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​The Future: Yesterday and Today

In this issue, we are publishing an article by Alexander Skokan that was originally published in the collected works of Russian Academy of Architecture and Construction Sciences: about the Future the way people envisaged it in the 1960’s, about the Information Age, and about the future that we are witnessing today.

15 January 2018
Research
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Alexander Skokan,
The leader of Ostozhenka Bureau

When back in the 1950’s and 1960’s people spoke about the Future, they, just to be on the safe side, were not saying exactly when it was going to come (apart from Nikita Khrushchev’s rash promise of communism coming in the 1980’s), yet, for all intents and purposes, it was implied that it would surely come in the XXI century. We have been living in this Future for 17 years now, and, looking back, we can compare it with the expectations of that time.

“That time” was ten years after the end of World War II, after the death of Stalin, after the “Iron Curtain” was slightly lifted, and after a whole string of events, which had quite recently been deemed impossible, when everything hinted at the beginning of some new era, behind which some kind of Bright Future could be discerned.

In front of our eyes, miracles were unfolding; we witnessed space exploration, jet aviation, peaceful (and not-so-peaceful) nuclear development, television, and many other things, new and wonderful.

At the same time, all this euphoria and expectancy of the future peacefully coexisted with the drab realities of everyday life, primitive technologies, and pictures of poverty and need that were to be seen everywhere in this country shaken by recent the all-out war.

This harsh reality, and romantic expectancy of the Future created a certain emotional tension, which got in the way of people’s going about their everyday businesses, making thinking about the Future a far more attractive thing to do (“forward to victory”, “the victory of communism is inevitable”, and such like).

It was believed by default that the Future is better and brighter than the present, much more so than the past that made one shudder to think of.

The young Soviet architects of those days could not stay away from these Future games, and from this expectation of the coming age of plenty. They were like children, looking forward to a Christmas party, peeking through the door into the room, where a Christmas tree already stands and the last-minute preparations are being made...

Is it possible, in such a situation, to go about your everyday business, do your homework, design standard housing construction, or study the history of architecture, for that matter?

This is why the main item on the agenda was the Future. It was the only thing worth speaking about, it was the only thing that the architects could devote their thoughts to and design for. The present simply could not provide any compelling subjects for the architects – designing the rank-and-file micro-districts and houses for the party bosses was a much less appealing option.

This is, of course, an exaggeration, but not a strong one; besides, the limited possibilities offered by the construction technology of those days did not allow the architects to expect the coming of complex and interesting architecture any time soon.

And for this reason as well, the Future was the time and the place where the impossible was becoming possible.

The future was like a mind expander that helped you run away from the present. 

Out of all the ways of escaping from reality (hiking, religion, alcohol, dissidence, science, and fine arts), this “futurologist design”, as it was called then, could arguably be considered to be the most professional one for the architects. In addition, this was a pretty exciting thing to do, because you did it in a good company, and it was generally a fun thing to do.

This may have been one of the reasons for such increased interest for the Future, as well as forecasting and modeling it. This is why the late 1950’s and the early 1960’s witnessed the appearance of various “informal” – meaning, connected solely by their circle of interests, and not necessarily working at the same offices – groups of architects, who to a certain extent continued the traditions of the Russian architectural avant-garde [i].

One of such groups – probably, the best-known one – was the so-called NER.
In 1960, a group of graduate students of the Moscow Institute of Architecture presented a collective “experimental project – New Element of Settlement (NER) – the city of the future”.

This work aroused a lot of interest; it was much talked and written about. Since this project was absolutely unique for the Soviet architecture of those days, it became the main newsbreak in the professional community, its authors instantly becoming extremely popular figures. Today, they would have been probably called “stars”, but back then the word of mouth spread unbelievable rumors about them, and already then they became some sort of an urban myth.

Developing the ideas proposed in their diploma project, the authors publish the book “New Element of Settlement” (1966), which was later on translated into English, Italian, and Spanish, and was published in 1967 in the USA, Italy, and a few countries of Latin America.

Then comes the exhibition period in the biography of NER – a show in the Research Institute of Theory and History of Architecture and Urban Planning in 1966, and two international exhibitions: the 14th international Milan Trienniale in 1968, and an exposition in the pavilion designed by Kenzō Tange at EXPO 1970 in Osaka.

NER’s original idea consisted in creating compact self-sufficient (architectural thinking) small towns with an optimum population of 100 thousand people. According to the architects, this number was enough to ensure the adequate amount of social (based on mutual interests) contacts, necessary for harmonious life in the city; for this, a “communication center” was organized, located in the city center.

These new perfect cities were opposed to the existing megalopolises, hopelessly and uncontrollably sprawling in spite of all the “smart” and beautiful-looking master plans. As analogues and prototypes, the authors cited well-known “perfect” historical cities from Palma Nova to English “garden” towns.

The entire inner plan of a “new element of settlement” was designed to provide walking accessibility – those days, bicycling was only popular in China and Holland. 

The growth of these settlements was limited, on the one hand, by their self-sufficient form, and, on the other hand, by the 100 thousand population limit. 

However, the main thing about this project was the structure that these cities formed – it was a global network encompassing the whole country, the so-called “settlement system”. This structure also included the hubs of the already existing cities in the European part of the country, stretching into a “settlement corridor” in the eastern direction.

And, although today the idea of “parceled” urban development is considered to be utopian, the theory of “settlement system” implemented on a national scale has not been disproved at all, and in many respects seems to be the solution for many issues of the structural and spatial development of our large country.

In addition, during that period of NER’s activity, Aleksey Gutnov and Ilia Lezhava, with input from their colleagues, developed and put into professional practice a whole number of academic thesis statements and project terms. Essentially, they created their own NER vocabulary: recovery center, framework, plasma, settlement corridor, KVAR (temporary active settlement complexes), and others. 

At this point, however, the history of NER ended – this extremely interesting creative community, this “futuristic company”, quietly disbanded, at the same time keeping up friendly ties, Aleksey Gutnov and Ilia Lezhava publishing yet another book, “The Future of the City” (1977). 

NER was an attempt of a professional architectural response to the challenge of those days, the 1950’s and the 1960’s, an attempt to come up with the image of the oncoming Future, and to “design the city of the near-future communism” [ii]. 

The NER term generally signifies projects and academic constructs built around the idea of the “City of the Future”, while essentially NER (“new element of settlement”) is in fact that City of the Future, a fragment of an all-embracing town planning network that covers the whole country.

These appeals to the future and attempts to peek beyond the horizon nevertheless ceased somewhere in the late 1960’s, when people started to live on other ideas and aspirations.

In fairness it must be said that designing cities of the future was not done solely by the NER team – right about that time or maybe just a little bit later similar utopian projects were proposed and exhibited by a few other architectural teams – the group of Ikonnikov, Pchelnikov, Gunst, Bokov, Gudkov, Loktev, and, possibly other less widely known enthusiasts.

Not mentioning the fact that all of the architectural magazines of that time were filled with sci-fi projects of a similar character, and few architects were able to resist the temptation to make their statement on the subject – Kenzo Tange, Otto Frei, Yona Friedman, and, of course, the most popular leader of the young architects of that time – the British group Archigram.

The logic continuation of the NER narrative was Ilia Lezhava’s teaching practice at the Moscow Institute of Architecture, and the scientific and project activity of the Department of Prospective Research of the Scientific Research and Design Institute of the Master Plan of Moscow, led by Aleksey Gutnov, whose team also included a few of the former NER activists.

Meanwhile, somewhere around the early 1970’s, something went wrong with the Future, as if some spring inside of it snapped – and people stopped looking forward to it, learning to live in the present and getting adjusted to it. Time stopped.

However, this stagnant present was not half as much interesting from the professional standpoint, and the problem of escaping the reality and leading a “secret” life was for the young architects as relevant as ever. This was not some obscure future (which, come right down to it, was inevitable in any case), but quite a different world, another dimension, which was neither yesterday, nor today, nor tomorrow, and in which the sci-fi projects of “paper” architecture began to unfold. This was not a different time but a different space. And this was also very exciting, even though not so optimistic.

However, the Future did come, at least because the new century officially set it, and it turned out to be not quite what people though it would be 50 years ago. And, of course, it is a great thing that it did not happen overnight, as if we fell asleep during a train ride, and suddenly woke up at a station that we never saw before, reading its name: “Future” – here we are!

Luckily, nothing really happens overnight; most of the time things happen in due course, and every big thing is usually preceded by some events that indicate the vectors of development, the trends, and everything that shows us the signs of the Future, near and remote.

There are always ample warnings and subtle signs, and if we fail to notice or understand them, it is our problem.

So, what is it that surprised us most of all at this station named “Future”? Something that we least expected to see? People and cities. Fifty plus years is too short a term to count on some fundamental changes in people’s minds – essentially, these are the same people, only they are much older now.

However, they are much better informed both about what they need to know (economy, health, politics, and so on), and about what they don’t need to know (specialized medical and other kinds and information).

On the one hand, people, overloaded with all sorts of information, became more versed and savvy in many respects, but on the other hand, they became much more controllable by pre-calculated biased information (informational manipulation).

“Homo Informaticus” is an information-charged individual who is essentially programmed to do some certain actions and experience some certain emotions. Basically, there is nothing fundamentally new about it, this is the ways it has always been in various societies to this or that extent but today all of these information influence technologies became as effective as never before.

In respect to the city, this means that people, who spend now so much time in the “parallel universe” of the cyberspace, became much more indifferent to real and material things, including to the city and its spatial environment and, in a broader sense of the word, to their physical location as such. 

One of the consequences of being so information-supercharged is a far greater mobility of the human being of the Future, meaning, the human being of today. This means that he is no longer tied to his one and only hometown – being constantly on the move, he has grown attached to different places, cities, and landscapes, which, as a rule, are geographically remote from one another. 

Of course, information, or, should I say, propaganda, i.e. biased information, can “charge” an individual with patriotism, love for his or her home, city, and country, but this “cyberspace” love is not likely to endure. A professional answer to that can, and probably will be, a set of pictures or 3D images, or other kinds of graphic illusions.

We can go on and on about the aspects, in which today’s Future justified our expectations and dreams, where it disappointed us, where things stayed as they were, and where they even got worse. This is a very interesting topic in itself, whilst most of our expectations were connected with technical innovation and scientific discoveries. In this field, indeed a lot of wonderful things happened, which were totally unthinkable back in those days, yet, on the whole, the future happened not quite where we expected it to happen, or maybe it’s not so noticeable, or in some places in did not happen at all, or maybe such kinds of the Future happened that it would have been a good thing if they had never happened in the first place. However, though, the main difference between today’s Future and the Past, from which we tried to see this future, is that now this Future with a capital “F”, like some light and happy cloud, in which you want to find yourself as soon as possible – this Future no longer exists.

The new Future is much more pragmatic; it promises problems that today do not seem to have a solution – overpopulation, resource exhaustion, global warming (or global cooling), the so-called “hybrid” wars and lots of other not-too-pleasant and not-too-comprehensible conditions.

On the other hand, we are surely in for a lot of positive news in the area of information technologies and further perfection of the cyberspace, to which we are most likely to turn for consolation if we don’t agree or are upset with something in our real, material, and pragmatic Future.

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[i] This was the time of numerous literary, artistic, philosophical, and other communities, groups, clubs, and studios, whose members would discover for themselves new opportunities, overcoming the rigid boundaries imposed by the Soviet state.

[ii] Stroitelnaya Gazeta, 27.04.1960 № 51 (3734), “Gorod Budushchego”, A. Baburov, A. Gutnov, and other MARKhI students.

15 January 2018

Headlines now
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.
The Color of the City, or Reflections on the Slope of an Urban Settlement
In 2022, Ostozhenka Architects won a competition, and in 2023, they developed and received all the necessary approvals for a master plan for the development of Chernigovskaya Street for the developer GloraX. The project takes into account a 10-year history of previous developments; it was done in collaboration with architects from Nizhny Novgorod, and it continues to evolve now. We carefully examined it, talked to everyone, and learned a lot of interesting things.
A Single-Industry Town
Kola MMC and Nornickel are building a residential neighborhood in Monchegorsk for their future employees. It is based on a project by an international team that won the 2021 competition. The project offers a number of solutions meant to combat the main “demons” of any northern city: wind, grayness and boredom.
A New Age Portico
At the beginning of the year, Novosibirsk Tolmachevo Airport opened Terminal C. The large-scale and transparent entrance hall with luminous columns inside successfully combines laconism with a bright and photogenic WOW-effect. The terminal is both the new façade of the whole complex and the starting point of the planned reconstruction, upon completion of which Tolmachevo will become the largest regional airport in Russia. In this article, we are examining the building in the context of modernist prototypes of both Novosibirsk and Leningrad: like puzzle pieces, they come together to form their individual history, not devoid of curious nuances and details.
A New Starting Point
We’ve been wanting to examine the RuArts Foundation space, designed by ATRIUM for quite a long time, and we finally got round to it. This building looks appropriate and impressive; it amazingly combines tradition – represented in our case by galleries – and innovation. In this article, we delve into details and study the building’s historical background as well.
Molding Perspectives
Stepan Liphart introduces “schematic Art Deco” on the outskirts of Kazan – his houses are executed in green color, with a glassy “iced” finish on the facades. The main merits of the project lie in his meticulous arrangement of viewing angles – the architect is striving to create in a challenging environment the embryo of a city not only in terms of pedestrian accessibility but also in a sculptural sense. He works with silhouettes, proposing intriguing triangular terraces. The entire project is structured like a crystal, following two grids, orthogonal and diagonal. In this article, we are examining what worked, and what eventually didn’t.