По-русски

​On the Path of Emotion

Two young architects of OSAArchitects are sharing about their first experience of doing an independent project and about the creative method that they developed.

21 November 2019
Object
mainImg
OSAArchitects has designed quite a few various projects all over Russia: from the high-rise complex in Moscow’s Tushino to urban villas in its home city of Ekaterinburg. One of the secrets of being so creatively prolific is the successful management of working with young architects: the company teaches them how to be “universal soldiers” capable of running the project from beginning to end, at the same time having plenty of opportunities for finding their own creative identity.

“Yesterday’s college students”, as they describe themselves, Yegor Obvincev and Vladislav Sarapulov, are sharing about the first project that they did independently for the company, and about the experience of going through all of the project stages, from context analysis to developing a marketing strategy for the new complex, as well as about getting a better knowledge of their own selves.

Under the contractual conditions, the architects cannot disclose the location of the complex; let’s just say for the time being that it is business class apartments. The land site is quite an obliging one, located in the middle of a large city. Next to it, there is a lake, whose waterfront has recently begun to get landscaped. The mirror surface of the water impartially reflects the historical buildings, the Soviet-time construction, and the modern ones too.

The architects wanted to create a nice and quiet place with cozy little yards and a green garden, at the same time endowing it with an identity easily recognizable by its clear-cut silhouette, making it a landmark of the circumferential waterfront, and keeping a feel of an accessible and friendly public place. In the course of work, the architects understood a few important things.

An architect must be an actor and a psychologist. The architect’s first task is to understand his client. And he must do that not so much by asking direct questions, as intuitively, through creating a rapport with the client, replacing his self-evident politeness with genuine interest. And, in order to do that, he must learn how to live through someone else’s experience, very much like an actor who acts in accordance with the Stanislavsky system, which, it must be said, is quite a challenge for yesterday’s college students who are now designing a high-end housing project. However, the architects define this ability as the most important one, even more important than then conventional drawing skills.

Yegor also believes that an architect must be a bit of a psychologist because it is his job to help the client form the bullet points, the imagery, and the character of the project. These bullet points are also affected by the context: the culture, the nature, and the national peculiarities. “We live surrounded by interrelationships between people. Therefore, it is important to make sure that you don’t search for the solution for the sake of solution, don’t come up with a design option for the sake of design option, but find something that looks interesting to yourself; something that reflects our common interests”.

Quiet Harbor
Copyright: OSAArchitects. Yegor Obvincev


The best strategy is to go with your feelings. Instead of studying similar projects, it is much better to muster your courage and go with your sensual perception, understanding the uniqueness of your location and the culture that’s stands behind it. Then you capitalize on the emotion that will inevitably appear, turning it into the basis of your project concept. Not just “develop the façade solutions” but think in images and keep up the rapport. Vladislav also notes that if you enjoy the design process, it’s a sure sign of the right path that you have found; the emotional approach really improves your quality of work, and life, for that matter. 

Quiet Harbor
Copyright: OSAArchitects. Yegor Obvincev


I formulate, therefore I am. The architects confess that the freedom of action that they got, started them thinking: what things do people really need? What is right for them? What is the truth? And they decided to “design it as if they were designing for themselves” or “design as if it was their last day on Earth”: what will become my last statement? What will I be remembered for? Such an approach significantly increases your odds of coming up with a sturdy and robust solution that is not just about proportional objects arranged more or less successfully in space, but about creating an environment and a lifestyle, which is far more important than the façade grid.

Below, we are bringing to your attention what the architects eventually got: two moods, two ways of being, out of which two the client was not to make a choice like “between an apple and a pear” but like between two versions of his own self”.

The Quiet Harbor

Yegor Obvincev

zooming
Egor Obvintsev
Copyright: OSAArchitects


Four urban villas, from 4 to 6 stories high, form a “quiet harbor”: the houses, like rocks in the sea, protect the yard from the turmoil in the world outside; it is always peaceful here. The yard is made even cozier by the variety of different spaces: little parks, patios and plazas, private little gardens, and open terraces on the top floors. Privacy is combined with transparency, which makes it possible to make the most of the waterfront and the lake views that it commands.

  • zooming
    1 / 7
    Quiet Harbor
    Copyright: OSAArchitects. Yegor Obvincev
  • zooming
    2 / 7
    Quiet Harbor
    Copyright: OSAArchitects. Yegor Obvincev
  • zooming
    3 / 7
    Quiet Harbor
    Copyright: OSAArchitects. Yegor Obvincev
  • zooming
    4 / 7
    Quiet Harbor
    Copyright: OSAArchitects. Yegor Obvincev
  • zooming
    5 / 7
    Quiet Harbor
    Copyright: OSAArchitects. Yegor Obvincev
  • zooming
    6 / 7
    Quiet Harbor
    Copyright: OSAArchitects. Yegor Obvincev
  • zooming
    7 / 7
    Quiet Harbor
    Copyright: OSAArchitects. Yegor Obvincev


The houses are independent, yet they are connected by a single plinth and a single character. The inside yard is secluded enough to feel like a private one, yet it does not become “a thing in itself”, and uses all the benefits of the waterfront – the public spaces and the lake views. The architecture is laconic; it is subjugated to a certain matrix, yet wherever it comes into contact with the city, it breaks away from its rules, complying with the uniqueness of these spaces. The façades can be made from natural stone, composite panels sporting a stone texture, or fiber cement slabs.

  • zooming
    1 / 10
    Quiet Harbor
    Copyright: OSAArchitects. Yegor Obvincev
  • zooming
    2 / 10
    Quiet Harbor
    Copyright: OSAArchitects. Yegor Obvincev
  • zooming
    3 / 10
    Quiet Harbor
    Copyright: OSAArchitects. Yegor Obvincev
  • zooming
    4 / 10
    Quiet Harbor
    Copyright: OSAArchitects. Yegor Obvincev
  • zooming
    5 / 10
    Quiet Harbor
    Copyright: OSAArchitects. Yegor Obvincev
  • zooming
    6 / 10
    Quiet Harbor
    Copyright: OSAArchitects. Yegor Obvincev
  • zooming
    7 / 10
    Quiet Harbor
    Copyright: OSAArchitects. Yegor Obvincev
  • zooming
    8 / 10
    Quiet Harbor
    Copyright: OSAArchitects. Yegor Obvincev
  • zooming
    9 / 10
    Quiet Harbor
    Copyright: OSAArchitects. Yegor Obvincev
  • zooming
    10 / 10
    Quiet Harbor
    Copyright: OSAArchitects. Yegor Obvincev


The playgrounds and sports fields are integrated into the overall concept of the waterfront landscaping project. The first line Includes restaurants; in addition to the usual retail, there are also libraries, children’s rooms, co-working spaces, and meeting rooms here.

The Bronze Garden

Vladislav Sarapulov

zooming
Vladislav Sarapulov
Copyright: OSA Group


While the first version of the project is more about the space and scenario solution, the second version is based predominantly on the cultural context. This complex looks like the geode of a precious stone: peacefulness and confidence on the outside, secret and intrigue on the inside. The clear-cut brutalist form of the outside perimeter contrasts sharply with a bright-colored façade and a scattering of nooks and crannies of the inside space. The enfilade of little yards looks like the inside of a treasure chest, whose compact quality is made up for by the highly developed public spaces outside.

  • zooming
    1 / 7
    Bronze Garden
    Copyright: OSA Group. Vladislav Sarapulov
  • zooming
    2 / 7
    Bronze Garden
    Copyright: OSAArchitects. Vladislav Sarapulov
  • zooming
    3 / 7
    Bronze Garden
    Copyright: OSAArchitects. Vladislav Sarapulov
  • zooming
    4 / 7
    Bronze Garden
    Copyright: OSAArchitects. Vladislav Sarapulov
  • zooming
    5 / 7
    Bronze Garden
    Copyright: OSAArchitects. Vladislav Sarapulov
  • zooming
    6 / 7
    Bronze Garden
    Copyright: OSAArchitects. Vladislav Sarapulov
  • zooming
    7 / 7
    Bronze Garden
    Copyright: OSAArchitects. Vladislav Sarapulov


In this version, there is a rather board landscaped strip running parallel to the street, which makes the urban villas still more protected from the bustle of the city, and solely focused on the lake views.

The architects recommend using materials of deep colors: the outside façade can be executed from black satin-finish composite panels or from exposed concrete slabs sporting a metallic texture.

  • zooming
    1 / 7
    Bronze Garden
    Copyright: OSA Group. Vladislav Sarapulov
  • zooming
    2 / 7
    Bronze Garden
    Copyright: OSAArchitects. Vladislav Sarapulov
  • zooming
    3 / 7
    Bronze Garden
    Copyright: OSAArchitects. Vladislav Sarapulov
  • zooming
    4 / 7
    Bronze Garden
    Copyright: OSAArchitects. Vladislav Sarapulov
  • zooming
    5 / 7
    Bronze Garden
    Copyright: OSAArchitects. Vladislav Sarapulov
  • zooming
    6 / 7
    Bronze Garden
    Copyright: OSAArchitects. Vladislav Sarapulov
  • zooming
    7 / 7
    Bronze Garden
    Copyright: OSAArchitects. Vladislav Sarapulov
***

In spite of the fact that the urban villas will not eventually be constructed, the experience that the OSA architects got must be considered a success. The young architects are brimming with enthusiasm, which is felt even through the webcam lens – they want to make the world a better place, and they believe in themselves. The client is also happy – now he has a better understanding of what his project must look like. The degree of trust and successfulness of the dialogue between the client and the architects is backed by the fact that the client commissioned the young architects with the task of designing his office – the next best thing after his own home. The emotional approach, which nowadays is still sometimes perceived as somewhat naive and idealistic, brings about sincerity and freshness, as well as works quite well from the economic standpoint – and the two young architects are living proof of that.

21 November 2019

Headlines now
The Altai Ornament
The architectural company Empate has developed the concept for an eco-settlement located on a remote site in Altai. The master plan, which resembles a traditional ornament or even a utopian city, forms a clear system of public and private spaces. The architects also designed six types of houses for the settlement, drawing inspiration from the region’s culture, folklore, and vernacular building practices.
Pro Forma
Photos have emerged of the newly completed whisky distillery in Chernyakhovsk, designed by TOTEMENT / PAPER – a continuation of their earlier work on the nearby Cognac Museum. From what is, in essence, a merely technical and utilitarian volume and space, the architects have created a fully-fledged theatre of impressions. Let’s take a closer look. We highly recommend a visit to what may look like a factory, but is in fact an experiment in theatricalizing the process of strong spirit production – and not only that, but also of “pure art”, capable of evolving anywhere.
The Arch and the Triangle
The new Stone Mnevniki business center by Kleinewelt Architekten – designed for the same client as their projects in Khodynka – bears certain similarities to those earlier developments, but not entirely. In Mnevniki, there are more angular elements, and the architects themselves describe the project as being built on contrast. Indeed, while the first phase contains subtle references to classical architecture – light touches like arches, both upright and inverted, evoking the spirit of the 1980s – the second phase draws more distantly on the modernism of the 1970s. What unites them is a boldly expressive public space design, a kaleidoscope of rays and triangles.
Health Factory
While working on a wellness and tourist complex on the banks of the Yenisei River, the architects at Vissarionov Studio set out to create healing spaces that would amplify the benefits of nature and medical treatments for both body and soul. The spatial solutions are designed to encourage interaction between the guests and the landscape, as well as each other.
The Blooming Mechanics of a Glass Forest
The Savvinskaya 27 apartment complex built by Level Group, currently nearing completion on an elongated riverfront site next to the Novodevichy Convent, boasts a form that’s daring even by modern Moscow standards. Visually, it resembles the collaborative creation of a glassblower and a sculptor: a kind of glass-and-concrete jungle, rhythmically structured yet growing energetically and vividly. Bringing such an idea to life was by no means an easy task. In this article, we discuss the concept by ODA and the methods used by APEX architects to implement it, along with a look at the building’s main units and detailing.
Grace and Unity
Villa “Grace”, designed by Roman Leonidov’s studio and built in the Moscow suburbs, strikes a balance between elegant minimalism and the expansive gestures of the Russian soul. The main house is conceived as a sequence of four self-contained volumes – each could exist independently, yet it chooses to be part of a whole. Unity is achieved through color and a system of shared spaces, while the rich plasticity of the forms – refined throughout the construction process – compensates for the near-total absence of decorative elements.
Daring Brilliance
In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of Garden Quarters, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.
A Twist of the Core
A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.
The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.
Water and Wind Whet the Stone
The Arisha Terraces residential complex, designed by Asadov Architects, will be built in a district of Dubai dedicated to film and television production. To create shaded spaces and an intriguing silhouette, the architects opted for a funnel-shaped composition and nature-inspired forms of erosion and weathering. The roofs, podium, and underground spaces extend leisure opportunities within the boundaries of a man-made “oasis”.
Elevation 5642
The Genplan Institute of Moscow has developed a comprehensive development project for three ski resorts in the Caucasus, which have been designated as special economic zones of the tourism and recreation type. The first of these zones is Elbrus. The project includes the construction of new ski runs, cable cars, and hotels, as well as the modernization of stations and improvements to the Azau tourist meadow. To expand the audience and enhance year-round appeal, a network of eco-trails is also being developed. In this article, we provide a detailed breakdown of each stage.
The IT Town
Taking the example of the first completed phase of the “U” district, we examine how the new neighborhood in Innopolis will be organized. T+T Architects and HADAA formed a well-balanced and ingenious master plan with different types of housing, a green artery, a system of squares, and a park in the town’s central part.
The Heart Lies Within
The second-phase building of the Evgeny Primakov School already won multiple awards while still in the design stage. Now that it’s completed, some unfinished nuances remain – most notably, the exposed ceiling structures, which ideally should have been concealed. However, given the priority placed on the building’s volumetric composition, this does not seem critical. What matters more is the “Wow!” effect created by the space itself.
Magnetic Forces
“Krylatskaya 33” is the first large-scale residential complex to appear amidst the 1980s “micro-districts” that harmoniously coexist with the forests, the river, the slopes, and the sports infrastructure. Despite its imposing scale, the architects of Ostozhenka managed to turn the complex into something that can be best described as a “graceful dominant”. First, they designed the complex with consideration for the style and height of the surrounding micro-districts. Second, by introducing a pause in its tallest section, they created compositional tension – right along the urban planning axis of the area.
Orion’s Belt
The Stone Khodynka 2 office complex, designed by Kleinewelt Architekten for the company Stone, is built with an ergonomic layout following “healthy building” principles: natural light, ventilation, and all the necessary features for an efficient office environment. On the outside, it resembles – like many contemporary buildings – an iPhone: sleek, glowing, glass-and-metal, edges elegantly rounded. Yet, it responds sensitively to the Khodynka context, where the main theme is the contrast between vertical and horizontal lines. The key intrigue lies in the design of the “stylobate” as a suspended passage, leaving the space beneath it open for free pedestrian movement.
Grigory Revzin: “It Was a Bold Statement Made on the Sly. Something Won”
In this article, we discuss the debates surrounding the circus competition and the demolition of the CMEA building with the most renowned architectural critic of our time. A paradox emerges in the process: while nostalgia for the Brezhnev era seems to be in vogue in Russia, a landmark building – the “axis” of the Warsaw Pact – has been sentenced to demolition. Isn’t that strange? We also find out that wow-architecture has made a comeback as a post-COVID trend. However, to make a truly powerful statement, professionals still remain indispensable.
Exposed Concrete
One of the stages of improving a small square in the town of Lermontov was the construction of a skatepark. Entrusting this part of the project to the XSA team, the city gained a 250-meter trick track whose features resemble those of land art objects – unparalleled in Russia in both scale and design. Here’s a look at how the experimental snake run in the foothills of the Caucasus was built.
One Step Closer To the Dream
The challenges of getting all the mandatory approvals, an insufficient budget, and construction site difficulties did not prevent ASADOV Bureau from achieving its main goal in the realization of the school project in the town of Troitsk – taking another step away from outdated notions of educational spaces toward creating a fundamentally new academic environment.
Chalet on the Rock
An Accor hotel in Arkhyz, designed by A.Len, will be situated at the gateway to the resort’s main tourist hubs. The architects reinterpreted the widely popular chalet style while adding an unexpected twist – an unfinished structure preserved on the site. The design team transformed this remnant into an exciting space featuring an open-air pool and a restaurant with panoramic views of the region’s highest mountain ridges.
Sergey Skuratov: “By and large, the project has been realized in line with the original ideas”
In this issue, we talk to the chief architect of Garden Quarters, looking back at the history and key moments of a project that took 18 years to develop and has now finally been completed. What interests us most are the transformations that the project underwent during construction, and the way the “necessary void” of public space was formed, which turned this remarkable complex into a fragment of a whole new type of urban fabric – not just at the horizontal “street” level but in its vertical structure as well.
A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.