A concept project that provides for preserving the non-protected cold-storage warehouse on the Dubininskaya Street, located in the very center of the rapidly growing Paveletskaya industrial zone.
Written by: Julia Tarabarina Translated by: Anton Mizonov
01 November 2018
Developed by Pavel Andreev architectural studio, the sketch concept of the “Fridge” technology park situated on the territory of “Moscow Cold Storage Facility №3” on the Dubininskaya Street is interesting because of its its unconventional approach to renovating a piece of non-protected legacy of the prewar architecture.
It is planned that on the territory of the former cold storage facility will host a large A-class office complex with a total area of about 75000 square meters – to replace the to-be-demolished brick building of a cold storage warehouse built, evidently, in the early 1920’s, just as the factory building looking very similar to it, located 400 meters to the east (Zhukov Proezd, 8), and dated 1924. Their architecture is interesting because it continues, albeit in a slightly simplified form, the traditions of the brick industrial romanticism of the 1910’s – in a later period, closer to the end of the period of the “New Economic Policy”, clearly showing the ambiguity of the 1920’s that we traditionally associate with constructivism. Besides, both buildings are strangely beautiful in their slightly wild brutalism, especially the second one, overgrown with yellow moss, which is (as some people claim) is the consequence of the presence of a chemical production facility that once occupied the building. In a word, the story of these buildings is rather fuzzy, and neither of them has a protected status – just as (and this does come as a surprise) the nearby constructivist club building named after A.I. Mikoyan. These buildings are not listed in the “Red Book” of the Preservation group Arkhnadzor either, and generally there is little information about them either in books or online. To be quite frank, it seems that the buildings of Cold Storage Facility #3 are very likely to disappear before anyone will ever want to study their history.
The Zhukov Drive, 8; the building of the chemical factory that later on belonged to Cold Storage Facility #3
However, currently we are speaking about the “Fridge”, the brick building standing at Dubininskaya Street, 41, Building 1. According to the brief of the A-Class office center and the technology park, it was due to be torn down. Meanwhile, seeing the luxurious – by the modern standards of heritage sites – building that looked like a temple of northern brick gothic, Pavel Andreev decided to propose to keep it or at least the memory about it and offered two options to the client: the first option consisted in preserving the “box” of the building, the second one consisted in keeping at least two walls (or at least regenerating the red-brick volume, even though such an idea is questionable, but still something like “coup de grâce” – the architect says. In this case, some part of the “Fridge” or at least the memory of it will be included in the composition of the grand-scale office buildings.
If the building of the warehouse is preserved in its entirety, its brick walls will be punctured with windows in order to provide the future offices with enough sunlight; the buttresses adjoining the walls will provide the framework that will visually “hold the building together” and will definitely indicate its relation to the brick industrial architecture; the decor, scarce but still impressive in its unique way, is also preserved. Currently, the building is divided into seven floors each four meters high; the project proposed to replace the old intermediate floors with new ones, at the same time keeping the original elevation marks. The first and the minus first floors are occupied by public functions, there is also an underground parking garage – in some versions, it appears directly underneath the “Fridge”, in some versions it skirts the foundation walls without losing its square footage.
The silhouette of the pitched roof of the “Fridge” is also preserved, there is a broad (yet still stepping back from the edge) glass lintel block growing up from it, which supports a horizontal “beam” that covers the brick hangar – in some options it stops like a cantilevered structure on the west end, in some – rests on a vertical unit on the side of the Dubininskaya Street. One way or another, although the modern building “embraces” its predecessor, it still does not devour the old building, rather serving as its frame, exposing the brick façades both from the side of the Zhukova Drive and from the side of the Dubininskaya Street, from where the side wall of the building can be seen, and where the architect is planning to make the main entrance between two buildings belonging to the same epoch, and also worthy of clearance, reconstruction and development.
Yet another new high-rise volume is situated west of the brick building with a maximum height mark of 75 meters. It was planned that its top floors from 14 to 17 would be occupied by apartments. In one of the versions, the tower shoots out an additional cantilevered structure on the level of the second floor – on the whole the modern part of the complex looks rather energetic and even flamboyant, as if making up for the idea of preserving the “undeserving” historical building, by sporting “barcode” black and white stripes, ostentatiously rectangular contours, an abundance of cantilevered structures, and “flying rectangles” in the spirit of Leonidov. In a word, this contrastive combination of modern and historical architecture yielded quite a European, and (to be sure) Dutch concept in terms of its approach.
The concept was developed by the architectural firm GrAn in July of this year at the commission of GALS development as a search for one of the possible options for the development of the land site, and, as became recently known, it will not be implemented.
A five-story housing complex designed by Stepan Liphart in Kazan, responds to the stylistically diverse context with its form, both integral and agile, and as for the vicinity of the “Ekiyat” movie theater, the complex responds to it with a semblance of theater curtain folds, and active plastique of its balconies, that bear some resemblance to theater boxes. Even if excessively pompous a little bit, the complex does look fresh and modern. One will have a hard time finding Art Deco elements in it, even though the spirit of the 1930s, run through the filter of neo-modernism, is still clearly felt, just as a twist of the Occident.
The restoration of the Salt Warehouse for the Zvenigorod Museum, on the one hand, was quite accurately implemented according to the design of the People’s Architect, and, on the other hand, it was not without some extra research and adjustments, which, in this case, was quite beneficial for the project. The architects discovered the original paint color, details of the facades, and studied the history of rebuilds of this building. As a result, the imposing character of the empire building, the oldest one in the city, and the differences of later additions were accurately revealed. Most importantly, however, the city got a new cultural and public space, which is already “working” in full swing.
From Moscow to Khabarovsk
This year, the works submitted by the students of the Genplan Institute of Moscow included a proposal for revitalizing Moscow’s “Pravda” complex with its structures designed by Ilia Golosov, landscaping an East Siberian town, located a 12-hour drive away from the nearest big city, and three versions of turning a derelict “pioneer camp” into an educational hub, similar to “Sirius”. Two sites out of three have an interested client, so chances are that the students’ works will be ultimately implemented.
Harmonization of Intentions
We met and talked with the chief architect of Genplan Institute of Moscow Grigory Mustafin and the chief architect of Yuzhno-Sakhalinsk Maxim Efanov – about how the master plan of the city is formed. The key to success: gathering data, digital simulation, working with the city people, thinking infrastructure, and presentation.
Cité for Naro-Fominsk
The new neighborhood on an island in the center of Naro-Fominsk continues the ideas of developing the territory of the silk-weaving factory, around which the city actually formed. The authors skillfully mix different formats of mid-rise development and make the most of the island location, offering a variety of formats of interaction with water, available to all citizens. No wonder that the project is considered exemplary and worthy of duplication in the region. It is also an example of rare synergy between the client and the architects.
A Tower and a Manor House
The concept of a high-density residential district replacing a set of outdated privately owned houses in Yekaterinburg preserves the street grid and, in some cases, even the scale of construction. OSA Architects combine towers with townhouses and other types of housing, orienting the silhouette composition towards a pedestrian boulevard. Through non-linear routes and spatial diversity, the residents will see their neighborhood in a new way every day.
The Warm Stone
The housing complex in Zelenogorsk is interpreted by Mayak architects as a scatter of stones. The unconventional outline of houses with a pentagon plan not only helped to form the image part of the project, but also facilitated the architects’ work with the density of construction and insolation of the apartments.
For All Times
The modular technology combined with the building material of glued wood allows the architectural company Rhizome to create quick-mount hotels (no less!) that are highly rated by the architectural community: last week, the new hotel “Vremena Goda. Igora” scored three awards. Below, we are examining the project in detail.
The Other Way Around
Few awards instead of many, the award ceremony conducted on the first day instead of last, projections instead of sketch boards, trees inside and art objects outside – the renewal of the Architecton festival seemingly took the sure-fire path of turning all the professional traditions upside down – or at least those that happened to be within the scope of the organizers’ attention. There’s certainly a lot to pick on, but the exhibition does feel fresh and improvisational. It looks that pretty soon these guys will set trends for Moscow as well. We shared with you about some elements of the festival in our Telegram channel, and now we are examining the whole thing.
ArchiWOOD-14: Building Bridges
This season, the festival’s jury decided not to award a grand prize: judging by the fact that the shortlist included several projects that had not reached the award in previous years, and the “best house” was pronounced to be an undoubtedly beautiful but mass-produced model, the “harvest” of wooden buildings in 2023 was not too abundant. However, there were many unusual typologies among the finalists, and restoration and revitalization projects received their share of recognition. Let’s take a look at all the finalists.
The Chinese Symphony
The construction of the Chinese center “Huaming Park” has been a long story that came to fruition relatively recently. The building is adjacent to a traditional Chinese garden, but it is very modern, laconic and technological, and the simple-in-form, yet spectacular, white lamellae promise to someday be incorporated as a media facade. This complex is also truly multifunctional: it contains different types of living spaces, offices, a large fitness center, conference halls and restaurants – all wrapped in one volume. You can comfortably hold international forums in it, having everything you may possibly need at your fingertips, and going outside only to take a walk. In this article, we are examining this complex in detail.
Ensemble of Individualities
Construction of the first phase of the INDY Towers multifunctional complex on Kuusinen Street, designed by Ostozhenka, has started. The project opens new angles of similarity between the column and the skyscraper, and we examine the nuances and parallels.
Black and Red
Kazakov Grand Loft received its name for a reason: responding to the client’s brief and proceeding from the historical industrial architecture of its immediate surroundings, Valery Kanyashin and Ostozhenka architects proposed a new version of a modern house designed in the fashionable “loft” style. What makes this building different is the fact that the bricks here are dark gray, and the facades of the romantic “fortress” towers blossom with magnificent glazing of the windows in the upper part. The main highlight of the complex, however, is the multiple open air terraces situated on different levels.
Mezonproject has won the national architectural and town planning competition for designing a hotel and a water recreation center in the city of Irkutsk. The architects chose hummocks of Baikal ice as a visual image.
The Mastery of Counterpoint
In the sculpture of Classical Greece, counterpoint was first invented: the ability to position the human body as if it were about to take a step, imbuing it with a hint of the energy of future movement, and with hidden dynamics. For architecture, especially in the 20th century and now, this is also one of the main techniques, and the ATRIUM architects implement it diligently, consistently – and always slightly differently. The new residential complex “Richard” is a good example of such exploration, based on the understanding of contrasts in the urban environment, which was fused into the semblance of a living being.
The project of the museum of Aleksey Gastev, the ideologist of scientific organization of work, located in his hometown of Suzdal, is inscribed in multiple contexts: the contest of a small town, the context of avant-garde design, the context of “lean production”, and the context of the creative quest of Nikolai Lyzlov’s minimalist architecture – and it seems to us that this project even reveals a distant memory of the fact that Aleksey Gastev learned his craft in France.
In memory of Jean-Louis Cohen
Marina Khrustaleva – about Jean-Louis Cohen (20.07.1949-7.08.2023), French architect and architectural historian that specialized in modern architecture and city planning.
On the Hills
In the project by Studio 44, the “distributed” IT campus of Nizhny Novgorod is based on well-balanced contracts. Sometimes it is hovering, sometimes undulating, sometimes towering over a rock. For every task, the architects found appropriate form and logic: the hotels are based on a square module, the academic buildings are based on a “flying” one, and so on. Modernist prototypes, specifically, Convent Sainte-Marie de La Tourette, stand next to references to the antique Forum and the tower of a medieval university – as well as next to contextual allusions that help inscribe the buildings of the future campus into the landscape of the city hills with their dominants, high slopes, breathtaking river views, the historical city center, and the Nizhny Novgorod University.
The Magic Carpet
The anniversary exhibition of Totan Kuzembaev’s drawings named “Event Horizons” shows both very old drawings made by the architect in the formative 1980’s, and now extracted from the Museum of Architecture, as well as quite a few pictures from the “Weightlessness” series that Totan Kuzembaev drew specifically for this exhibition in 2023. It seemed to us that the architect represented reality from the point of view of someone levitating in space, and sometimes even upside down, like a magic carpet with multiple layers.
A Copper Step
Block 5, designed by ASADOV architects as part of the “Ostrov” (“Island”) housing complex, is at the same time grand-scale, conspicuous thanks to its central location – and contextual. It does not “outshout” the solutions used in the neighboring buildings, but rather gives a very balanced implementation of the design code: combining brick and metal in light and dark shades and large copper surfaces, orthogonal geometry on the outside and flexible lines in the courtyard.
The Light for the Island
For the first time around, we are examining a lighting project designed for a housing complex; but then again, the authors of the nighttime lighting of the Ostrov housing complex, UNK lighting, proudly admit that this project is not just the largest in their portfolio, but also the largest in this country. They describe their approach as a European one, its chief principles being smoothness of transitions, comfort to the eye, and the concentration of most of the light at the “bottom” level – meaning, it “works” first of all for pedestrians.
Spots of Light
A new housing complex in Tyumen designed by Aukett Swanke is a very eye-pleasing example of mid-rise construction: using simple means of architectural expression, such as stucco, pitched roofs, and height changes, the architects achieve a “human-friendly” environment, which becomes a significant addition to the nearby park and forest.
Ledges and Swirls
The housing complex “Novaya Zarya” (“New Dawn”) designed by ASADOV Architects will become one of the examples of integrated land development in Vladivostok. The residential area will be characterized by various typologies of its housing sections, and a multitude of functions – in addition to the social infrastructure, the complex will include pedestrian promenades, shopping malls, office buildings, and recreational facilities. The complex is “inscribed” in a relief with a whopping 40-meter height difference, and overlooks the Amur Bay.
Agglomeration on an Island
Recently, an approval came for the master plan of the Yuzhno-Sakhalinsk agglomeration, which was developed by a consortium headed by the Genplan Institute of Moscow. The document provides for the creation of 12 clusters, the totality of which will give the region a qualitative leap in development and make the island more self-sufficient, more accessible, and less dependent on the mainland. We are inviting you to examine the details.
Ivan Grekov: “A client that wants to make a building that is “about architecture” is...
In this article, we are talking to Ivan Grekov, the leader of the architectural company KAMEN (translates as “stone”), the author of many high-profile projects that have been built in Moscow in the recent years, about the history of his company, about different approaches to form making, about different meanings of volume and facade, and about “layers” in working with the environment – at the example of two projects by Osnova Group. These are the MIRAPOLIS complex on the Mira Avenue in Rostokino, whose construction began at the end of last year, and the multifunctional complex in the 2nd Silikatny Proezd on the Zvenigorodsky Highway; recently, it received all the required approvals.
Grasping and Formulating
The special project “Tezisy” (“Abstracts”), showcased at Arch Moscow exhibition in Moscow’s Gostiny Dvor, brought together eight young “rock stars of architecture”, the headliner being Vladislav Kirpichev, founder of the EDAS school. In this article, we share our impressions of the installations and the perspectives of the new generation of architects.
The White Tulip
Currently, there are two relevant projects for the Great Cathedral Mosque in Kazan, which was transferred to a land site in Admiralteiskaya Sloboda in February. One of them, designed by TsLP, was recently showcased at Arch Moscow. In this article, we are covering another project, which was proposed during the same period for the same land site. Its author is Aleksey Ginzburg, the winner of the 2022 competition, but now the project is completely different. Today, it is a sculptural “flower” dome symbolizing a white tulip.
The architectural company ATRIUM opened a gallery of its own in a metaverse. Inside, one can examine the company’s approach and main achievements, as well as get some emotional experience. The gallery is already hosting cyberspace business meetings and corporate events.
From Darkness to Light
Responding to a lengthy list of limitations and a lengthy – by the standards of a small building – list of functions, Vladimir Plotkin turned the project of the Novodevichy Monastery into a light, yet dynamic statement of modern interpretation of historical context, or, perhaps, even interpretation of light and darkness.
Modernism in Avant-Garde
The contest proposal that Studio 44 made for the Krasnoyarsk Opera and Ballet Theater is bright in all senses, and in many ways even provocative – just like a modern theater performance should be. Being in context with modern culture, it even shocks you in some respects. At first, you are amazed at the red color that is present all around, and then you gradually make sense of the picturesque congregation of volumes that share a multitude of functions. And it’s only later that you realize that this conglomerate conceals a modernist building, most of which the architects save intact.