По-русски

​Mission Anadyr

The project of turning a derelict garage building in the remote city of Anadyr into an all-year-round youth center is based on the research done by the agency for strategic development “Center”, interviewing local young people, and studying Anadyr’s city center. The architectural concept was developed by MAParchitects, and is expected to be implemented within a year.

19 July 2019
Object
mainImg

Let’s start with the fact that Anadyr is the capital of the Chukotka Autonomous Okrug and the easternmost city of Russia – further on, there is only a couple of villages before the Bering Straits. It’s still about two hundred kilometers to go to reach the Arctic Circle, the sun comes up, well, not at midnight but at 2 a.m. in the morning, but winter sets in somewhere around September. On the other hand, the climate is somewhat softened by the vicinity of the sea – the city is situated in the bay of the Anadyr Gulf.

The “Center” agency started its work in Anadyr being invited by the local government in February this year. Its task was to turn the abandoned building of the former garage on the territory of the Chukotkommunkhoz, an industrial park situated at the edge of town but almost on the very bank of the coastal lake, into a modern innovative public space under the name of ANGAR (“The Hangar”). The “Center” experts came to Anadyr a few times, met with the city council, and, still more importantly, with the local young people to find out more about their needs and tastes, organized focus groups and interviews, as well as analyzed various city locations that were suitable for the project. The project also got its pages on Instagram, Telegram, and VK.

The research showed, on the one hand, some pretty obvious things: the city is really far away, even flights to it are often cancelled, but it still has the governing function as the center of the region. In addition, it is a mining industry center, the average salaries are pretty high here, there are plenty of young people in the city, and the city center is compact and low-rise enough to match, at least in terms of its scale, the ideals of modern urbanism. By the way, let’s take a look at the Yandex photos – the city looks quite alright, the façades of the prefab houses, mostly up to five stories high, have been restored to a healthy state, maybe not always beautiful but tidy anyway; the streets are clean, and the city’s only hotel (at least it seems to be one) looks decent and even modern. The city church is wooden, which only adds to its beauty and charm.

Photographs by Maria Sedletskaya:

The former garage and the future youth culture center ANGAR in Anadyr. The current state
Copyright: Photograph © Maria Sedletskaya
  • zooming
    1 / 3
    The former garage and the future youth culture center ANGAR in Anadyr. The current state
    Copyright: Photograph © Maria Sedlitskaya
  • zooming
    2 / 3
    The former garage and the future youth culture center ANGAR in Anadyr. The current state. The plaque will be used as an element of identity of the future complex.
    Copyright: Photograph © Maria Sedletskaya
  • zooming
    3 / 3
    The former garage and the future youth culture center ANGAR in Anadyr. The current state
    Copyright: Photograph © Maria Sedletskaya


On the other hand, the research elicited a few very important details – the western outskirts of the city are the place where people come to admire the sunsets, i.e. it is already loved by the romantically involved part of the population. Second, in spite of the fact that the city generally has a sufficient number of youth centers of, let’s say, official character, like a “Young Pioneers Palace”, it still lacks a place for informal meetings of young people under a warm roof.

The hangar is situated not far away from the Otke Street – it begins in the center, next to the city council, and belts the entire northern part of the city – there is also a driving and pedestrian access to it but in the context of the industrial park the architects had to highlight the hangar by contrast, at the same time keeping its identity and references to its industrial past. The center had to be an all-season one, warm, and comfortable, with a possibility to get outdoors in summer. The researchers also noted a large number of other details, such as the fact that in winter the snow falling from the building accumulates in the south corner, probably because of the sea winds.

Luckily, the project of the informal youth culture center is supported by the government of the Chukotka Okrug. According to the government, the ANGAR project became a part of the new social and economic Far East policy.

zooming


Roman Kopin,
the governor of Chukotka Autonomous Region: 

“At our focus groups with the local people and the young activists of our region I many times heard questions about building such a space. The young people of Chukotka have a lot of creative ideas but today they do not have a venue for implementing them. We will have to do some serious work in order to realize this project. We are planning to show the concept at a few forums and discuss the future project with the federal government. This is going to be a youth center of a new format, providing lots of possibilities for personal development and organizing the local young people’s leisure time”. 

The experts of the “Center” agency gathered and analyzed both global information – about the social and economic specifics of the city – and the local, about the needs of the future users of the project.  

zooming


Maria Sedletskaya,
chief analyst at the “Center” agency for strategic development: 

“Anadyr is a city of a very peculiar character. You can consider it to be the nation’s remotest city not only because it’s the easternmost city of the Russian Federation lying thousands of kilometers away from the largest cities of the European part of the nation, but also because it’s pretty far away even from the large agglomeration centers of the Far Eastern Federal District and the little towns of the Chukotka Region too. 

One of the things that Anadyr lacks is the entertainment infrastructure and entertainment events for young people aged from 14 to 35, devised outside the so-called “cultural programs” and outside of the walls of the municipal governmental organizations. The lack of informational unity and the territorial isolation of Anadyr, together with the global competition among cities makes the deficit of its “own” youth spaces all the more prominent.

Unlike many other cities of Russia’s Extreme North, the central residential part of Anadyr has a rather compact and human-proportionate plan. The peculiarities of territory development include a large stock of production and storage facilities, a large part of which recently fell into disuse. The territory includes the building of “Hangar” (the former garage), and its reconstruction has a huge potential because it will make it possible to transform the vacant building to meet any of the needs of its potential users”. 

zooming


Sergey Georgievsky,
CEO of the the agency for strategic development “Center”:

We defined the mission of the public space created by us as “creating the optimum conditions for self-realization of young people, their integration into the processes that take place outside the city boundaries, and fostering the culture of social responsibility”. This way, ANGAR must create such an environment that will allow the young people not only to satisfy their various leisure needs but also self-realize themselves in those fields of activity that will be in demand in the future. At the same time, the Mission of the place is broadcast to the outside audience and serves as a basis for gradually increasing the role of the Center – from the level of the city district and Chukotka region to the global level.

In terms of future redevelopment, the most promising territory is the production facilities area in the western part of town, surrounded by residential houses, and a waterfront area with an access to the Anadyr coastal lake – the popular youth location for admiring the sunsets and going for picnics. Including this territory into the life of the city will give an impulse to the development of new kinds of services, will increase the feeling of safety and comfort, and will make it possible to use the territory more effectively, especially if the appropriate engineering infrastructure and transport connection to the city will be maintained”.

The architectural concept of ANGAR youth culture center, 2019
Copyright: © MAParchitects / “Center” agency research


More about the project, though! Having gathered all the information and requests, in order to develop a full-fledged architectural proposal, the “Center” agency invited MAParchitects, whose task was to turn a rank-and-file hangar, built from large reinforced concrete panels, into a warm, cozy, and modern building, noticeable from a distance and attractive, suitable for the development of modern youth culture, multifunctional and transformable, and also not devoid of signs of its previous life, which became an indispensable part of today’s approaches to reconstructing industrial buildings. Such buildings must become convenient, at the same time keeping up their unique identity. 


zooming


Alexander Poroshkin, 
leader of the architectural company MAParchitects:

“When we were working on the project of this all-season youth center, it was crucially important for us to keep up the authenticity of this building, its industrial past, making for the people of Chukotka a so-called “third place” – a place where they could come to in order to have a great time with their friends, maybe listen to a lecture, develop their communicative skills, make their creative plans become a reality and generally diversify their leisure. The future ANGAR center, in addition to its main function, will also become an eventful place that accumulates the young people’s energy and enthusiasm and turns them into useful initiatives”. 

Thus, the two most noticeable techniques are determined by the search for an aesthetically pleasing and vibrant image coupled with the down-to-earth heat-insulated walls. The latter is ensured by sandwich panels filled with mineral cotton; a layer of such panels will cover the concrete walls of the hangar, and on the outside the walls will be covered by a grid of punch metal panels, capable of handling some of the wind load, and at the same performing a decorative function. The brightness is also ensured by the contrast between the snow-white walls and the warm red color of the entrance group and the minor volumes. Generally speaking, ANGAR must ultimately look like a rectangular block cut out from snow with an entrance looking like a conditional fireplace, warm and attractive like any housing in these cold latitudes – something that is archetypal for these parts.

The architectural concept of ANGAR youth culture center, 2019
Copyright: © MAParchitects / “Center” agency research


In addition, the architects are widening the entrance, proposing to take apart the brickwork of the old gate – the entrance group gets an extra glass aperture that will be opened in the summertime, letting in more light and widening the connection between the inside and the outside space, and closed in the wintertime with metallic shutters to keep the warmth inside. There is also a terra-cotta-colored depression next to the main entrance that takes in the role of a peculiar modernist portico; it is rather lengthy yet not without industrial allusions – the pylons are interpreted as large double-L beams.  

On the other side, the white metallic grid steps rather far away from the walls and grows higher than the roof, clearly indicating the fact that the building is encased in some kind of tight grid subjugated to the rhythm of vertical joints. The semi-transparency is created by the second layer, aka the layer of meanings: in winter, it will make it possible to mount the backlights creating an aurora borealis effect (although, probably, the light will be adjustable, and the dynamic settings will be there as well). In the wintertime, the façades will echo the warm glow of the white nights.  

The main merit of the space inside lies in the fact that it is unsupported and rather high, too – 5.8 meters from the floor to the beams and then another 3 meters of height occupied by the metallic beams. The architects are planning to keep them, just as a number of plaques and concrete textured surfaces that remind about the old industrial garage. The plaques may become a part of the trash art exposition – the architects explain – or they will be simply included in the interior design as permanent elements. Another decoration will be the host of pipes with valves and facets – also the heritage of the old industrial garage.

  • zooming
    1 / 4
    The architectural concept of ANGAR youth culture center, 2019
    Copyright: © MAParchitects / “Center” agency research
  • zooming
    2 / 4
    The architectural concept of ANGAR youth culture center, 2019
    Copyright: © MAParchitects / “Center” agency research
  • zooming
    3 / 4
    The architectural concept of ANGAR youth culture center, 2019
    Copyright: © MAParchitects / “Center” agency research
  • zooming
    4 / 4
    The architectural concept of ANGAR youth culture center, 2019
    Copyright: © MAParchitects / “Center” agency research


One of the main elements of this project is the open space venue for concerts, lectures, fairs, and the like. This place gets two wooden amphitheaters, a media screen, and a cafe; the transformable space is very flexible and is capable of performing really different functions, even becoming a small skate park. The smaller spaces of the workshops are situated on the perimeter gallery – they can be accessed by staircases, and from the galleries people will be able to watch what’s going on in the open space. 

  • zooming
    1 / 10
    The architectural concept of ANGAR youth culture center, 2019
    Copyright: © MAParchitects / “Center” agency research
  • zooming
    2 / 10
    The architectural concept of ANGAR youth culture center, 2019
    Copyright: © MAParchitects / “Center” agency research
  • zooming
    3 / 10
    The architectural concept of ANGAR youth culture center, 2019
    Copyright: © MAParchitects / “Center” agency research
  • zooming
    4 / 10
    The architectural concept of ANGAR youth culture center, 2019
    Copyright: © MAParchitects / “Center” agency research
  • zooming
    5 / 10
    The architectural concept of ANGAR youth culture center, 2019
    Copyright: © MAParchitects / “Center” agency research
  • zooming
    6 / 10
    The architectural concept of ANGAR youth culture center, 2019
    Copyright: © MAParchitects / “Center” agency research
  • zooming
    7 / 10
    The architectural concept of ANGAR youth culture center, 2019
    Copyright: © MAParchitects / “Center” agency research
  • zooming
    8 / 10
    The architectural concept of ANGAR youth culture center, 2019
    Copyright: © MAParchitects / “Center” agency research
  • zooming
    9 / 10
    The architectural concept of ANGAR youth culture center, 2019
    Copyright: © MAParchitects / “Center” agency research
  • zooming
    10 / 10
    The architectural concept of ANGAR youth culture center, 2019
    Copyright: © MAParchitects / “Center” agency research


As for the functional program of this building, it is planned to be very diverse. Furthermore, as the analysts claim, the youth center is designed with a view for future development and expansion. Its Instagram account bustles with callings to young people to file in their own ideas on developing the composition of the complex. Currently, it already includes a chill-out, a city farm, a meeting-room, photo and video studios, and a place for cyber sports contests. 

  • zooming
    1 / 4
    The master plan. The architectural concept of ANGAR youth culture center, 2019
    Copyright: © MAParchitects / “Center” agency research
  • zooming
    2 / 4
    Distribution of function. The architectural concept of ANGAR youth culture center, 2019
    Copyright: © MAParchitects / “Center” agency research
  • zooming
    3 / 4
    Plans of the 1st and 2nd tiers with a loft. The architectural concept of ANGAR youth culture center, 2019
    Copyright: © MAParchitects / “Center” agency research
  • zooming
    4 / 4
    The section view. The architectural concept of ANGAR youth culture center, 2019
    Copyright: © MAParchitects / “Center” agency research


Maria Sedletskaya,
chief analyst at the “Center” agency for strategic development: 

“What makes this venue different is the fact that we developed the event content and the architectural solutions for zoning the hangar space based on the needs of its future users because it is the young Chukotka activists form the basis for developing the creative potential. These were ideas for creating an open and transformable space, as well as various specialized premises for print works, a media center with an interactive map of Russia, a sound recording studio, photo and video studios, cyber sports contests, grow boxes, a graffiti festival, and whatnot.  

The brand events form the calendar schedule depending on the season and the weekly engagement of the premises. Interacting with lots of stakeholders will make it possible to perform lots of useful activities aimed at continuous education, public communications, intellectual pastime, collective usage of assets, and exchange of ideas.  

One of the high-profile events presupposes developing the already existing movie festival Zolotoy Voron (“The Golden Raven”), which fills the houses to capacity and attracts participants from the North America, Scandinavia, and the Northern regions of Russia. The list or international and interregional events specifically includes trendy and modern event formats based on the local identity, for example, “Bering-Fest” youth festival. Large-scale open air events will be chiefly held in the summertime – the outdoor exhibition of trash art, a video art competition, etc”.  

The project is due to be implemented by the end of 2019 or the beginning of 2020.  


 
zooming


19 July 2019

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.