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​A Faraway Cliff

The project of Vels Landscape Hotel for creative people, situated in the north of the Perm Territory on the Vishera River, amidst forests and mountains, is part of a tourist route proposed by the architects.

13 June 2019
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Vels Landscape Hotel, proposed by the Ad Hoc architects, is located (at least, by Moscow standards) really, really far away – in the north corner of the Perm Territory, slightly to the west of the Ural Mountains. The first urge is to say that first of all you cannot drive that far because there are no automobile roads there but, yes, there are: the place is situated next to a small township of Vels with a population of about 200 people, a quay, and a school. The nearest township, which is slightly larger, 400 people, is a 45 minutes’ drive away. Perm is a six hours’ drive away. There are deep forests all around, and the local roads lead chiefly to “urochishcha”, which can be roughly translated as “natural landmarks”, which sometimes bearing pretty enticing names, such as “Priiskovoe” (“Gold Mine”). Currently, this totally wild place is one of the extreme tourism area for rafting as a kind of corporate team building. The proposal by Ad Hoc develops this theme because the architects designed not just a hotel amidst the forest land but also a tourist route, the most southern and starting point of which is the city of Perm, and the farthest point of which – “Vishersky Reserve” – is situated about 70 kilometers north of the hotel. The route is called “Salted Ear”, the hotel being the most fundamental structure of everything that is offered along the way.

Vels is the name of the river that flows here into the Vishera: both rivers make a bend, forming loops, islands, and peninsulas, as well as a cave that the architects are also using in their project. There is also a small village on one of the islands. What makes this place surrealistically beautiful is the stone pillars, unweathered fragments of hard rock formations that pop up here and there along the river banks and on windswept fields. The architects placed the “hotel for creative people” east of the township, on the bank of the Vels, where the fields of these stone pillars begin.

Vels Landscape Hotel
Copyright: © Ad Hoc Architecture
Vels Landscape Hotel
Copyright: © Ad Hoc Architecture


Just as the surrounding scenery, the hotel is exceptionally beautiful. Essentially, it replicates on a miniature scale the tourist route because the building is constructed as a “hiking loop”, a mini-route that a person has to explore, finding in it semi-hidden and particularly secluded spaces for solitude that can only be found by a persistent and experienced pathfinder. One can see some parallels with the house on the Cape Meganom that once gave its name to a namesake architectural office, but there is actually more to it: the rocks are entering the space of the hotel just like the landscapes do – the whole hotel’s narrative is focused on them. Since the hiking route in the area of the Vishera River is by definition devised for wandering spirits, hungry for new impressions and really wild nature, the hotel is its ultimate model, which answers a creative mind’s need to wander around in circles even at home – or around his temporary sojourn. Parallels with the National scenic routes of Norway will also be appropriate here, the difference being that the trail proposed by Ad Hoc is much deeper immersed in the reality of the virgin lands.

The project came about on the company’s own initiative; they developed a special website for it. “I was born in Perm, and I visited those parts – says the coauthor of the project, Stanislav Subbotin – These places are beautiful but they are far from accessible. We decided that it was high time to change the situation”. Currently, the architects are busy trying to find investors, and they say, there is already some positive feedback. Ever more often there are cases when architects propose interesting projects and then look for an investor. It will be very exciting if this initiative is indeed implemented.
Darya Gorelova
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Below is the project description given by the architects – so detailed that we decided to publish the whole of it.
 
Our idea is focused on the development of tourism in the Perm Territory – we want to make people from other parts of Russia and from other countries want to come to Perm over and over again, and we want to urge our countrymen to learn more about their own land. This is one of the main prerequisites for the development of the economy of our region. The local nature attracts a lot of people, yet currently not everyone is able to explore these parts because there are no places to stay, no hotels, and no tourist offices. We proposed a scenic route that we called “Salted Ear”. The name suggested itself when we connected the most beautiful spots on the map – and we got a silhouette of an ear. The catch-phrase “Permyaki solenye ushi” (“Salted-eared Perm people”) is the traditional nickname for people living in these parts. This has to do with the business of salt making that was once spread here. There is a popular belief that this was the nickname that was given to workers who would carry sacks of salt on their backs, because of which their ears got saturated with salt.

Vels Landscape Hotel
Copyright: © Ad Hoc Architecture


One of the points on the map is the township of Vels, in which we proposed to build this landscape hotel. This place is situated amidst some of the most beautiful locations in the Perm Territory.

Vels Landscape Hotel
Copyright: © Ad Hoc Architecture


The hotel is situated on the bank of the Vishera River and near the Vels River, the Ural Mountains looming on the horizon. On the slope, next to the water, there is a strew of stones, a part of which continues into the forest. We designed a hiking trail winding among these stones, and inscribed the hotel into the landscape. This part of land is not actually part of the national park but it still attracts tourists with its picturesqueness.

The hotel looks as if it were growing up from the terrain, and comes down to the water in terraces. The backbone of the hotel is basically the path that circles the stone pillars and commands magnificent views of the surrounding scenery.

Vels Landscape Hotel
Copyright: © Ad Hoc Architecture


This is also the place where the Great Vels Cave is situated that was formed because of the underground flow of water from one large river to another (from Vels to Vishera). The hotel entrance is situated inside this cave. The locomotion scenario is such that from the dark cave the visitor gets into the light central hall of the hotel. Passing through the cave, the visitor can feel the genius loci and fully immerse himself in its history and atmosphere. 

Vels Landscape Hotel
Copyright: © Ad Hoc Architecture


Vels Landscape Hotel
Copyright: © Ad Hoc Architecture


The central space of the hotel contains a restaurant, a bar, a lounge, an amphitheater with a stage, and a performance space – all alternating with stones.

In the hotel, there are studios for creative people. Essentially, these are spaces where one can do their favorite things, at the same time enjoying the surrounding landscape. You can meet here interesting people, find your co-creators, or simply enjoy the bliss of solitude. This is a place for inspiration that is not just aesthetically appealing but is also psychologically and emotionally neutral, where one can concentrate, clear his mind, and whet his artistic feelings.

Vels Landscape Hotel
Copyright: © Ad Hoc Architecture


Vels Landscape Hotel
Copyright: © Ad Hoc Architecture


A part of the hotel with the guest rooms is situated in the woodland, on an elevation, in order to provide as much as possible privacy and beautiful views to the guests of the hotel. Walking down the scenic route or sailing past the hotel in a boat, one cannot see the rooms above because they are situated at the very top, on the edge of the forest. The rooms are designed to provide as many beautiful views as possible. Each room has a fireplace in it, and a bed by the window, from which one can enjoy the breathtaking mountain scenery. The hotel is not designed for a large number of guests – it is a place for solitude and inspiration.

Vels Landscape Hotel
Copyright: © Ad Hoc Architecture


One of the peculiar features of this hotel is the room of silence that steps out of a stone in the forest. This room is meant specially for somebody who wants to be alone with himself and his thoughts for a little while, and find inspiration. This is especially important for creative people. The bridge that leads to this room starts from the depth of the forest and “bumps” into the stone forming a sightseeing platform. The path to this place is not highlighted in any particular way. You can only run into this path by accident while strolling through the forest. Seek and you will find.

Vels Landscape Hotel
Copyright: © Ad Hoc Architecture


Vels Landscape Hotel
Copyright: © Ad Hoc Architecture


In the forest, amidst the densely growing pine trees, there is a spa zone. The visitors see a panorama of stones, the forest, the tree trunks, and thick tree crowns. The spa consists of closed rooms and an open-air jacuzzi yard.

One can also get to the spa and sauna by the path of solitude. This same path connects the sauna and the Vishera River, whose bank provides access to the water.

The sauna is sunken in the terrain and creates an impression of a cave – again, so that nobody would see those who are inside. The visitors to the sauna can enjoy the seclusion, and relax in the open air. It would be great to take a rest here after a session of Nordic skiing or a long hike. The spa center itself is made from concrete with inclusions of salt, and has a healing power.

Vels Landscape Hotel
Copyright: © Ad Hoc Architecture


The Vels Hotel is a synthesis of Ural nature, cultural history and modern architecture. Staying in this hotel will allow a person to enjoy the beautiful views and get a breath of fresh ideas. The architecture is meant to work in harmony with nature.

Specially for the project, we launched a website: www.velshotel.com. It contains detailed information about our hotel and the program of developing the domestic tourism in the Perm Territory.

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    Vels Landscape Hotel
    Copyright: © Ad Hoc Architecture
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    Vels Landscape Hotel. The first floor
    Copyright: © Ad Hoc Architecture
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    Vels Landscape Hotel. The second floor
    Copyright: © Ad Hoc Architecture
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    Vels Landscape Hotel. The third floor
    Copyright: © Ad Hoc Architecture
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    Vels Landscape Hotel. Section view A-A. Master Plan
    Copyright: © Ad Hoc Architecture
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    Vels Landscape Hotel. Section view A-A
    Copyright: © Ad Hoc Architecture
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    Vels Landscape Hotel. Section view B-B
    Copyright: © Ad Hoc Architecture


13 June 2019

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.