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​Heaven Gets Closer

In their “Sportpark” project in Moscow’s Tushino, ASADOV architects joined together swimming pools, a skating rink, gyms, and tennis courts under a single “sky” of a giant pergola made from glued wooden structures, creating a convincing image of eco architecture.

09 December 2019
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The “Sportpark” project was created by ASADOV architects for “Gorod na Reke Tushino – 2018” (“Town on the Tushino River”), a grand-scale residential complex built in the stead of the former Tushino Airfield, inscribed into the peninsula between the Moskva River, the Moscow Channel, and the Skhodnya River. This residential area was formed around “Otkrytie Arena” – the home base of Spartak football club, built in 2014 by its owner, Leonid Fedun. The city authorities originally gave their approvals not only for the residential but also for the sports nature of the complex. The developer of “Tushino-2018” was to build here and hand over to the city a few sports facilities, for which he conducted a closed-door competition, to which the Asadov team was invited. The project by the ASADOV architects did not win eventually, yet it did bring about a beautiful and universal idea for the future architecture.

The land site – a rectangle of irregular features – is situated between the park zone and future residential buildings. On this venue, the architects were to place an aquatic center, tennis courts, an ice arena, and a multifunctional gym. The architects designed four glass volumes, and then decided to unite them with a single pergola roof – a glued-wood mega-structure situated on the height of the playing field. There are several entrances to this megastructure. From the chamfered side before the entrance, there is a partially open plaza.

The multifunctional complex “Sportpark”
Copyright: © ASADOV architects
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    The multifunctional complex “Sportpark”
    Copyright: © ASADOV architects
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    The multifunctional complex “Sportpark”
    Copyright: © ASADOV architects


In the center, there is a skating rink, flanked by pedestrian galleries; on the right, there are swimming pools, on the left tennis courts and a youth sports school. The wooden pergola can be both open, and covered with glass. Underneath this “sky”, as Andrey Asadov calls it, one can not only do sports but also go walking around the inner streets, formed by low-rise pavilions, whose silhouette looks a little bit like that of an old north-European city – this archetype of a traditional street is still going strong, and, as it turned out, is not at all at odds with the modern sports futurism.

The multifunctional complex “Sportpark”
Copyright: © ASADOV architects


On the human level, this looks like a small town of little houses with pitched roofs, these roofs being of various heights, steeper or gently sloping ones, the silhouette can be of any kind because all of the houses share the same sky. The facades of the little houses are either completely transparent, including the fronton, or dull, or with a stained glass window showcase – in all of the cases, the plastique is modernist, and not the traditional grid with windows. On the inside, there are locker rooms, mechanical rooms, and the commercial infrastructure. Similar “little houses” with gable roofs, yet without one of the walls, also cover the spectator areas around the skating rink.

The multifunctional complex “Sportpark”
Copyright: © ASADOV architects


The tall glass partitions with vertical wooden sashes are cut into the little houses, and this creates an impression as if this is a little town amidst a pine forest, the pergola casting shadows like from tree branches. The glass and the slim “pines” grow up to the “sky” and separate the inner premises from the outside world, at the same time connecting them: the little town is perceived as its continuation, the streets ending directly under the pergola.

The multifunctional complex “Sportpark”
Copyright: © ASADOV architects


The multifunctional complex “Sportpark”
Copyright: © ASADOV architects


Glass is essentially a boundary that is not there. This little town is maybe an inside or an outside ambivalent space. It was expected that in the evening the Sportpark would glow with a warm light. Being inside, one would be able to see the city behind the glass, at the same time being protected from the wind and the rain.

The multifunctional complex “Sportpark”
Copyright: © ASADOV architects


It’s not that such techniques were not used before in shopping malls, railway stations, and food markets (which all are essentially a combination of small volumes and megastructures covering them), yet here they met with wood and gable roofs. Furthermore, the wooden pergola – an openwork thing with ostentatiously jagged edges – became in this case a structure of a city magnitude.

The multifunctional complex “Sportpark”
Copyright: © ASADOV architects


The ASADOV architects did wooden architecture projects before (“we love wooden things” – Andrey Asadov says). In the tennis center in Moscow’s Kuntsevo, for example, the entrance zone was also made of glued wood. After that, there was a sports complex in Zhukovka-XXI with “flying” triangular wooden roofs. When asked about the fire safety issue of the wooden construction, Andrey Asadov emphasized that wood, if treated correctly, keeps up its bearing capacity many hours after the start of the fire, whilst metal loses it within about an hour and a half. As for the price, the wooden construction is oftentimes is not more expensive than a metal one. “All of our elements are as functional as they can be – Andrey Asadov stresses – It’s just that the construction of the main roof, which was going to be there in any case, was ultimately made of wood, while the inner premises, which also were to be there in any case, we decided to design not as simple boxes but as little houses with a dramatic silhouette. Probably, economy-wise, our client thought of our solution as a unique one. Our project did not ultimately win but we still like it very much because we now have a powerful universal idea in our arsenal. It will sure come handy in the future”.

Usually, all sports facilities in this country, unless they are built for the Olympics or for the World Soccer Championship, are doomed to be hangars. The mere fact that the architects were able to break away from the “box” design is a great achievement in itself and a stepping stone for a better future. The image became softer and more environmentally friendly. Accordingly, the wooden pergola became a universal “sky” for the little town or whatever it is there underneath it. In our climate, the very opportunity for moving around from one house to another without getting your shoes dirty already sounds like an achievement in itself. The pergola must be plain to see from the top floors and become the fifth facade. The weaving pattern of the pergola is diverse, and changed not unlike the pattern on a sweater: there are laconic planks above the pedestrian galleries, while above the sports facilities the ornaments become thicker and more intricate. This was done not just for the sake of decor, but also for functional purposes: at the client’s request, the architects diminished the glazing area at the expense of skylights, giving them a triangular shape.

The multifunctional complex “Sportpark”
Copyright: © ASADOV architects


Now about the formal context of Sportpark! The megastructure that hides the inner streets inside of it is actually a town within a building. A town within a building is a modern architectural form that is different from the traditional palace or a classical architectural ensemble with their inherent symmetry. This is a form that is freer; like a real town, it contains a kaleidoscope or different shapes, yet it still demonstrates a clear “fabric” with streets and buildings united by a common “sky” or some other large figure, it has a beginning and an ending. Such megastructures are to be encountered, for example, in Skolkovo (or in the Herzog and de Meuron project of the University building, and in the Valod and Pistre project in Technopark); in expo architecture, for example, in the Milan Fair designed by Fucsas. And as for the wooden grids, these pop up now and then in the park and garden architecture, for example, in the glass-and-wood “parthenon” in the Citroen Park in Paris. The Tushino Sportpark miraculously combines all of these features: large technological elements, sophisticated city infrastructure, and the subtle wooden architecture.

The wood-and-glass grid and, essentially, the pergola too, are exactly of this kind, quite a nature-friendly image. And, if we are to speak about being inspired by environmental elements, glass in architecture is likened to water or to air. And wood is quite natural as it is. The plants in the tubs add to the likeness with a greenhouse. The image of eco architecture can be expressed with different ways: in vertical gardens on the facade or in burying the building in a green hill. This little town underneath the elegant wooden pergola is yet another convincing image of green architecture. Conservation is on the world’s most prevalent ideologies of today. Some think tanks, like Noah Harry, for example, even believe that nature is ousting the humans, becoming the center of creation, the world becoming more nature-centric, and not anthropocentric, the way it has been since the time of Renaissance. The revenge that nature is taking out on us for the violence that it was subjected to in the course of the previous centuries leads to a situation that is reversely lopsided, some “eco-nazi” thing. In this sense, it is very important that the archetypal little houses with gable roofs in the Sportpark project become the humanity’s agents, reflecting it scale of thinking and perception, which ultimately will lead to overall harmony, will it not?

09 December 2019

Headlines now
Field of Life
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A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
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Flexibility and Integration
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A Step Forward
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Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.