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Saturating the Landscape

In Vissarionov’s project, the Federal Sports Centre looks either as if it has landed from outer space and grew into the soil or as if it has hatched from the ground. One thing is clear, though: the authors’ wish to inosculate three cities: a small-scale district, a big, slightly abrupt industrial one – and the city of the future, in this case a sports city.

15 April 2015
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The town of Kashira near Moscow today is known more as a summer resort by the Oka river, not because of the several factories situated here, one of which is actually a brewery, and not even because of Kashira power plant built under the personal direction of Lenin back in the day. One must say that a name “urban locality” assigned to many areas today suits Kashira much better than actually “a town”: a town as such, in the typical urban view, is not that easy to find here. Kashira is a historically torn, a “crossing” town: after the Time of Trouble it was moved to the right bank of the Oka from the demolished left one, where the ancient settlement is still preserved in Staraya Kashira (rus. “old Kashira”). The town had existed on the right bank as a suburban district with wide streets and low-rise houses until it was decided to start developing it as an industrial center, and several rail tracks were laid towards the Oka – which is very convenient allowing to use two types of transport at the same time – and a small town “Kashira-2” was founded two miles to the east of Kashira beyond the field and the railroad, with the factories and the power plant. Later, a microdistrict of “Kashira-3” was built in the eastern outskirts of the old (well, relatively old) Kashira. Today the network users tag it as the “natural ghetto”: five- and ten-story blocks of flats, “nowhere to go”, but, according to the Soviet norms, there are schools and kindergartens. Nearby, just at the border with the field and by the roadway leading from highway “Don” towards Kolomna, in late 80s the building of City Hall was built from the rose brick – associated with the regional committee but for an individual project. Even though the administration building turned out to be technically in the center, in seemed to be on the very outskirts of old Kashira, pitched to a hardly developed microdistrict. And in the middle – or to say, between the suburban district and the industrial town – nothing, a breach, that the city-machine started to fill with “Kashira-3” in the 70s, but stopped short, unable to pull it through.

Sports and education complex "Academy of Team Sports" © Vissarionov Studio
Sports and education complex "Academy of Team Sports" © Vissarionov Studio


Here, on the field east of the town hall offices, plans call for a “Competitive Sport Academy”, which on a scale of Kashira – a place with a population of about forty thousand people – is a very big project, practically of a federal level, with a total area of all the planned rooms – 900 000 square feet – which means an average size for Moscow, but a lot for Kashira. The project is very multifunctional: apart from the two halls for sporting events – a big one and a small one – one training complex, a swimming pool and the rest sport infrastructure, the authors are also planning a boarding school, housing for the teachers and an inter-university center (there are several branches of Moscow universities in Kashira), and also three shopping malls, that will take after the shop situated now at the roadside by the City Hall. The civil servants are talking about the importance of the new “Academy” for the development of the town and for “enhancing the region’s investment attractiveness”. The project has been approved by the City Council of Moscow Region; the architectural design of the Academy was developed by the Architectural Bureau of Yuri Vissarionov, that demonstrated it among its new projects at Zodchestvo festival, on a stand a la 20s (by the way, the stand of the Bureau was awarded the “Golden diploma” of the festival).

Sports and education complex "Academy of Team Sports" © Vissarionov Studio


Master Plan © Vissarionov Studio


Now, as mentioned above, the site of the future “Academy” represents an open country with a small grove at the background, where the housing for the teachers is planned. According to the city development plan, however, the Academy is to be “cut” by a road, that will extend Centrolit street leading through the fields from Kashira to the foundry, situated a bit to the south – then it will be possible to get to the foundry straight from the city. On the one hand, the new road is an advantage for the “Academy”, since it will provide a convenient approach to the sporting complex itself, as well as to its public and administrative center. But on the other hand, it is a disadvantage, because the transport artery will inevitably divide the ensemble in two. That is why the architects suggested “covering” the transport watershed with a green avenue-bridge. The wide boulevard serves as the public center and the green core of the complex. Taking this way, for example, you can walk from the old micro district “Kashira-3” up to the central part of the “Academy”. Actually, the main sporting center looks like an oval donut, or reminds a space ship from a fantastic novel that has landed onto the grass, a bit on the cross, and as a result has grown into the soil. It is, however, tightly pressed to the ground by five flat triangles that admit a fitness-center, a training complex and the extension of the main sporting complex. It results into something reminding a giant octopus (or so to say a “pentapus”) or even a button that, if you look from above, looks as if it aims to connect the parts of Kashira, scattered about the landscape. A sort of a space paperclip…

The roofs of the triangle volumes – the assumed “arms” of our clip – have been turned into hill-boulevards that will be good for skiing in winter. One may doubt the likeness to a space ship: what if, on the contrary, the “donut” has grown out of the ground? And here you can imagine some sort of a secret underground “Kashira-4” – isn’t it odd, that parts of the city had been set so far from one another; there must be a reason – so here you have a secret underground “donut”, some kind of collider, and the tectonic shifts have made it come up onto the surface – an accident, like on some submarine – and it came out, and the massive underpinning, that had kept it down, followed it up – well, and became convenient hills for skiers and children with sleds. There is a similar image of “rising ground” in Dmitry Bykov’s novel “ZhD”. Of course, it is all science fiction, much like space fiction, but the image has turned out to be quite precise.

Sports and education complex "Academy of Team Sports" © Vissarionov Studio


The green hills on the roofs together with the promenade avenue over the road create a landscape complex, that belongs to the relief and is even park-like to some extent, even though there are not so many trees – mostly there is grass and especially many parking lots: there is no underground parking and the pavement for the cars takes up about 12% of the territory. Splicing the buildings with the landscape, likening them to results of tectonic shifts and cut hills is a popular method in modern architecture, among eco-friendly methods showing regard for the environment. Besides, thanks to the avenues-anchors the sporting complex, that is evidently quite too big for this town and his area, has found its right scale to the nearest and further surroundings – has fit into the urban and natural environment.

Sports and education complex "Academy of Team Sports" © Vissarionov Studio


Sports and education complex "Academy of Team Sports" © Vissarionov Studio


Sports and education complex "Academy of Team Sports" © Vissarionov Studio


The problem of matching with its scale is solved very delicately here. The “Academy’s” position between the corresponding residential development and the picturesque landscape of the nearest suburb defines the reasonable allocation of the administrative, residential, commercial, educational and sporting and other functions around the whole territory of the center. At that, the architects had to find the right proportion solutions, they had to melt, dissolve such an impressive object, “saturate” it with the city. And they managed it: the exaggerated rhythm of large volumes of the middle part of the complex is turning into a spreading of small, prisms with square roofs towards the periphery and forming the exact mapping of the complex. The administrative offices, a hotel and shopping centers are grouped in the western part of the territory, near to the micro district “Kashira-3”. On the East, by the forest, there are family dorms for the coaches and tutors, a rehabilitation facility and a kindergarten. And there, far out, the so-called “back-up” territories are in the future planned for low-rise accommodation: apartments, “bed and breakfast” hotels and care homes. Their sizes diminish towards the borders of the territory reaching a size of a cottage and smoothly growing into the image of Kashira district, trying to overcome the fragmentary nature of the semi-urban texture of this place, to splice it as much as possible in such cases.
Sports and education complex "Academy of Team Sports" © Vissarionov Studio
Sports and education complex "Academy of Team Sports" © Vissarionov Studio


15 April 2015

Headlines now
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.