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Legend No.58

For “Evgeny Gerasimov and Partners”, the residential complex “LEGENDA on Komendantsky, 58” has become an ideological research project.

11 April 2016
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Despite the seaming typicality, designing multiunit residential complexes is by no means a trivial challenge. Here, specific requirements of the client are added to the obvious restrictions connected with the peculiarities of the land site and the size of the budget. Trying to adjust to the conditions of the competitive market, the clients set increasingly high standards and rigid boundaries. A typical case is LEGENDA company, which works with new large projects in St. Petersburg. It became popular thanks to the so-called “smart approach” which implies great variety of apartment layouts – up to 50 different variants – so that every potential buyer could choose an option according to their needs and possibilities. This takes a great deal of invention and imagination of the architect – especially if it concerns low- and mid-price segment.    

But then again, the first project of LEGENDA was exactly one of the “elite” category: neoclassical facades, natural stone finishing, décor in keeping with the best traditions of Stalin Empire style. All of this is the complex “Pobedy, 5”, a winner of multiple awards in the sphere of immobility which simultaneously became the first cooperation experience for the developer and “Evgeny Gerasimov and Partners” workshop. But, according to Evgeny Gerasimov, LEGENDA is a developer in search. It has set a popular goal – achieved by few: to build comfortable housing at affordable prices. During their work on the two pilot projects in mass segment, the company management determined the special “smart” principles. So when it came to a really large project (for 1470 apartments) in a quickly developing Primorsky District of St. Petersburg, the company turned to Gerasimov once again, in order to offer their clients not only practical apartment layouts, but also a worthy architectural solution. 

So Evgeny Gerasimov’s task – from an architect’s viewpoint – was in many ways an ideological one. Moreover, it was complicated by irregular configuration of the lot, restricted by Nizhne-Kamenskaya Street and Komendantsky Avenue. The prolonged triangle shape and the neighbouring large green massif defined the main zones: the entrance and commercial area of the complex faces the avenue, and the private yard borders on the natural massif, which – despite the fences – becomes its visual extension.

Multiapartment buildings on the Komendantsky Prospect. View from the Glukharskaya Street. Project, 2015 © Evgeny Gerasimov and Partners
Multiapartment buildings on the Komendantsky Prospect. Master Plan © Evgeny Gerasimov and Partners
 

In the coming future, nine 21-storey towers with three addresses will appear here. It is a full-fledged residential quarter for almost 3000 residents: within a walking distance, there is an already functioning sporting center; and in plan, there is a school construction nearby and a kindergarten in the complex itself. The first construction line, belonging to address “Komendantsky, 58”, includes only five buildings and 1008 apartments. But it is enough to read the whole “design-code” of the future block.

Multiapartment buildings on the Komendantsky Prospect. Birds-eye view. Project, 2015 © Evgeny Gerasimov and Partners

 
Its basic principles actually do eco the modern “block construction standards”. One of them is open ground floors: all the towers are connected with a two-level styllobate, whose rooms along the perimeter are meant for commercial and public organisations. This will be the place for doctors’ and cosmetologists’ consulting rooms, caffes and shops, and inside the complex, intended for the residents – a space, fashionably called “co-working”. Here, those who work remotely will be able to use equipped workplaces, school students – do their homework more focused, and the rest – have neighborly conversations and share the news. The second level of the styllobate is an office floor. At that, access to the courtyard is closed for the “outside users”, so the necessary privacy is preserved.

Multiapartment buildings on the Komendantsky Prospect. View from the crossing of the Komendantsky and the Kovaleva prospects. Project, 2015 © Evgeny Gerasimov and Partners


Multiapartment buildings on the Komendantsky Prospect. Night view from the Glukharskaya Street. Project, 2015 © Evgeny Gerasimov and Partners


Multiapartment buildings on the Komendantsky Prospect. Stylobate with the public zones. Project, 2015 © Evgeny Gerasimov and Partners

 
When it comes to the yard arrangement, it is the right time to remember the unusual shape of the lot in combination with the famous “block construction standards”, one of which is complex creation of living environment. The two-level underground parking-lot takes up almost the whole area, while the yard is “divided” on its functional roof and rises more than one meter above the ground level. It allows to emphasize the division into pedestrian and motor traffic areas.   

The client pays just as much attention to the functional richness of the yard, as to the apartment layouts. That is why, there are many different platforms and zones in the yard. For example, some platforms are intended specially for babies, others – for teenagers, and the third ones – for “grown-up” sports activities and picnics. This yard allows to hole up in private, or – on the contrary – arrange mass celebrations of neighbors. The numerous zones have different functions and different finish materials; but all of them are stylistically and physically united – by a 500-meter-long winding promenade-path.

Multiapartment buildings on the Komendantsky Prospect. Yard. Project, 2015 © Evgeny Gerasimov and Partners


Multiapartment buildings on the Komendantsky Prospect. Yard. Family zone for the picnics. Project, 2015 © Evgeny Gerasimov and Partners


Multiapartment buildings on the Komendantsky Prospect. Open-air gym. Project, 2015 © Evgeny Gerasimov and Partners
  

However, the most interesting part is the powerful architectural image of the complex itself, found by the authors: like an exotic avocado fruit, it faces the outside with its colorful, plastically rich “skin”, and the inside – with the bright, sun-yellow “flesh”. All the front facades of the complex are united with a colorful pattern that contains numerous pixels. At that, each house has its prevailing color, even though with many additional inclusions. As a result, each house obtained its own character within a uniform ensemble.  

Multiapartment buildings on the Komendantsky Prospect. Birds-eye view. Project, 2015 © Evgeny Gerasimov and Partners
  

The balconies, stanzas and bay-windows “catch” the beams of the real sun. Their completely arhythmic placement on the facades was preconditioned by the calculated parameters defined by the orientation of the buildings along the cardinal points and laws of phisics; and so they seem to be only decorative. The towers, rectangular in plan, are as if made of two sections, shifted along each other – the colorful pixels become volumetric, “alive”, they start moving and lose their likeness to a dull mosaic panel.   

Multiapartment buildings on the Komendantsky Prospect. View from the window. Project, 2015 © Evgeny Gerasimov and Partners


The apartment mix develops this idea. The buyer has an opportunity to choose an apartment from numerous options: for instance, one where the kitchen is united with the living-room, or separated from it; with the required number of bedrooms and bathrooms, with a dressing-room and a study. Among over 50 apartment layout options of the complex on Komendantsky Avenue, one is sure to find the wanted one.    

The last stroke is the readiness level of the accommodations: the apartments are offered with “white” finish, which leaves the buyer only to settle the issues of paint-tiles-wallpaper-floors. It does not take much time or effort – unlike the apartments that are sold in shell condition – but allows the owners to implement their own design preferences, choose the colors and textures.  

The first construction line of five towers is promised to be housed in the 4th quarter of 2018. Meanwhile, LEGENDA and “Evgeny Gerasimov and Partners” have started another common project – this time on Dalnevostochny Avenue, and once again with the “smart” layouts and in mass segment. This is the best proof of the fact that this ideological and architectural experiment was a success – and it is to be continued.   
Multiapartment buildings on the Komendantsky Prospect. Birds-eye view. Project, 2015 © Evgeny Gerasimov and Partners
Multiapartment buildings on the Komendantsky Prospect. Section views. Project, 2015 © Evgeny Gerasimov and Partners


11 April 2016

Headlines now
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.
Champions’ Cup
At first glance, the Bell skyscraper on 1st Yamskogo Polya Street, 12, appears strict and laconic – though by no means modest. Its economical stereometry is built on a form close to an oval, one of UNK architects’ favorite themes. The streamlined surface of the main volume, clad in metal louvers, is sliced twice with glass incisions that graphically reveal the essence of the original shape: both its simplicity and its complexity. At the same time, dozens of highly complex engineering puzzles have been solved here.
Semi-Digital Environment
In the town of Innopolis, a satellite of Kazan, the first 4-star hotel designed by MAD Architects has opened. The interiors of the hotel combine elegance with irony, and technology with comfort, evoking the atmosphere of a computer game or maybe a sci-fi movie about the near future.
History never ends
The old railway station in Kapan, a city in southern Armenia, has been given new life by the Paris-based design firm Normal Studio. Today, it serves as a TUMO center.
A Deep, Crystal Shine
A new luxury residential development by ADM architects is set to rise in the Patriarch’s Ponds district, not far from Novopushkinsky Square. It will replace three buildings erected in the early 1990s. The project authors, Andrey Romanov and Ekaterina Kuznetsova, have placed their bets on the variety among the three volumes, modern design solutions, and attention to detail: one of the buildings will feature smoothly curved balconies with a ceramic sheen on their undersides, while another will be accented by glass “sculpture” columns.
Grigory Revzin: “What we should do with the architecture of the seventies”
Soviet modernism came in two flavors: the good, author-driven kind, and the bad, standardized kind. The good kind was “on the periphery”, while the bad kind was in the center – geographically, in terms of attention, scale, and everything else. Can we demolish it? “That would be destroying public consensus out of thin air”. So what should we do? Preserve it, but creatively: “Bring architecture into places where it hasn’t yet appeared”. Treat these buildings not as monuments, but as urban landscape. Read our interview with Grigory Revzin on the pressing topic of saving modernism – where he proposes a controversial, yet really intriguing, way of preserving 1970s buildings.
A Roadside Picnic of Urban Planning Theorists
Marina Egorova, head of Empate Architectural Bureau, brought together urban planning theorists – the successors of Alexey Gutnov and Vyacheslav Glazychev – to revive the substance and depth of professional discourse. At the first meeting, much ground was covered: the participants revisited the theoretical foundations, aligned their values, examined a cutting-edge case of the Kazan agglomeration, and concluded with the unfathomable intricacies of Russian land demarcation. Below, we present key takeaways from all the presentations.
Perspective View
CNTR Architects has designed a business center for a new district in Yekaterinburg, aiming to reduce the need for commuting and make the residential environment more diverse. The architectural solutions are equally focused on creating spatial flexibility, comfortable working conditions, and a memorable image that could allow the building to become a spatial landmark of the district.
Malevich and Bathhouses, Nature and High-Tech
The Malevich Bathhouse complex is scheduled to open in the fall of 2025 on the Rublyovo-Uspenskoye Highway. The project, designed by DBA-GROUP under the leadership of Vladislav Andreev, is an example of an unconventional approach to the image of a spa in general and of a bathhouse in particular. Deliberately avoiding any kind of allusion, the architects opted for streamlined forms with characteristic rounded corners, a combination of wood with bent glass, and restrained contemporary shapes – both inside and out. Let’s take a closer look at the project.
Rather, a Tablecloth and a Glass!
After many years, the long-abandoned Horse Guards Department building in St. Petersburg has finally received the attention it deserves: according to a design by Studio 44, the first restoration and adaptation works are scheduled to begin this year. Both the intended function and the general scope of works imply minimal alteration to the complex, which has preserved traces of its three-century history. All solutions are reversible and aimed, above all, at opening the monument to the city and immersing it in a lively social scene – hence the choice of a cultural center scenario with a strong gastronomic component.
​Materialization of Airflows
The Nikolai Kamov International Airport in Tomsk opened at the end of August last year. We have already written about the project – now we are taking a look at the completed building. Its functionality is reinforced by symbolic undertones: the architects at ASADOV sought to reflect local identity in the architecture as fully as possible.
The City as a Narrative
Sergey Skuratov’s approach to large urban plots could best be described as a “total design code”. The architect pays equal attention to the overall composition and the smallest of details, striving to ensure that every aspect is thoroughly thought out and subordinated to the original vision. It’s a Renaissance-like approach, really – a titanic effort demanding remarkable willpower and perseverance. The results are likewise grand – architecture that makes a statement. This article looks at the revived concept for the central section of the Seventh Heaven residential district in Kazan, a composition so thoroughly considered that even the “gradient of visual emphasis” (sic!) across the facades has been carefully worked out. It also touches on the narrative idea behind the project – and even the architect’s own doubts about it.
A Garden of Hope for Freedom
In October, at the Spaso-Evfimiev Monastery in Suzdal, the Prison Yard Garden opened on the site that had served as a prison from the 18th century until the Khrushchev Thaw. The architectural concept was developed by NOῨD Short Film, and the landscape design by the MOX landscape bureau. In fact, there are two gardens here – very different ones. We try to understand whether they evoke the right emotions in visitors, while also showing the beauty of June’s ruderal plants in bloom.
A Laconic Image of Time
The Time Square residential complex, built on the northern edge of St. Petersburg, appears more concise and efficient than its neighbor and predecessor, the New Time complex. Nevertheless, the architect’s hand is clearly felt: themes of “black and white”, “inside and outside”, and most notably, the “lamellar” quality of the facades that seems to visibly “eat away” at the buildings’ mass – everything is played out like a well-written score. One is reminded of both classical modernism and the so-called “post-constructivism”.
The Flower of the Lake
The prototype for the building of the Kamal Theater in Kazan is an ice flower: a rare and fragile natural phenomenon of Lake Kaban “froze” in the large, soaring outlines of the glass screens enclosing the main volume, shaping its silhouette and shielding the stained-glass windows from the sun. The project, led by the Wowhaus consortium and including global architecture “star” Kengo Kuma, won the 2021/2022 competition and was realized close to the original concept in a short – very short – period of time. The theater opened in early 2025. It was Kengo Kuma who proposed the image of an ice flower and the contraposition of cold on the outside and warmth on the inside. Between 2022 and 2024, Wowhaus did everything possible to bring this vision to life, practically living on-site. Now we are taking a closer look at this landmark building and its captivating story.
Peaceful Integration on Mira Avenue
The MIRA residential complex (the word mir means “peace” in Russian), perched above the steep banks of the Yauza River and Mira Avenue, lives up to its name not only technically, but also visually and conceptually. Sleek, high-rise, and glass-clad, it responds both to Zholtovsky’s classicism and to the modernism of the nearby “House on Stilts”. Drawing on features from its neighbors, it reconciles them within a shared architectural language rooted in contemporary façade design. Let’s take a closer look at how this is done.
An Interior for a New Format of Education
The design of the new building for Tyumen State University (TyumSU) was initially developed before the pandemic but later revised to meet new educational requirements. The university has adopted a “2+2+2” system, which eliminates traditional divisions into groups and academic streams in favor of individualized study programs. These changes were implemented swiftly – right at the start of construction. Now that the building is complete, we are taking a closer look.
Penthouses and Kokoshniks
A new residential complex designed by ASADOV Architects for the Krasnaya Roza business district responds to its proximity to 17th-century landmarks – the chambers of the Hamovny Dvor and St. Nicholas Church – as well as to the need to preserve valuable façades of a historic rental house built in the Russian Revival style. The architects proposed a set of buildings of varying heights, whose façades reference ecclesiastical architecture. But we were also able to detect other associations.
Centipede Town
The new school campus designed by ATRIUM Architects, located on the shores of a protected lake in the Imeretian Lowland Ornithological Reserve, represents an important and ambitious undertaking for the team: this is not just a school, but a Presidential Lyceum for the comprehensive development of gifted children – 2,500 students from age 3 through high school. At the same time, it is also envisioned as a new civic hub for the entire Sirius territory. In this article, we unpack the structure and architecture of this “lyceum town”.
Warm Black and White
The second phase of “Quarter 31”, designed by KPLN and built in the Moscow suburb town of Pushkino, reveals a multifaceted character. At first glance, the complex appears to be defined by geometry and a monochrome palette. But a closer look reveals a number of “irregular” details: a gradient of glazing and flared window frames, a hierarchy of façades, volumetric brickwork, and even architectural references to natural phenomena. We explore all the rules – and exceptions – that we were able to discover here.
​Skylights and Staircase
Photos from March show the nearly completed headquarters of FSK Group on Shenogina Street. The building’s exterior is calm and minimalist; the interior is engaging and multi-layered. The conical skylights of the executive office, cast in raw concrete, and the sweeping spiral staircase leading to it, are particularly striking. In fact, there’s more than one spiral staircase here, and the first two floors effectively form a small shopping center. More below.