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Noblesse Oblige

For the best proposal contest for Radisson Blue Moscow Riverside Hotel, the team of Alexander and Andrew Asadov and Karen Saprichyan, designed a multivolume complex composition that changes beyond recognition with the shifting of its viewing angle. A cyberspace guided tour will allow for joining the pictures into a single whole.

12 October 2015
Object
mainImg
Architect:
Alexander Asadov
Andrey Asadov
Karen Saprichyan
Firm:
ASADOV architects
GrandProektCity
MAHPI
Object:
Radisson Blu Moscow Riverside Hotel&Spa
Russia, Moscow

2015 — 2015

Continuing the review of the results of the best concept contest for Radisson Blue Moscow Riverside Hotel, we are featuring the joint project of Polyansky Institute of Architecture, GrandProjectCity, and Asadov Architectural Bureau. The judging panel did not include it into the leading three list - but the dramatic architectural image proposed by the consortium could have easily become an impressive centerpiece of this picturesque land, advantageous in all respect, lying in the confluence of the Moskva and Skhodnya rivers.

According to the rules and conditions of the contest, one of the main evaluation criteria was "conformity to the requirements of Radisson Blu chain". And this is by no means a formality: Carlson Rezidor Group that owns the brand traditionally sets forth the most rigorous requirements to the architecture and design of its hotels, be that a reconstruction or building something from scratch. Enumerating all these world-famous hotels of this chain would result in a quite a long list, so here are but a few names that immediately come to mind: Copenhagen's Radisson Blu, for instance, was designed by Arne Jacobsen, in Berlin - by Sergey Tchoban, in Moscow and Chelyabinsk - by Christian Lundwall, in Batumi - by Michele De Lucchi, in Belgrade, "Graft Architects" did a brilliant project of renovating a XIX century factory building, the hotel in Nant was done by Jean-Phillip Nouelle... Nobody is talking about any stylistic unity here - just about the level to which the bar has been raised. Just another reason not to limit oneself in the means of plastic expression in order to create a truly interesting project. 

The hotel - the only tall building for miles around - will be perfectly viewable from lots of different angles - which provides for the architects a rare-for-urban-environment opportunity to play with these angles. The authors of this project used this opportunity to the fullest: depending on the viewing angle, the building looks so different that combining these pictures in one's mind's eye might be quite a stretch. "The basic screen of the main building is oriented to the Moskva River and its farther vantage points" - Karen Saprichyan explains. From the opposite bank, across the river's great wide open, the building resembles a giant megalith that was brought to the nation's capital by winds unknown and then all covered with a mysterious barcode. Then we pass around (or swim around, or, better yet, fly around the cape) - and the complex gradually takes shape, the shadow from the giant cantilever falling down askew on the "supporting" block adding diagonals to the array of elongated window apertures (yet another barcode, only monochrome this time). Continuing this imaginary tour, we find ourselves in front of the eastern facade - only at this point the trees step to the sides allowing us to see the main entrance and the roofed area in front of it, the rounded corners of the side volumes sucking us inside the complex like a giant whirlpool, and then even further through it - where through the square opening one can finally see "a piece of heaven".

RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture
RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture


RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture


RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture


If we are to examine the complex building by building, there are four of them, the main one being a broad rectangular slab that rests in an even somewhat sloppy fashion on two others, these two resting on a broad two-story stylobate. The stylobate is also not quite "solid body", though: from the direction of the main entrance part of the volume is "taken away", which results in a spacious covered square. Practically invisible from any more or less significant distance because of its disadvantageous proportions and the surrounding verdure, the stylobate plays the crucial part of the "invisible hero": it not only serves as the basis for the "pyramid" holding its flashier brothers on its shoulders but also provides a whole lot of other key functions. 

RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture


RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture


If we are to look at the plans of the first two floors, we will see that, besides a double-height lobby, it also includes a business center, a multifunctional hall, a restaurant (also double-height, commanding a fine view of the Moskva River), a spa center, numerous services, and even some of the hotel rooms. The swimming pool of the spa center is an important composition center: it gets surrounded by the walls of a four-story glazed atrium, along the perimeter of which offices are situated while on its eastern side it opens up to the roof of the stylobate, this roof performing, besides its direct function, a number of other responsible tasks: it carries a rather large public zone, along its ramp located at the back facade, emergency vehicles can ascend it, while on its southeast corner the roof blends into the marquee overhanging above the entrance square.

RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA. Plan of the first floor © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture


RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA. Plan of the second floor © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture


The building that is turned southward, to the Skhodnya River, on the plan looks like an elongated rectangle with one of its corners rounded out. This block contains the short-stay hotel rooms that take up all the six floors (counting from the ground level, from the third to the eighth). The other "support" given to the offices and the spa center is closer to a quadrant on the plan; by elevating the floors, with the same absolute height, the number of floors here is it four, and they all are placed around the already-mentioned atrium. 

The main block - a ten-story slab, also rounded at its southeast corner - contains the apartments. For all its massiveness, it does not look "heavyweight" at all: the arch window between 21x21 meter supports makes the structure look almost ethereal. Besides, the trapeze-shaped windows and the bay windows with colored inserts create quite a convincing optical effect curtailing the number of floors from ten to four (experimenting with color is one of the signature techniques of Asadov Bureau). Such a solution, different from the more reserved lines of the stylobate part, was deliberately chosen: this allowed the architects to play on the contrasts of different architectural techniques.

RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA. Section view © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture


RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture


The authors of the project elaborated in great detail (even, according to Karen Saprichyan, in too much detail by contest project standards) the design of the inside premises - both hotel rooms and offices. As for the latter, they are planned at four different levels: the entrance square, some areas on the roof of the stylobate and the hotel block, and the most striking one commanding magnificent views - on the roof of the main building with a swimming pool, a recreation area, and a helicopter landing. Oh, by the way, about the "cyber circular flight" around the complex - if we are to go through with unleashing our fantasy, you cannot think of a better place to end the guided tour.
RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA. Section view © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture
RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA. Plan of the 4-6 floors © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture
RADISSON BLU MOSCOW RIVERSIDE HOTEL&SPA. Plan of the 9-18 floors © Asadov Architectural Bureau; GrandProjectCity; Polyansky Institute of Architecture


Architect:
Alexander Asadov
Andrey Asadov
Karen Saprichyan
Firm:
ASADOV architects
GrandProektCity
MAHPI
Object:
Radisson Blu Moscow Riverside Hotel&Spa
Russia, Moscow

2015 — 2015

12 October 2015

Headlines now
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.
The Color of the City, or Reflections on the Slope of an Urban Settlement
In 2022, Ostozhenka Architects won a competition, and in 2023, they developed and received all the necessary approvals for a master plan for the development of Chernigovskaya Street for the developer GloraX. The project takes into account a 10-year history of previous developments; it was done in collaboration with architects from Nizhny Novgorod, and it continues to evolve now. We carefully examined it, talked to everyone, and learned a lot of interesting things.