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​Heaven Gets Closer

In their “Sportpark” project in Moscow’s Tushino, ASADOV architects joined together swimming pools, a skating rink, gyms, and tennis courts under a single “sky” of a giant pergola made from glued wooden structures, creating a convincing image of eco architecture.

09 December 2019
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The “Sportpark” project was created by ASADOV architects for “Gorod na Reke Tushino – 2018” (“Town on the Tushino River”), a grand-scale residential complex built in the stead of the former Tushino Airfield, inscribed into the peninsula between the Moskva River, the Moscow Channel, and the Skhodnya River. This residential area was formed around “Otkrytie Arena” – the home base of Spartak football club, built in 2014 by its owner, Leonid Fedun. The city authorities originally gave their approvals not only for the residential but also for the sports nature of the complex. The developer of “Tushino-2018” was to build here and hand over to the city a few sports facilities, for which he conducted a closed-door competition, to which the Asadov team was invited. The project by the ASADOV architects did not win eventually, yet it did bring about a beautiful and universal idea for the future architecture.

The land site – a rectangle of irregular features – is situated between the park zone and future residential buildings. On this venue, the architects were to place an aquatic center, tennis courts, an ice arena, and a multifunctional gym. The architects designed four glass volumes, and then decided to unite them with a single pergola roof – a glued-wood mega-structure situated on the height of the playing field. There are several entrances to this megastructure. From the chamfered side before the entrance, there is a partially open plaza.

The multifunctional complex “Sportpark”
Copyright: © ASADOV architects
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    The multifunctional complex “Sportpark”
    Copyright: © ASADOV architects
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    The multifunctional complex “Sportpark”
    Copyright: © ASADOV architects


In the center, there is a skating rink, flanked by pedestrian galleries; on the right, there are swimming pools, on the left tennis courts and a youth sports school. The wooden pergola can be both open, and covered with glass. Underneath this “sky”, as Andrey Asadov calls it, one can not only do sports but also go walking around the inner streets, formed by low-rise pavilions, whose silhouette looks a little bit like that of an old north-European city – this archetype of a traditional street is still going strong, and, as it turned out, is not at all at odds with the modern sports futurism.

The multifunctional complex “Sportpark”
Copyright: © ASADOV architects


On the human level, this looks like a small town of little houses with pitched roofs, these roofs being of various heights, steeper or gently sloping ones, the silhouette can be of any kind because all of the houses share the same sky. The facades of the little houses are either completely transparent, including the fronton, or dull, or with a stained glass window showcase – in all of the cases, the plastique is modernist, and not the traditional grid with windows. On the inside, there are locker rooms, mechanical rooms, and the commercial infrastructure. Similar “little houses” with gable roofs, yet without one of the walls, also cover the spectator areas around the skating rink.

The multifunctional complex “Sportpark”
Copyright: © ASADOV architects


The tall glass partitions with vertical wooden sashes are cut into the little houses, and this creates an impression as if this is a little town amidst a pine forest, the pergola casting shadows like from tree branches. The glass and the slim “pines” grow up to the “sky” and separate the inner premises from the outside world, at the same time connecting them: the little town is perceived as its continuation, the streets ending directly under the pergola.

The multifunctional complex “Sportpark”
Copyright: © ASADOV architects


The multifunctional complex “Sportpark”
Copyright: © ASADOV architects


Glass is essentially a boundary that is not there. This little town is maybe an inside or an outside ambivalent space. It was expected that in the evening the Sportpark would glow with a warm light. Being inside, one would be able to see the city behind the glass, at the same time being protected from the wind and the rain.

The multifunctional complex “Sportpark”
Copyright: © ASADOV architects


It’s not that such techniques were not used before in shopping malls, railway stations, and food markets (which all are essentially a combination of small volumes and megastructures covering them), yet here they met with wood and gable roofs. Furthermore, the wooden pergola – an openwork thing with ostentatiously jagged edges – became in this case a structure of a city magnitude.

The multifunctional complex “Sportpark”
Copyright: © ASADOV architects


The ASADOV architects did wooden architecture projects before (“we love wooden things” – Andrey Asadov says). In the tennis center in Moscow’s Kuntsevo, for example, the entrance zone was also made of glued wood. After that, there was a sports complex in Zhukovka-XXI with “flying” triangular wooden roofs. When asked about the fire safety issue of the wooden construction, Andrey Asadov emphasized that wood, if treated correctly, keeps up its bearing capacity many hours after the start of the fire, whilst metal loses it within about an hour and a half. As for the price, the wooden construction is oftentimes is not more expensive than a metal one. “All of our elements are as functional as they can be – Andrey Asadov stresses – It’s just that the construction of the main roof, which was going to be there in any case, was ultimately made of wood, while the inner premises, which also were to be there in any case, we decided to design not as simple boxes but as little houses with a dramatic silhouette. Probably, economy-wise, our client thought of our solution as a unique one. Our project did not ultimately win but we still like it very much because we now have a powerful universal idea in our arsenal. It will sure come handy in the future”.

Usually, all sports facilities in this country, unless they are built for the Olympics or for the World Soccer Championship, are doomed to be hangars. The mere fact that the architects were able to break away from the “box” design is a great achievement in itself and a stepping stone for a better future. The image became softer and more environmentally friendly. Accordingly, the wooden pergola became a universal “sky” for the little town or whatever it is there underneath it. In our climate, the very opportunity for moving around from one house to another without getting your shoes dirty already sounds like an achievement in itself. The pergola must be plain to see from the top floors and become the fifth facade. The weaving pattern of the pergola is diverse, and changed not unlike the pattern on a sweater: there are laconic planks above the pedestrian galleries, while above the sports facilities the ornaments become thicker and more intricate. This was done not just for the sake of decor, but also for functional purposes: at the client’s request, the architects diminished the glazing area at the expense of skylights, giving them a triangular shape.

The multifunctional complex “Sportpark”
Copyright: © ASADOV architects


Now about the formal context of Sportpark! The megastructure that hides the inner streets inside of it is actually a town within a building. A town within a building is a modern architectural form that is different from the traditional palace or a classical architectural ensemble with their inherent symmetry. This is a form that is freer; like a real town, it contains a kaleidoscope or different shapes, yet it still demonstrates a clear “fabric” with streets and buildings united by a common “sky” or some other large figure, it has a beginning and an ending. Such megastructures are to be encountered, for example, in Skolkovo (or in the Herzog and de Meuron project of the University building, and in the Valod and Pistre project in Technopark); in expo architecture, for example, in the Milan Fair designed by Fucsas. And as for the wooden grids, these pop up now and then in the park and garden architecture, for example, in the glass-and-wood “parthenon” in the Citroen Park in Paris. The Tushino Sportpark miraculously combines all of these features: large technological elements, sophisticated city infrastructure, and the subtle wooden architecture.

The wood-and-glass grid and, essentially, the pergola too, are exactly of this kind, quite a nature-friendly image. And, if we are to speak about being inspired by environmental elements, glass in architecture is likened to water or to air. And wood is quite natural as it is. The plants in the tubs add to the likeness with a greenhouse. The image of eco architecture can be expressed with different ways: in vertical gardens on the facade or in burying the building in a green hill. This little town underneath the elegant wooden pergola is yet another convincing image of green architecture. Conservation is on the world’s most prevalent ideologies of today. Some think tanks, like Noah Harry, for example, even believe that nature is ousting the humans, becoming the center of creation, the world becoming more nature-centric, and not anthropocentric, the way it has been since the time of Renaissance. The revenge that nature is taking out on us for the violence that it was subjected to in the course of the previous centuries leads to a situation that is reversely lopsided, some “eco-nazi” thing. In this sense, it is very important that the archetypal little houses with gable roofs in the Sportpark project become the humanity’s agents, reflecting it scale of thinking and perception, which ultimately will lead to overall harmony, will it not?

09 December 2019

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.