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From a Bird's Eye View

A complicated land site in the south district of the nation's capital: Nikita Biryukov designs a residential complex consisting of four almost New-York-style skyscrapers that still pay respect to the realities of Moscow.

28 April 2016
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The project of four residential skyscrapers whose height rivals that of the giant towers of the Moscow City was created by the architects of Nikita Biryukov's "ABV Group" at the commission of "Northstar Development" for the land site lying between the Third Transport Ring and the Kanatchikovsky Proezd in the Donskoy District. The land site has no height restrictions whatsoever, so the buildings could rise as tall as the the architects pleased. On the other hand, the customer was very specific about the types of the apartment layouts: first of all, the architects were to figure out how to provide the top-quality views from the apartments and strike the people that would live here with the city panoramas - because the immediate surroundings of the complex cannot be called picturesque by any stretch of the imagination. 

Under the former Moscow government, the trapeze-shaped site with an area of some five hectares and encompassing estates 21 and 22, Unit 6, along the 5th Donskoy Proezd, was supposed to get built with retail stores and hotels but later on the city changed that function to become a residential one, reasoning that yet another shopping center would "complicate the already difficult" transport situation in this part of the Third Transport Ring. The few low-rise buildings that are there on the land site today will be demolished, people living in them today getting new housing - but still no beautiful things are expected to appear on the site anyway: quite near, there is a huge bulk of the power plant, an industrial park, and railroad warehouses - the only thing that the architects has left to do, as Nikita Biryukov puts it, was "selling the the views". And, in order to organize these panoramic views as efficiently as possible, the designers even went as far as renting a drone so as to get bird's eye views well ahead of getting down to actually designing the complex; thus, the views of the power plant were minimized as much as possible while still in the pre-design stage.

Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Version 1 © ABV Group
Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. View from the Third Transport Ring. Project, 2015 © ABV Group


Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. View from the hospital side. Project, 2015 © ABV Group


Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. View from the power plant. Project, 2015 © ABV Group


The architects drew inspiration from the source of the super-tall skyscraper 432 Park Avenue in New York, the construction of which have been recently completed on Manhattan. This "perfect model" was in fact proposed to Nikita Biryukov by the customer but the architect had nothing against it: he is a huge fan of the immaculate shape of the 426-meter tower designed by Rafael Vignoli that its author himself proudly calls "an architectural breath of fresh air amidst the raunchy Manhattan skyscrapers". While the quadrant is the purest of all geometric shapes, the Vignoli project, let's say, pulls it up to become a cube: along the perimeter of each floor (square on the plan), there are twenty-four square 3x3 meter windows commanding the panoramas of New-York.

Of course, from the "ambition" standpoint, the "ABV Group" did not even hope to stand up to the level of the tallest condominium of the Eastern hemisphere: while 432 Park Avenue with its proverbially expensive apartments became the symbol of sky-high luxury way before its construction was ever completed, the complex on the 5th Donskoy Proezd was designed in the realities of the not-so-advantageous financial situation, and the economic conditions did play a part. So, nobody was speaking about making any embellishments to its shape due to the purely economic reasons which, in fact, matches the aesthetic credo of Nikita Biryukov who prefers "pure" architecture without any unnecessary "pop" additions. 

Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Section view. Project, 2015 © ABV Group


In the course of the work, the company came up with eighteen versions of the project. Ultimately, with full approval from the customer, the architects settled on a set of four towers, two of them being 58 floors high, and another two - 74. Apart from the number of floors, the buildings are completely identical; such unification was also one of the original specifications. Rectangular on the plan, the towers are situated on the perimeter of the territory and perpendicular to the power plant and the Third Transport Ring (again, this was done in order to improve the sightseeing properties), framing the inside yard. The stylobate, the way we know it - a two-story volume occupied by retail stores - is only present on the Third Transport Ring side and functions as a buffer that separates the complex territory from the grime and the noise of the highway. Further on, in the direction of the center of the complex, at the expense of the height difference, the stylobate dives underground. It is planned that the underground part will contain everything that is necessary for the functioning of giant buildings: a two-level parking lot, technical and maintenance premises, as well as a spa complex and a medical center. In addition, there will be a separately standing nursery school in the yard.

Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Master plan. Project, 2015 © ABV Group


Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Version 2. Project, 2015 © ABV Group


Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Version 2. Project, 2015 © ABV Group


Multifunctional residential complex on the 5th Donskoy Proezd. Plan of the 1st floor. Project, 2015 © ABV Group


The plastic solution of the towers is rather laconic. The silhouette of the soaring parallelepiped (the height of the 58-floor buildings reaches 217 meters, the 74-floor ones - 273 meters) only breaks away from the vertical line in two instances - it widens on the level of the fifth floors forming a cantilever, barely perceptible in the overall scale of the building, and then narrows in steps towards the top, these steps being situated on opposite sides of the building and at a different height as they go up. Such a solution, almost without making the shape of the building more complicated, visually takes the extra weight off the top of the skyscraper, making it look more dramatic without adding any unnecessary architectural details. According to Nikita Biryukov, "the main thing in this project was its floor plan that to a great extent conditioned the outlines of the building, while the façades were secondary to it". Nevertheless, the design of the façades, for the decoration of which the architects propose to use coating stone and decorative composite panels, manifests the authors' love of pure shapes in full effect. The combination of glass and panels of light and very light shades, the impeccable geometry of the rectangular window apertures, gathered into horizontal groups on the sides of the facade, and vertical groups on the side walls, the vertical elongated stained glass windows on the first floors - all this gives the impression of lightness, enhancing the soaring look of the towers. As far as more "down-to-earth" task are concerned - namely, organizing the spacious inner yard - here "ABV Group" also stayed true to itself and planned a comfortable yet laconic territory that is dissected into ostentatiously geometric zones. The yard is open on all sides for the exception, as was mentioned above, the side adjoining the Third Transport Ring: as Nikita Biryukov says, "the last thing the architects wanted to do was make a fortress out of it".

Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Version 3. Project, 2015 © ABV Group


Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Version 3. Project, 2015 © ABV Group


Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Landscaping. Project, 2015 © ABV Group


Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Landscaping. Project, 2015 © ABV Group


Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Interior. Project, 2015 © ABV Group


zooming
Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Interior. Project, 2015 © ABV Group


Multifunctional residential complex on the 5th Donskoy Proezd. Plan of the typical floor. Project, 2015 © ABV Group


If one is to look at the project, for example, from a bird's eye view, or, rather, through the lenses of the drone rented by the architects, he will be able to trace Nikita Biryukov's elegant towers enter into a dialogue with the not-so-remote skyscrapers of the Moscow City, watch the nearby high-rises get lost against their mighty background, and watch the power plant chimneys timidly cringe into the ground (there are also four of them, by the way). In spite of the numerous intermediate approvals that the authors got, the project of "ABV Group" will not be implemented. "Well - Nikita Biryukov shrugs - we, of course, are not Ivan Leonidov with his Narkomtyazhprom high-rise on the Red Square but let's say that now we will also have an incomplete skyscraper of our own!"



Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. View from the Gagarin Square. Project, 2015 © ABV Group
Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Landscaping. Project, 2015 © ABV Group
Multifunctional residential complex on the 5th Donskoy Proezd. 4 towers. Landscaping. Project, 2015 © ABV Group
Multifunctional residential complex on the 5th Donskoy Proezd. Plan of the second floor. Project, 2015 © ABV Group


28 April 2016

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.