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​Architectural Therapy

In this issue, we are publishing the contest project of renovating city blocks 32, 33, 34, and 35 on the Vernadskogo Avenue by a consortium of OAO “Mosproject” and OOO “Ginsburg Architects”.

13 March 2018
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The pilot site of the Vernadskogo Avenue

Located in the prestigious and expensive Moscow’s southwest, the renovation site of about 125 hectares and consisting of four soviet-era “micro-districts” 32-35, starts at the “Prospect Vernadskogo” metro station and stretches along straddling both sides of the avenue down to the Lobachevskogo Street. The “sphere of influence” of this area includes the green territory of the Moscow State University of Foreign Affairs, the 50th Victory Anniversary Park and the “Udaltsovskie Ponds”. In addition the boundaries of the site also contain the park of the “Southwest” ponds near the affluent of the Samorodinka River.

Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Photofixation of the designed construction © Ginsburg Architects + Mosproject
Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Location plan © Ginsburg Architects + Mosproject


In 1962, this micro-district (consisting of standard I-515 five-story buildings) was built on a windswept field between the village of Nikolskoe and the manor estate of Vorontsovo – the aerial footage shows the city spilling over the boundaries of the “Stalin” city blocks standing on the Marii Ulyanovoi Street (these had been built but two years earlier). Back in those days, the Vernadskogo Avenue was only roughly marked on the city plan, and finished in a dead end; the main thoroughfares of the nation’s capital being the Leninsky Avenue and the Borovskoe Highway that was still functioning back then. Today’s renovation site takes up about a half of the micro-district’s territory the way it was in 1962-1963: back then, six city blocks were built, currently three and a half are being considered for renovation, the two situated behind the Leninsky Avenue having been torn down and rebuilt still under the Mayor Luzhkov.

It must be said at this point that they started adding extra buildings almost as soon as the micro-district was built – these were 12-story houses. The 2000’s and 2010’s saw the appearance of towers standing along the banks of the ponds, a wall of 25-story buildings built along the edge of the park, and a few more houses 20-plus stories high, part of them meant today to accommodate for the first wave of repopulation.

It must also be said that today the panoramas of the area demonstrate a rather vivid contrast between the five-story affairs and the 25-story giants.

Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Photofixation. The current situation © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Photofixation. The current situation © Ginsburg Architects + Mosproject


The Footprint Magnet

The main distinctive feature of the proposal by Aleksey Ginsburg and Mosproject is the fact that the architects are treating the existing architectural situation with utmost care; at the exhibition, their project was one of the most contextually respectful ones – even if at the expense of sacrificing some flashiness of the presentation. The architects retain the planning layouts and proceed from the outlines of the five-story buildings in order to avoid cutting the trees – according to estimates it will be possible to retain as much as 77% of the existing vegetation on the renovated site.

Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Plan of the old housing stock to be demolished © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Comparative analysis of greenery © Ginsburg Architects + Mosproject


And the local residents liked that. During the public hearings, one of the local residents, worried by some issues in the projects by other authors (an automobile road running directly beneath her windows, to name but one) described the Aleksey Ginsburg project as being “more therapeutic”, because it provides for the most delicate treatment of the existing situation. And I cannot blame the local residents either because I lived for two years on the Vernadskogo Avenue in the five-story house right behind the “Zvezdny” movie theater. The trees are truly magnificent there, and another proof of that is a record number of bullfinches in winter and cats in summer (the latter would just crawl into my window on the first floor). I even had a drawing by the artist Andrew Yagubsky depicting these bullfinches and cats, made expressly for the purpose of immortalizing this peculiar urban ecosystem.

Nevertheless, the architects’ proposal does not merely boil down to building within the blueprints of the demolished houses – rather, the model that they propose can be called a hybrid one: where two five-story houses used to stand parallel to one another, seven-story houses of a shorter length appear, while between them arises a lintel of the same height that forms a semi-open urban block. The distance between the five-story houses ranged from 45 to 80 meters, the length of the block being from 60 to 90 meters, and the authors “mine” from this permanent module city blocks of different sizes: sometimes they are small, with “classic” (as might be expected for a seven-story house) yards about 50x70 meters, and sometimes they are large, encompassing not two but four five-story buildings, the latter being contextually grouped closer to the Marii Ulyanovoi Street, where “Stalin” layouts with large yards prevail.

Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Landscaping plan © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Photofixation. Schematic construction plan © Ginsburg Architects + Mosproject


On the corners of the city block towers appear, 14 to 18 stories high, which close the contour, although not completely. Thus, in the stead of the open “stitches” of the micro-districts, placed at different angles, the new housing appears, tied to its vectors, but this time of the city block type, yet spaced out with towers. The city blocks interpret the stitches of the five-story houses; the towers follow the “infill” construction, which, as we remember, started here, mostly on the perimeter, back in the 1970’s. The two systems overlap and form a complex form of mutual subjugation: not all of the towers belong to the city blocks at the same time belonging to the stitches running along the streets. Aleksey Ginsburg describes the end solution as “something in the middle” between historical perimeter-type planning and the open modernist type.

Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Architectural and space-planning design © Ginsburg Architects + Mosproject


Streets, squares, parks, and functions

In the northwest part of the site, along the fragment of the former Borovskoe Highway, the architects built a number of towers that mark exactly the side ends of the former five-story houses. They face the street with their corners, creating (instead of the construction front that you would expect to see here) a zigzag of little triangular parks: two of them stretch northwest as small promenades, and one becomes the main square – it joins a diagonal driveway, through which it will be possible to walk from the metro station to the Moscow State University of Foreign Affairs, bypassing the busy thoroughfares. The other triangular “ledges” also play the role of mini-squares. All of the ledges have arcs or circles marked on them that bear a distant resemblance with the Catherine the Great squares of Tver and are directly resonant with a large arc-shaped “repopulation” house built on the other side of the former Borovskoe Highway.

Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Plan of the Boulevard Ring © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Visualization. View of the square © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Social infrastructure projects © Ginsburg Architects + Mosproject


This way, the former highway is turned into a boulevard with little parks and squares, the main public urban space, lending itself to romantic walks and cafe visits. From its south part, it borders on the narrow park stretching along the Lobachevskogo Street, and this park is in turn continued by a sports boulevard around the residential towers on the Vernadskogo Avenue – here, behind the thin array of the residential buildings, the authors of the project find room for a fitness center. What the whole thing ends up looking like is a peculiar “horseshoe” of green public spaces with different specialization. They are continued by a park spreading around the ponds on the other side of the avenue – the most peaceful place, almost a full-fledged park. However, in order to tie this whole functionally diverse framework into a single system, the architects had to improve the connection between two major parts of this area.

Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Social activity © Ginsburg Architects + Mosproject


Building Bridges

In order to do that, the architects propose to replace the overland pedestrian crossing in the south part of the avenue with a bridge equipped with elevators – it must serve the purpose of connecting the sports boulevard with the mini-park spreading around the ponds by forming two interconnected loops of pedestrian and bicycle routes.

Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Transport diagram © Ginsburg Architects + Mosproject


Solving the problem of the low transparency of the district so far seems unrealistic: too many fences have been built over the last twenty years, and “opening them up” could be quite a chore. At the same time, speaking to the local residents, the authors of the project came to a conclusion that for the elderly people who live here, the opportunity to reach some important places on foot is extremely important. That’s why they accentuated and strengthened all of the available pedestrian connections, adding, of course, driveways around the new houses.

Architecture of Moderation

As for the architecture of this project as such, the authors describe it as “deliberately conditional”; the houses neutrally look like one another, and there isn’t much of fashionable glass, either. The basic height is seven floors, which is the arithmetic average between the five-story buildings and the nearest “Stalin” houses 9-10 stories high – the latter are obviously addressed by the brownish color of the 7-story sections; it also correlates fairly well with the brick Soviet towers. The height of the towers is one third of the infill construction of recent years, which also brings the contrast to a certain average norm. The top parts of the towers are “cut away” by a glass floor; they sport the “above-clouds” white color – a psychological technique meant to make the urban giant look smaller. Underneath all the new buildings, there is a tier of an underground parking garage.

Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Visualization. View of the city block © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Visualization. View of the boulevard © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Visualization. View of the park © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Visualization. View of the city block © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Visualization. View of the yard © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Visualization. View of the yard © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Visualization. View of the little park © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Visualization. View of the Vernadskogo Avenue © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Section view of the territory. Height marks and road profiles. 3. The in-block driveways between the urban blocks © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Section view of the territory. Height marks and road profiles. 4. The urban blocks © Ginsburg Architects + Mosproject


Stages

Part of the contest specifications was the requirement for calculating the period of implementation and the logic of repopulation. Seven repopulation waves are anticipated. The first wave uses the already-built “starting” houses and it will “wash away” the old housing stock in the center of the two halves of the district. The second wave is the five-story houses next to the “Zvezdny” movie theater, the ones next to Clinic 31, and so on. The residents are relocated to the nearest houses in such a way that they do not even have to change the right side of the avenue to the left side and vice versa. We will note here that the housing to be sold is chiefly situated in the separately standing towers distributed all over the area, some closer to the metro station, some farther away from it, but still, in a pretty smooth fashion. Possibly, such division of volumes into migratory and commercial type must simply the task selling the housing stock; according to the plan, the commercial housing towers will be the last to be built.

Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Wave migration © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Wave migration. The second stage of building the third wave © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Wave migration. The fourth wave © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Wave migration. The seventh wave © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Wave migration. The final stage of construction © Ginsburg Architects + Mosproject


Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Wave migration. The stage of building the commercial housing stock © Ginsburg Architects + Mosproject


Therapy as a Principle

The Soviet town planning tradition was notable for its “surgical” approach to designing the urban environment; it was not for nothing that some of its results were aptly called “a set of false teeth”: explosions, incisions, and intrusions. Then, in the 1980’s, this approach was finally discarded, and (theoretically) the interest to context prevailed – the desire to research, respond, reflect, and fit in with the surroundings. This approach is most common in a historic city but here it is applied to a modernist heritage, which feels slightly paradoxical: the footprints of those “standardized” houses that once marched these fields are not immortalized by the tactful architects. Figuratively speaking, instead of a “second surgery”, the architects are proposing the “first therapy” of the space, built only some 55 years ago and now falling into some sort of decay. It is easy to notice that the architecture that arises in this project is essentially a cross between five-story houses and... twenty-five story houses not only in terms of planning but also in terms of their height and volume. It probably claims the part of the perfect connecting tissue because it possesses a number of features of “this” and “that” side, which accounts for its immanent winsome look, not seen at a first glance.

Just as tactfully as they did with the trees and the planning structure of the area, the architects are treating its economic realities and functions, trying not to overburden the project with anything supernatural, expensive, all-to-complex, or even potentially unpopular.

“Everything that we did together with the architects Dmitry Aleksandrov and Aleksey Bavykin as part of the expert group is based on the economic and technical calculations – shares Aleksey Ginsburg – No castles in the air, nothing fancy, just solving specific tasks: to create a public space, to keep intact the trees and the scale of construction, and to connect the two parts of the area through the Vernadskogo Avenue. Our proposal takes into account the opinion of many people living in this area. We talked to these people even before the public hearings were organized. The very fact that these people came to the public hearings and said: “Yes, you built it exactly the way we wanted” is for us a great reward in itself”.
Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. The parking lots © Ginsburg Architects + Mosproject
Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Planning structure elements © Ginsburg Architects + Mosproject
Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Plans of the standard floors of the linear sections © Ginsburg Architects + Mosproject
Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Plans of the standard floors of the corner sections © Ginsburg Architects + Mosproject
Concept of reorganizing City Blocks 32-33 and 34-35 in the area of the Vernadskogo Avenue. Shadow map © Ginsburg Architects + Mosproject


13 March 2018

Headlines now
A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.