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​High-rise Proposal

For the Kiev-based architects Alexander Popov and Dmitry Vasiliev, working with the territory of “Filikrovlya” became the first project they ever did for Moscow. Daringly, yet for a reason, the architects broke the height restrictions.

17 February 2017
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Mixed-use complex on the territory of the Milikrovlya factory. Project, 2015 © Archimatika
Mixed-use complex on the territory of the Milikrovlya factory. Limitations. Project, 2015 © Archimatika

“In August of 2015 we were invited to participate in an invitation-only competition for a housing project of great social importance, and we agreed enthusiastically, perceiving this like a certain trust credit, which we did our best to justify” – the architects confess.

The complex form of the land plot made Archimatika refrain from rectangular configuration of the buildings and regular plans of their positioning. The closest of all to the overland metro line are the sports fields, and therefore, the 2-3 stories school building for 500 students, which is situated right behind these sports fields, finds itself the required 50 meters away from the metro line. For other public buildings this figure is slightly lower, and the office buildings 3 to 5 stories high, which flank the academic building, are only 20 meters away from the metro line. And still further away behind them the architects placed four towers of a complex shape, 15 to 41 stories tall. Such a “ledgy” composition made it possible to, first of all, protect the residential buildings from the noise of the metro line, second, set some human-friendly scale of the volumes, and, third, ensure a high degree of insolation for both the inside yard and the residential towers – because this side is the south one.

Mixed-use complex on the territory of the Milikrovlya factory. Master plan. Project, 2015 © Archimatika


Mixed-use complex on the territory of the Milikrovlya factory. Volumetric compositional versions. Project, 2015 © Archimatika


Mixed-use complex on the territory of the Milikrovlya factory. Sketch. Project, 2015 © Archimatika


Mixed-use complex on the territory of the Milikrovlya factory. Sketch. Project, 2015 © Archimatika


The high-rises have a complex shape and form the boundary of the urban block from the side of the traffic junctions – on this side, the architects had to implant the noise protection into the structures of the façades, windows and doors. They are arranged in such a way that virtually all of them catch the sunlight: the substandard insolation time is only found on two small façade fragments, less than 5% of the overall façade surface. At the same time, the towers not only have different shapes with “cavities” and “slits” but are also placed on the north part of the territory in a rather freehand manner. Thanks to this technique, the high-rises signify the conditional boundaries of the urban block, without forming a “fortress wall”, which usually protects the residents not so much from any potential adversaries (of a purely imaginary nature) as from the opportunity to see the sky. At the same time, there appears an interesting nonlinear system of open spaces in between the yards, accessible not only for the residents of the complex and their guests but also for the general public, which is also important for forming a comfortable and human-friendly living environment.

Mixed-use complex on the territory of the Milikrovlya factory. Project, 2015 © Archimatika


Mixed-use complex on the territory of the Milikrovlya factory. Project, 2015 © Archimatika


As a result of the clear-cut planning of the land site and the thought-out traffic pattern (the parking garage is, of course, hidden underground), each of the functional zones, be that the school, the offices or the residential buildings, forms a micro-world of its own, that does not bother all the others. And the landscape, which naturally spills over to the river, becomes the glue that holds them together as a single organism. At the same time, the embankment itself is actively interacting with the city because it becomes a continuation of the neighboring green zone formed within the project of the multifunctional residential complex “Zapadny Port” (“Western Port”) – it is designed by SPEECH, ADM, and TPO “Reserve”.

Mixed-use complex on the territory of the Milikrovlya factory. Photographic montage (crossing of Bolshaya Filevskaya and Novozavodskaya). Project, 2015 © Archimatika


The competition’s brief specified the height restrictions for the new complex – not higher than 110 meters. However, the solution that the architects proposed exceeds this mark by more than 30 meters. “These height restrictions were dictated by the completely understandable desire to keep the panoramas of the city with the Fili Intercession Church – Alexander Popov explains – But studying the situation in detail, we found that the powerful landmark of the Moscow City business center actively influences all of the silhouettes in that area. A paradoxical situation is created: continuing to “haircut” all of the surrounding buildings at a much lower notch, we only highlight the already noticeable and very conspicuous cluster of buildings, thus suppressing – and this is important – the historical buildings, for the sake of which these restrictions were introduced. Of course, we still have to do a thorough analysis of the whole situation from all vantage points but we are positive that creating some landmarks that would set off the pressure of the Moscow City is not only possible but even highly desirable for this city”. As far as the new block itself is concerned, increasing the number of floors turns out to be a very important factor for it because it makes it possible to significantly shrink the construction blueprint, letting in more air and creating a more open “breathing” environment. It was this increase in height that allowed the architects to form the low-rise construction front and set a human-friendly scale supported by the highlights base floors of the towers.

Mixed-use complex on the territory of the Milikrovlya factory. Photographic montage (view from the side of the Kutuzovsky Prospect). Project, 2015 © Archimatika


Mixed-use complex on the territory of the Milikrovlya factory. Section view. Project, 2015 © Archimatika


Mixed-use complex on the territory of the Milikrovlya factory. Section view. Project, 2015 © Archimatika


Mixed-use complex on the territory of the Milikrovlya factory. Layout of the floors in the complex. Project, 2015 © Archimatika


Mixed-use complex on the territory of the Milikrovlya factory. Project, 2015 © Archimatika


Mixed-use complex on the territory of the Milikrovlya factory. Project, 2015 © Archimatika


In order to keep up and enhance this feeling of proportion, the architects tried to visually take some weight off the top part of the building at the expense of the lightened façade design. As a finishing stroke, the architects “landed” on one of the towers a “hovering” snow-white sculptural volume, in which they proposed to organize a unique penthouse or a sightseeing platform with a bar. As far as the main decoration materials are concerned, the architects considered several kinds of stone, and, of course, glass. The large glazed surfaces naturally create a play of highlights and reflections. They also help to increase the quality of the inner space of the apartments at the expense of good insolation and panoramic views.

An important part in forming the fractured pattern of the façade and showing the structure of the buildings is played by the terraces. These are arranged in groups and they are not to be met everywhere. Wherever there are no terraces, the architects designed small glazed recessed balconies of different sizes and different geometric shapes, which essentially become an indispensable part of the inner space of the apartment. By employing this technique, the architects are proposing to solve the problem of outlaw balcony glazing. Yet another typical problem is using the balconies as emergency exits. This solution is both inconvenient (because the extra stairways eat up an extra part of that valuable balcony space and are a nuisance for the residents) and ineffective (because a lot of residents remove their sections of the stairways and stop the openings, in spite of the fact that doing this is illegal). In this specific instance, the architects were able to afford to make two inside emergency staircases, thus freeing all the terraces and balconies from that extra functional load. This made it possible to place the balconies virtually in any conceivable part of the façades. Some of the apartments could get not just one but two such balconies or terraces. Although such planning entails a pretty inconvenient corridor, the architects are promising to make up for this inconvenience by breaking up the longish passage into fragments and decorating it in a nice and interesting way.

Mixed-use complex on the territory of the Milikrovlya factory. Plan of the standard floor (Building 1). Project, 2015 © Archimatika


However, the main result of the freedom of action that the architects got this way was a great number of floor planning options: more than 30 types of apartments, from 35 square meter studios to 160 square meter giants. As we remember, there are no problems with insolation of the façades, and the apartments can be also positioned in different ways. Each of the proposed floor plans has its own strong point: at some places, corner terraces appear, or fragments of living rooms of interesting configuration, at some places a great summer recreation area can be set up, at some places, the bathroom pops up not just next to the bedroom but also next to the terrace (which is extra-convenient), at some places appears a large living room that commands fine city views, at some places – a capacious kitchen or anteroom; some of the apartments can even comfortably house two generations of grownups (two families, in fact), which will not get in each other’s way. And it is this diversity of layouts that fully addresses all of the most diverse behavioral needs that the architects see as the foundation of the future commercial success of their project.

Mixed-use complex on the territory of the Milikrovlya factory. Plan of the standard floor (Building 2). Project, 2015 © Archimatika


Mixed-use complex on the territory of the Milikrovlya factory. Plan of the standard floor (Building 3). Project, 2015 © Archimatika


Mixed-use complex on the territory of the Milikrovlya factory. Plan of the standard floor of the tower (Building 3). Project, 2015 © Archimatika


Mixed-use complex on the territory of the Milikrovlya factory. Plan of the standard floor of the tower (Building 3). Project, 2015 © Archimatika


Mixed-use complex on the territory of the Milikrovlya factory. Plan of the standard floor of the tower (Building 4). Project, 2015 © Archimatika


Mixed-use complex on the territory of the Milikrovlya factory. Sketch. Project, 2015 © Archimatika


In search for new approaches to organizing the life of the families, the architects even came up with a new housing typology – an urban townhouse within a high-rise. From the side of the street, the bottom floors of the towers will be quite habitually occupied by shops, restaurants and other public places, while the inside “transition” yard will be commanded by two-level apartments with an area of about 120 square meters, which will also boast a small terrace with railings. This solution is not exactly a cure-all thing but in many ways it is advantageous because it allows the architects to completely free the residential yard of any public areas, at the same time providing a high level of comfort for the residents of the bottom floors: the bedrooms can be elevated to the second level, while the hedgerow will ensure the necessary level of privacy of the bottom residential floor.

“It stands to reason that because of the fact that we significantly exceeded the height limit our competition proposal is likely to have a lot of opponents – admits Alexander Popov – However, according to our observations, the public opinion on the maximum allowed construction height is not carved in stone: 15 years ago everyone in Moscow tried to build as high as possible; now we are seeing the reverse trend. On the other hand, in London, for example, they are designing and building about 400 high-rise projects, while about a decade ago this figure was two or three times less. The last thing that we want to say is “no, you can’t build them anywhere” or “yes, you can build them everywhere”. What you’ve got to do is think and make out for yourself in which cases the height restrictions do serve to keep up the scale of the environment that surrounds monuments of architecture, and in which cases these restrictions only serve to make architectural monuments out of recently built projects that took into account these restrictions. Because it is thanks to the contrast between the scale of the historical buildings and the new buildings (which are subject to height restrictions) that the recently-built high-rise record breakers involuntarily become architectural centerpieces, the vis-a-vis of the cathedrals and belfries towering above the old town – but here is the question: do they bear the conceptual and esthetic load that stands up to the high status of architectural landmarks?”


17 February 2017

Headlines now
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.
The Color of the City, or Reflections on the Slope of an Urban Settlement
In 2022, Ostozhenka Architects won a competition, and in 2023, they developed and received all the necessary approvals for a master plan for the development of Chernigovskaya Street for the developer GloraX. The project takes into account a 10-year history of previous developments; it was done in collaboration with architects from Nizhny Novgorod, and it continues to evolve now. We carefully examined it, talked to everyone, and learned a lot of interesting things.