По-русски

The White Thread

ARCHIMATIKA architects, the authors of the housing complex in the south part of Kiev, found a brilliant solution that unites three visually different volumes into a single living organism.

25 September 2018
Object
mainImg
Architect:
Aleksandr Popov
Firm:
Archimatika
Object:
WhiteLines residential complex
Ukraine, Kiev

2017 — 2018

The concept of WhiteLines – the typology, still rarely seen on our market, when a housing complex includes virtually all the functions that its residents may need, from housing stock to movie theaters – was proposed to Dmitry Vasiliev and Alexander Popov by their client. The architects enthusiastically welcomed it: the idea of a whole city block, whose residents are provided with everything that they may possibly need directly at the place of residence, is quite resonant with the idea of a comfortable living environment that has long since become the creative credo of ARCHIMATIKA. “When you are living in a home where you can get down to the grocery store with your slippers on, then go to the movies dressed in your bathrobe, and go to the swimming pool in the morning – this is just the right concept for our climatic zone” – reasons the cofounder of the company Dmitry Vasiliev.

The land site, upon which the complex will be built, is located in the south part of Kiev, at the fork of the Holoseevsky Avenue and the Vasilkovskaya Street. Limited from the west by the Uzhgorodsky Lane, it has almost a regular triangular shape, but, because of the fact that its acute angle is crossed by the building of the Alexander Dovzhenko National Center, the construction site turns into a trapeze. This location, of a “background” nature if viewed from the avenue, set quite a challenging task for the architects: how do you make sure that three 24-story towers, which are “peeking” from behind the squatting parallelepiped of the Dovzhenko Center, do not look like chaotically planted odd volumes? The architects did come up with an interesting solution (more of which is below), but at this point we must mention the advantages of this territory, chief one among them being an immediate vicinity with the beautiful Holoseevsky Park, aka Maxim Rylsky Park – a monument of gardening art with creeks, promenades, and playgrounds slowly bleeding into an almost virginal forest. In addition, in the immediate vicinity of the construction site, the “Holoseevskaya” metro station is situated.

White Lines housing complex © Archimatika
White Lines housing complex © Archimatika


White Lines housing complex © Archimatika


The three high-rise towers rest on a two-story podium, at the corners of the platform, in the advantageous vantage points. The podium contains all of the sports and entertainment functions, while its roof is used as the private landscaped yard, which is only accessible to the residents of the complex. As far as the shopping arcade on the first floor is concerned, it was decided to turn it outside, with its face to the city. “Today, there is a totally dead area there – Dmitry Vasiliev explains – People who walk down the avenue to their homes from the metro station have to walk alongside a dead concrete fence – a waste of time and space, really. We, on the other hand, want to make a living street with shops, cafes, and drugstores – everything that may come in handy not only for the residents of our complex but the whole area as well”.

White Lines housing complex © Archimatika


So, how do you bring together three high-rises if their podium is not seen from strategically important vantage points? It was clear that designing façades in a unified fashion alone would not do the trick – some vivid and bright-looking solution was needed. After a long creative search, the architects came up with an idea of a horizontal line being the plastique leitmotif, which would run as a red thread (well, a white thread, actually) over all of the volumes of the complex. It looks as if the architects took the all-glass towers and wound a white thread around them, row after row, and not in a really neat manner – at some places it is thicker, at some – thinner, and at some points it breaks down only to begin again at another point; it covers, of course, the podium and the building of the Dovzhenko Center as well – now everyone will clearly see that this whole complex is a single (and living and breathing) organism. The white “thread” also performs a purely utilitarian function: it conceals the air conditioning units, so it is quite a motivated solution. The image turned out to be so bright that recently the complex, formerly known as Smart Plaza Holoseevo, was renamed into WhiteLines.  

White Lines housing complex © Archimatika


Oh, yes, and a slight hint at organics can also be traced in the not-too-regular shape – akin to forest mushrooms – of the high-rise volumes, all the more so because, starting from a certain height, the architects are proposing to replace the strictly rectangular floor plans with parallelograms with rounded corners that take on a wave shape alongside one of the walls. This feeling is also strengthened by the nonlinear outlines of the awnings of the shopping gallery, which also look like fungi that grow on old tree trunks.

White Lines housing complex © Archimatika


White Lines housing complex © Archimatika


Most of the residential premises in WhiteLines are meant for family couples with kids – here they will not only be able to go for walks in the Holoseevsky Park but also get a suntan in their own sun bed or play basketball on the roof of the podium. It was this specific target group that the architects had in mind when they designed the floor plans of the apartments, among which are also two-tier ones. And, as far as the apartments’ floor plans are concerned, this is something that ARCHIMATIKA approaches in a particularly creative and careful way, their philosophy being that each meter of such expensive housing must be used rationally and with utmost comfort – 99% of the apartments have been designed in accordance with the PRO method, as the architects call their layouts developed by painstaking analysis of various parameters for better efficiency of using each square meter.

The project got shortlisted by the international award World Architecture Festival in the category “Commercial Mixed-Use – Future Project”. The construction is due to begin in the fourth quarter of 2018.
White Lines housing complex © Archimatika
White Lines housing complex. PRO floor plans of the apartments © Archimatika
White Lines housing complex. PRO floor plans of the apartments © Archimatika
White Lines housing complex. PRO floor plans of the apartments © Archimatika
White Lines housing complex. PRO floor plans of the apartments © Archimatika
White Lines housing complex. PRO floor plans of the apartments © Archimatika
White Lines housing complex. PRO floor plans of the apartments © Archimatika
White Lines housing complex. PRO floor plans of the apartments © Archimatika
Smart Plaza housing complex. Notch +14.550 © Archimatika
White Lines housing complex. Section view 2-2 © Archimatika
Smart Plaza housing complex. Notch +20.100 © Archimatika
White Lines housing complex. The standard floor 1-5 © Archimatika
None


Architect:
Aleksandr Popov
Firm:
Archimatika
Object:
WhiteLines residential complex
Ukraine, Kiev

2017 — 2018

25 September 2018

Headlines now
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.
Champions’ Cup
At first glance, the Bell skyscraper on 1st Yamskogo Polya Street, 12, appears strict and laconic – though by no means modest. Its economical stereometry is built on a form close to an oval, one of UNK architects’ favorite themes. The streamlined surface of the main volume, clad in metal louvers, is sliced twice with glass incisions that graphically reveal the essence of the original shape: both its simplicity and its complexity. At the same time, dozens of highly complex engineering puzzles have been solved here.
Semi-Digital Environment
In the town of Innopolis, a satellite of Kazan, the first 4-star hotel designed by MAD Architects has opened. The interiors of the hotel combine elegance with irony, and technology with comfort, evoking the atmosphere of a computer game or maybe a sci-fi movie about the near future.
History never ends
The old railway station in Kapan, a city in southern Armenia, has been given new life by the Paris-based design firm Normal Studio. Today, it serves as a TUMO center.
A Deep, Crystal Shine
A new luxury residential development by ADM architects is set to rise in the Patriarch’s Ponds district, not far from Novopushkinsky Square. It will replace three buildings erected in the early 1990s. The project authors, Andrey Romanov and Ekaterina Kuznetsova, have placed their bets on the variety among the three volumes, modern design solutions, and attention to detail: one of the buildings will feature smoothly curved balconies with a ceramic sheen on their undersides, while another will be accented by glass “sculpture” columns.
Grigory Revzin: “What we should do with the architecture of the seventies”
Soviet modernism came in two flavors: the good, author-driven kind, and the bad, standardized kind. The good kind was “on the periphery”, while the bad kind was in the center – geographically, in terms of attention, scale, and everything else. Can we demolish it? “That would be destroying public consensus out of thin air”. So what should we do? Preserve it, but creatively: “Bring architecture into places where it hasn’t yet appeared”. Treat these buildings not as monuments, but as urban landscape. Read our interview with Grigory Revzin on the pressing topic of saving modernism – where he proposes a controversial, yet really intriguing, way of preserving 1970s buildings.
A Roadside Picnic of Urban Planning Theorists
Marina Egorova, head of Empate Architectural Bureau, brought together urban planning theorists – the successors of Alexey Gutnov and Vyacheslav Glazychev – to revive the substance and depth of professional discourse. At the first meeting, much ground was covered: the participants revisited the theoretical foundations, aligned their values, examined a cutting-edge case of the Kazan agglomeration, and concluded with the unfathomable intricacies of Russian land demarcation. Below, we present key takeaways from all the presentations.
Perspective View
CNTR Architects has designed a business center for a new district in Yekaterinburg, aiming to reduce the need for commuting and make the residential environment more diverse. The architectural solutions are equally focused on creating spatial flexibility, comfortable working conditions, and a memorable image that could allow the building to become a spatial landmark of the district.
Malevich and Bathhouses, Nature and High-Tech
The Malevich Bathhouse complex is scheduled to open in the fall of 2025 on the Rublyovo-Uspenskoye Highway. The project, designed by DBA-GROUP under the leadership of Vladislav Andreev, is an example of an unconventional approach to the image of a spa in general and of a bathhouse in particular. Deliberately avoiding any kind of allusion, the architects opted for streamlined forms with characteristic rounded corners, a combination of wood with bent glass, and restrained contemporary shapes – both inside and out. Let’s take a closer look at the project.
Rather, a Tablecloth and a Glass!
After many years, the long-abandoned Horse Guards Department building in St. Petersburg has finally received the attention it deserves: according to a design by Studio 44, the first restoration and adaptation works are scheduled to begin this year. Both the intended function and the general scope of works imply minimal alteration to the complex, which has preserved traces of its three-century history. All solutions are reversible and aimed, above all, at opening the monument to the city and immersing it in a lively social scene – hence the choice of a cultural center scenario with a strong gastronomic component.
​Materialization of Airflows
The Nikolai Kamov International Airport in Tomsk opened at the end of August last year. We have already written about the project – now we are taking a look at the completed building. Its functionality is reinforced by symbolic undertones: the architects at ASADOV sought to reflect local identity in the architecture as fully as possible.
The City as a Narrative
Sergey Skuratov’s approach to large urban plots could best be described as a “total design code”. The architect pays equal attention to the overall composition and the smallest of details, striving to ensure that every aspect is thoroughly thought out and subordinated to the original vision. It’s a Renaissance-like approach, really – a titanic effort demanding remarkable willpower and perseverance. The results are likewise grand – architecture that makes a statement. This article looks at the revived concept for the central section of the Seventh Heaven residential district in Kazan, a composition so thoroughly considered that even the “gradient of visual emphasis” (sic!) across the facades has been carefully worked out. It also touches on the narrative idea behind the project – and even the architect’s own doubts about it.
A Garden of Hope for Freedom
In October, at the Spaso-Evfimiev Monastery in Suzdal, the Prison Yard Garden opened on the site that had served as a prison from the 18th century until the Khrushchev Thaw. The architectural concept was developed by NOῨD Short Film, and the landscape design by the MOX landscape bureau. In fact, there are two gardens here – very different ones. We try to understand whether they evoke the right emotions in visitors, while also showing the beauty of June’s ruderal plants in bloom.
A Laconic Image of Time
The Time Square residential complex, built on the northern edge of St. Petersburg, appears more concise and efficient than its neighbor and predecessor, the New Time complex. Nevertheless, the architect’s hand is clearly felt: themes of “black and white”, “inside and outside”, and most notably, the “lamellar” quality of the facades that seems to visibly “eat away” at the buildings’ mass – everything is played out like a well-written score. One is reminded of both classical modernism and the so-called “post-constructivism”.
The Flower of the Lake
The prototype for the building of the Kamal Theater in Kazan is an ice flower: a rare and fragile natural phenomenon of Lake Kaban “froze” in the large, soaring outlines of the glass screens enclosing the main volume, shaping its silhouette and shielding the stained-glass windows from the sun. The project, led by the Wowhaus consortium and including global architecture “star” Kengo Kuma, won the 2021/2022 competition and was realized close to the original concept in a short – very short – period of time. The theater opened in early 2025. It was Kengo Kuma who proposed the image of an ice flower and the contraposition of cold on the outside and warmth on the inside. Between 2022 and 2024, Wowhaus did everything possible to bring this vision to life, practically living on-site. Now we are taking a closer look at this landmark building and its captivating story.
Peaceful Integration on Mira Avenue
The MIRA residential complex (the word mir means “peace” in Russian), perched above the steep banks of the Yauza River and Mira Avenue, lives up to its name not only technically, but also visually and conceptually. Sleek, high-rise, and glass-clad, it responds both to Zholtovsky’s classicism and to the modernism of the nearby “House on Stilts”. Drawing on features from its neighbors, it reconciles them within a shared architectural language rooted in contemporary façade design. Let’s take a closer look at how this is done.
An Interior for a New Format of Education
The design of the new building for Tyumen State University (TyumSU) was initially developed before the pandemic but later revised to meet new educational requirements. The university has adopted a “2+2+2” system, which eliminates traditional divisions into groups and academic streams in favor of individualized study programs. These changes were implemented swiftly – right at the start of construction. Now that the building is complete, we are taking a closer look.
Penthouses and Kokoshniks
A new residential complex designed by ASADOV Architects for the Krasnaya Roza business district responds to its proximity to 17th-century landmarks – the chambers of the Hamovny Dvor and St. Nicholas Church – as well as to the need to preserve valuable façades of a historic rental house built in the Russian Revival style. The architects proposed a set of buildings of varying heights, whose façades reference ecclesiastical architecture. But we were also able to detect other associations.
Centipede Town
The new school campus designed by ATRIUM Architects, located on the shores of a protected lake in the Imeretian Lowland Ornithological Reserve, represents an important and ambitious undertaking for the team: this is not just a school, but a Presidential Lyceum for the comprehensive development of gifted children – 2,500 students from age 3 through high school. At the same time, it is also envisioned as a new civic hub for the entire Sirius territory. In this article, we unpack the structure and architecture of this “lyceum town”.
Warm Black and White
The second phase of “Quarter 31”, designed by KPLN and built in the Moscow suburb town of Pushkino, reveals a multifaceted character. At first glance, the complex appears to be defined by geometry and a monochrome palette. But a closer look reveals a number of “irregular” details: a gradient of glazing and flared window frames, a hierarchy of façades, volumetric brickwork, and even architectural references to natural phenomena. We explore all the rules – and exceptions – that we were able to discover here.