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Ekaterina Gren: “Architecture is a jigsaw puzzle that consists of tasks and limitations”

Ekaterina Gren, the chief architect of GC «OLIMPROEKT» Ltd., speaks about the formative years of her division, the importance of a dialogue with the developers, and about the architect’s mission.

17 July 2018
Interview
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The architectural and project division of the company was launched relatively recently – in 2013. Can you please share how you went about organizing your work in the conditions of the cutthroat competition on the market? What was your strategy?

The strategy was based on the high quality of execution, quick response time, and the professionalism of the decisions that we made on every level: from conceptual ideas to actual implementation. Regardless of where my project is situated, however big or small it is, I treat it as the most important and interesting one in my career. I always try to think out of the box and come up with unconventional architectural and town planning solutions. And, of course, an important factor in our company’s establishing itself as an “architect” is our special kind of relationship with developers and marketing experts that we have when we work on our projects. From the very start, we go to the bottom of things to understand what our task is about, find out who they are building this project for, and discuss the budget. A correctly organized dialogue, in which the client and the architect are both hearing each other out, is the unmistakable key to success. It is important to solve the problem that the developer has, and do this with a unique architectural solution, too. You can create an interesting housing project using very simple solutions, and as for uniqueness, it’s not only about expensive façade or interior decoration materials; uniqueness can consist in the organization of space, both on the level of the master plan, and on the level of each of the apartments.

Mikhailova, 31 © GC «OLIMPROEKT» Ltd.


However, I think that our main key to success is our team. I try to foster in our every specialist keen attention to detail and overall quality. My pet phrase that I use when we discuss this or that issue with my colleagues is: “Think of this project as you would think of your future home. Imagine yourself living in this housing complex, walking around it, parking your car here, being surrounded by these façades... Would you want to live here? And if your answer is no, then we will have to search for the solution that will make you answer yes”.

Yes, there are indeed plenty of architectural firms out there, and designer companies, too, and the competition is tough. But I just don’t squander my energy on these thoughts – I don’t even have the time for that. And this is why I never thought about any company as my competition. I just start working and I get involved with the project, I treat it as my child that I have to bring up and to whom I have to give the best of me.

What experiments are developers ready to make in terms of you proposing unconventional architectural solutions?

You know, the more you work on housing stock projects, the more interesting it gets. Due to the fact that there is also a tough competition among the developers as well, the architects have been getting their hands on the tools they once could not get – meaning, high-quality decoration materials, unconventional planning solutions, interesting landscaping ideas. And if the developer is knowledgeable about the market situation, he understands the value of these tools and he is ready to experiment, for example, in the field of landscaping because he realizes that you cannot just “sell an apartment”; what you ultimately want to do is create a comfortable living environment, an important element of which is the yard territory. And currently there is a demand on the market for designing the yards as local public spaces with an opportunity for using various kinds of greenery, custom-designed hardscaping objects, modern European equipment, sport fields and playgrounds.

Residential complex with an underground parking garage, pre-school educational institution, and sports and recreation center. 8, Shushenskaya Street, Moscow © GC «OLIMPROEKT» Ltd.


And it is also important to note that the developers quite willingly make experiments in the area of façade decoration materials and landscaping. Sustainability is the hot trend of today: wooden boardwalks, clinker brick and natural stone are replacing fiber cement and ceramic granite.

Residential complex with an underground parking garage, pre-school educational institution, and sports and recreation center. 8, Shushenskaya Street, Moscow © GC «OLIMPROEKT» Ltd.


What other new trends in architecture can you name in terms of market promotion of housing projects?

Today, developers, designers and architects alike are paying more attention to the pedestrian accessibility and transparency of the environment; more attention is paid to the façade design, plastique, and materials, they try to work with every project on an individual basis. Well, there is nothing exactly groundbreaking about this approach but the very attitude towards the details of a master plan and the volumetric and planning solutions has become more responsible. The competition is ultimately won by the projects that put people’s interests above everything else. It is important for an architect to be able to get across to the developers and their marketing team which solutions will be the best for the future residents.

Residential complex with an underground parking garage, school, pre-school educational institution, and a medical center. Varshavskoe Highway, 170, Moscow © GC «OLIMPROEKT» Ltd.


Today, your company’s portfolio consists chiefly of high-rise housing projects. How do you solve the problems that usually accompany the typology of mass housing?

Most people associate mass housing with prefabricated houses, standardized planning solutions, high density of population, and lack of parking space.

Our projects, on the other hand, are all about the diversity of the floor plans of the apartments. People will be getting an opportunity to choose the housing that fits exactly their tastes: some people like more intimate confined spaces, some people love open space – we all are different, and our preferences are different. And as for the problem with the parking space, including the parking places for the guests’ cars – well, it has long since been solved by the underground parking levels. This makes it possible to create clean and cozy yards that are completely vehicle-free. Such solutions go a long way to make each of the residents of the complex and their families to feel comfortable. Because everyone remembers very well the yards, sidewalks and playgrounds all clogged up with cars, when you can’t get rid of a feeling that you live in a parking lot – no place to take a walk or just go outside and read a book.

And the greater the construction density of this or that specific land site, the more interesting the architect’s task is! There are various ways to solve this task: you can make it visually lighter by making units with different numbers of floors, gaps in the façade line, different stylistic solutions and the colors that you use.

Residential complex with an underground parking garage, pre-school educational institution, and sports and recreation center. 8, Shushenskaya Street, Moscow © GC «OLIMPROEKT» Ltd.


What does the term “comfortable environment” mean to you?

To me, this is a certain atmosphere that the architect creates for the resident: starting from his way home down to his apartment. The feeling of complete harmony when nothing causes you any discomfort, when you feel satisfaction from the sheer fact of being inside this place… The project must be comfortable for living and at the same time be at peace with the surrounding nature. And “harmonious environment” is not just about the choice of the façade design and floor plans – it is a sum total of various architectural solutions. For example, the territory must be functionally structured in a smart way: the entrance zone to the residential complex and the yard space must be separated from the public zone. The public level must be filled with public functions, and a developed social infrastructure must be there.

Residential complex with an underground parking garage, pre-school educational institution, and sports and recreation center. 8, Shushenskaya Street, Moscow © GC «OLIMPROEKT» Ltd.


Does your company have any plans for going beyond the confines of your “specialty” on multifunctional residential complexes, and, if you do, what direction would be interesting for you to develop?

Our company doesn’t have any “specialty” in residential complexes – rather, this just has to do with the current trends of the real property market. Housing stock is something that is currently being built in tremendous amounts, and there is more demand for it than for offices or even shopping malls. Currently, we have public buildings being designed as well, and I hope that we will have more of such projects, including sports facilities. It is more interesting for an architect to experiment with curvilinear volumes, large grid spans, and everything that you just cannot use in housing projects. But, again, a true professional is inspired by any typology.

Residential complex with an underground parking garage, school, pre-school educational institution, and a medical center. Varshavskoe Highway, 170, Moscow © GC «OLIMPROEKT» Ltd.


Do you use any BIM technologies?

Today, BIM modeling is being developed in every single company. Both designers and developers need it. In our case, BIM facilitates our work with side specialists and divisions. When you’ve got a single model, all of your solutions can be processed quickly and with no mistakes. At a certain stage, the model is handed over to the client, and further on it helps to operate the building more efficiently.

We use BIM in every project but not always 100%. The development of utility lines and a construction set, and the underground part, for example, which is generally the most difficult part, is always done in Revit. We also do some things in AutoCad but there is a general task to switch completely to Revit within one year.

Residential complex, 11th Parkovaya Street © GC «OLIMPROEKT» Ltd.


How would you define your signature style?

The term “signature style” doesn’t mean much to me, and it’s not up to me to define its presence or absence. When I start working on a new project I try to forget everything that I saw before and come up with a solution that I haven’t yet come up with. This is what the creative process and the creative search are all about. I think that each of our projects must be unique, and I definitely don’t want to develop any “signature style”. This is just like a jigsaw puzzle that you have to put together from the limitations and the tasks that are posed to you by the city, the client, and society. The difference is that when you do a jigsaw puzzle you always see the end picture in front of you, and in our profession the real ultimate outcome is only seen in the final stage of construction.

And every time I set for myself a task of making the urban environment more comfortable and interesting, and the city people’s quality of life higher. Becoming a better person and making a positive difference wherever you can is what our life as humans is about. I set for myself this specific task because the work of an architect has a direct influence on the organization and quality of people’s lives.

Mikhailova, 31 © GC «OLIMPROEKT» Ltd.


17 July 2018

Headlines now
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.