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A Hard Luck Project

A story of a project based upon an equitable dialogue between a new building and the remodeled façade of a demolished tenement being able to maintain its right to sport the contemporary-style design in the new part of the building.

24 December 2015
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The land site in question is located within the industrial park of the Petrograd Side, not far away from the old Tram Depot #3. Running in the vicinity of the Avstriyskaya ("Austrian") Square, the neat and tidy Mira Street turns at this point into something crumbly and incoherent: the remains of what historical buildings are left here neighbor on soviet-era panel "slabs" and structures of a purely utilitarian nature. Recently, such places become increasingly attractive to developers which manifests itself in the growing number of inclusions of modern architecture and even greater quantity of architectural proposals and concepts based upon this idea.

One of such proposals is the project of a residential complex prepared by the studio of Anatoliy Stolyarchuk and due to be implemented at the crossing of Mira and Kotovsky streets. The project had a fair share of hard luck: first of all, it was the necessity of demolishing (and subsequently restoring the facade of) the historical building designed by Dmitry Krzhyzhanovsky. And, although the old tenement was recognized to be a hazard building and all of the people living in it had long since moved into new apartments, the city preservation activists made repeated attempts to challenge in court the municipality's decision about demolishing it. Second of all, finding an understanding with the customer was also far from easy. 

Multiapartment building at Mira Street. Project, 2014 © Anatoliy Stolyarchuk Architectural Studio
Multiapartment building at Mira Street. Project, 2014. Location plan © Anatoliy Stolyarchuk Architectural Studio


Multiapartment building at Mira Street. Project, 2014. Location plan © Anatoliy Stolyarchuk Architectural Studio


First about the project itself, though! The authors had a high-responsibility task of "tying in" the new building to the historical one - a humble specimen of Saint Petersburg's tenements with characteristic Art Nouveau features. In town planning terms, the architects were to visually fasten the corner of the crossroads - completely unstructured as yet - and give the amorphous housing a more regular character. The disappearance of the green yard opened up to the Kotovsky Street, will be made up for at the expense of taking down a two-story annex standing in the yard.

The project of Stolyarchuk studio included this recreated historical volume as a part of a balanced composition with an almost symmetrical plan in the shape of giant "double L" stretched hugely apart, this historical volume given the role of one of the risalits. The first floor will perform public functions, just as the two floors of the building along the Kotovsky Street. Higher up, the typical residential floors are situated. At a height of 23 meters, the wall stands out a little: this is where the sightseeing platform for the people living in the loft is situated (the cornice running at a height of 28 meters). Formed by the risalits, the compact yard has two passages in it: along the Mira Street and along the Kotovsky Street.

Multiapartment building at Mira Street. Project, 2014. © Anatoliy Stolyarchuk Architectural Studio


Multiapartment building at Mira Street. Plan of the 1st floor. Project, 2014 © Anatoliy Stolyarchuk Architectural Studio


Multiapartment building at Mira Street. Plan of the typical floor. Project, 2014 © Anatoliy Stolyarchuk Architectural Studio


While the construction plan is to a large extent conditioned by the shape of the land site, the choice of the style for the new building was open and was also the more challenging part because of its Art Nouveau facade. The idea of historical stylization - considering the increase in the scale and considering the overall changes in the composition - was pretty soon discarded by the authors to give way to the modern vocabulary, rather neutral, but still not altogether alien to Krzhizhanovsky's architecture. 

The building's main façade that towers three floors above the old cornice, looks at the Kotovsky Street with its austere gray surface dissected by a graphic pattern of punctured lines. The general symmetry of its axial composition is distracted by a protrusion of one of the side walls of the former tenement adjoining the building's firewall. This corner junction of the two side walls got a design solution based upon the contrast of simple geometric volumes, as well as their texture and color, which perfectly matches the key town-planning part that it is meant to play. Through the corner cutaway of its lateral entrance, the theme of the tenement continues over at the main façade. Considering it dimensions, increased in comparison with its historical neighbor, the authors looked to balance out the overall impression with neutral style and light color of the finish. The part of the main accents here is played by the central arch with a modernized lunette and a red-brick figure stanza uniting the two top floors. Their color and axial position match the central bay window in the Krzhizhanovsky's building. 

Multiapartment building at Mira Street. Project, 2014 © Anatoliy Stolyarchuk Architectural Studio


Out of the multitude of the existing ways of interacting with the historical context out there, the authors of the project chose the way of, though respectful, equitable and open stylistic dialogue between the modern and the historical. However, it was the style of the building that became the stumbling block in the architects' relationship with the customer, in the result of which the project winning a silver award at "Arkhitekton-2013" was turned down by the customer who then invited a different company to design the project.

This was not how the story ended, however. The "alternative" project fell under hard criticism from the city council: the new designer tried to take the path that Stolyarchuk had originally discarded - meaning, he decorated the new buildings with eclectic "historicism" elements. Ultimately, the customer was forced to turn back to Anatoliy Stolyarchuk for compromise. At the end of the day, Stolyarchuk's studio got the commission for designing the facades and getting them approved in the Committee for City Planning and Architecture and the Committee on State Control, Use and Protection of Historical and Cultural Landmarks. 

Multiapartment building at Mira Street. Development drawing along the Kotovsky Street. Project, 2014 © Anatoliy Stolyarchuk Architectural Studio


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Multiapartment building at Mira Street. Development drawing along the Mira Street. Project, 2014 © Anatoliy Stolyarchuk Architectural Studio


This story, in spite of its somewhat softened end, is rather sad, and, what's more upsetting, not quite unique. There are lots of cases out there when a customer, upon getting a concept from a renowned company with a long-standing reputation, hands that concept over for further elaboration (or, should we say "fed to the lions", not to put too fine a point on it) to a different company with a task to cut the costs as much as possible. Although in this particular case the situation is a little bit different, it still goes a long way to illustrate just how vulnerable the architect (and, ultimately, the end consumer) is in the face of the overall decline in the demand for high-quality architecture.

The economic crisis did things to the construction schedule but we will hope that the place where once the demolished historical ruin stood will ultimately get a new up-to-date complex keeping the memory of the place and at the same time matching today's standards of what urban environment must be like.
Multiapartment building at Mira Street. Plan of the loft. Project, 2014 © Anatoliy Stolyarchuk Architectural Studio


24 December 2015

Headlines now
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.
The Color of the City, or Reflections on the Slope of an Urban Settlement
In 2022, Ostozhenka Architects won a competition, and in 2023, they developed and received all the necessary approvals for a master plan for the development of Chernigovskaya Street for the developer GloraX. The project takes into account a 10-year history of previous developments; it was done in collaboration with architects from Nizhny Novgorod, and it continues to evolve now. We carefully examined it, talked to everyone, and learned a lot of interesting things.
A Single-Industry Town
Kola MMC and Nornickel are building a residential neighborhood in Monchegorsk for their future employees. It is based on a project by an international team that won the 2021 competition. The project offers a number of solutions meant to combat the main “demons” of any northern city: wind, grayness and boredom.
A New Age Portico
At the beginning of the year, Novosibirsk Tolmachevo Airport opened Terminal C. The large-scale and transparent entrance hall with luminous columns inside successfully combines laconism with a bright and photogenic WOW-effect. The terminal is both the new façade of the whole complex and the starting point of the planned reconstruction, upon completion of which Tolmachevo will become the largest regional airport in Russia. In this article, we are examining the building in the context of modernist prototypes of both Novosibirsk and Leningrad: like puzzle pieces, they come together to form their individual history, not devoid of curious nuances and details.
A New Starting Point
We’ve been wanting to examine the RuArts Foundation space, designed by ATRIUM for quite a long time, and we finally got round to it. This building looks appropriate and impressive; it amazingly combines tradition – represented in our case by galleries – and innovation. In this article, we delve into details and study the building’s historical background as well.
Molding Perspectives
Stepan Liphart introduces “schematic Art Deco” on the outskirts of Kazan – his houses are executed in green color, with a glassy “iced” finish on the facades. The main merits of the project lie in his meticulous arrangement of viewing angles – the architect is striving to create in a challenging environment the embryo of a city not only in terms of pedestrian accessibility but also in a sculptural sense. He works with silhouettes, proposing intriguing triangular terraces. The entire project is structured like a crystal, following two grids, orthogonal and diagonal. In this article, we are examining what worked, and what eventually didn’t.
An Educational Experiment for the North
City-Arch continues to work on the projects that can be termed as “experimental public preschools”: private kindergartens and schools can envy such facilities in many respects. This time around, the project is done for the city of Gubkinsky, Yamalo-Nenets Autonomous District. A diverse educational and play environment, including a winter garden, awaits future students, while the teachers will have abundant opportunities to implement new practices.