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A Cute "Garden" Town

Located not far away from the Kurskaya metro station, the Maly Poluyaroslavsky Alley got a new nursery school built upon the project by Asadov Bureau - a fine example of out-of-the-box thinking when it comes to designing preschool facilities in the nation's capital.

12 May 2016
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Custom-designed nursery schools and kindergartens are still quite a rarity for the nation's capital, as much as they are for any other Russian city or town, and thus are generally perceived as a luxury one could only possibly dream of. However, people who live in the vicinity of the Kurskaya and Chkalovskaya metro stations were lucky to get one: the Maly Poluyaroslavsky Alley got a nursery school that was custom-designed by Asadov Bureau. As a matter of fact, this was a case when a virtue was made out of necessity - squeezed from all sides by the buildings of this old Moscow neighborhood, the tiny land plot was initially meant to get a standard municipal preschool facility. However, placing a standard building in this tiny area and meeting, at the same time, all the necessary construction requirements proved to be clearly impossible. It was at that point that the city announced a competition that was subsequently won by one of Moscow's oldest private schools, "Shkola Sotrudnichestva" ("School of Cooperation") - and Asadov Bureau landed a commission that was as challenging as it was exciting to work on. 

Nursery school in the Maly Poluyaroslavsky Alley. Construction, 2016 © Asadov Bureau
Nursery school in the Maly Poluyaroslavsky Alley. Master plan © Asadov Bureau


Nursery school in the Maly Poluyaroslavsky Alley. Construction, 2016 © Asadov Bureau


According to the company's leader, Andrew Asadov, the architectural concept of the building developed by degrees, in the course of the architects solving the problems of meeting this or that requirement that regulate the construction of preschool facilities in this country. Not a single solution in the architectural image of the building is accidental, each and every one of them being conditioned by this or that necessity. For example, the two-part form and the situation of the volume on the land plot have been dictated by the optimum orientation by the cardinal points. As one can see from the plan, the building consists of two wings perpendicular to one another. One wing stretches along the north border of the plot, the other - along the west one. The two parts protect the yard from the most unpleasant winds, at the same time opening it from the east and from the south. The maximum number of windows that let as much sunlight as possible into the children's rooms, also opens up to the south and east sides - which allowed the architects to meet the rigorous insolation requirements. (According to Moscow construction rules and regulations for preschool educational facilities, the maximum allowed orientation of the windows of the children's rooms on the cardinal points must be within a range of 85 to 275 degrees but 180 degrees is considered optimum, i.e. the windows are turned exactly southward). 

The beautiful-looking semicircular glass insert on the west façade owes its appearance to the necessity of finding, next to the emergency exit, enough room for the fire engine turnaround area. 

Nursery school in the Maly Poluyaroslavsky Alley. Construction, 2016 © Asadov Bureau


Nursery school in the Maly Poluyaroslavsky Alley. Construction, 2016 © Asadov Bureau


Nursery school in the Maly Poluyaroslavsky Alley. Plan of the 1st floor © Asadov Bureau


The small area of the land plot also significantly influenced the design of the kindergarten. What was left from the construction blueprint was still not enough to provide each group of children with a walking area of their own (again, according to Moscow Construction Rules and Regulations, it is 108 square meters for children under 3 years old, 80 square meters for children from 3 to 7 years old, plus verandas with an area of 40 square meters, plus a common playground 250 square meters). So it comes as no surprise that the authors of the project placed the extra walking areas and the verandas on the building's usable roofs. Interesting is the fact that there are such "roof" areas both on the level of the second and third floors. All this conditioned the recognizable look of the building: both of its wings descend in steps, very much like a ship's decks. The "ship" associations also appear thanks to the rounded contours of the walls and the railings on the roofs. 

Nursery school in the Maly Poluyaroslavsky Alley. Construction, 2016 © Asadov Bureau


The authors liken the new kindergarten building to their earlier "Loskutki" ("Quilts") project: a concept of a low-rise urban settlement, based on the self-organization principles very much like those of a medieval town. "Loskutki" are notable for their nonlinear asymmetric plan where each block is in fact a miniature town; diversity of forms and decoration techniques, and ultimately, forming of a rather dense but at the same time human-friendly environment with a multitude of convenient social connections inside each quarter. And the starting point that gives momentum to this social and cultural process is this thought-out architectural organization of the urban area. 

The kindergarten on the Maly Poluyaroslavsky Alley - with its sophisticated system of roofs of different height, changing its look when viewed from different angles, with windows spread unevenly over the building's façades - could also easily become part of such "quilted" city area. This, however, is but one side of the story. On the other side, the entire complex - with the playground and the verandas that are there both on the ground and on the roofs - looks like a miniature version of "Loskutki" settlement. This, again, is achieved at the expense of the building's dramatic multilevel appearance: upon the verandas, the architects designed a "playground" environment that resembles a toy town with silhouettes of imaginary houses, just as multilevel and multicolored as the building itself. Thus, this "run-through" design ties the main building and its verandas together to become a single "fairy tale town" complex.

Nursery school in the Maly Poluyaroslavsky Alley. Construction, 2016 © Asadov Bureau


Nursery school in the Maly Poluyaroslavsky Alley. Section view © Asadov Bureau


The landscaping solution of the land site is visually connected to the architectural one. The "rounded" planning of the trails echoes the rounded outlines of the building. They are also accentuated by smooth man-made knolls that were made in order to avoid the monotony of the flat terrain. However, the architects opted out of supplying the roofs with any plants or artificial terrain so as not to make the construction work too complicated. They limited themselves to colorful rubber mats. 

Nursery school in the Maly Poluyaroslavsky Alley. Construction, 2016 © Asadov Bureau


The façades got a very emotional finish, in the best sense of the word. Most of the walls are covered with champagne-colored stucco. This is a great background for the several volumes covered with multicolored terra-cotta tiles. Their tonality ranges from the light-sand to dark crimson, with an odd fraction of gray. The same color solution was chosen for the verandas, only here everything is made of wood painted with wood stain of various shades. While in the main building the color sections of the façades are visually fractured into peculiar pixels - in accordance with the "tile" format - the verandas took on a striped look: at the expense of the painted pillars that support the roofs, and the wall-decorating laths.

Nursery school in the Maly Poluyaroslavsky Alley. Construction, 2016 © Asadov Bureau


Nursery school in the Maly Poluyaroslavsky Alley. Construction, 2016 © Asadov Bureau


The façade windows that overlook the playground are placed at different distances from one another, and there is yet another thing that meets the eye - the windows are also of different size, some being taller and wider, some - lower abs narrower, which, again, brings in an informal twist to the building's look. One could say that the principle of "Loskutki" - uniting unlike buildings into a single "painting" - in this case is recreated in the compositing of the window apertures on the façades.

Nursery school in the Maly Poluyaroslavsky Alley. Construction, 2016 © Asadov Bureau


The idea of decorating the windows with wooden carved window surrounds also originates from the "Loskutki" concept. An important role was also played by the customers from "School of Cooperation". They took an active part in choosing the facade finishes and it was them who proposed to look for interesting designs of the window surrounds. Ultimately, not only all the surrounds turned out to be different - each one of them is a collective image of the window surround characteristic for this or that region of Russia. These images were designed based on the collection of the online museum of window surrounds that has for years been developed by the Moscow photographer Ivan Khafizov. Then, the surrounds were brought into reality by the hereditary woodcarver from a remote region of Russia, Yakov Velnikov. Ultimately, the decor of the façades turns into something like an educational project: if one is to approach them creatively, such windows could become a starting point for teaching the kinds interesting local lore and geography.

Nursery school in the Maly Poluyaroslavsky Alley. Window surrounds. Construction, 2016 © Asadov Bureau


The inside planning of the nursery school building was developed in accordance with the applicable standards, according to which each group of children is to have a certain set of premises of their own: a locker room, a playroom, a dining room, a bedroom, a buffet room, and a bathroom. On the first floor, next to the entrance, there is a large hall with panoramic glazing. The hall flows into a wide semicircular corridor (also glazed), this corridor being the contour that appeared due to the necessity of making the turnaround point outside. On the inside, the architects got a fair number of rooms of curvilinear irregular contours - which can become an extra amusement point for the children. Besides the three above-ground levels, there is also a basement floor that contains the maintenance rooms and some of the management offices. 

Thus, the strict constraints set by the Moscow Construction Rules and Regulations for preschool facilities did not in the least prevent the architects of Asadov Bureau from creating a project with a whole bunch of original solutions. One even gets an impression that the restrictions - both legal and territorial - became an interesting challenge for the architects and gave extra momentum to their creative insights. 
Nursery school in the Maly Poluyaroslavsky Alley. Plan of the 2nd floor © Asadov Bureau


12 May 2016

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.