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​In the Rhythm of a Moscow Yard

Bavykin's architectural studio is getting back to the project of the apartment hotel in the Electrichesky Alley.

07 November 2014
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Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia 2014 © Bavykin Architectural Studio  


The project was prepared for the land site on which last spring there was taken down, though protected by the local people, the deputy Elena Tkach, and "Archnadzor", the remainder of the architect Sokolov's mansion. Truth be told, the house looked pretty ugly; it had no protected status whatsoever, the better half of it consisting of the so-called "soldier brickwork", the kind that was used in the first post-war years, faulty and sloppy-looking. The house was demolished legitimately and lawfully, with the permit issued by the demolition committee working under the supervision of deputy mayor Khusnullin.

The coordinator of "Archnadzor" Rustam Rakhmatullin proposed to restore the Sokolov mansion true to the original - meaning, because there was very little left of it, in fact, to build it from scratch in the original shapes, or, to be still more exact, to build a completely new building within the confines of the old building - a small single-story monument to the mansion at the heart of Moscow. The rhetoric that the historic preservation activists used, called the new project - the one that was to be built here instead of the mansion - nothing other than a "concrete-and-glass giant", the classic cliché of the 1980's that gave away their unwillingness to take even a brief look at the new project, for the simple reason that any substitution of the building that they defended they considered as “evil” by default. 

Meanwhile, concrete and glass are there in virtually any building in this day and age, but they are not that important here, after all. The subtle, considerate of both their environment and plastics, and generally "intelligent" projects are still few and far between even in the center of Moscow as it is. The architect Aleksey Bavykin, together with his daughter Natalia Bavykina, has been designing for this land site since 2010, and is now ready with a third version, complying to the ever new restrictions. Initially, the house used to occupy the whole site, then it got cut down to the size of the blueprint of its predecessor, and the outlines if its plan took on an intricate plan following the jagged annexes that once stood here (it is just baffling why this was to be done if the original house had been demolished anyway - but the specifications are to be observed and the architects did precisely that, with their height being even a bit smaller than what was actually permitted). We asked Aleksey Bavykin about the Sokolov Mansion, and he said that in his opinion, had there been as much as a little something left of the original house, something that was worth the preserving effort (Bavykin graduated from Moscow Institute of Architecture majoring in restoration, so he must know something about the subject and the possibilities if conservation), he would not have taken up this project under any circumstances. And - he hates modern replicas and remakes, does not think that they make any sense and he would never have signed up to build a "remake". 

The architects are sure of their righteousness, and the project, truth be told, is worth implementing, so let us go there and take a closer look. 

***
A dog ran across the sky and disappeared... As for the dialogue of "Let's-talk-architect-to-architect", that is so attractive in any reconstruction, it failed to work out either in the first or in the second case. And how could it have been otherwise? The little house that was built back in 1884 by the "reduced in his circumstances and modest in his desires artist and architect Sokolov" - with a grand entrance, rusticated pilasters, and semicircular gable simply fell into pieces. Not into ruins but into pieces: the ruins are something that is romantically attractive while the pieces inspire at best a feeling of pity rather than any interest to one's history. 

The house changed hands, got re-planned from time to time, and kept receiving additions all the time as well: in 1899 - a conservatory, and in 1903 - a single-story volume of a kitchen... After 1917, this house that, according to records, had the status of a "private flat", met with the fate of the so called "communal housing" - with the inevitable construction of extra partitions, cutting and sawing new passages and the inevitable driving of nails and spikes into the walls of the anteroom in order to secure tubs, sledges, and bicycles. And in the 1970's, even this idyllic and smelling of pies, boiled laundry, and cabbage soup, life came to an end: the house was turned into an office building with an ill-closing lopsided entrance door, new haphazardly placed partitions and the unwashed cracked windows. Since that day, devoid of any masters, the house, started to rapidly disintegrate past the point of no return. And nobody cared for the fact that it once was a mansion, so rare in this part of town, that once there was probably a little front garden in front of it, and for sure a garden behind it, to which you could walk out of the back terrace. Even the roof timber had long since rotted away...

So, what kind of "dialogue" can we speak here about? At best, a soliloquy about a modern replica, so disliked by Bavykin "building something new, only exactly like something old"…

***

Designing in one of Moscow's narrowest and shortest alleys, squeezed between the pseudo-Russian facade of the Firsanov alms-house and the silhouette of the Vulykh Tower, both bristling with corbel arches, is a tall order indeed. The place does not provide any territorial or even emotional starting points: there are but inexpensive tenement buildings, diluted by an odd soviet-era house here and there. There is no viewing point from which the building could be perceived as a whole - you either only see the top or the bottom of it. Some see one corner, and some see the opposite one, and thus search can go on forever. Ironically, thanks to the twist of his architectural fate and the customer's whim, Bavykin had to go through this quest twice. 

The first time it happened was back in 2010 when on the red housing line, a manifesto of a house was to appear: the clear-cut protrusion of the glass penthouse, the irregular colonnade of the trees merging into a sculptural crown, and the jagged grilled of cornice marquee. 

House in the Elektrichesky Alley, 2010. View from the Elektrichesky Alley © Bavykin Architectural Studio  


The return to the dire confines of the Elektrichesky Alley in 2013 did not look either bright or declarative at first sight. Still, there is something wrong with this "declaratively low profile". In the second version, there was virtually nothing left of "Brusov's Brother". Except maybe for the bronze-patinated canes in the railings of the balconies and the glass volume of the penthouse that undulates in the sunlight with the faceted glass of its outside wall… 

Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia 2014 © Bavykin Architectural Studio  

As for the house, it took on the tripartite quality, earlier alien to it; the house stepped back from the red line, practically completely fit the blueprint of the long-gone mansion, and immediately stopped domineering in the street perspective , leaving this privilege up to the already-mentioned Firsanov alms-house that back in the soviet days failed to escape the destiny of being overbuilt with a couple of stories and bring turned from an a-la Russ souvenir box into a granny's trunk that had obviously seen much service. And, set against the background of such visual centerpiece, the exquisite, almost ethereal, volume of the apart-hotel cannot but keep one's attention glued to it. You look over your shoulder yet again and then you at once grasp the position of the corner tower that inexorably puts you in the mind of the ancient castles and fortresses or maybe the building of Mosselprom. "We designed this tower as a small centerpiece, in the spirit of what I would call "low-rise verticals", so very much in the spirit of the old Moscow - Aleksey Bavykin shares - you must remember all those belfries, corner turrets, and other little accents, many of which were destroyed during the soviet years. So, thinking about this little tower, we somehow wanted to get back to this old Moscow's rhythm with its low-rise verticals". 

And on the inside, behind the all-but-impermeable denseness of the walls, within the layer-cake of the stories, the architects were able to reconcile the contraries: on the ground and underground, everything starts with the chute of the park lift, on the second, third, ... fifth - turns into a bedroom with a bathroom attached to it, and on the sixth - transforms into the part of the penthouse that is not covered by the free planning. And so, set deep inside the composition, it is this "false" tower that catches the eye from virtually every conceivable angle, like a beacon in the city's seaway. 

Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia 2014 © Bavykin Architectural Studio  

Land plot layout diagram combined with the transportation organization plan of the territory. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  

Sweep circuit of the facades along the Elektrichesky Alley. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  

Plan of facade fragment N1. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  

The volume standing opposite to the tower - the third one in the array viewable from the alley - completely mimics the surrounding houses. And this mimicry works exactly like a paper clip that attaches the middle volume to the surrounding cityscape, making it its integral part. 

Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  

Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  

One will also see here the unconventional brick facing of the walls - the kind that Moscow architecture has already grown unused to. Today, when it comes to facing, the first things that come to mind are its color and its material, not its plastic possibilities. In our case, the coveted (in the dull Moscow sun) plastics and ripples of the facade's scale armor is achieved by simple shifting of the bricks back and forth one fourth of their size, with equal or varying steps, beating the rhythm in and out of time. Imitating the joints remaining from the decomposed brickwork and thus hinting of the affinity of this house to some earlier structure - as if the vertical protrusion in the yard used to belong to some broken entity that left regular pieces of brickwork behind it: you can see something like this in the city monasteries and even in the city yards if you look really close - the textured pattern of the brickwork makes the task of examining the facades not only interesting but also throws in some story in the vein of some alternative history novel - treated in a very subtle way for those who understands the very subject of ruins. In the arch in the Mozhaiskoe Shosse, this theme was "killed" personally by the then-mayor of Moscow Yuri Luzhkov but the architectural ideas do no die - they transform and get enriched with new techniques. 

Brickwork types. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  

Facade diagram in axes 1-7. Brickwork types. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  


In this version of the project, little is left of the teeth of the "crown" of the "outlaw" order without the capitals - but the house in many respects takes after the good old tenement in the Moscow yard with its circumstance-conditioned plan, its cavities and protrusions, and haphazard annexes - it is this image that prevails here, and it helps the house to be at one with its environment. 

So maybe we should not even regret the fact that we will never again see those sculptures, those crowns peacefully resting on top of the columns, reflecting and multiplying in the glass surface of the penthouse , and the fact that the Bavykin dog will never shoot across the sky above the Ekektrichesky Alley...

Facade diagram in axes A-K. Brickwork types. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  

 
Facade diagram in axes 1-7. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  


Facade diagram in axes K-A. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio
 
Facade diagram in axes 6-5 and 5-7. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  

Facade diagram in axes 3-1. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  

Section view 2-2. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  

Section view 1-1. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio

Roof plan. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio
Plan of the 7th floor. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio

Plan of the 5th floor. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio

Plan of the 6th floor. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studi

Plan of the 4 th floor. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio

 
Plan of the 3rd floor. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio

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Plan of the 2nd floor. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio

 
Plan of the 1st floor. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studi

 
Plan of the 1st floor. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio


 
Plan of the -1st floor. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio


 
Location plan. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio


So maybe we should not even regret the fact that we will never again see those sculptures, those crowns peacefully resting on top of the columns, reflecting and multiplying in the glass surface of the penthouse, and the fact that the Bavykin dog will never shoot across the sky above the Ekektrichesky Alley...
The hotel with apartments and an underground parking garage in the Elektrichesky lane. Project, 2014
Copyright: © Aleksey Bavykin Architects
House in the Elektrichesky Lane, 201. View form the Elektrichesky Lane
Copyright: © Aleksey Bavykin and Partners
The hotel with apartments and an underground parking garage in the Elektrichesky lane. Project, 2014
Copyright: © Aleksey Bavykin Architects
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07 November 2014

Headlines now
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.
Domus Aurea
In this issue, we examine the “Tessinsky-1” house, designed by Sergey Skuratov and completed in 2023. Located in the middle of the Serebryanicheskaya Embankment district, at the intersection of its main streets, this house assumes a sort of “nodal” role: it not only responds to everything around it and preserves many memories of the former EMA factory within itself, but it weaves all this into a newly directed pattern, reconciling bright “gold” and dark-colored brick, largely with the help of the new, modern-yet-archaic Columba brick, which, come to think about it, is the most precious element here.
The Chimney of Nikola-Lenivets
In this issue, we are examining the “Obelisk House” designed by KATARSIS and built for the Arkhstoyanie 2023 festival. However, it was only finished later on, and this is why we are examining it now. It seems to us that after the “Obelisk House” appeared in Nikola-Lenivets, a dialogue and a few inner connections appeared between the temporary structures built here. These houses no longer look like “accidental neighbors”, more of which below.
​Periscope by the Bay
The jury awarded the second place in the competition for a public and cultural center in Petropavlovsk-Kamchatsky to the companies GORA (“Mountain”) and M4. In the consortium’s proposal, the building resembles a sperm whale with a calf swimming next to it or a periscope, whose lenses capture the most spectacular views from the surrounding landscape.
From Arcs to Dolmens
While working on the competition project for Petropavlovsk-Kamchatsky, ASADOV Architects prioritized the value of the natural and urban environment, aiming to preserve the balance of the location while minimizing the resemblance of the volume that they designed to a “traditional building”. The task was challenging, and the architects created three versions, one of which having been developed after the competition, where their main proposal took third place. However, the point of interest here is not the competition result but the continuity of creative thinking.
Hide and Seek
The ID Moskovskiy house, designed by Stepan Liphart in St. Petersburg, in the courtyards near Moskovskiy Avenue beyond the Obvodny Canal and recently completed, is notable for several reasons. Firstly, it has been realized with considerable accuracy, which is particularly significant as this is the first building where the architect was responsible not only for the facades but also for the layouts, allowing for better integration between the two. On the other hand, this building is interesting as an example of the “germination” of new architecture in the city: it draws on the best examples from the neighborhood and becomes an improved and developed sum of ideas found by the architect in the surrounding context.
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Frozen Magma
A competition for the creation of a public and cultural center was held in Petropavlovsk-Kamchatsky. Three architectural companies made it to the final, and we consider it important to share about the work of each. Let’s start with the winner – the consortium led by Wowhaus.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.