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From a Bird's Eye View

A complicated land site in the south district of the nation's capital: Nikita Biryukov designs a residential complex consisting of four almost New-York-style skyscrapers that still pay respect to the realities of Moscow.

28 April 2016
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The project of four residential skyscrapers whose height rivals that of the giant towers of the Moscow City was created by the architects of Nikita Biryukov's "ABV Group" at the commission of "Northstar Development" for the land site lying between the Third Transport Ring and the Kanatchikovsky Proezd in the Donskoy District. The land site has no height restrictions whatsoever, so the buildings could rise as tall as the the architects pleased. On the other hand, the customer was very specific about the types of the apartment layouts: first of all, the architects were to figure out how to provide the top-quality views from the apartments and strike the people that would live here with the city panoramas - because the immediate surroundings of the complex cannot be called picturesque by any stretch of the imagination. 

Under the former Moscow government, the trapeze-shaped site with an area of some five hectares and encompassing estates 21 and 22, Unit 6, along the 5th Donskoy Proezd, was supposed to get built with retail stores and hotels but later on the city changed that function to become a residential one, reasoning that yet another shopping center would "complicate the already difficult" transport situation in this part of the Third Transport Ring. The few low-rise buildings that are there on the land site today will be demolished, people living in them today getting new housing - but still no beautiful things are expected to appear on the site anyway: quite near, there is a huge bulk of the power plant, an industrial park, and railroad warehouses - the only thing that the architects has left to do, as Nikita Biryukov puts it, was "selling the the views". And, in order to organize these panoramic views as efficiently as possible, the designers even went as far as renting a drone so as to get bird's eye views well ahead of getting down to actually designing the complex; thus, the views of the power plant were minimized as much as possible while still in the pre-design stage.

Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Version 1 © ABV Group
Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. View from the Third Transport Ring. Project, 2015 © ABV Group


Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. View from the hospital side. Project, 2015 © ABV Group


Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. View from the power plant. Project, 2015 © ABV Group


The architects drew inspiration from the source of the super-tall skyscraper 432 Park Avenue in New York, the construction of which have been recently completed on Manhattan. This "perfect model" was in fact proposed to Nikita Biryukov by the customer but the architect had nothing against it: he is a huge fan of the immaculate shape of the 426-meter tower designed by Rafael Vignoli that its author himself proudly calls "an architectural breath of fresh air amidst the raunchy Manhattan skyscrapers". While the quadrant is the purest of all geometric shapes, the Vignoli project, let's say, pulls it up to become a cube: along the perimeter of each floor (square on the plan), there are twenty-four square 3x3 meter windows commanding the panoramas of New-York.

Of course, from the "ambition" standpoint, the "ABV Group" did not even hope to stand up to the level of the tallest condominium of the Eastern hemisphere: while 432 Park Avenue with its proverbially expensive apartments became the symbol of sky-high luxury way before its construction was ever completed, the complex on the 5th Donskoy Proezd was designed in the realities of the not-so-advantageous financial situation, and the economic conditions did play a part. So, nobody was speaking about making any embellishments to its shape due to the purely economic reasons which, in fact, matches the aesthetic credo of Nikita Biryukov who prefers "pure" architecture without any unnecessary "pop" additions. 

Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Section view. Project, 2015 © ABV Group


In the course of the work, the company came up with eighteen versions of the project. Ultimately, with full approval from the customer, the architects settled on a set of four towers, two of them being 58 floors high, and another two - 74. Apart from the number of floors, the buildings are completely identical; such unification was also one of the original specifications. Rectangular on the plan, the towers are situated on the perimeter of the territory and perpendicular to the power plant and the Third Transport Ring (again, this was done in order to improve the sightseeing properties), framing the inside yard. The stylobate, the way we know it - a two-story volume occupied by retail stores - is only present on the Third Transport Ring side and functions as a buffer that separates the complex territory from the grime and the noise of the highway. Further on, in the direction of the center of the complex, at the expense of the height difference, the stylobate dives underground. It is planned that the underground part will contain everything that is necessary for the functioning of giant buildings: a two-level parking lot, technical and maintenance premises, as well as a spa complex and a medical center. In addition, there will be a separately standing nursery school in the yard.

Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Master plan. Project, 2015 © ABV Group


Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Version 2. Project, 2015 © ABV Group


Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Version 2. Project, 2015 © ABV Group


Multifunctional residential complex on the 5th Donskoy Proezd. Plan of the 1st floor. Project, 2015 © ABV Group


The plastic solution of the towers is rather laconic. The silhouette of the soaring parallelepiped (the height of the 58-floor buildings reaches 217 meters, the 74-floor ones - 273 meters) only breaks away from the vertical line in two instances - it widens on the level of the fifth floors forming a cantilever, barely perceptible in the overall scale of the building, and then narrows in steps towards the top, these steps being situated on opposite sides of the building and at a different height as they go up. Such a solution, almost without making the shape of the building more complicated, visually takes the extra weight off the top of the skyscraper, making it look more dramatic without adding any unnecessary architectural details. According to Nikita Biryukov, "the main thing in this project was its floor plan that to a great extent conditioned the outlines of the building, while the façades were secondary to it". Nevertheless, the design of the façades, for the decoration of which the architects propose to use coating stone and decorative composite panels, manifests the authors' love of pure shapes in full effect. The combination of glass and panels of light and very light shades, the impeccable geometry of the rectangular window apertures, gathered into horizontal groups on the sides of the facade, and vertical groups on the side walls, the vertical elongated stained glass windows on the first floors - all this gives the impression of lightness, enhancing the soaring look of the towers. As far as more "down-to-earth" task are concerned - namely, organizing the spacious inner yard - here "ABV Group" also stayed true to itself and planned a comfortable yet laconic territory that is dissected into ostentatiously geometric zones. The yard is open on all sides for the exception, as was mentioned above, the side adjoining the Third Transport Ring: as Nikita Biryukov says, "the last thing the architects wanted to do was make a fortress out of it".

Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Version 3. Project, 2015 © ABV Group


Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Version 3. Project, 2015 © ABV Group


Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Landscaping. Project, 2015 © ABV Group


Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Landscaping. Project, 2015 © ABV Group


Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Interior. Project, 2015 © ABV Group


zooming
Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Interior. Project, 2015 © ABV Group


Multifunctional residential complex on the 5th Donskoy Proezd. Plan of the typical floor. Project, 2015 © ABV Group


If one is to look at the project, for example, from a bird's eye view, or, rather, through the lenses of the drone rented by the architects, he will be able to trace Nikita Biryukov's elegant towers enter into a dialogue with the not-so-remote skyscrapers of the Moscow City, watch the nearby high-rises get lost against their mighty background, and watch the power plant chimneys timidly cringe into the ground (there are also four of them, by the way). In spite of the numerous intermediate approvals that the authors got, the project of "ABV Group" will not be implemented. "Well - Nikita Biryukov shrugs - we, of course, are not Ivan Leonidov with his Narkomtyazhprom high-rise on the Red Square but let's say that now we will also have an incomplete skyscraper of our own!"



Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. View from the Gagarin Square. Project, 2015 © ABV Group
Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Landscaping. Project, 2015 © ABV Group
Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Landscaping. Project, 2015 © ABV Group
Multifunctional residential complex on the 5th Donskoy Proezd. Plan of the second floor. Project, 2015 © ABV Group


28 April 2016

Headlines now
Axis of Rotation
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A New Magazine and a New Ranking
The magazine Expert.Urban has only just appeared, apparently timed to coincide with Arch Moscow. It is published with the support of VEB.RF and Strelka KB. We have not yet had time to read it cover to cover, but the impression so far is that it consists of about eighty percent interviews. It also features a distinctly “Strelka-style” initiative: a ranking of the “Best Architect of Moscow in the 21st Century”. So, who came out on top? Sergey Skuratov. Yuri Grigoryan took second place, and Sergei Tchoban came third.
Oleg Shapiro: “We design life as a whole, in all of its diversity”
Wowhaus has long since outgrown its association with “urban improvement” projects alone. One of its newer directions is neo-industrialization. Another is large-scale master planning. Yet work on Gorky Park is once again underway – only now on a more systematic and far-reaching level. In this interview, we simultaneously revisit Rem Koolhaas, Strelka, and the history of attention to the “urban environment”, while also exploring what exactly Wowhaus is working on today and how the company operates – with its nine divisions and approximately 160 employees.
Red Card for Copyright
The development concept for the territory of Shinnik Stadium in Yaroslavl, prepared by PI ARENA, took second place in an open call competition. The architects proposed a unified structure combining a football arena, a hotel, and the headquarters of PSB Bank, with carefully considered usage scenarios. However, the competition was organized in such a way that the team ultimately chose to forgo the prize money in order to retain their copyright.
CinemaHologram
Not long ago, the Moscow authorities approved the project for a new House of Cinema complex by Kleinewelt Architekten. The original 1968 building could not be preserved – yet the architects managed to save its stained-glass panels, metal reliefs, and even the volumetric parameters of the structure, which will continue to house the Union of Cinematographers and cinema halls. The project’s main focal point, however, will be a residential tower. We examine its sculptural qualities and its allusions within the Moscow context.
Form as Method: TPO Reserve
At the core of the concept developed by Vladimir Plotkin and TPO Reserve lies an unconventional morphology that addresses functional challenges beyond purely formal concerns. Above all, however, it serves expressiveness and creates a rare kind of spatial and emotional experience, as becomes evident when examining the project’s key solutions. We studied it in detail, and it was all worth it. Our interpretation is that what drives this project is neither style nor even metaphor, but rather a method.
Mound of Memory
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Home Base
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Doubles Match
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The Value of Open Space
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The Penguin House
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Wave and Vertical
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Office on Trubnaya
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The First International
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In Memory of Valery Kanyashin
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Hypertext in Space
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The Outline of “Foundation”
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The Flying Horizontal
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Needles of Horizon Contemplation
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The Red Thread
A linear park project prepared by Alexey Ilyin studio for the improvement of a riverbank in one of the residential districts seeks to reconnect people with nature. Two levels of the embankment invite visitors to contemplate the landscape while at the same time protecting the riverbank from excessive human impact. The “aerial street” links functional zones and the opposite banks, creating new points of attraction along the way: balconies, bridges, and even a “grotto”.
Spindle and Thread
The concept of the Waver residential complex in Yekaterinburg draws inspiration from the past of the Parkovy district. In order to preserve the memory of the late-19th-century flax spinning mill once located here, the architectural company KPLN turns to the theme of textiles and weaving. The project’s main expressive device is a system of ribbons made of perforated weathering steel – a material that, in such volumes, has arguably not yet been used in Russian residential projects.
From Ski Resorts to Year-Round Recreation Clusters
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Woven Into Sokolniki
Over the past few years, high-rise residential construction in former industrial zones has become the main theme of Moscow architecture. Towers are springing up here and there – but the question is what kind of towers they are. The residential complex CODE Sokolniki, designed by Ostozhenka Architects, is a project where every detail has been taken care of. The authors are attentive to the history of the site, the continuity of the urban fabric, the skyline, and visual corridors. They also proposed a motif with the lyrical name “scarf”. We take a closer look at the volumetric composition and the large-scale décor “woven”, in this case, out of terraces and balconies.
Stepan Liphart and Yuri Gerth: “Our Program Is Aesthetic”
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The Copper Mirror
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“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?