Alexander Skokan: "A river must only be considered together with its numerous inflows. The Moskva River has one hundred forty-one of them".

zooming — Alexander Skokan. Photo © Aleksey Nikishin

Archi.ru:
- What is your concept all about?

Alexander Skokan:
- Actually, the river is more of a negative factor than a positive one. It tears the city apart just like the railways do, or the Third Transport Ring or the industrial parks. Our idea is all about turning it from a divider into a connector - some sort of a longitudinal bridge that would pass through the city and pull it together.

The functions, of course, must not be uniform - this is not a linear corridor. Try to think of the river as a string of beads: a blue thread that various beads are strung upon: Kremlin, Gorky Park, monasteries, Christ the Savior Cathedral, and House on the Embankment are totally different gravity centers - the rivers ties them all together into a single whole.

Still, this not all that you can say about the river. It is about five hundred kilometers long, it begins in the swamps and spring-wells near the city of Mozhaisk and then grows stronger; on its way, it meets the city of Moscow that - let's face it - does a great deal to uglify the river, although the megalopolis still remains the main event of its life. After meeting the city the river "brushes off the dust" and recovers along the length of one hundred and fifty kilometers and finally flows into the Oka, dissolves in its flow, and dies becoming a part of something greater (one should say that any river is very metaphoric). In a word, a river is a living being.

And you cannot really treat it as some abstract environmental system: the Moskva River is not a pipe that runs through the city clad in granite or something of this kind. The river only exists with its numerous affluents that nourish it it and that constitute a single whole with it. We know Neglinka, Yauza, Skhodnya, and Setun; we know of no other rivers, and within the confines of the city there are about one hundred and forty of then - rivers and brooks that the city kept pushing underground as it continued its expansion. The river can only be healthy if all of its affluents are healthy. The territory that is covered by the contest specifications is no more than a ninth part of the city; the other eight ninths are left totally unattached. Meanwhile, if we do pay attention to all these little rivers, however small and insignificant, we will get a system that embraces the whole city and influences Moscow's entire territory.

Thus, the message that we wanted to get across was that, besides the improvement of the riverfront, that Moscow is actually quite successful in - take the embankment before the House of the Artists, for example - it is necessary to recall not only what this river is like but its whole basin of a hundred and forty rivers as well. If we understand just what to do with them and what exactly we need them for, we will ultimately get a different city: more eco-friendly, healthier, and, I would say, more valuable.

- Were the affluents in any way present in the contest specifications?

- No, they weren't. The consideration of the river-basin is completely our initiative. Probably, this is the characteristic feature of our team - we would rather expand our task than narrow it, we try to see the "off-screen" things. We were asked about the river corridor, and we discovered that the river grows into the territory of the entire city with its tentacles.

- So, what solutions were proposed by "Ostozhenka" for Moscow's minor rivers?

- As an example, we took three affluents: Filka, Kotlovka, and Gorodnya - and gave them a more detailed consideration. Take the Filka River: upon it, there had stood the settlement of Khvili, then, later, during the soviet times, the district of Fili-Davydkovo; in the fifties it was routed into a pipe and a subway line was built above it. Now this subway line is surrounded by a fence and a right of way; it dissects the neighborhood in two. We actually proposed to do away with the subway line - all the more so because this prospect is already widely discussed, what with the fact that the Filevskaya Line doubles the Arbatsko-Pokrovskaya line and its workload is pretty slack - open up the river, make a park around it, and run a low-floor tram along it - the low-floor tram will relieve the workload of the Filevskaya line but it will unite the area instead of dissecting it. We will open up the river to the city; and the city will be able to come out to the river. We will enhance the beauty of the Naryshkino Holy Protection church built on the cape where the Filka flows into the Moskva River. The junction capes are extremely important; they are the town-planning accents, at one of such capes, the Kremlin rests, and they must be treated with care and respect.

Another example is the Kotlovka River at the southeast of Moscow, at the land of the proverbial giant power plants. Everybody who has ever driven down the Varshavskoe Highway or the Sevastopol Boulevard knows the descents and the ascents of the road that are especially tricky when the roads are slippery in the wintertime - each set of traffic lights is preceded by a hill that is actually formed by the banks of the Kotlovka that flows underground. Only partially piped underground, this little river shows up in the city in a punctured line forming separate parks; on one of the river's banks there's even a ski slope that is rather popular in Moscow. At some places it is the other way around - there might be a house physically standing on the river, smothering it. Meanwhile, it is a quite realistic idea to tie all the existing fragments of the parks into a single system, stringing them upon the river. The third example: the Gorodnya River that actually nourishes the Borisovo and the Tsaritsyn ponds - it springs from the district of Yasenevo, the Bitsa Park, and then in Brateevo it flows into the Moskva River. This is the place where people go fishing on the weekends, living in tents - all these recreation areas can be developed and taken to a new level. We showed these rivers as examples; they are not the answers, they are the new questions, really.

Today, the minor rivers and headwaters live very different lives: some of them are getting along quite well, for example, the Likhoborka River on the northeast of the city. Others, on the other hand, are almost completely neglected like the Nischenka Creek that flows through the industrial parks in the east of the city in the underground sewer. There are also rivers that have been completely buried underground and rivers that have virtually disappeared - we do not propose to revive them all, which would make little sense. However, it has been noticed that even if the river is no longer there the vegetation is still greener in its former floor land, and the trees grow better - such places could become the basis for new parks or eco-trails. One of such derelict rivers used to flow into the Yauza in the neighborhood of Art-Play complex. The northern "green ray" in Stalin's master plan was also connected with the rivers - Neglinka and others.

You see, the Moskva River is already talked about, and, since the contest is already announced, it means that the idea has taken root. The riverfront will be improved, one way or another. We thought it important, however, to push the limits of the discourse and remember the fact that Moscow has in it 141 other rivers.

Our proposal is about the following: the Moskva River is the city's or even the nation's high-profile cause. We, however, search in every district for the opportunity of creating an area for the local recreation - so as to avoid the prospect of the whole city trooping at once to make a huge waiting line in the area of Gorky Park on the weekend. And, on the other hand, such local improvements could go a long way to foster the local patriotic feelings: my house, my land, my Kotlovka. People themselves could participate in the planning and implementation, and this would take the whole idea of local self-regulation to a totally new level.

- Do you think that self-regulation of the population is at all possible?

- I think we should look for reasons to raise social awareness, and people's awareness of geographic landmarks in particular - such as the local rivers, they could be a great reason to start with.

- Your network of parks around the rivers looks like a post-industrial eco-city. Is it opposed to the current industrial city?

- The way we see it, inside the megalopolis, there is not one but several cities superimposed on one another; at some places they exist independently, at some - interact with one another. We do not always remember about their existence, and now we are gradually discovering them. Today, within the framework of this contest, we speak about the zones that are attracted to the river and about the riverfront as a fragment of the urban matter. But then again, there is also the "railroad" city with the giant rights of way and giant railway yards in the neighborhoods of the Rizhskaya metro station. So now we day that there is yet another city - the 141 rivers flowing inside of Moscow.

Looking at the map of Moscow of the middle of the 19th century, one can plainly see that a lot of important city events were connected with large and small rivers - and not only in the villages near Moscow that naturally stood upon these rivers. In the late 19th century, the railroads were also often built along the river beds because a significant part of the city had already been built and the best vacant places had already been occupied. Why do you think the Nikolaev Railroad - for which it would have made perfect sense to run along the Tverskaya Street and down to the Byelorussky Railway Station - stops short at the Kalanchevskaya Square? Simply because it was routed to a problem swampy land site full of small rivers and brooks. The Paveletskaya Railroad is also a buried river. The Filka river that was filled in by a subway line back in the soviet time is not the only example; in the XIX century, the riverbeds were already used in such a way.

Moscow is a complex superposition of different themes and different "cities". The medieval Moscow never did overlook the river, let alone have a decent embankment. And then, on the Yauza, there appears the Foreign Quarter - a place that's totally different. The foreigners were sent to settle at a distance from the rest of the city so as the Muscovites would communicate with them as little as possible. In any case, during the days of Peter the Great, the Foreign Quarter did not look like Moscow at all, it was rather a prototype of Saint Petersburg - and the river is treated quite differently in Saint Petersburg. In the medieval Moscow, the river was an annoying obstacle but in the Foreign Quarter it becomes the center of attraction - it is overlooked by the Golovinsky Garden and by other palace parks with their ponds and creeks, as well as aqueous events...

In the soviet times, according to the same principle, there was built the World Trade Center, and all the foreigners were gathers there, also with a view of controlling them. It also stands on the river.

And finally, when the architects were looking for the place for the Moscow analogue of Paris's La Defense (the business center), it was also found on the river, wedged between the Testovskaya and Shelepokha platforms. In the early eighties, when Boris Tkhor advocated this idea, there were mainly garages there - this place was virtually not known to anyone - and there were two integrated house-building factories that the city easily lost to provide the territory for the business center. Back then, I was working in Scientific-Research and Design Institute of the General Plan of Moscow, and we as early as at that time would say that Moscow is not Paris, you cannot make do with just one business center; what you need is a chain of such centers. But in other places there were numerous land issues - for example, at Rizhskaya, the Moscow railroad was not ready to give up its land for such a project... And we ultimately got what we got - some sort of an abscess that warps the whole city.

- You recently proposed to add new bridges to Moscow City, didn't you?

- Yes, we proposed to connect the two banks, catching the right bank with the "border hooks" of the bridges, two more to relief the Bagration Bridge. Because it is on the right bank, only some three hundred meted away from Moscow City, the Kutuzovsky Avenue is situated - a full-scale thoroughfare with great architecture, retail stores on the ground floors, the highly developed city center. If we provide a better connection between the two river banks, we will get a full-scale urban unit that would offset Moscow City. Besides, we proposed to create on the right bank a promenade, and to improve the transportation aspect of the left bank by building a line of sky train there.

- Are there many new bridges in your project?

- Generally speaking, the more bridges the city has, the better off it is. We, however, showed in our project that besides the usual pedestrian and traffic bridges, there can be overhead bridges, and passenger cableways, like in the mountains or on ski slopes. Two years ago such a cableway was built over the Volga - at a hundred meter altitude it connects Nizhny Novgorod on the right bank and Bor on the left. In the Columbian city of Medellin over the favelas, there are several such cableways built over the hills.

In Moscow, we found at least two places where such cableways could be built: one line would connect the "super-park" of Krylatskoe, the Strogino forest, and end in Tushino. The other route - from Nagatino to the ZIL peninsula to the Nagatinsky Park metro station which is still under construction. Thus we would connect the separate fragments of the city. Such cableways can go over the buildings, over the trees, and over the river, simply connecting point A to point B with a straight line. What one will need is just the supports standing each two or three hundred meters. This is a high-capacity kind of transportation and at the same time a great tourist attraction.

- This all has to do with the passenger transport, and what fate do you prepare for the drivers? You are closing all the embankments for the automotive traffic, aren't you?

- The thing is that the embankments of the Moskva River became only open to automotive traffic in the thirties and forties. What we are proposing is not to close them altogether but reduce the number of lanes at the same time broadening the sidewalks - besides, we make an important reservation that this can only be done after taking a number of measures, including unpopular ones, otherwise the traffic will simply collapse.

- What unpopular steps must be taken, from your professional standpoint?

- A fee-paying vehicular entrance to the city center within the Third Transport Ring, for the exception of the residents, of course. As far as the territory beyond the Third Transport Ring is concerned, we must make it more cohesive and chord-line roads; there is enough room for building new road junctions here. Many things are done by this city in the "catch-up" mode: the broadening of the highways and the construction of the flyovers should have started about twenty-five years ago; now it is next to impossible to catch up.

- I remember you saying that two months is not enough to work on a concept of such magnitude. And how much time would you need for normal serious work?

- At least half a year. Now we have just about had the time to "cast away the stones", and not all of them, either. We've had no time to gather the stones, though.

- In this case, how would you describe the specifics of your concept? Its genre, if you like?

- I think of this work as the invitation to a discussion. A lot of questions arises here - I would even sort them out into three categories: financial, administrative, and social... And I think that one of our tasks is tying all these questions together for the future master plan. I would call this an exercise in considering the city's issues, an search for the structural regularities and consistencies.

In the Russian culture, there is a phenomenon of "obretenie" that can be translated as "attainment", "uncovering" or "appropriation": it is all about finding something that was around all along, only you did not notice it earlier. It might sound too self-assured but two years ago the "uncovering" of the Moskva River took place thanks to, among other things, to our company taking part in the contest "Big Moscow". And I would be happy if the city ultimately - through our efforts - uncovered its minor rivers. Incidentally, in 2004, the Scientific-Research and Design Institute of the General Plan of Moscow issued Decree 666: the ecologists and the geographers counted all the minor rivers, prescribed what to do with them, and calculated their improvement expenses... You can look it up online - this decree has no power, which comes as no surprise, with such a number! In other words, everything was invented before us, we only had to recollect and revise it.

- What do you think is the most important thing in implementing one's contest proposals and concepts?

- Any reservoir must be viewed as a whole; the river is first of all a flow; it crosses the borders of a whole number of territories; a river cannot be divided, for example, between the Central Autonomous District and the Southern Autonomous District; it cannot be tidy in one place and neglected in another. What you need is some structure that has the authority to coordinate everything that has to do with the city's rivers. Today, one agency deals with the public water supply, another - with the navigability, but what agency will deal with everything that has to do with the contest? Should we create the Ministry of River? And then the Ministry of Minor Rivers? I've got no answers to these questions, I am rather asking questions.

***

The project was developed in consortium with the architects and urbanists of Ateliers Lion Associes (France), architect and urbanists Alexandra Goodnova, and geographers and ecologists of the Institute of Geography of the Russian Academy of Sciences. The transport issues are curated by Yuri Shershevsky and Citec Company headed by Philippe Gasser. The cultural programming and the economic model was developed by Red Foundation. The ecological concept was designed by Transsolar KlimaEngineering.

18 December 2014

Interviewed by:
Julia Tarabarina
Translated by:
Anton Mizonov

Headlines now

Review

Living in the Architecture of One’s Own Making

Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.

Object

A City Block Isoline

Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.

Report

Competition: The Price of Creativity?

Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.

Object

Terraced Design

The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.

A Kremlin’s Core and Meteorite Fragments

We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!

Contest Results

The Volga Regatta

GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.

Object

A New Track

We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.

Report

Four Different Surveys

The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.

Report

Scheduled Evolution

ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.

Object

The Golden Crown

The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.

News

Flexibility and Integration

Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.

Object

A Step Forward

The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.

Object

Gold in the Sands

A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.

Object

Layers and Levels of Flight

This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.

Object

Light and Shadow

In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.

View

Casus Novae

A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.

Report

Treasure Hunting

The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.

Object

Depths of the Earth, Streams of Water

In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.

Object

Fir Tree Dynamics

The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.

Object

A Brick Shell

In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.

Report

Word Forms

ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.

Object

Flexibility and Acuteness of Modernity

Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.

Interview

Yuri Vissarionov: “A modular house does not belong to the land”

It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.

Object

Moscow’s First

“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.

Object

Looking at the Water

The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.

Object

The White Wing

Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.

Object

Urban Dunes

The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.

Object

Proportional Growth

The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.

Object

The “Staircase” Building

In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.

Object

Projection of the Quarter

No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.

Alexander Skokan: "A river must only be considered together with its numerous inflows. The Moskva River has one hundred forty-one of them".

The head of "Ostozhenka" consortium speaks about the river running through the city, about broadening the subject of the contest, about the cableways, and about Decree 666 of the Moscow government.