По-русски

On foot, by water, by air

The contest project of a mixed-use complex on the embankment of the Moscow-river, in front of the City, in the variant suggested by Dmitry Aleksandrov looks like a reflection on the idea of “main elements”: he makes accent on water surface in the river, lifts the ground onto the roofs of the buildings and manipulates with the space enlarging it twice

14 April 2008
Object
mainImg
Architect:
Dmitriy Alexandrov
Object:
Contest project on architectural concept of mixed-use recreation complex on the embankment of the Moscow-river
Russia, Moscow, Territory of the projected proezd 1824

Project Team:
D. Aleksandrov, A. Vartapetova, K. Kanunnikova, A. Ivanov with participation of A. Geraskina, I. Kesler

12.2007 — 2.2008

Client: “Miraks-Group” company

The “Miraks” company, famous firstly for the “Federaciya” tower, is developing a considerable number of projects around the City and right beside it. Outside the Tretie kolco [the third ring] Norman Foster is designing project of an egg-shaped building, not the first one in the Lord’s grand portfolio; on the opposite bank of the Moscow-river the complex “Miraks-Plaza” by Sergey Kiselev is being actively constructed, we have written about it lately. Actually, the both districts on this side of the river, between the Tretie kolco, Kutuzovsky prospect, Filevskaya metro line and 1812 goda street, are being reconstructed by “Miraks”: the building by Kiyonori Kikutake will be in the western side; in the centre there will be constructed an administrative-business complex “Gelion” by Aleksey Voroncov. In the southern side, by the prospect, there will be built an “institute” district of Stalin period with participation of Sergey Kiselev. The range itself and the architects who are taking part in its realization leave no doubt that in the nearest future this piece of Moscow will definitely become more attractive.

Recently a closed architectural contest on development of the embankment, which the listed districts join, has been held. In fact, this is the part of the riverbank between the “Miraks-Plaza” and the future house by Kikutake, was presented on the MIPIM exhibition held in Cannes under the name “Paradise living”. A Paradise house needs a suitable embankment – must notice that the bank of the river is the last “uncertain” project for the territory. For the final consideration there were the four projects: by Dmitry Aleksandrov, Aleksey Asadov, Ireland architectural company “Murray Ó Laoire” and the architectural studio of “Miraks company”. The project by Asadov’s studio was chosen. Hopely, we will tell you about it soon, and now will tell about the project by the studio of Dmitry Aleksandrov.

First, it is important to notice the site is hard and it has almost all the problems, which has the place for “Miraks-plaza”. There is a line of pressure canalization, gas pipes and high-voltage line here. In a small distance from the bank there goes Filevskaya metro line, it will be included in the ensemble of the mixed-use complex and will be a southern border separating it from the city. There will be a car road over the metro, also a monorail road or “light metro” – the three ways join on this part. Then the monorail road will turn to the North and by the bridge over the Moscow-river to the future building by Foster. In parallel to monorails there will be another bridge, for vehicles. So, the architects met a specific urban planning task – in general view, it is clear this is not a house or a street, or a district, but it is primarily a transport structure, as well as social and nature one, if it is right to say so. Now the territory has got the status of “nature zone”, but in reality the bank has a lot of industrial buildings stretched along the river with a few poor trees among them. The territory is tightly separated – ordinary people have no way there. There is no embankment – next to the most high-status business development of Moscow the riverbank is dirty but virgin.

The variant suggested by Dmitry Aleksandrov can be described as calm and laconic. The complex creates a multiplayer space along the bank, half-open to the waterside. The curve of the river is slightly accented, intensified by the outlines of the constructions and is divided by the three buildings-docks. “Noses” of the docks turn to the West, upstream and create bays. This idea is interesting – probably it was designed to prevent water in bays from stagnating.

Generally, the river is given a special attention in the project, river is its main focus. This is not typical for Moscow, it is a kind of city with a lot of rivers, small rivers, underground waters, but this is not that obvious. Moscow rivers are mostly dirty places, industrial and uncomfortable – unlike in St. Petersburg which is almost pierced with the cult of rivers and bridges.

In the project by Dmitry Aleksandrov everything is different, it is not isolated from the water, but quite actively takes it in. The idea has its grounds – the river is not very dirty here, it is comparatively close to Serebryany Bor. Around the docks there will be a yacht club. Over the largest of them there hangs resting on metal “legs” the building of the apart-hotel combined with a business centre on the roof of which there will be a helicopt deck. Its glass facade (in the project there is a mention of joyful color glass) becomes a river facade of the complex. Over the second and the third docks there are cafes. In winter – if the Moscow-river will get frozen ever again – there will be shows on the ice.

The other focus of the project is the ground. Strictly saying in modern architecture there are three approaches to the ground – they either excavate and completely destroy it, or transfer it to a roof or do not touch at all and accurately cultivate it. Often all the three are combined in a single project. Like in this project. Well, in its description it is said the volume of excavation works is minimal – this means they will do that where they urgently need to do so. But if we look at the complex in profile it is cleat that the bank is turned into a stretched multilevel hole of concrete floorings rising above the ground: metro line, open now, creeps into the tunnel box on the roof of which there will be a car road and there will placed supports for monorail. Then, closer to the river there will be shops, cafes, parkings, on the roof of which there will be a boulevard. The green roof stretches along all the constructions and enlarges twice the space of recreation.

“The third element” of the project is people, or rather their moving. For separating their ways there was made a special accent: the centre will not be entirely available for public, some parts of it will become a “club zone” available by some modern member cards (though from time to time they will be open for the rest public). This is why it was necessary to think how ordinary and not ordinary people would move, and where would be cars placed. Within the complex there will be no vehicles if not consider the mentioned before car road on the roof of the metro that goes along its border. There will be the two entrances – from the east, from Miraks-plaza and from the west, from the Kikutake’s building side; in front of each of them there will be a car-parking – further people will move by electric carts, bicycles or walk on foot. There will be lifts to move vertically among the storeys.

“Such an elementary character – from the word “element” – does not mean plainness, but rather vice-versa: the project has simple architectural forms, but also the great work is obvious, it is important for the place where cross the ground, the water and people. It seems the architects were considering each element separately and in the end it all came to a simple but complex structure.

zooming


Architect:
Dmitriy Alexandrov
Object:
Contest project on architectural concept of mixed-use recreation complex on the embankment of the Moscow-river
Russia, Moscow, Territory of the projected proezd 1824

Project Team:
D. Aleksandrov, A. Vartapetova, K. Kanunnikova, A. Ivanov with participation of A. Geraskina, I. Kesler

12.2007 — 2.2008

Client: “Miraks-Group” company

14 April 2008

Headlines now
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.