned and divided into active and quieter parts. For example, above the Vlasova Street appeared a Zen garden with a pergola for meditation, and the roof of the parking garage ramp has a “secret garden” on it. Both of them are separated by “amphitheater” ascents, and, while the northwest slope is designed for children, this place could be equally used by adults. At the same time, everything – the pergolas, different paving patterns, lawns, knolls, and even the emergency vehicles lanes – is treated as a cohesive multifunctional space with an accent on natural forms and materials and a maximum of possible vegetation: “a person must have an opportunity to take a break from the urban rhythm, and this is why we invested so much effort into making this yard look like a fragment of true nature” – the architects emphasize.

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    EVER residential complex
    Copyright: © GAFA
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    EVER residential complex
    Copyright: © GAFA


The architecture of the residential buildings is also based on the principle of color and texture diversity. Their volumes are almost identical, but the solution of the facade in each of the buildings of both phases are ostentatiously different. Different are the colors: terra cotta brick, pale beige, white and black- everything within the framework of natural hues. The window patterns are also different: the windows are sometimes grouped in twos and fours vertically, and sometimes are drawn on their own. The facades of one of the three buildings of each of the construction stages are designed as “oscillating” volumetric mesh with protruding and sunken points – on the corners, they form a zigzag. In the first part, this house will be light, almost white, while in the second part it will be black. The facades of these two towers will be modular.

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    EVER residential complex
    Copyright: © GAFA
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    EVER residential complex
    Copyright: © GAFA


In addition, the facades are divided into a few parts based on the requirements of visual perception. When you look up from the ground up to the sixth floor inclusively, solid body brick is used with various types of masonry of different tones and textures. This falls in with the “rule of six floors” – the height, comfortable to perceive from the pedestrian level. Currently, the architects are selecting the right kind of brick, and are making mock-ups to find the exact material and pattern. Above the sixth floor, in addition to modular elements, painted panels and Klinker tiles a will be used. 

Still more attention is paid to the textures on the first floors, galleries, and entrance zones: here we can see special kinds of brick, for example, the plinth-shaped elongated kind, and glazed surfaces, each building being assigned a color of its own: blue-green, beige-gray, and red, all with majolica gradients and different brickwork patterns, vertical, horizontal, and “herringbone” respectively.

Furthermore, there are plans for decorating the ceilings of the outdoor galleries with porcelain stoneware with imitation of different minerals sawn-off – this way, the architects not just add gorgeous-looking decoration but also pay homage to geologist Vladimir Obruchev, in whose honor the street was named.

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    EVER residential complex
    Copyright: © GAFA
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    EVER residential complex
    Copyright: © GAFA


We worked a lot with the detailing of the lower area of the facades and now we continue to work with suppliers – all these solutions are very precious to us: options for brickwork, colors, and so on – we would very much like to preserve all this and bring it to fruition, creating a rich visual environment for people who will walk here. Wherever the eye falls, we should have something attractive, beautiful, and interesting. After all, people are not birds, they do not fly, they walk on foot, and in our opinion it is very important that what a person sees from the ground level is neatly drawn and thought out. Some of the brickwork offered by us will be created by the suppliers for the first time. I would very much like to see all this come true.

We are also very enthusiastic about the landscaping  project, a lot of work has also been done in that field, and we would like the proposed idea of a “virgin” environment to come true: it will allow a person who constantly lives in the context of a dense development of a big city to switch for a while and, relatively speaking, feel like a “savage on a rocky shore”.


The apartments are quite diverse: the towers have more than 30 types of layouts, “fine-tuning” which was quite a challenge. The windows the bottom floors, up to the sixth inclusively, are designed as French balconies; the height of glass here is 2.4 meters, two windowpanes opening like doors. Some of the apartments in the middle and upper tiers got open-air recessed balconies two meters deep, accessed through “window” doors reaching to the floor; sometimes the penthouses have two such doors, or – if the recessed balcony is on the corner- even three. Penthouses with raised floors occupy several floors, from 2 to 4, in the top part of each of the towers.

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    EVER residential complex. Plan of the 1st floor
    Copyright: © GAFA
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    EVER residential complex. A section view
    Copyright: © GAFA


The air conditioning units will be hidden in vertical recessions, dissecting the facades from top to bottom. In addition, some of the utility lines have been routed out of the apartments and grouped closer to the elevator chutes, which allowed the architects to save up a lot of floor space and give the future designers as much as possible freedom in handling the space.

This way, this large residential complex was thought out by the architects down to the last detail with a special emphasis on the scenarios of its life and the peculiarities of the perception of different parts: the upper floors received a relatively large drawing, the lower ones received detailed textured work, the streets, treated as urban, will feature shops and cafes, probably in the future with tables for outdoor terraces, and the courtyard will become a space fenced off from the city, the atmosphere of which is designed as being as natural as possible. We will note here that the stylobate yard stands little chance of becoming a “real wild jungle”: Moscow is not Singapore, and the land site is considerably small. Still, this place has a lot to offer for alternating and concentrating impressions, angles, and routes, meant to make up for the acutely urban environment.

08 April 2021

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.