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Ivan Ovchinnikov: "Off-the-shelf mobile solutions are the way of life that I carry over to my architecture".

About the feasibility that gives you a competitive advantage, about life in the DoubleHouse, about the construction of MicroLoft, about the close of the festival era, and about the history of ArchFarm.

19 August 2014
Interview
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DoubleHouse. Photo courtesy by Ivan Ovchinnikov.

- At ArchiWOOD you went ahead and read out a sparking manifesto that was dedicated to DoubleHouse, one that probably even helped it to win in the popular vote. Could you please quote the main line of that manifesto?

- This was a manifesto of the "unpublished" category. I specifically prepared it for the vote in case somebody of my competition got the better of me - but never did have recourse to it. The main line probably was: "I am not asking you to vote for the author or for the project itself - I am asking you to vote for the very approach to the architecture and to countryside construction". And, to me, what is so special about this approach is its duplicability, accessibility, and its mass character. This is why I took an active part in the struggle for the popular vote, even though I never did this before. 

- Do you yourself believe in your manifesto? 

- Strange question! Why should I do this otherwise? Because DoubleHouse is not my first modular project and not my first project of compact housing. ArchPriyut ("ArchAsylum" - translator's note) - was quick-mount and feasible. Last year I organized "MicroHouse" Festival that also went a long a way to give birth to a lot of new ideas and the real experience in construction of quick-mount movable projects. A lot of our houses were built at ArchFarm, and then transported to Museon. 


DoubleHouse. Photo courtesy by Ivan Ovchinnikov.

- As for DoubleHouse - does it sell at all?

- I will be totally honest with you - our main challenge now is how to produce it, not how to sell it. A lot of our customers would like to buy it as early as this summer but presently our production facilities and their workload enabled us only to make one sales-demo project that actually sold at once - in fact, in ten days after its construction began. 

- Generally speaking, DoubleHouse is a beautiful idea: a ready house with all the communications and even furniture. We know, however, that in Europe such "traveling" houses are quite common, and they have a lot of modifications to them. Can you put your DoubleHouse into the European context? Is there anything that makes it different or does it recreate some western prototype? What did you proceed from? 

- Of course, it would be wrong to say that our DoubleHouse is unique and that it was born without the influence of any European analogues. I have always been interested in the phenomenon of compact housing, I have collected a large library on the subject, and, of course, at the moment of the birth of DoubleHouse, all I had to do was put my knowledge together to come up with a new image. As for the birth moment of this idea, it stands out in my memory quite vividly: this was at ArchMoscow 2013, where the FutteralHaus by Maxim Kurenny was first shown. I was really impressed with this idea but then, based on my experience and understanding some of the limitations of the modular "pull-out" project of FutteralHaus, I immediately came up with a different building structure that was not to be pulled out but that was to be put together out of two halves. Maxim, probably, won't even remember our dialogue: I said that I came up with an idea how his project could be improved. And he was like "And how?" To which I playfully answered: "I will first do it, then show it to you, and then we will compete!" Today we are friends with Maxim, we work together, and promote this thing in Russia. 

By the way, I am not making an accent on the mobility and the opportunity of moving from place to place. The quality of being modular provides an opportunity to assemble the house at the production facilities, raising its quality and lowering its cost, while its mobility is not that important, really: over this half a year nobody actually asked me about the possibility of a multiple move-over. DoubleHouse is the project that can be quickly assembled on your land site but it is not a trailer on wheels, after all. 


DoubleHouse in the process of assembly. Photo courtesy by Ivan Ovchinnikov.

- And if we are to compare it to the typical panelized house that have been popular at the Russian dachas since the 1980's, or to the cheap offers of today's Russian market? Is it true that DoubleHouse is more expensive? Did you study the market before you actually started, and what conclusions did you draw from that study? 

- Well, it's all pretty basic, really: the typical panelized houses require a lot of follow-up work - finishing, communications, furniture... Nobody ever gives a thought to the ultimate cost of the building, buying the sheer box, and the main resources are spent later on - countless trips to buy the finishing materials, figuring out where to house the workers, finding the electrician, the plumber, and such like. With DoubleHouse it's different - you buy it and you start living it. Just like with a car - you buy it and you drive it. Because you don't buy a car with no seats inside. 


DoubleHouse. Interior. Photo courtesy by Ivan Ovchinnikov.


DoubleHouse. Photo courtesy by Ivan Ovchinnikov.

- You mentioned Maxim Kurenny's Futteralhaus; this year, at ArchMoscow was showcased its new modification - FH_25. How many more Russian analogues do you know? 

- I do not know a single architect who would not at least once in his career propose to make a house "like in IKEA". There are many similar "paper" projects done by our Russian colleagues, a few projects are already searchable on the Internet and are offered for implementation but the end product was achieved only by me and Maxim. 

- You and your family, you live in a DoubleHouse. How long ago did you move there? Have you been able to run into any issues over such a test period? 

I've been living in my DoubleHouse on a permanent basis since December 2013. The main issues came up during the January frost when the water that ran along the outside walls froze. Now the project was has been fully redone, we hid all the layout and distribution behind the inside partition, so the water has no chance of freezing. Also, in my house I did not do the covered terrace and I now regret it - with a terrace, the house looks better, there is a place to sit outside when it rains, and you also need an awning above the entrance. Right now, I am testing my house in the "summer heat" mode - so far I am satisfied. 

- The all-purpose park pavilion "UPP" is also designed to be transported around. Are such off-the-shelf mobile solutions a specialty of BIO-architects? 

- This is also a way of life that I try to carry over to architecture, and the feasibility that gives me a competitive edge. 


All-purpose UPP module. Photo courtesy by Ivan Ovchinnikov.

- When was BIO-architects founded and how does it work? Do you have partners or such like?

- The bureau came into being at the time when all my social projects got shut down. I had long since been into architectural design and since 2011 I developed my own production facilities, but, while I only used to invest part of my time between the festivals and other programs, now I formalized my activities as an architectural bureau. For solving my architectural tasks I often turn to some other outsource architects: last year, for example, we did together a few joint projects with Leo Anisomov. The production questions are solved by a close-knit team that works on a permanent basis. I've got guys that help me deal with the organization issues - for example, the great girl Katie Geraskina helps develop the furniture branch, and largely because of her efforts we have recently united with other young design companies to form the Club of Industrial Designers. 

- Your furniture is very rectangular and laconic to the point of brutalism. The Three Bears (classic Russian folk fairy-tale - translator's note) would probably appreciate it... Is this a principle with you? You will insist on making rectangular stuff or maybe something else is also possible? 

- And you are putting too fine a point on it. I do have a furniture series that is made of massive construction timber - these babies will last for centuries. But I do the light stuff as well. For example, we have now pioneered making Russia's first furniture of LVL-timber, and it has no right angles or massive parts - just because this material "plays" in a totally different way particularly in the curvilinear shapes, and its transparency enables us to make light structures. 


Furniture. Photo courtesy by Ivan Ovchinnikov.


Furniture. Photo courtesy by Ivan Ovchinnikov.


Furniture. Photo courtesy by Ivan Ovchinnikov.


Production of furniture. Ivan Ovchinnikov is on the left. Photo courtesy by Ivan Ovchinnikov.


Production of furniture. Photo courtesy by Ivan Ovchinnikov.

- So, the festival period is over - what's next? Was MicroLoft your last festival project? (Where is it now, by the way?)

- I made a pause. Got some architectural "rehab". Nobody knows what's going to happen tomorrow. As for MicroLoft, it is now taken apart and lying in wait at my production facility near the city of Troitsk - I hope to assemble it there. 


MicroLoft in Museon. Photo courtesy by Ivan Ovchinnikov.


MicroLoft in Museon. Photo courtesy by Ivan Ovchinnikov.

- Why did you leave ArchFarm? Did you have any regrets about that? 

- It's ArchFarm that left Tula Region, not the other way around. It did so for a number of reasons, first of all, because further steady development became impossible there. Do I regret it? Not in the least! How can you regret the experience that you got? I hope that all the friends of ArchFarm also do not regret the time that they spent there. And as for the concept of ArchFarm, it is still alive - in my heart, and in the hearts of my friends. With God's help, one day ArchFarm will find a new venue where it will be implemented with regard to the acquired experience. 


Graffiti at the ArchFarm. Photo courtesy by Ivan Ovchinnikov.
 
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19 August 2014

Headlines now
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.
The Color of the City, or Reflections on the Slope of an Urban Settlement
In 2022, Ostozhenka Architects won a competition, and in 2023, they developed and received all the necessary approvals for a master plan for the development of Chernigovskaya Street for the developer GloraX. The project takes into account a 10-year history of previous developments; it was done in collaboration with architects from Nizhny Novgorod, and it continues to evolve now. We carefully examined it, talked to everyone, and learned a lot of interesting things.
A Single-Industry Town
Kola MMC and Nornickel are building a residential neighborhood in Monchegorsk for their future employees. It is based on a project by an international team that won the 2021 competition. The project offers a number of solutions meant to combat the main “demons” of any northern city: wind, grayness and boredom.
A New Age Portico
At the beginning of the year, Novosibirsk Tolmachevo Airport opened Terminal C. The large-scale and transparent entrance hall with luminous columns inside successfully combines laconism with a bright and photogenic WOW-effect. The terminal is both the new façade of the whole complex and the starting point of the planned reconstruction, upon completion of which Tolmachevo will become the largest regional airport in Russia. In this article, we are examining the building in the context of modernist prototypes of both Novosibirsk and Leningrad: like puzzle pieces, they come together to form their individual history, not devoid of curious nuances and details.
A New Starting Point
We’ve been wanting to examine the RuArts Foundation space, designed by ATRIUM for quite a long time, and we finally got round to it. This building looks appropriate and impressive; it amazingly combines tradition – represented in our case by galleries – and innovation. In this article, we delve into details and study the building’s historical background as well.
Molding Perspectives
Stepan Liphart introduces “schematic Art Deco” on the outskirts of Kazan – his houses are executed in green color, with a glassy “iced” finish on the facades. The main merits of the project lie in his meticulous arrangement of viewing angles – the architect is striving to create in a challenging environment the embryo of a city not only in terms of pedestrian accessibility but also in a sculptural sense. He works with silhouettes, proposing intriguing triangular terraces. The entire project is structured like a crystal, following two grids, orthogonal and diagonal. In this article, we are examining what worked, and what eventually didn’t.
An Educational Experiment for the North
City-Arch continues to work on the projects that can be termed as “experimental public preschools”: private kindergartens and schools can envy such facilities in many respects. This time around, the project is done for the city of Gubkinsky, Yamalo-Nenets Autonomous District. A diverse educational and play environment, including a winter garden, awaits future students, while the teachers will have abundant opportunities to implement new practices.