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Legend No.58

For “Evgeny Gerasimov and Partners”, the residential complex “LEGENDA on Komendantsky, 58” has become an ideological research project.

11 April 2016
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Despite the seaming typicality, designing multiunit residential complexes is by no means a trivial challenge. Here, specific requirements of the client are added to the obvious restrictions connected with the peculiarities of the land site and the size of the budget. Trying to adjust to the conditions of the competitive market, the clients set increasingly high standards and rigid boundaries. A typical case is LEGENDA company, which works with new large projects in St. Petersburg. It became popular thanks to the so-called “smart approach” which implies great variety of apartment layouts – up to 50 different variants – so that every potential buyer could choose an option according to their needs and possibilities. This takes a great deal of invention and imagination of the architect – especially if it concerns low- and mid-price segment.    

But then again, the first project of LEGENDA was exactly one of the “elite” category: neoclassical facades, natural stone finishing, décor in keeping with the best traditions of Stalin Empire style. All of this is the complex “Pobedy, 5”, a winner of multiple awards in the sphere of immobility which simultaneously became the first cooperation experience for the developer and “Evgeny Gerasimov and Partners” workshop. But, according to Evgeny Gerasimov, LEGENDA is a developer in search. It has set a popular goal – achieved by few: to build comfortable housing at affordable prices. During their work on the two pilot projects in mass segment, the company management determined the special “smart” principles. So when it came to a really large project (for 1470 apartments) in a quickly developing Primorsky District of St. Petersburg, the company turned to Gerasimov once again, in order to offer their clients not only practical apartment layouts, but also a worthy architectural solution. 

So Evgeny Gerasimov’s task – from an architect’s viewpoint – was in many ways an ideological one. Moreover, it was complicated by irregular configuration of the lot, restricted by Nizhne-Kamenskaya Street and Komendantsky Avenue. The prolonged triangle shape and the neighbouring large green massif defined the main zones: the entrance and commercial area of the complex faces the avenue, and the private yard borders on the natural massif, which – despite the fences – becomes its visual extension.

Multiapartment buildings on the Komendantsky Prospect. View from the Glukharskaya Street. Project, 2015 © Evgeny Gerasimov and Partners
Multiapartment buildings on the Komendantsky Prospect. Master Plan © Evgeny Gerasimov and Partners
 

In the coming future, nine 21-storey towers with three addresses will appear here. It is a full-fledged residential quarter for almost 3000 residents: within a walking distance, there is an already functioning sporting center; and in plan, there is a school construction nearby and a kindergarten in the complex itself. The first construction line, belonging to address “Komendantsky, 58”, includes only five buildings and 1008 apartments. But it is enough to read the whole “design-code” of the future block.

Multiapartment buildings on the Komendantsky Prospect. Birds-eye view. Project, 2015 © Evgeny Gerasimov and Partners

 
Its basic principles actually do eco the modern “block construction standards”. One of them is open ground floors: all the towers are connected with a two-level styllobate, whose rooms along the perimeter are meant for commercial and public organisations. This will be the place for doctors’ and cosmetologists’ consulting rooms, caffes and shops, and inside the complex, intended for the residents – a space, fashionably called “co-working”. Here, those who work remotely will be able to use equipped workplaces, school students – do their homework more focused, and the rest – have neighborly conversations and share the news. The second level of the styllobate is an office floor. At that, access to the courtyard is closed for the “outside users”, so the necessary privacy is preserved.

Multiapartment buildings on the Komendantsky Prospect. View from the crossing of the Komendantsky and the Kovaleva prospects. Project, 2015 © Evgeny Gerasimov and Partners


Multiapartment buildings on the Komendantsky Prospect. Night view from the Glukharskaya Street. Project, 2015 © Evgeny Gerasimov and Partners


Multiapartment buildings on the Komendantsky Prospect. Stylobate with the public zones. Project, 2015 © Evgeny Gerasimov and Partners

 
When it comes to the yard arrangement, it is the right time to remember the unusual shape of the lot in combination with the famous “block construction standards”, one of which is complex creation of living environment. The two-level underground parking-lot takes up almost the whole area, while the yard is “divided” on its functional roof and rises more than one meter above the ground level. It allows to emphasize the division into pedestrian and motor traffic areas.   

The client pays just as much attention to the functional richness of the yard, as to the apartment layouts. That is why, there are many different platforms and zones in the yard. For example, some platforms are intended specially for babies, others – for teenagers, and the third ones – for “grown-up” sports activities and picnics. This yard allows to hole up in private, or – on the contrary – arrange mass celebrations of neighbors. The numerous zones have different functions and different finish materials; but all of them are stylistically and physically united – by a 500-meter-long winding promenade-path.

Multiapartment buildings on the Komendantsky Prospect. Yard. Project, 2015 © Evgeny Gerasimov and Partners


Multiapartment buildings on the Komendantsky Prospect. Yard. Family zone for the picnics. Project, 2015 © Evgeny Gerasimov and Partners


Multiapartment buildings on the Komendantsky Prospect. Open-air gym. Project, 2015 © Evgeny Gerasimov and Partners
  

However, the most interesting part is the powerful architectural image of the complex itself, found by the authors: like an exotic avocado fruit, it faces the outside with its colorful, plastically rich “skin”, and the inside – with the bright, sun-yellow “flesh”. All the front facades of the complex are united with a colorful pattern that contains numerous pixels. At that, each house has its prevailing color, even though with many additional inclusions. As a result, each house obtained its own character within a uniform ensemble.  

Multiapartment buildings on the Komendantsky Prospect. Birds-eye view. Project, 2015 © Evgeny Gerasimov and Partners
  

The balconies, stanzas and bay-windows “catch” the beams of the real sun. Their completely arhythmic placement on the facades was preconditioned by the calculated parameters defined by the orientation of the buildings along the cardinal points and laws of phisics; and so they seem to be only decorative. The towers, rectangular in plan, are as if made of two sections, shifted along each other – the colorful pixels become volumetric, “alive”, they start moving and lose their likeness to a dull mosaic panel.   

Multiapartment buildings on the Komendantsky Prospect. View from the window. Project, 2015 © Evgeny Gerasimov and Partners


The apartment mix develops this idea. The buyer has an opportunity to choose an apartment from numerous options: for instance, one where the kitchen is united with the living-room, or separated from it; with the required number of bedrooms and bathrooms, with a dressing-room and a study. Among over 50 apartment layout options of the complex on Komendantsky Avenue, one is sure to find the wanted one.    

The last stroke is the readiness level of the accommodations: the apartments are offered with “white” finish, which leaves the buyer only to settle the issues of paint-tiles-wallpaper-floors. It does not take much time or effort – unlike the apartments that are sold in shell condition – but allows the owners to implement their own design preferences, choose the colors and textures.  

The first construction line of five towers is promised to be housed in the 4th quarter of 2018. Meanwhile, LEGENDA and “Evgeny Gerasimov and Partners” have started another common project – this time on Dalnevostochny Avenue, and once again with the “smart” layouts and in mass segment. This is the best proof of the fact that this ideological and architectural experiment was a success – and it is to be continued.   
Multiapartment buildings on the Komendantsky Prospect. Birds-eye view. Project, 2015 © Evgeny Gerasimov and Partners
Multiapartment buildings on the Komendantsky Prospect. Section views. Project, 2015 © Evgeny Gerasimov and Partners


11 April 2016

Headlines now
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.