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​House above the Trees

The world’s one and only private residence designed by Zaha Hadid was recently finished in the Moscow area town of Barvikha.

24 April 2018
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The Moscow area recently saw the completion of the construction of the world’s only private residence built upon project by Zaha Hadid. The villa, which stands in a forest but still within the boundaries of the town of Barvikha, not far away from the Rublevo-Uspenskoe Highway, belongs to property magnate Vladislav Doronin, chief executive and owner of Capital Group and OKO Group.

More than ten years ago, Vladislav Doronin and Zaha Hadid met at a social function in London, after which they made an agreement about designing this house.


Vladislav Doronin: “For me, she is an architect of different league. I met Zaha Hadid a decade ago in London. We discussed architecture, art, and we found mutual interest – she liked Russian avant-garde, and I collect Russian avant-garde.  She was very laconic but very witty, her remarks being always to the point. She was an intelligent, sometimes sarcastic, and very insightful person. It turned out that both of us were perfectionists with a keen attention to detail, and we had a perfect understanding. Describing my future house I said that I wanted to wake up in the mornings and see the blue sky, feel free, and not see any neighbors. And Zaha replied: “But then you do realize that you will have to live above the trees, don’t you?” After which she took a napkin and made a quick sketch. I liked it. This is how we started Capital Hill, and it came out exactly the way Zaha intended it to be. This is not just a beautiful building/sculpture but also a comfortable place to live in”.

As for Zaha Hadid, she would call Vladislav Doronin “Russian James Bond”, who had style, taste, and the power to create something special.

Capital Hill Residence, Zaha Hadid Architects. Photo courtesy by OKO Group
Capital Hill Residence, Zaha Hadid Architects. Photo courtesy by OKO Group


One could think that the silhouette of the villa is a reference to the “horizontal skyscrapers” of El Lisitsky, discussing whose creations generated the idea of collaboration between the client and the architect. Designed by Zaha Hadid, however, the whole house takes on characteristic qualities of a space shuttle that has just landed among the birches and pine trees or maybe a family of some peculiar mushrooms feeding on the roots of the trees. Zaha’s trademark combination of movement, organic architecture, and futurism is probably one of the last “signature” works of the architect who passed away two years ago.

Capital Hill Residence, Zaha Hadid Architects. Photo courtesy by OKO Group


The two main volumes of the residence – “ground” and the “hovering” parts – are connected by three streamlined columns.

The rooms of the bottom part are partially inbuilt into the hill. The deepest of all are situated the rooms for recreation and leisure activities, the next floor contains a living room, a kitchen, and an open air swimming pool, while on the ground level there is a grand entrance, a library, a guest room and the children’s bedrooms. The slanted glass façades of the first three floors are turned in the direction of the forest; above them overhang curvilinear roofs with ledges of varying width.

The master’s bedroom with a spacious terrace hovers over the treetops at a height of 22 meters. In the shaft between the two concrete columns, there is an elevator and a staircase, which also command the surrounding views.

Capital Hill Residence, Zaha Hadid Architects. Photo courtesy by OKO Group


Capital Hill Residence, Zaha Hadid Architects. Photo courtesy by OKO Group


The building was designed in 2006, its total floor space being 2650 square meters. According to the architect and her client, the Capital Hill Residence, situated in the Barvikha forest outside Moscow, is utterly unlike anything else outside a film.

Capital Hill Residence is the second Zaha Hadid’s project that has been implemented in Russia. Her other project, the Dominion Tower business center, was completed in 2015.

24 April 2018

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
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Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
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Crystal is Watching You
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The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
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Birds and Streams
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Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
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The Paradox of the Temporary
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The Forum of Time
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Mirrors Everywhere
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The Steppe Is Full of Beauty and Freedom
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The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
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In the Rhombus Grid
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​Generational Connection
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Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.