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​In the Rhythm of a Moscow Yard

Bavykin's architectural studio is getting back to the project of the apartment hotel in the Electrichesky Alley.

07 November 2014
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Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia 2014 © Bavykin Architectural Studio  


The project was prepared for the land site on which last spring there was taken down, though protected by the local people, the deputy Elena Tkach, and "Archnadzor", the remainder of the architect Sokolov's mansion. Truth be told, the house looked pretty ugly; it had no protected status whatsoever, the better half of it consisting of the so-called "soldier brickwork", the kind that was used in the first post-war years, faulty and sloppy-looking. The house was demolished legitimately and lawfully, with the permit issued by the demolition committee working under the supervision of deputy mayor Khusnullin.

The coordinator of "Archnadzor" Rustam Rakhmatullin proposed to restore the Sokolov mansion true to the original - meaning, because there was very little left of it, in fact, to build it from scratch in the original shapes, or, to be still more exact, to build a completely new building within the confines of the old building - a small single-story monument to the mansion at the heart of Moscow. The rhetoric that the historic preservation activists used, called the new project - the one that was to be built here instead of the mansion - nothing other than a "concrete-and-glass giant", the classic cliché of the 1980's that gave away their unwillingness to take even a brief look at the new project, for the simple reason that any substitution of the building that they defended they considered as “evil” by default. 

Meanwhile, concrete and glass are there in virtually any building in this day and age, but they are not that important here, after all. The subtle, considerate of both their environment and plastics, and generally "intelligent" projects are still few and far between even in the center of Moscow as it is. The architect Aleksey Bavykin, together with his daughter Natalia Bavykina, has been designing for this land site since 2010, and is now ready with a third version, complying to the ever new restrictions. Initially, the house used to occupy the whole site, then it got cut down to the size of the blueprint of its predecessor, and the outlines if its plan took on an intricate plan following the jagged annexes that once stood here (it is just baffling why this was to be done if the original house had been demolished anyway - but the specifications are to be observed and the architects did precisely that, with their height being even a bit smaller than what was actually permitted). We asked Aleksey Bavykin about the Sokolov Mansion, and he said that in his opinion, had there been as much as a little something left of the original house, something that was worth the preserving effort (Bavykin graduated from Moscow Institute of Architecture majoring in restoration, so he must know something about the subject and the possibilities if conservation), he would not have taken up this project under any circumstances. And - he hates modern replicas and remakes, does not think that they make any sense and he would never have signed up to build a "remake". 

The architects are sure of their righteousness, and the project, truth be told, is worth implementing, so let us go there and take a closer look. 

***
A dog ran across the sky and disappeared... As for the dialogue of "Let's-talk-architect-to-architect", that is so attractive in any reconstruction, it failed to work out either in the first or in the second case. And how could it have been otherwise? The little house that was built back in 1884 by the "reduced in his circumstances and modest in his desires artist and architect Sokolov" - with a grand entrance, rusticated pilasters, and semicircular gable simply fell into pieces. Not into ruins but into pieces: the ruins are something that is romantically attractive while the pieces inspire at best a feeling of pity rather than any interest to one's history. 

The house changed hands, got re-planned from time to time, and kept receiving additions all the time as well: in 1899 - a conservatory, and in 1903 - a single-story volume of a kitchen... After 1917, this house that, according to records, had the status of a "private flat", met with the fate of the so called "communal housing" - with the inevitable construction of extra partitions, cutting and sawing new passages and the inevitable driving of nails and spikes into the walls of the anteroom in order to secure tubs, sledges, and bicycles. And in the 1970's, even this idyllic and smelling of pies, boiled laundry, and cabbage soup, life came to an end: the house was turned into an office building with an ill-closing lopsided entrance door, new haphazardly placed partitions and the unwashed cracked windows. Since that day, devoid of any masters, the house, started to rapidly disintegrate past the point of no return. And nobody cared for the fact that it once was a mansion, so rare in this part of town, that once there was probably a little front garden in front of it, and for sure a garden behind it, to which you could walk out of the back terrace. Even the roof timber had long since rotted away...

So, what kind of "dialogue" can we speak here about? At best, a soliloquy about a modern replica, so disliked by Bavykin "building something new, only exactly like something old"…

***

Designing in one of Moscow's narrowest and shortest alleys, squeezed between the pseudo-Russian facade of the Firsanov alms-house and the silhouette of the Vulykh Tower, both bristling with corbel arches, is a tall order indeed. The place does not provide any territorial or even emotional starting points: there are but inexpensive tenement buildings, diluted by an odd soviet-era house here and there. There is no viewing point from which the building could be perceived as a whole - you either only see the top or the bottom of it. Some see one corner, and some see the opposite one, and thus search can go on forever. Ironically, thanks to the twist of his architectural fate and the customer's whim, Bavykin had to go through this quest twice. 

The first time it happened was back in 2010 when on the red housing line, a manifesto of a house was to appear: the clear-cut protrusion of the glass penthouse, the irregular colonnade of the trees merging into a sculptural crown, and the jagged grilled of cornice marquee. 

House in the Elektrichesky Alley, 2010. View from the Elektrichesky Alley © Bavykin Architectural Studio  


The return to the dire confines of the Elektrichesky Alley in 2013 did not look either bright or declarative at first sight. Still, there is something wrong with this "declaratively low profile". In the second version, there was virtually nothing left of "Brusov's Brother". Except maybe for the bronze-patinated canes in the railings of the balconies and the glass volume of the penthouse that undulates in the sunlight with the faceted glass of its outside wall… 

Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia 2014 © Bavykin Architectural Studio  

As for the house, it took on the tripartite quality, earlier alien to it; the house stepped back from the red line, practically completely fit the blueprint of the long-gone mansion, and immediately stopped domineering in the street perspective , leaving this privilege up to the already-mentioned Firsanov alms-house that back in the soviet days failed to escape the destiny of being overbuilt with a couple of stories and bring turned from an a-la Russ souvenir box into a granny's trunk that had obviously seen much service. And, set against the background of such visual centerpiece, the exquisite, almost ethereal, volume of the apart-hotel cannot but keep one's attention glued to it. You look over your shoulder yet again and then you at once grasp the position of the corner tower that inexorably puts you in the mind of the ancient castles and fortresses or maybe the building of Mosselprom. "We designed this tower as a small centerpiece, in the spirit of what I would call "low-rise verticals", so very much in the spirit of the old Moscow - Aleksey Bavykin shares - you must remember all those belfries, corner turrets, and other little accents, many of which were destroyed during the soviet years. So, thinking about this little tower, we somehow wanted to get back to this old Moscow's rhythm with its low-rise verticals". 

And on the inside, behind the all-but-impermeable denseness of the walls, within the layer-cake of the stories, the architects were able to reconcile the contraries: on the ground and underground, everything starts with the chute of the park lift, on the second, third, ... fifth - turns into a bedroom with a bathroom attached to it, and on the sixth - transforms into the part of the penthouse that is not covered by the free planning. And so, set deep inside the composition, it is this "false" tower that catches the eye from virtually every conceivable angle, like a beacon in the city's seaway. 

Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia 2014 © Bavykin Architectural Studio  

Land plot layout diagram combined with the transportation organization plan of the territory. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  

Sweep circuit of the facades along the Elektrichesky Alley. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  

Plan of facade fragment N1. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  

The volume standing opposite to the tower - the third one in the array viewable from the alley - completely mimics the surrounding houses. And this mimicry works exactly like a paper clip that attaches the middle volume to the surrounding cityscape, making it its integral part. 

Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  

Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  

One will also see here the unconventional brick facing of the walls - the kind that Moscow architecture has already grown unused to. Today, when it comes to facing, the first things that come to mind are its color and its material, not its plastic possibilities. In our case, the coveted (in the dull Moscow sun) plastics and ripples of the facade's scale armor is achieved by simple shifting of the bricks back and forth one fourth of their size, with equal or varying steps, beating the rhythm in and out of time. Imitating the joints remaining from the decomposed brickwork and thus hinting of the affinity of this house to some earlier structure - as if the vertical protrusion in the yard used to belong to some broken entity that left regular pieces of brickwork behind it: you can see something like this in the city monasteries and even in the city yards if you look really close - the textured pattern of the brickwork makes the task of examining the facades not only interesting but also throws in some story in the vein of some alternative history novel - treated in a very subtle way for those who understands the very subject of ruins. In the arch in the Mozhaiskoe Shosse, this theme was "killed" personally by the then-mayor of Moscow Yuri Luzhkov but the architectural ideas do no die - they transform and get enriched with new techniques. 

Brickwork types. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  

Facade diagram in axes 1-7. Brickwork types. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  


In this version of the project, little is left of the teeth of the "crown" of the "outlaw" order without the capitals - but the house in many respects takes after the good old tenement in the Moscow yard with its circumstance-conditioned plan, its cavities and protrusions, and haphazard annexes - it is this image that prevails here, and it helps the house to be at one with its environment. 

So maybe we should not even regret the fact that we will never again see those sculptures, those crowns peacefully resting on top of the columns, reflecting and multiplying in the glass surface of the penthouse , and the fact that the Bavykin dog will never shoot across the sky above the Ekektrichesky Alley...

Facade diagram in axes A-K. Brickwork types. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  

 
Facade diagram in axes 1-7. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  


Facade diagram in axes K-A. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio
 
Facade diagram in axes 6-5 and 5-7. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  

Facade diagram in axes 3-1. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  

Section view 2-2. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio  

Section view 1-1. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio

Roof plan. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio
Plan of the 7th floor. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio

Plan of the 5th floor. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio

Plan of the 6th floor. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studi

Plan of the 4 th floor. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio

 
Plan of the 3rd floor. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio

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Plan of the 2nd floor. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio

 
Plan of the 1st floor. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studi

 
Plan of the 1st floor. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio


 
Plan of the -1st floor. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio


 
Location plan. Apartment hotel with an underground parking garage in the Elektrichesky Alley, Moscow, Russia, 2014 © Bavykin Architectural Studio


So maybe we should not even regret the fact that we will never again see those sculptures, those crowns peacefully resting on top of the columns, reflecting and multiplying in the glass surface of the penthouse, and the fact that the Bavykin dog will never shoot across the sky above the Ekektrichesky Alley...
The hotel with apartments and an underground parking garage in the Elektrichesky lane. Project, 2014
Copyright: © Aleksey Bavykin Architects
House in the Elektrichesky Lane, 201. View form the Elektrichesky Lane
Copyright: © Aleksey Bavykin and Partners
The hotel with apartments and an underground parking garage in the Elektrichesky lane. Project, 2014
Copyright: © Aleksey Bavykin Architects
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07 November 2014

Headlines now
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.