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Plane of Refraction

The project of the second stage of the complex "Zapadnye Vorota" ("Western Gate"), located north of the Mozhaisk Highway, develops the theme of the modern European architecture that has already been successfully implemented in the first stage of this large-scale project.

10 March 2015
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The ABD architects had a first "go" at this territory, situated in the immediate vicinity of the Mozhaisk junction, between 2003 and 2009, designing and building here the business park "Zapadnye Vorota / Western Gate". At that stage already, it was evident that, on the opposite side of this powerful transport structure, there must appear another similar object: it would have been a shame if the gate had but one "shutter". Flanking the entrance to the town from Highway M1 "Byelorussia" was do be done by two symmetric and identical (stylistically and in spirit) complexes. 

However, so it happened that the architects were only able to get back to designing and building the second stage of the "gate" in 2014. By that moment, the future construction site - the segment between the Moscow Ring Road and the Barvikha Street - turned into a squatter city park by the name of "Dog's Lawn". In December 2011 the "wild" ski track running through the park even got an official number of 134 and included a ski stadium. However, against the background of the recently completed junction that already "intruded" on the "Dog's Lawn", when choosing between saving the park and the necessity to finish the construction of the entrance ensemble, the city opted for the latter. And now, the construction of the second - northern - part of the complex is about to begin: a composition of three buildings standing along the border of the land site and a small restaurant block hidden deeper inside. Thus, when the construction is finished, the entrance to the nation's capital will take on a complete view: on the one side, the glass striped buildings looking like green rocks from some fantasy novel, on the other side, still more picturesque group with a fancy deflection of its walls. 

The project of the second stage of the "Western Gate" has been in the making by the studio of Boris Levyant for more than ten years already. Initially, it was planned that on the elongated triangle of the land site, squeezed between one of the exits from the yet-unfinished junction and a residential neighborhood, a large shopping mall would be built that would cater for the people of the adjacent residential areas and the drivers-by. The city council, however, was against building large shopping centers along the Moscow Ring Road, and the plot was given to the construction of a new office center. Today, this decision seems to make even more sense because the idea is gaining popularity of moving most of the offices from Moscow's historical center to the west and southwest parts of the city - the developing territories of "New Moscow" administrative district. Concurrently to this, a lot of housing projects are being built in Odintsovo and other close-to-Moscow areas. 

Office and business center "Wwstern Gate 2" © ABD architects
The location of the office and business center "Wwstern Gate 2" in respect to the Mozhaisk Highway. North of the highway - the first stage, south of the highway - second stage © ABD architects


The new office and business center is a four-volume composition. Each of the three standing up front is no more that eight stories high. The fourth is still lower. On the plan, they all have the shape of almost perfect rectangles but, placed along the smooth curve of the road, they follow its trajectory. Still before the reconstruction of the road junction, it was planned that the starting point of the compositional line would be the tower of the hotel that would stand closest to the highway. Later, however, there appeared yet another exit to the highway, one that ran directly across the construction site - and in the first stage of the business park "Western Gate" the architects had to give up the idea of marking the boundary with a high-rise centerpiece but, on the other hand, this project will be implemented in the second stage. Still, though, even without a tower, the balanced silhouette makes the complex look quite complete. Furthermore, the absence of the hotel building sets off the compositional symmetry of the north and south "shutters" of the gate. 

The most dramatic element of the complex is the inflection of the facade surfaces turned to the highway - it is not really abrupt but it still catches the eyes of the drivers even if the car is moving at a high speed. The inflection takes place in different directions touching both the main facades dissected by the large squares of the windows and the window piers, and the side walls of the buildings perfectly viewable from the junction. The seemingly simple solution proved to be difficult to implement from the technical standpoint. For calculating the construction, ABD architects turned to the German company Werner Sobek that already had expertise of such projects. This was an interesting experience of cooperation: the German designers and engineers plus the Russian architects, facade designers and lighting consultants. 

Ultimately, an impression is created that the buildings are made from a very plastic material, if they can be "crushed" so easily. Or that they found themselves on the edge of two environments - which created this optical effect of light refraction. And, combined with such shape, the play of light is indeed impressive: in spite of the fact that the inflection angle is comparatively small, under the rays of the sun, the flat surface instantly comes alive and takes on a three-dimensional quality. And on the inside, within the space of one floor, together with the fact that its plan is brought to the rational and efficient rectangular shape, the jaggedness of the outside walls is not felt virtually in any way. And - the quality of the offices is improved at the expense of increasing the height of the floor up to 4.05 meters and floor-to-ceiling windows. 

Office and business center "Wwstern Gate 2" © ABD architects


As distinct from the buildings of the first stage, the new complex does not have floor-to-ceiling windows; here, the tall narrow windows alternate with grill window piers, providing a dynamic "division" of the floors over the facade. The thus-set rhythm is supported by the diode lights one module high integrated into the facade system. The dimmed soft lighting allows for changing the color of the building in a quite unobtrusive way, from red to light green. 

In the course of the work, the architects came up with a few versions of color solutions, including rather bright ones. However, as Boris Levyant shared, at the end of the day they opted for the more reserved and mellow materials: "The final color set was approved as a result of considering the project at the architectural council, and I am happy with this choice because bright colors tend to fade away quickly. In this case, we were able to achieve the richness of color by using the nighttime lights". 

Office and business center "Wwstern Gate 2" © ABD architects


The upper maintenance floors of all the three buildings are shifted in respect to their main volumes and are almost completely executed in glass - this makes then but barely visible from the highway. What is visible is only the flat roofs overhanging above them. Upon one of the blocks, a helicopter landing is provided with an elevator going up to the roof - "arrival & departure". Aside from the engineering and technical premises, hidden in the central part of these volumes behind the metal bars, the design also provides for a few VIP rooms designed as glazed terraces commanding panoramic views. 

All the buildings are visually "lifted" off the ground - which makes them look all the more surreal and weightless. This levitation effect is achieved at the expense of deeply "sunken in" and completely glazed bottom floors thanks to which the building looks as if it were hanging in the air. Under these overhanging volumes, walking galleries are organized. The organized territory with the green lawns, minimalist street lights and the winding pedestrian trails makes one forget about the noisy highway running nearby. The trees that used to separate this land plot from the highway were practically destroyed as a result of the expansion of the junction, laying bare the houses that were there. Now it is the complex itself that must become the noise screen for the neighboring residential houses. Luckily, there are enough trees in between them - ultimately, a small part of the park was left intact there, inside of which the three-story restaurant block is hidden. Designed in the common style of the whole ensemble, this fourth building of the complex is mainly designed for the local people and it will also function as a link between the business center and the residential area. 

The construction of the complex is due to start this year. One must also bear in mind that the first stage of "Western Gate" is used full-scale by the owners and the tenants. And this is a great result for an office center standing right next to the Moscow Ring Road. By this, ABD architects, whose projects have for years been showing one of the highest levels of ROI, proves the ultimate compatibility of the idea of localizing the residential and the working areas outside of the nation's capital historical center helping to get rid from the bulky offices and its inevitable traffic jams. And as for the flashy image and the efficiency of "Western Gate", they allow for us to hope for the repetition of its predecessor's success. 

Yet another important feature of Moscow's "Western Gate", one that Boris Levant has been developing for over a decade on the Mozhaisk Highway: its architectural and design solution turned out to be also quite "western" - the green park, the low-rise buildings, the balanced yet flexible shapes, the open composition, the visual lightness and purity. Such gate marks the city entrance not like some "Straits of Hercules"; they are totally free of any pompous grandeur of your typical centerpiece - this is a quite "European", in a whole number of ways, solution, technology-efficient and up-to-date. Possibly, it is just as well for the project that, due to circumstances, the architects had to forego the idea of building a tower here.
Office and business center "Wwstern Gate 2" © ABD architects
Office and business center "Wwstern Gate 2" © ABD architects


10 March 2015

Headlines now
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
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Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.