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​Walking on Water

In the nearest future, the Marc Chagall Embankment will be turned into Moscow’s largest riverside park with green promenades, cycling and jogging trails, a spa center on water, a water garden, and sculptural pavilions designed in the spirit of the Russian avant-garde artists of the 1920, and, first of all, Chagall himself. In this issue, we are covering the second-stage project.

16 December 2020
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For a second year, the territory of the ZIL Plant is witnessing the reconstruction of the riverside area of the Moskva River. The concept of development of the northwest part of the plant’s territory, just as the master plan of the waterfront, was developed by “Project Meganom”; this company also built the first stage that adjoins the ZILART area. The further development of the Marc Chagall Embankment was done by the General Plan Institute of Moscow in collaboration with ASADOV architects. The project was commissioned by Moscow City Architecture Committee.

We will remind you here that still back in 2011 Moscow City Architecture Committee initiated two large-scale projects of municipal importance, one of them being renovation of industrial parks, the other being development of the territories lying along the Moskva River. The reconstruction of the Marc Chagall Embankment refers to both narratives because ZIL is Moscow’s largest industrial park standing on the river. Improving this territory, and, further, taking these river banks to a new level plays an important part in this project.

The Marc Chagall Embankment
Copyright: © ASADOV Architects, Institute of the Master Plan of Moscow / provided by the press service of Moscow City Architecture Committee


The Marc Chagall Embankment and the territory of the former ZIL plant before the reconstruction
Copyright: © ASADOV Architects, Institute of the Master Plan of Moscow / provided by the press service of Moscow City Architecture Committee


As the Moscow City Architecture Committee website reports, in the next five years all the waterfronts in the ZIL area will be reconstructed – from the Novospassky Bridge to the Nagatinskaya Poima. This is almost 15 kilometers of riverbank land. More than half of them – 7.5 kilometers – is the Marc Chagall Embankment. It starts from the Third Transport Ring, and, describing a loop in the Novinka Backwater, which is essentially a fragment of the old riverbed of the Moskva River, finally stops at the Andropova Avenue.

The Marc Chagall Embankment
Copyright: © ASADOV Architects, Institute of the Master Plan of Moscow


The first stage 

The first fragment of the embankment one kilometer long has already been completed. Here, on the fragment of the Likhacheva Avenue up to the Danilovsky Bridge, adjoining ZILART, appeared new jogging and cycling trails, pavilions looking like green hills, playgrounds and sports fields, as well as a moor with an amphitheater made of weathering steel, designed by Meganom.

The ZIL moor
Copyright: © ASADOV Architects, Institute of the Master Plan of Moscow


What comes next is the rest of the riverbank strip of the Moskva River and the rest of the land around the Novinka backwater.

The Marc Chagall Embankment. The master plan
Copyright: © ASADOV Architects, Institute of the Master Plan of Moscow


The second stage: a large embankment

Connected to the city

When the automotive plant was still functioning, the access to the water on its grounds was closed. Therefore, the architects saw their main task in returning the river to the city by means of creating an open and transparent space and restoring the lost visual and pedestrian connections. The web of new routes will form a single framework that will connect the riverside park to the construction of the new area and its infrastructure. 

The park area is separated from the in-construction city blocks by a wide automobile road. However, thanks to a network of overpasses and underpasses, and the construction of a new road junction, the streets and boulevards of ZILART will literally flow into the park, continuing in pedestrian promenades and park trails. It is expected that the two banks of the old riverbed of the Moskva River will be connected by two pedestrian bridges and one automobile one, which will allow the motorists to drive through without having to circle the backwater area. 

Along the contour of the Novinka, the park stretches in a narrow strip.

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Vitaliy Luts, head of the agency for perspective projects of the Institute of the Master Plan of Moscow:
“The construction, which also includes service infrastructure projects, comes close to the water in such a way that the landscaped embankment will be best described as not so much a “park” as an “active urban space” that comes in close contact with water. In this respect, we drew inspiration from Hamburg’s Hafencity backwater, as well as the best practices of the North American cities – by Moscow standards, this approach is quite new.”

The Marc Chagall Embankment
Copyright: © ASADOV Architects, Institute of the Master Plan of Moscow


The Marc Chagall Embankment. Top view
Copyright: © ASADOV Architects, Institute of the Master Plan of Moscow


The routes

Originally, the concept of developing the riverside lands, developed by the team of Yuri Grigoryan, interpreted them as a multilevel compound space consisting of four “layers”, each one with a scenario and a unique name of its own. “Magnets”, the centers of attraction for the visitors: restaurants, cafes, and event venues. “Sport”, cycling and jogging trails. “Recreation”, promenades, gardens, and relaxation areas. “The promenade” – a long pedestrian route running at the water’s edge. The already landscaped fragment of the Marc Chagall Embankment vividly demonstrates how this concept can be implemented.

The project of the second stage is based on a slightly different approach, but the basic underlying idea is the same, and the four layers are also there. Andrey Asadov shared that the new land site will be designed in accordance with the common design code and the principles that constituted the original concept. 

Andrey Asadov

We tried to develop the ideas proposed by Yuri Grigoryan, and embellish on them, drawing inspiration from the avant-garde artists. This is how we got the red bridge and sculptural compositions in the spirit of Russian avant-garde.


Many of Marc Chagall paintings are dominated by red and green. It was these paintings that the architects used as the basis for their project: the green riverside strip with gardens and promenades and the red stitch of the jogging trail, together with the red bridge. This is the fixed element of the concept, the central route that runs through the embankment from end to end. Sometimes it goes up, covering the park pavilions, and sometimes it goes down to the ground level, snaking and branching amidst the trees. The bridge will create a feeling of a multilayered space with “active” terrain. Some of its parts are designed as sightseeing platforms that command views of the river, part of the designed embankment, and the opposite bank. The bright color will be created by using special rubber coating.

The Marc Chagall Embankment. The red bridge and the jogging trail
Copyright: © ASADOV Architects, Institute of the Master Plan of Moscow / provided by the press service of Moscow City Architecture Committee


The sports agenda will be completed by bicycle trails, isolated from the pedestrians by special shrubbery. These will become a part of the city’s overall infrastructure, and a continuation of the bicycle route that stretches along the Moskva River for kilometers. Also, the embankment will get playgrounds, sports facilities, and sports gear rental points.

The Marc Chagall Embankment. The bridge covers the park pavilions
Copyright: © ASADOV Architects, Institute of the Master Plan of Moscow / provided by the press service of Moscow City Architecture Committee


The Marc Chagall Embankment. The promenade along the edge of thhe water
Copyright: © ASADOV Architects, Institute of the Master Plan of Moscow / provided by the press service of Moscow City Architecture Committee


The promenade designed for long and meditative walks runs immediately alongside the river. Already now one can imagine what the whole thing will look like: a river on one side and trees on the other, giving plenty of shade on a warm day, and comfortable benches commanding river views in their shadows. The best thing, though, is the opportunity to get right down to the water. For this, the architects designed a network of boardwalks made virtually on a level with the water, which blurs the border between the land and the water.

The Marc Chagall Embankment. The pedestrian promenade
Copyright: © ASADOV Architects, Institute of the Master Plan of Moscow / provided by the press service of Moscow City Architecture Committee


The Marc Chagall Embankment
Copyright: © ASADOV Architects, Institute of the Master Plan of Moscow


The “recreational” route will be designed as a park alley between landscape composition and sculptural pavilions. The elongated space of the park is divided into a multitude of theme zones – these are playgrounds, expo areas, small shops, and restaurants. All of them, light and neutral, will be integrated with the landscape.

The Marc Chagall Embankment. The park pavilions – light nad neutral
Copyright: © ASADOV Architects, Institute of the Master Plan of Moscow / provided by the press service of Moscow City Architecture Committee


The plaza and the moor

Each “layer”, like a band, is entwined in the park space. The nucleus of the composition, however, is the central plaza with a stage and a restaurant. The architects are planning to build it in the widest place on the bank, where the river makes a bend. The plaza, circular on the plan, is outlined by a large open-air amphitheater facing the water and the moor. The amphitheater is expected to host up to 4 thousand people. During the non-concert time, its visitors, sitting on the stairs, will be able to admire the panorama of the Moskva River and the opposite bank, as well as watching the river boats sailing away from the moor.

The Marc Chagall Embankment. The circular plaza with an amphitheater and thhe moor
Copyright: © ASADOV Architects, Institute of the Master Plan of Moscow / provided by the press service of Moscow City Architecture Committee


The moor will become a part of the nation’s capital infrastructure. It is expected that alongside with the improvement of the embankments the city will also liven up the river as one of its full-fledged transportation thoroughfares. The routes and the schedule of the river craft are currently being developed.

The Marc Chagall Embankment. The Novinka Backwater
Copyright: © ASADOV Architects, Institute of the Master Plan of Moscow / provided by the press service of Moscow City Architecture Committee


The river

The “river” expansion is not limited to building a moor and pontoons floating alongside the broad promenade. One must note that Asadov Architects has the experience of designing on water. Still in 2009, when the landscaping of the embankments seemed to be no more than a vague prospect, the company took part in the competition for floating structures on the Moskva River. Back then, the architects came up with the project named “Plav-Bulvar” (“Floating Boulevard”). It consisted of a few pontoons, each one of them having a name of its own – plav-club, plav-garage, plav-spa, expo-plav. Ten years later, they proposed something similar for the Marc Chagall Embankment – this time without the floating garage, but with a spa center and water garden.

The Marc Chagall Embankment. The spa center with a swimming pool on the river
Copyright: © ASADOV Architects, Institute of the Master Plan of Moscow


The backwater is particularly actively developed. It is planned that the spa center will be built on the water next to its left bank. The whole construction with saunas, locker rooms, and swimming pools will be mounted on a large pontoon. The swimming pool will be an open-air one – so that from the bank it would look as though the visitors were swimming in the fenced part of the river. The water in the pool, however, will be kept clean and heated.

The Marc Chagall Embankment. The water garden
Copyright: © ASADOV Architects, Institute of the Master Plan of Moscow / provided by the press service of Moscow City Architecture Committee


One of the particularly interesting proposals in this project is the water garden. It will be organized in the very heart of the old riverbed of the Moskva. And, if everything goes to plan, this will become one of the most beautiful places of the nation’s capital: the bodies of water, flowing into one another, overgrown with water lilies and other decorative water and swamp plants; walking trails streaming between them, and cozy places for recreation and drinking fountains, where you could sit down and admire the beauty of the garden.

The Marc Chagall Embankment. The sculptural groups with a refernce to avant-garde
Copyright: © ASADOV Architects, Institute of the Master Plan of Moscow / provided by the press service of Moscow City Architecture Committee


We must note that there is already one such implemented project in the Moscow metropolitan area. This is the park of water plants in the Pushkino district, which has been up and running for years, serving as a living proof that breeding water plants in the Moscow region is quite possible.

Memories of Avant-Garde

The whole concept of renovating the embankment refers to avant-garde art, and, first of all, following the name of the embankment, to Marc Chagall paintings. The ZIL area has strong ties with constructivism and avant-garde; today, streets here are named after master artists of this style.

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Anna Ivanova, the head of the design studio of the city environment of the Master Plan of Moscow: 

“The Marc Chagall images and motifs were used by us when we were developing the brand of the embankment, and when we were developing the single style of designing the objects and minor architectural forms.”

These are a series of sculptural pavilions or art installations that will appear across the entire Terri of the park. It is expected that modern artists will also be invited to take part in creating them, who will propose their own vision of recognizable images of Russian avant-garde, such as the hovering figures from Chagall canvases. 

Although small on the inside (from 10 to 50 sqm), yet still heated, the pavilions will be used as multipurpose expo spaces displaying the works by avant-garde masters.

The Marc Chagall Embankment. Sculptures inspired by Chagall
Copyright: © ASADOV Architects, Institute of the Master Plan of Moscow / provided by the press service of Moscow City Architecture Committee


The Marc Chagall Embankment. The park in the wintertime
Copyright: © ASADOV Architects, Institute of the Master Plan of Moscow / provided by the press service of Moscow City Architecture Committee


The Park

It is expected that almost half of the former ZIL territory will be made completely green. East of the ZILART apartments, there is already a large landscape park “Tyufeleva Roshcha, designed by Gerry van Eijk. Tyufeleva Roshcha accounts for 10 hectares of parkland. The waterfront will add to it another 33 hectares of landscaped green territory.

On the waterfront, they are already planting trees and shrubs of various heights and shapes, which, alternating, will produce an effect of “waves of green”. The plants for the waterfront park are selected in such a way as to make sure that it stays lush all year round. Therefore, there will be a lot of spruce and evergreen plants. Looking to maximize the impressions from the proximity of different plants, the authors specially select trees whose leaves turn different colors depending on the season.

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    The Marc Chagall Embankment
    Copyright: © ASADOV Architects, Institute of the Master Plan of Moscow
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    The Marc Chagall Embankment
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    The Marc Chagall Embankment
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    The Marc Chagall Embankment
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    The Marc Chagall Embankment
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    The Marc Chagall Embankment
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    The Marc Chagall Embankment
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The project of the Marc Chagall Embankment is waiting to be implemented. Currently, the architects are working on the details of the project; the traffic infrastructure is being further developed, as well as the landscape elements. However, the sheer scale and thoroughness of the project already show that the riverside park at the bend is standing every chance of becoming the new center of attraction, possibly capable of rivaling the Zaryadye Park in the heart of the nation’s capital.



16 December 2020

Headlines now
On the Dynastic Trail
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A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
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Resort on the Kama River
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Nests in Primorye
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The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
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St. Petersburg vs Rome
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On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
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​The Keystone
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Perpetuum Mobile
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Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.
Champions’ Cup
At first glance, the Bell skyscraper on 1st Yamskogo Polya Street, 12, appears strict and laconic – though by no means modest. Its economical stereometry is built on a form close to an oval, one of UNK architects’ favorite themes. The streamlined surface of the main volume, clad in metal louvers, is sliced twice with glass incisions that graphically reveal the essence of the original shape: both its simplicity and its complexity. At the same time, dozens of highly complex engineering puzzles have been solved here.
Semi-Digital Environment
In the town of Innopolis, a satellite of Kazan, the first 4-star hotel designed by MAD Architects has opened. The interiors of the hotel combine elegance with irony, and technology with comfort, evoking the atmosphere of a computer game or maybe a sci-fi movie about the near future.
History never ends
The old railway station in Kapan, a city in southern Armenia, has been given new life by the Paris-based design firm Normal Studio. Today, it serves as a TUMO center.
A Deep, Crystal Shine
A new luxury residential development by ADM architects is set to rise in the Patriarch’s Ponds district, not far from Novopushkinsky Square. It will replace three buildings erected in the early 1990s. The project authors, Andrey Romanov and Ekaterina Kuznetsova, have placed their bets on the variety among the three volumes, modern design solutions, and attention to detail: one of the buildings will feature smoothly curved balconies with a ceramic sheen on their undersides, while another will be accented by glass “sculpture” columns.
Grigory Revzin: “What we should do with the architecture of the seventies”
Soviet modernism came in two flavors: the good, author-driven kind, and the bad, standardized kind. The good kind was “on the periphery”, while the bad kind was in the center – geographically, in terms of attention, scale, and everything else. Can we demolish it? “That would be destroying public consensus out of thin air”. So what should we do? Preserve it, but creatively: “Bring architecture into places where it hasn’t yet appeared”. Treat these buildings not as monuments, but as urban landscape. Read our interview with Grigory Revzin on the pressing topic of saving modernism – where he proposes a controversial, yet really intriguing, way of preserving 1970s buildings.
A Roadside Picnic of Urban Planning Theorists
Marina Egorova, head of Empate Architectural Bureau, brought together urban planning theorists – the successors of Alexey Gutnov and Vyacheslav Glazychev – to revive the substance and depth of professional discourse. At the first meeting, much ground was covered: the participants revisited the theoretical foundations, aligned their values, examined a cutting-edge case of the Kazan agglomeration, and concluded with the unfathomable intricacies of Russian land demarcation. Below, we present key takeaways from all the presentations.
Perspective View
CNTR Architects has designed a business center for a new district in Yekaterinburg, aiming to reduce the need for commuting and make the residential environment more diverse. The architectural solutions are equally focused on creating spatial flexibility, comfortable working conditions, and a memorable image that could allow the building to become a spatial landmark of the district.
Malevich and Bathhouses, Nature and High-Tech
The Malevich Bathhouse complex is scheduled to open in the fall of 2025 on the Rublyovo-Uspenskoye Highway. The project, designed by DBA-GROUP under the leadership of Vladislav Andreev, is an example of an unconventional approach to the image of a spa in general and of a bathhouse in particular. Deliberately avoiding any kind of allusion, the architects opted for streamlined forms with characteristic rounded corners, a combination of wood with bent glass, and restrained contemporary shapes – both inside and out. Let’s take a closer look at the project.
Rather, a Tablecloth and a Glass!
After many years, the long-abandoned Horse Guards Department building in St. Petersburg has finally received the attention it deserves: according to a design by Studio 44, the first restoration and adaptation works are scheduled to begin this year. Both the intended function and the general scope of works imply minimal alteration to the complex, which has preserved traces of its three-century history. All solutions are reversible and aimed, above all, at opening the monument to the city and immersing it in a lively social scene – hence the choice of a cultural center scenario with a strong gastronomic component.
​Materialization of Airflows
The Nikolai Kamov International Airport in Tomsk opened at the end of August last year. We have already written about the project – now we are taking a look at the completed building. Its functionality is reinforced by symbolic undertones: the architects at ASADOV sought to reflect local identity in the architecture as fully as possible.
The City as a Narrative
Sergey Skuratov’s approach to large urban plots could best be described as a “total design code”. The architect pays equal attention to the overall composition and the smallest of details, striving to ensure that every aspect is thoroughly thought out and subordinated to the original vision. It’s a Renaissance-like approach, really – a titanic effort demanding remarkable willpower and perseverance. The results are likewise grand – architecture that makes a statement. This article looks at the revived concept for the central section of the Seventh Heaven residential district in Kazan, a composition so thoroughly considered that even the “gradient of visual emphasis” (sic!) across the facades has been carefully worked out. It also touches on the narrative idea behind the project – and even the architect’s own doubts about it.
A Garden of Hope for Freedom
In October, at the Spaso-Evfimiev Monastery in Suzdal, the Prison Yard Garden opened on the site that had served as a prison from the 18th century until the Khrushchev Thaw. The architectural concept was developed by NOῨD Short Film, and the landscape design by the MOX landscape bureau. In fact, there are two gardens here – very different ones. We try to understand whether they evoke the right emotions in visitors, while also showing the beauty of June’s ruderal plants in bloom.
A Laconic Image of Time
The Time Square residential complex, built on the northern edge of St. Petersburg, appears more concise and efficient than its neighbor and predecessor, the New Time complex. Nevertheless, the architect’s hand is clearly felt: themes of “black and white”, “inside and outside”, and most notably, the “lamellar” quality of the facades that seems to visibly “eat away” at the buildings’ mass – everything is played out like a well-written score. One is reminded of both classical modernism and the so-called “post-constructivism”.
The Flower of the Lake
The prototype for the building of the Kamal Theater in Kazan is an ice flower: a rare and fragile natural phenomenon of Lake Kaban “froze” in the large, soaring outlines of the glass screens enclosing the main volume, shaping its silhouette and shielding the stained-glass windows from the sun. The project, led by the Wowhaus consortium and including global architecture “star” Kengo Kuma, won the 2021/2022 competition and was realized close to the original concept in a short – very short – period of time. The theater opened in early 2025. It was Kengo Kuma who proposed the image of an ice flower and the contraposition of cold on the outside and warmth on the inside. Between 2022 and 2024, Wowhaus did everything possible to bring this vision to life, practically living on-site. Now we are taking a closer look at this landmark building and its captivating story.
Peaceful Integration on Mira Avenue
The MIRA residential complex (the word mir means “peace” in Russian), perched above the steep banks of the Yauza River and Mira Avenue, lives up to its name not only technically, but also visually and conceptually. Sleek, high-rise, and glass-clad, it responds both to Zholtovsky’s classicism and to the modernism of the nearby “House on Stilts”. Drawing on features from its neighbors, it reconciles them within a shared architectural language rooted in contemporary façade design. Let’s take a closer look at how this is done.
An Interior for a New Format of Education
The design of the new building for Tyumen State University (TyumSU) was initially developed before the pandemic but later revised to meet new educational requirements. The university has adopted a “2+2+2” system, which eliminates traditional divisions into groups and academic streams in favor of individualized study programs. These changes were implemented swiftly – right at the start of construction. Now that the building is complete, we are taking a closer look.